Verfügbarkeit: Metamorphosed margins

Metamorphosed margins: the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses

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Bibliographische Detailangaben
1. Verfasser:	Kommerell, Viktor (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Hildesheim [u.a.] Olms 2008
Schriftenreihe:	Studien zur Kunstgeschichte 173
Schlagworte:	Ovid <43 B.C.-17 or 18 A.D> > Metamorphoses Ovidius Naso, Publius > v43-17 > Metamorphoses Geschichte 1480-1600 Art, Renaissance > Italy Grotesque in art Rezeption Groteske > Kunst Italien Domus Aurea > Rom
Online-Zugang:	Inhaltsverzeichnis Inhaltsverzeichnis
Beschreibung:	248 S. zahlr. Ill.
ISBN:	9783487136936

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Datensatz im Suchindex

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adam_text	II T O* ^ , *, RTIS INSPIRATION FROM BELOW: THE GROTTO IN GROTTESCHE . 13 OTHER SOURCES OF DIRECT INSPIRATION 16 GROTTESCHE: DEFINED BY RENAISSANCE ITALIANS. 19 HOW THE DEFINITIONS DIVERGE. .25 DEFINITION: PROBLEM AREAS. 28 RISING FROM WALLS IN A GROTTO: WAS IT ORNAMENT? 30 BLURRY BOUNDARIES: CENTRAL AND ORNAMENTAL ART .32 ORNAMENT: BEGINNINGS OF MAJOR CHANGE DURING THE RENAISSANCE 35 GROTTESCHE: UNIQUE ORNAMENT 36 FASCINATING GROTTESCHE. .38 TER TWO: ATIME FOR GROTTESCHE. .55 FOUR PERSPECTIVES ON ITALIAN RINASCITA HISTORY .57 FURTHER CONTEXT: SOME GENERALISATIONS ABOUT THE RENAISSANCE 63 SINNBILD-BILDERSPRACHE: THINKING AND ARGUING IN PICTURES 64 FAITH: THE SPIRITUAL SO PRESENT 65 INTERLUDE: MODERN BENEDICTION 66 PICTURES AND FAITH: ART SO POWERFUL 66 RELIGIOUS REFORMATION: DOUBT CONTAINED 67 A MORE SECULAR WORLD 67 INCREASING INQUISITIVENESS ABOUT THE NATURAL WORLD 69 . AS PART OF EXPLAINING THE BIG PICTURE 70 PHYSICAL AND SPIRITUAL RISKS 71 UNFATALISTIC BELIEF IN THE END OF THE WORLD 72 THE GOOD (AFTER)LIFE 74 PASSIONS AND EMOTIONS 74 DES MENSCHEN GOTTAHNLICHKEIT 75 6 TABLE OF CONTENTS E,,,., .61 5E11.CE: OVID EVERYWHERE. .82 METAMORPHISH PLOTS: WONDERS, PASSIONS & PARADOXES.84 TERATOLOGICAL DETOUR .87 BACK TO OVID'S WONDERS 88 CONTEMPORARY INTERPRETATIONS OF OVID'S STORIES . 89 GROTTESCA ARTISTS' EXPOSURE TO OVID'S METAMORPHOSES .93 ARTISTS' UNDERSTANDING OF OVID'S PLOTS AND IMAGERY .95 A CLUE TO OVID-GROTTESCHE LINKAGE: THE CONSTANT OF VARIATION. 96 MAKING CONNECTIONS BETWEEN VISUAL AND NARRATIVE SOURCES OF INSPIRATION: HOW OVID TURNED INTO ORNAMENT 98 OVIDIAN GROTTESCHE 100 TER THREE: SURVIVING EVIDENCE 117 GROTTESCHE IN PUBLIC, SEMI-PUBLIC AND PRIVATE SPACES. 117 GROTTESCHE PHASES OF DEVELOPMENT 122 GROTTESCA DISSEMINATION 129 NORTHERN SIDESHOW: PROFANE PRINTS 131 CHAPTER FOUR: GROTTESCA MEANING 139 INTERLUDE: CONNAISSEUSE AND DILETTANT DISCUSS , 139 A REPERTOIRE OF MOTIFS 140 INTERLUDE: LISTENING HIGH 142 CONTEXT: COMPOSITION AND COLOUR 143 GROTTESCHE AS OUTDOOR ADVERTISING: PALAZZO VITELLI IN CITTA DI CASTE HO (1521-1543) 145 SACRED PILASTERS: CARAFA'S TRIONFO (CAPELLA CARAFA, S. MARIA SOPRA MINERVA IN ROMA) (1489-1493) 153 SACRED GROTTESCHE: CAPELLA EROLI IN SPOLETO'S DUOMO (1500 & C. 1527) 157 GROTESQUE MOTIFS SURROUND MARIA 163 ORNAMENTING ERUDITE DIVERTIMENTO (EARLY 1600'S) 175 MUNICIPAL MORALISING IN ASSISI (1556) 176 GROTESQUES ADD WEIGHT: CASE ZUCCARI IN FIRENZE (1579, 1580-90'S?) AND ROMA 181 T; THE CASE FOR A GROTESQUE LANGUAGE. 187 COMPOSITIONS: TYING THREADS TOGETHER. .187 DELVING DEEPER: POPULAR MOTIFS. 