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Presence in play: a critique of theories of presence in the theatre

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Bibliographic Details
Main Author:	Power, Cormac (Author)
Format:	Book
Language:	English
Published:	Amsterdam [u.a.] Rodopi 2008
Series:	Consciousness, literature & the arts 12
Subjects:	Theater / Philosophy Theater / Psychological aspects Theater / Semiotics Sémiotique et théâtre Théâtre - Aspect psychologique Théâtre - Philosophie Philosophie Psychologie Theater > Philosophy Theater > Psychological aspects Theater > Semiotics Auftritt Theater
Online Access:	Inhaltsverzeichnis
Physical Description:	viii, 228 p. 23 cm
ISBN:	9042023813 9789042023819

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adam_text	PRESENCE IN PLAY A CRITIQUE OF THEORIES OF PRESENCE IN THE THEATRE CORMAC POWER AMSTERDAM - NEW YORK, NY 2008 CONTENTS ACKNOWLEDGEMENTS INTRODUCTION 1 CHAPTER 1 MAKING-PRESENT: 15 THE FICTIONAL MODE OF PRESENCE 1.1 THEATRE AS A NEGATION OF THE REAL 16 1.2 FILM AS NEGATION OF REALITY 21 1.3 THE NEED TO IMAGINE 24 1.4 THE ACT OF MAKING-PRESENT 31 1.5 MULTIPLYING PRETENCE 34 1.6 CONCLUSION 44 CHAPTER 2 HAVING PRESENCE: 47 THE AURATIC MODE OF PRESENCE 2.1 CREATING AURATIC PERFORMANCE 53 2.2 DEMYSTIFYING AURA 66 2.3 THE PRESENCE OF THE ACTOR 74 2.4 CONCLUSION 84 CHAPTER 3 BEING PRESENT: 87 THE LITERAL MODE OF PRESENCE 3.1 AURA VERSUS CONTINGENCY 89 3.2 PERFORMANCE VERSUS THEATRE 103 3.3 THEATRE AS PERFORMANCE 109 3.4 CONCLUSION: THE IDEA OF PRESENCE 114 CHAPTER 4 DECONSTRUCTING PRESENCE 117 4.1 PRESENCE AS PHONOCENTRISM 119 4.2 DECONSTRUCTING PRESENCE 128 4.3 DERRIDA S PRESENCE 135 4.4 CONCLUSION 145 CHAPTER 5 THE PRESENCE OF LIVENESS 147 5.1 THE CRITIQUE OF LIVENESS 149 5.2 REVIVING THE LIVE? 156 5.3 THE MEANINGS OF LIVENESS 166 5.4 ENACTING DISAPPEARANCE 169 5.5 CONCLUSION 173 CHAPTER 6 SIGNIFYING PRESENCE 175 6.1 APPROACHING THEATRE THROUGH PHENOMENOLOGY 176 6.2 SIGNIFYING PRESENCE 191 6.3 CONCLUSION 198 CONCLUSION THE MAGIC OF THEATRE 201 BIBLIOGRAPHY 209 INDEX 223
adam_txt	PRESENCE IN PLAY A CRITIQUE OF THEORIES OF PRESENCE IN THE THEATRE CORMAC POWER AMSTERDAM - NEW YORK, NY 2008 CONTENTS ACKNOWLEDGEMENTS INTRODUCTION 1 CHAPTER 1 MAKING-PRESENT: 15 THE FICTIONAL MODE OF PRESENCE 1.1 THEATRE AS A NEGATION OF THE REAL 16 1.2 FILM AS NEGATION OF REALITY 21 1.3 THE NEED TO IMAGINE 24 1.4 THE ACT OF MAKING-PRESENT 31 1.5 MULTIPLYING PRETENCE 34 1.6 CONCLUSION 44 CHAPTER 2 HAVING PRESENCE: 47 THE AURATIC MODE OF PRESENCE 2.1 CREATING AURATIC PERFORMANCE 53 2.2 DEMYSTIFYING AURA 66 2.3 THE PRESENCE OF THE ACTOR 74 2.4 CONCLUSION 84 CHAPTER 3 BEING PRESENT: 87 THE LITERAL MODE OF PRESENCE 3.1 AURA VERSUS CONTINGENCY 89 3.2 PERFORMANCE VERSUS THEATRE 103 3.3 THEATRE AS PERFORMANCE 109 3.4 CONCLUSION: THE IDEA OF PRESENCE 114 CHAPTER 4 DECONSTRUCTING PRESENCE 117 4.1 PRESENCE AS PHONOCENTRISM 119 4.2 DECONSTRUCTING PRESENCE 128 4.3 DERRIDA'S PRESENCE 135 4.4 CONCLUSION 145 CHAPTER 5 THE PRESENCE OF LIVENESS 147 5.1 THE CRITIQUE OF LIVENESS 149 5.2 REVIVING THE LIVE? 156 5.3 THE MEANINGS OF LIVENESS 166 5.4 ENACTING DISAPPEARANCE 169 5.5 CONCLUSION 173 CHAPTER 6 SIGNIFYING PRESENCE 175 6.1 APPROACHING THEATRE THROUGH PHENOMENOLOGY 176 6.2 SIGNIFYING PRESENCE 191 6.3 CONCLUSION 198 CONCLUSION THE MAGIC OF THEATRE 201 BIBLIOGRAPHY 209 INDEX 223
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title	Presence in play a critique of theories of presence in the theatre
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title_short	Presence in play
title_sort	presence in play a critique of theories of presence in the theatre
title_sub	a critique of theories of presence in the theatre
topic	Theater / Philosophy Theater / Psychological aspects Theater / Semiotics Sémiotique et théâtre Théâtre - Aspect psychologique Théâtre - Philosophie Philosophie Psychologie Theater Philosophy Theater Psychological aspects Theater Semiotics Auftritt (DE-588)4209881-6 gnd Theater (DE-588)4059702-7 gnd
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