Talking to the audience: Shakespeare, performance, self
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Abingdon [u.a.]
Routledge
2006
|
| Edition: | Reprinted |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XII, 192 S. Ill. |
| ISBN: | 0415332230 0415332222 |
Staff View
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Record in the Search Index
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| adam_text | Contents
List of illustrations
ix
AcknowkdgmmL·
xi
1
Actors, academics, selves
1
2
Bits and bitterness : politics, performance,
Troihis and Cressida
24
3
The point or the question? Text, performance,
Hamlet
52
4
The theatre and the Presence Chamber: history,
performance,
Richardii
93
5
Performing human: the Societas Raffaello Sanzio
126
Conclusion
148
Notes
154
Productions cited
174
Bibliography
176
Index
188
Talking to the Audience
This unique study investigates the ways in which the staging convention
of direct address
—
talking to the audience
—
constructs selfhood for
Shakespeare s characters. By focusing specifically on the relationship
between performer and audience, Talking to the Audience examines what
happens when the audience finds itself in the presence of a dramatic
figure who knows it is there. It is a book concerned with theatrical illu¬
sion and with the pleasures and disturbances of seeing characters
produced in the moment of performance.
Through analysis of international contemporary productions, Talking
to the Audience demonstrates how the study of recent performance helps
us to understand both Shakespeare s cultural moment and our own. Its
exploration of how theory and practice can inform each other makes
this essential reading for all those studying Shakespeare in either a
literary or theatrical context.
Bridget
Escolme
is a lecturer in Theatre Studies at the University of
Leeds. She has published essays on American and European
Shakespeare production, theatre for young people and local community
theatre practice, and has worked as
dramaturg
on Shakespeare produc¬
tion at the West Yorkshire Playhouse.
|
| adam_txt |
Contents
List of illustrations
ix
AcknowkdgmmL·
xi
1
Actors, academics, selves
1
2
'Bits and bitterness': politics, performance,
Troihis and Cressida
24
3
The point or the question? Text, performance,
Hamlet
52
4
The theatre and the Presence Chamber: history,
performance,
Richardii
93
5
Performing human: the Societas Raffaello Sanzio
126
Conclusion
148
Notes
154
Productions cited
174
Bibliography
176
Index
188
Talking to the Audience
This unique study investigates the ways in which the staging convention
of direct address
—
talking to the audience
—
constructs selfhood for
Shakespeare's characters. By focusing specifically on the relationship
between performer and audience, Talking to the Audience examines what
happens when the audience finds itself in the presence of a dramatic
figure who knows it is there. It is a book concerned with theatrical illu¬
sion and with the pleasures and disturbances of seeing 'characters'
produced in the moment of performance.
Through analysis of international contemporary productions, Talking
to the Audience demonstrates how the study of recent performance helps
us to understand both Shakespeare's cultural moment and our own. Its
exploration of how theory and practice can inform each other makes
this essential reading for all those studying Shakespeare in either a
literary or theatrical context.
Bridget
Escolme
is a lecturer in Theatre Studies at the University of
Leeds. She has published essays on American and European
Shakespeare production, theatre for young people and local community
theatre practice, and has worked as
dramaturg
on Shakespeare produc¬
tion at the West Yorkshire Playhouse. |
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| index_date | 2024-07-02T21:36:32Z |
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| spelling | Escolme, Bridget 1964- Verfasser (DE-588)173767893 aut Talking to the audience Shakespeare, performance, self Bridget Escolme Reprinted Abingdon [u.a.] Routledge 2006 XII, 192 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index aShakespeare, William d1564-1616 xDramatic production Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf aTheater audiences aActing Aufführung (DE-588)4143388-9 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Aufführung (DE-588)4143388-9 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016659143&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016659143&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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