189 GROTTESCHE A LANGUAGE, DAVVERO? 197 INTERLUDE: A SECOND CONAISSEUSE-DILETTANT DEBATE.201 A LANGUAGE OR A SOUND?. 203 ;: SO WHAT?. .235 WHERE I WOULD DELVE INTO NEXT .236 EPILOGUE .239 SELECTED BIBLIOGRAPHY .241 Victor Kommerei! Metamorphosed Margins The Case for a Visual Rhetoric of the Renaissance Grottesche under the Influence of Ovid's Metamorphoses Georg Olms Verlag Hildesheim Zurich ■ New York 2008 Table of Contents Note on Illustrations .8 Introduction .9 Chapter One: Fascinating Grotesques . ІЗ Inspiration from below: The grotto in grottesche .13 Other sources of direct inspiration .16 Grottesche: Defined by Renaissance Italians .19 How the definitions diverge .25 Definition: Problem areas .28 Rising from walls in a grotto: Was it ornament? .,.30 Blurry boundaries: Central and Ornamental Art .32 Ornament: Beginnings of major change during the Renaissance .35 Grottesche: Unique ornament .36 Fascinating Grottesche .38 Chapter Two: A Time for Grottesche .55 Four perspectives on Italian Rinascita history. .57 Further context; Some generalisations about the Renaissance .63 Sinnbild-Bildersprache: Thinking and arguing in pictures .64 Faith: The Spiritual so present .65 Interlude: Modern benediction .66 Pictures and Faith: Art so powerful .66 Religious Reformation: Doubt contained .67 A more secular world .67 Increasing inquisitiveness about the natural world .69 . as part of explaining the big picture .70 Physical and Spiritual Risks .71 Unfatalistic belief in the End of the World .72 The good (after)Hfe .74 Passions and emotions .74 Des Menschen GottăhnUchkeit .75 Table of Contents How Ovid's Metamorphoses intertwined with Domus Aurea Grottesche . , .81 Resurgence: Ovid Everywhere . 82 Metamorphish Plots: Wonders, Passions & Paradoxes .84 Teratologica! Detour .„.87 Back to Ovid's Wonders .88 Contemporary interpretations of Ovid's Stories .89 Grottesca Artists' exposure to Ovid's Metamorphoses .93 Artists* understanding of Ovid's plots and imagery .95 A clue to Ovid-Grottesene linkage: The constant of variation. .96 Making connections between visual and narrative sources of inspiration: How Ovid turned into Ornament .98 Ovidian Grottesche. .100 Chapter Three: Surviving Evidence .117 Grottesche in public, semi-public and private spaces . Π 7 Grottesche Phases of Development .122 Grottesca Dissemination .129 Northern sideshow: Profane prints .131 Chapter Four: Grottesca Meaning .139 Interlude: Connaisseuse and Dilettant discuss .139 A repertoire of motifs .140 interlude: Listening High .142 Context: Composition and Colour .143 Grottesche as outdoor advertising; Palazzo Vitelli in Citta di Castello (1521-1543).145 Sacred Pilasters: Carafa 's Trionfo (Capeila Carafa, S. Maria sopra Minerva in Roma) (1489- і 493).153 Sacred Grottesche: Capella Eroii in Spoleto's Duomo ( 1500 & e. 1527). 1 57 Grotesque motifs surround Maria .,.163 Ornamenting erudite divertimento {early 1600's) .175 Municipal moralising in Assisi (1556).176 Grotesques add weight: Case Zuccari in Firenze (1579, 1580-90У?) and Roma .181 Table of Contents The case for a grotesque language .187 Compositions: Tying threads together . І 87 Delving deeper: Popular motifs .189 Grottesche a language, davvero? . 197 Interlude: A second Conaisseuse-Dilettant Debate .201 A language or a sound? .203 Chapter Five: So what? .235 Where I would delve into next.,. .,.236 Epilogue .239 Selected Bibliography .241
