The classical piano sonata: from Haydn to Prokofiev
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| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London
Kahn & Averill
2004
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references (p. 332-345) and index Haydn: Sonata in C minor [HOB XVI:20] -- Haydn: Sonata in E-flat major, HOB XVI:49 -- Mozart: Sonata in C major, K 330 -- Beethoven: Sonata in C minor, op. 13, Pathétique -- Beethoven: Sonata in D minor, op. 31, no. 2 -- Beethoven: Sonata in E major, op. 109 -- Beethoven: Sonata in A-flat major, op. 110 -- Beethoven: Sonata in C minor, op. 111 -- Schubert: Sonata in A major, D 664 (op. 120) -- Schubert: Sonata in A minor, D 784 (op. 143) -- Schubert: Sonata in A major, D 959 (op. post.) -- Liszt: Sonata in B minor -- Brahms: Sonata in F minor, op. 5 -- Prokofiev: Sonata in C major, no. 9, op. 103 |
| Physical Description: | XIV, 349 S. 24 cm |
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| 100 | 1 | |a Davidson, Michael |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The classical piano sonata |b from Haydn to Prokofiev |c Michael Davidson |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London |b Kahn & Averill |c 2004 | |
| 300 | |a XIV, 349 S. |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. 332-345) and index | ||
| 500 | |a Haydn: Sonata in C minor [HOB XVI:20] -- Haydn: Sonata in E-flat major, HOB XVI:49 -- Mozart: Sonata in C major, K 330 -- Beethoven: Sonata in C minor, op. 13, Pathétique -- Beethoven: Sonata in D minor, op. 31, no. 2 -- Beethoven: Sonata in E major, op. 109 -- Beethoven: Sonata in A-flat major, op. 110 -- Beethoven: Sonata in C minor, op. 111 -- Schubert: Sonata in A major, D 664 (op. 120) -- Schubert: Sonata in A minor, D 784 (op. 143) -- Schubert: Sonata in A major, D 959 (op. post.) -- Liszt: Sonata in B minor -- Brahms: Sonata in F minor, op. 5 -- Prokofiev: Sonata in C major, no. 9, op. 103 | ||
| 648 | 7 | |a Geschichte 1770-1950 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Sonatas (Piano) / Interpretation (Phrasing, dynamic, etc.) | |
| 650 | 4 | |a Sonatas (Piano) / Analysis, appreciation | |
| 650 | 4 | |a Sonatas (Piano) |x Analysis, appreciation | |
| 650 | 4 | |a Sonatas (Piano) |x Interpretation (Phrasing, dynamic, etc.) | |
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Record in the Search Index
| _version_ | 1804137904523444224 |
|---|---|
| adam_text | Contents
Introduction
xi
ι
Playing the piano music of the classical
viennese
school:
SOME BASIC MISCONCEPTIONS
1
2
HAYDN: SONATA IN
С
MINOR
ι
Haydn, until his departure from
Esterháza
13
2
Haydn s keyboard sonatas
16
3
Background of the
С
minor Sonata
18
4
Sturm
und Drang·,
the exposition of the first movement
20
5
Ornamentation in the exposition
23
6
The rest of the first movement
25
7
A
Watteau
landscape: the second movement
27
8
Finale without resolution: the third movement
31
3
HAYDN: SONATA IN
Е
-PLAT
MAJOR, HOB XVI:49
1
Background of the
Е
-flat major Sonata
35
2
Classical balance and wit: the first movement
38
3
Ornamentation in the first movement
45
4
A massive aria: the second movement
47
5
Ornamentation in the second movement
52
6
A bucolic scene: the third movement
54
4
MOZART: SONATA IN
С
MAJOR, K33O
1
The unique challenge of Mozart
59
2
Mozart s works for the piano
62
3
Mozart, before
1784,
the sonatas K330-332
63
4
Elegant
joie de vivre:
the first movement
65
5
Ornamentation in the first movement
68
6
Tenderness and melancholy: the second movement
69
7
Ornamentation in the second movement 71
8
Comic opera: the third movement 72
9
Ornamentation in the third movement
74
5
Beethoven: sonata in
с
minor, opus