adam_txt	II T O* ^ , *, RTIS INSPIRATION FROM BELOW: THE GROTTO IN GROTTESCHE . 13 OTHER SOURCES OF DIRECT INSPIRATION 16 GROTTESCHE: DEFINED BY RENAISSANCE ITALIANS. 19 HOW THE DEFINITIONS DIVERGE. .25 DEFINITION: PROBLEM AREAS. 28 RISING FROM WALLS IN A GROTTO: WAS IT ORNAMENT? 30 BLURRY BOUNDARIES: CENTRAL AND ORNAMENTAL ART .32 ORNAMENT: BEGINNINGS OF MAJOR CHANGE DURING THE RENAISSANCE 35 GROTTESCHE: UNIQUE ORNAMENT 36 FASCINATING GROTTESCHE. .38 TER TWO: ATIME FOR GROTTESCHE. .55 FOUR PERSPECTIVES ON ITALIAN RINASCITA HISTORY .57 FURTHER CONTEXT: SOME GENERALISATIONS ABOUT THE RENAISSANCE 63 SINNBILD-BILDERSPRACHE: THINKING AND ARGUING IN PICTURES 64 FAITH: THE SPIRITUAL SO PRESENT 65 INTERLUDE: MODERN BENEDICTION 66 PICTURES AND FAITH: ART SO POWERFUL 66 RELIGIOUS REFORMATION: DOUBT CONTAINED 67 A MORE SECULAR WORLD 67 INCREASING INQUISITIVENESS ABOUT THE NATURAL WORLD 69 . AS PART OF EXPLAINING THE BIG PICTURE 70 PHYSICAL AND SPIRITUAL RISKS 71 UNFATALISTIC BELIEF IN THE END OF THE WORLD 72 THE GOOD (AFTER)LIFE 74 PASSIONS AND EMOTIONS 74 DES MENSCHEN GOTTAHNLICHKEIT 75 6 TABLE OF CONTENTS E,,,., .61 5E11.CE: OVID EVERYWHERE. .82 METAMORPHISH PLOTS: WONDERS, PASSIONS & PARADOXES.84 TERATOLOGICAL DETOUR .87 BACK TO OVID'S WONDERS 88 CONTEMPORARY INTERPRETATIONS OF OVID'S STORIES . 89 GROTTESCA ARTISTS' EXPOSURE TO OVID'S METAMORPHOSES .93 ARTISTS' UNDERSTANDING OF OVID'S PLOTS AND IMAGERY .95 A CLUE TO OVID-GROTTESCHE LINKAGE: THE CONSTANT OF VARIATION. 96 MAKING CONNECTIONS BETWEEN VISUAL AND NARRATIVE SOURCES OF INSPIRATION: HOW OVID TURNED INTO ORNAMENT 98 OVIDIAN GROTTESCHE 100 TER THREE: SURVIVING EVIDENCE 117 GROTTESCHE IN PUBLIC, SEMI-PUBLIC AND PRIVATE SPACES. 117 GROTTESCHE PHASES OF DEVELOPMENT 122 GROTTESCA DISSEMINATION 129 NORTHERN SIDESHOW: PROFANE PRINTS 131 CHAPTER FOUR: GROTTESCA MEANING 139 INTERLUDE: CONNAISSEUSE AND DILETTANT DISCUSS , 139 A REPERTOIRE OF MOTIFS 140 INTERLUDE: LISTENING HIGH 142 CONTEXT: COMPOSITION AND COLOUR 143 GROTTESCHE AS OUTDOOR ADVERTISING: PALAZZO VITELLI IN CITTA DI CASTE HO (1521-1543) 145 SACRED PILASTERS: CARAFA'S TRIONFO (CAPELLA CARAFA, S. MARIA SOPRA MINERVA IN ROMA) (1489-1493) 153 SACRED GROTTESCHE: CAPELLA EROLI IN SPOLETO'S DUOMO (1500 & C. 1527) 157 GROTESQUE MOTIFS SURROUND MARIA 163 ORNAMENTING ERUDITE DIVERTIMENTO (EARLY 1600'S) 175 MUNICIPAL MORALISING IN ASSISI (1556) 176 GROTESQUES ADD WEIGHT: CASE ZUCCARI IN FIRENZE (1579, 1580-90'S?) AND ROMA 181 T; THE CASE FOR A GROTESQUE LANGUAGE. 187 COMPOSITIONS: TYING THREADS TOGETHER. .187 DELVING DEEPER: POPULAR MOTIFS. 189 GROTTESCHE A LANGUAGE, DAVVERO? 197 INTERLUDE: A SECOND CONAISSEUSE-DILETTANT DEBATE.201 A LANGUAGE OR A SOUND?. 203 ;: SO WHAT?. .235 WHERE I WOULD DELVE INTO NEXT .236 EPILOGUE .239 SELECTED BIBLIOGRAPHY .241 Victor Kommerei! Metamorphosed Margins The Case for a Visual Rhetoric of the Renaissance Grottesche under the Influence of Ovid's Metamorphoses Georg Olms Verlag Hildesheim Zurich ■ New York 2008 Table of Contents Note on Illustrations .8 Introduction .9 Chapter One: Fascinating Grotesques . ІЗ Inspiration from below: The grotto in grottesche .13 Other sources of direct inspiration .16 Grottesche: Defined by Renaissance Italians .19 How the definitions diverge .25 Definition: Problem areas .28 Rising from walls in a