із,
pathétique
і
Beethoven, during 1780-1798
76
2
The background of the Grande
Sonate Pathétique
78
3
Unity and contrast
80
4
Motivic network in the first movement
81
5
A New approach to Classicism: the
Graue
and first Allegro themes
83
6
Tempo flexibility in Beethoven, the rest of the exposition
87
7
The controversial expositional repetition, the rest of the movement
90
8
Calm respite: the second movement
94
9
Driving unrest: the third movement
98
6
Beethoven: sonata in
d
minor, opus
зі
no.2
і
Beethoven, during 1798-1802, background of the Storm Sonata i°3
2
Form of the first movement I0
3
Theater in Classical form: the exposition
&
development sections
108
4
Innovation: the recitatives n3
5
The recapitulation section, first movement n5
6
Expansiveness: the second movement X1
7
Nightmares: the third movement I20
7
Beethoven: sonata in
e
major, opus
109
1
Beethoven, during 1803-1819 I2^
2
The world of Beethoven s last sonatas I29
3
Revolutionary form: the first movement
Ч1
4
Compression: the second movement
У**
5
Celestial floating: theme and first variation, last movement
Ч2
6
Variations Two to Five
45
7
Variation Six and conclusion H%
8
Beethoven: sonata in
а
-flat major, opus
110
1
Beethoven, after the composition of Opus
109
I5I
2
Opus no: A sonata of celebration X52
3
Eternal song: the first movement
43
4
Humor in Beethoven: the second movement I^°
5
Tragedy and triumph: the
Introduction,
Finale
164
6
The first Arioso
166
7
The first Fugue
168
8
The second Arioso
170
9
The second Fugue and Apotheosis
171
9
Beethoven: sonata in
с
minor, opus
111
1
A Sonata with its own literature
174
2
Prometheus: the Introduction to the first movement
176
3
Monumental maelstrom: the rest of the movement
178
4
Form and subtext in the second movement
186
5
Sublimity: the theme
187
6
Variations One to Four
188
7
The improvisatory episode
193
8
Variation Five and the Coda
195
9
The Coda of Beethoven s life
198
10
Schubert: sonata in a major, d664 (opus
120)
1
The piano sonata after Beethoven, Beethoven and Schubert,
the originality of Schubert s sonatas
199
2
An unusual interlude: background of the A major Sonata, D664
204
3
Yet another Classicism·, the first movement
206
4
Classical minimalism: the second movement
211
5
Innocence: the third movement
215
11
Schubert: sonata in a minor, d784 (opus
143)
1
Schubert s unfinished sonatas
220
2
Schubert, during 1818-1825
222
3
Tragic symphony: the first movement
224
4
Song of yearning: the second movement
228
5
Witches sabbath: the third movement
231
12
Schubert: sonata in a major, D959 (op. post.)
і
Schubert s last years
235
2
Ingenuity and improvisation: the exposition of the first movement
238
3
The rest of the movement
243
4
A journey to hell: the second movement
247
5
False gaiety? the third movement
252
6
Heavenly lengths: the fourth movement
255
13
Liszt:
sonata in
в
minor
і
The splendour of Liszt
262
2
The
В
minor Sonata s place in the repertoire
265
3
A sonata as program music?
266
4
The fascinating form of the sonata
268
5
Motivic magic: the exposition
269
6
Heights and depths: the development section
275
7
Pianistic
marathon: the recapitulation section
279
8
Fatalism: the Coda
281
14
Brahms: sonata in
f
minor, opus
5
1
The personality and historic role of Brahms
285
2
Brahms piano sonatas, his
pianistic
style, sonata form and poetry
286
3
A web of motivic links throughout the Sonata
289
4
A compact symphony for piano: the first movement
291
5
Ecstasy, quiet and blazing: the second movement
296
6
Symphonic scherzo: the third movement 301
7
Black memories: the fourth movement 3°3
8
Expansive symphonic finale: the fifth movement 3°5
15
Prokofiev: sonata in
с
major, no.
9,
opus
103
1
Prokofiev s place in the piano repertoire, his musical character
310
2
Background of the Ninth Sonata
3*4
3
Reveries: the exposition of the first movement 3l(>
4
The rest of the movement
3*9
5
Cryptic humor: the second movement 321
6
Romance and innocence: the third movement 323
7
A Ballet for piano: the fourth movement 32^
NOTES
332
INDEX
346
|
| adam_txt |
Contents
Introduction
xi
ι
Playing the piano music of the classical
viennese
school:
SOME BASIC MISCONCEPTIONS
1
2
HAYDN: SONATA IN
С
MINOR
ι
Haydn, until his departure from
Esterháza
13
2
Haydn's keyboard sonatas
16
3
Background of the
С
minor Sonata
18
4
Sturm
und Drang·,
the exposition of the first movement
20
5
Ornamentation in the exposition
23
6
The rest of the first movement
25
7
A
Watteau
landscape: the second movement
27
8
Finale without resolution: the third movement
31
3
HAYDN: SONATA IN
Е
-PLAT
MAJOR, HOB XVI:49
1
Background of the
Е
-flat major Sonata
35
2
Classical balance and wit: the first movement
38
3
Ornamentation in the first movement
45
4
A massive aria: the second movement
47
5
Ornamentation in the second movement
52
6
A bucolic scene: the third movement
54
4
MOZART: SONATA IN
С
MAJOR, K33O
1
The unique challenge of Mozart
59
2
Mozart's works for the piano
62
3
Mozart, before
1784,
the sonatas K330-332
63
4
Elegant
joie de vivre:
the first movement
65
5
Ornamentation in the first movement
68
6
Tenderness and melancholy: the second movement
69
7
Ornamentation in the second movement 71
8
Comic opera: the third movement 72
9
Ornamentation in the third movement
74
5
Beethoven: sonata in
с
minor, opus
із,
pathétique
і
Beethoven, during 1780-1798
76
2
The background of the Grande
Sonate Pathétique
78
3
Unity and contrast
80
4
Motivic network in the first movement
81
5
A New approach to Classicism: the
Graue
and first Allegro themes
83
6
Tempo flexibility in Beethoven, the rest of the exposition
87
7
The controversial expositional repetition, the rest of the movement
90
8
Calm respite: the second movement
94
9
Driving unrest: the third movement
98
6
Beethoven: sonata in
d
minor, opus
зі
no.2
і
Beethoven, during 1798-1802, background of the Storm Sonata i°3
2
Form of the first movement I0"
3
Theater in Classical form: the exposition
&
development sections
108
4
Innovation: the recitatives n3
5
The recapitulation section, first movement n5
6
Expansiveness: the second movement X1"
7
Nightmares: the third movement I20
7
Beethoven: sonata in
e
major, opus
109
1
Beethoven, during 1803-1819 I2^
2
The world of Beethoven's last sonatas I29
3
Revolutionary form: the first movement
Ч1
4
Compression: the second movement
У**
5
Celestial floating: theme and first variation, last movement
Ч2
6
Variations Two to Five
45
7
Variation Six and conclusion H%
8
Beethoven: sonata in
а
-flat major, opus
110
1
Beethoven, after the composition of Opus
109
I5I
2
Opus no: A sonata of celebration X52
3
Eternal song: the first movement
" 43
4
Humor in Beethoven: the second movement I^°
5
Tragedy and triumph: the
Introduction,
Finale
164
6
The first Arioso
166
7
The first Fugue
168
8
The second Arioso
170
9
The second Fugue and Apotheosis
171
9
Beethoven: sonata in
с
minor, opus
111
1
A Sonata with its own literature
174
2
Prometheus: the Introduction to the first movement
176
3
Monumental maelstrom: the rest of the movement
178
4
Form and subtext in the second movement
186
5
Sublimity: the theme
187
6
Variations One to Four
188
7
The improvisatory episode
193
8
Variation Five and the Coda
195
9
The Coda of Beethoven's life
198
10
Schubert: sonata in a major, d664 (opus
120)
1
The piano sonata after Beethoven, Beethoven and Schubert,
the originality of Schubert's sonatas
199
2
An unusual interlude: background of the A major Sonata, D664
204
3
Yet another Classicism·, the first movement
206
4
Classical minimalism: the second movement
211
5
Innocence: the third movement
215
11
Schubert: sonata in a minor, d784 (opus
143)
1
Schubert's unfinished sonatas
220
2
Schubert, during 1818-1825
222
3
Tragic symphony: the first movement
224
4
Song of yearning: the second movement
228
5
Witches'sabbath: the third movement
231
12
Schubert: sonata in a major, D959 (op. post.)
і
Schubert's last years
235
2
Ingenuity and improvisation: the exposition of the first movement
238
3
The rest of the movement
243
4
A journey to hell: the second movement
247
5
False gaiety? the third movement
252
6
Heavenly lengths: the fourth movement
255
13
Liszt:
sonata in
в
minor
і
The splendour of Liszt
262
2
The
В
minor Sonata's place in the repertoire
265
3
A sonata as program music?
266
4
The fascinating form of the sonata
268
5
Motivic magic: the exposition
269
6
Heights and depths: the development section
275
7
Pianistic
marathon: the recapitulation section
279
8
Fatalism: the Coda
281
14
Brahms: sonata in
f
minor, opus
5
1
The personality and historic role of Brahms
285
2
Brahms' piano sonatas, his
pianistic
style, sonata form and poetry
286
3
A web of motivic links throughout the Sonata
289
4
A compact symphony for piano: the first movement
291
5
Ecstasy, quiet and blazing: the second movement
296
6
Symphonic scherzo: the third movement 301
7
Black memories: the fourth movement 3°3
8
Expansive symphonic finale: the fifth movement 3°5
15
Prokofiev: sonata in
с
major, no.
9,
opus
103
1
Prokofiev's place in the piano repertoire, his musical character
310
2
Background of the Ninth Sonata
3*4
3
Reveries: the exposition of the first movement 3l(>
4
The rest of the movement
3*9
5
Cryptic humor: the second movement 321
6
Romance and innocence: the third movement 323
7
A Ballet for piano: the fourth movement 32^
NOTES
332
INDEX
346 |
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| discipline | Musikwissenschaft |
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| edition | 1. publ. |
| era | Geschichte 1770-1950 gnd |
| era_facet | Geschichte 1770-1950 |
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| id | DE-604.BV023479098 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T21:37:16Z |
| indexdate | 2024-07-09T21:19:42Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016661287 |
| oclc_num | 58045359 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | XIV, 349 S. 24 cm |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | Kahn & Averill |
| record_format | marc |
| spelling | Davidson, Michael Verfasser aut The classical piano sonata from Haydn to Prokofiev Michael Davidson 1. publ. London Kahn & Averill 2004 XIV, 349 S. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. 332-345) and index Haydn: Sonata in C minor [HOB XVI:20] -- Haydn: Sonata in E-flat major, HOB XVI:49 -- Mozart: Sonata in C major, K 330 -- Beethoven: Sonata in C minor, op. 13, Pathétique -- Beethoven: Sonata in D minor, op. 31, no. 2 -- Beethoven: Sonata in E major, op. 109 -- Beethoven: Sonata in A-flat major, op. 110 -- Beethoven: Sonata in C minor, op. 111 -- Schubert: Sonata in A major, D 664 (op. 120) -- Schubert: Sonata in A minor, D 784 (op. 143) -- Schubert: Sonata in A major, D 959 (op. post.) -- Liszt: Sonata in B minor -- Brahms: Sonata in F minor, op. 5 -- Prokofiev: Sonata in C major, no. 9, op. 103 Geschichte 1770-1950 gnd rswk-swf Sonatas (Piano) / Interpretation (Phrasing, dynamic, etc.) Sonatas (Piano) / Analysis, appreciation Sonatas (Piano) Analysis, appreciation Sonatas (Piano) Interpretation (Phrasing, dynamic, etc.) Klaviersonate (DE-588)4030995-2 gnd rswk-swf Klaviersonate (DE-588)4030995-2 s Geschichte 1770-1950 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016661287&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Davidson, Michael The classical piano sonata from Haydn to Prokofiev Sonatas (Piano) / Interpretation (Phrasing, dynamic, etc.) Sonatas (Piano) / Analysis, appreciation Sonatas (Piano) Analysis, appreciation Sonatas (Piano) Interpretation (Phrasing, dynamic, etc.) Klaviersonate (DE-588)4030995-2 gnd |
| subject_GND | (DE-588)4030995-2 |
| title | The classical piano sonata from Haydn to Prokofiev |
| title_auth | The classical piano sonata from Haydn to Prokofiev |
| title_exact_search | The classical piano sonata from Haydn to Prokofiev |
| title_exact_search_txtP | The classical piano sonata from Haydn to Prokofiev |
| title_full | The classical piano sonata from Haydn to Prokofiev Michael Davidson |
| title_fullStr | The classical piano sonata from Haydn to Prokofiev Michael Davidson |
| title_full_unstemmed | The classical piano sonata from Haydn to Prokofiev Michael Davidson |
| title_short | The classical piano sonata |
| title_sort | the classical piano sonata from haydn to prokofiev |
| title_sub | from Haydn to Prokofiev |
| topic | Sonatas (Piano) / Interpretation (Phrasing, dynamic, etc.) Sonatas (Piano) / Analysis, appreciation Sonatas (Piano) Analysis, appreciation Sonatas (Piano) Interpretation (Phrasing, dynamic, etc.) Klaviersonate (DE-588)4030995-2 gnd |
| topic_facet | Sonatas (Piano) / Interpretation (Phrasing, dynamic, etc.) Sonatas (Piano) / Analysis, appreciation Sonatas (Piano) Analysis, appreciation Sonatas (Piano) Interpretation (Phrasing, dynamic, etc.) Klaviersonate |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016661287&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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