grotto: Was it ornament? .,.30 Blurry boundaries: Central and Ornamental Art .32 Ornament: Beginnings of major change during the Renaissance .35 Grottesche: Unique ornament .36 Fascinating Grottesche .38 Chapter Two: A Time for Grottesche .55 Four perspectives on Italian Rinascita history. .57 Further context; Some generalisations about the Renaissance .63 Sinnbild-Bildersprache: Thinking and arguing in pictures .64 Faith: The Spiritual so present .65 Interlude: Modern benediction .66 Pictures and Faith: Art so powerful .66 Religious Reformation: Doubt contained .67 A more secular world .67 Increasing inquisitiveness about the natural world .69 . as part of explaining the big picture .70 Physical and Spiritual Risks .71 Unfatalistic belief in the End of the World .72 The good (after)Hfe .74 Passions and emotions .74 Des Menschen GottăhnUchkeit .75 Table of Contents How Ovid's Metamorphoses intertwined with Domus Aurea Grottesche . , .81 Resurgence: Ovid Everywhere . 82 Metamorphish Plots: Wonders, Passions & Paradoxes .84 Teratologica! Detour .„.87 Back to Ovid's Wonders .88 Contemporary interpretations of Ovid's Stories .89 Grottesca Artists' exposure to Ovid's Metamorphoses .93 Artists* understanding of Ovid's plots and imagery .95 A clue to Ovid-Grottesene linkage: The constant of variation. .96 Making connections between visual and narrative sources of inspiration: How Ovid turned into Ornament .98 Ovidian Grottesche. .100 Chapter Three: Surviving Evidence .117 Grottesche in public, semi-public and private spaces . Π 7 Grottesche Phases of Development .122 Grottesca Dissemination .129 Northern sideshow: Profane prints .131 Chapter Four: Grottesca Meaning .139 Interlude: Connaisseuse and Dilettant discuss .139 A repertoire of motifs .140 interlude: Listening High .142 Context: Composition and Colour .143 Grottesche as outdoor advertising; Palazzo Vitelli in Citta di Castello (1521-1543).145 Sacred Pilasters: Carafa 's Trionfo (Capeila Carafa, S. Maria sopra Minerva in Roma) (1489- і 493).153 Sacred Grottesche: Capella Eroii in Spoleto's Duomo ( 1500 & e. 1527). 1 57 Grotesque motifs surround Maria .,.163 Ornamenting erudite divertimento {early 1600's) .175 Municipal moralising in Assisi (1556).176 Grotesques add weight: Case Zuccari in Firenze (1579, 1580-90У?) and Roma .181 Table of Contents The case for a grotesque language .187 Compositions: Tying threads together . І 87 Delving deeper: Popular motifs .189 Grottesche a language, davvero? . 197 Interlude: A second Conaisseuse-Dilettant Debate .201 A language or a sound? .203 Chapter Five: So what? .235 Where I would delve into next.,. .,.236 Epilogue .239 Selected Bibliography .241
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geographic	Italien Italien (DE-588)4027833-5 gnd Domus Aurea Rom (DE-588)4224549-7 gnd
geographic_facet	Italien Domus Aurea Rom
id	DE-604.BV023426292
illustrated	Illustrated
index_date	2024-07-02T21:32:55Z
indexdate	2025-01-02T17:11:04Z
institution	BVB
isbn	9783487136936
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-016608644
oclc_num	237882688
open_access_boolean
owner	DE-12 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-83 DE-11 DE-739 DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7
owner_facet	DE-12 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-83 DE-11 DE-739 DE-188 DE-Y3 DE-255 DE-Y2 DE-Y7
physical	248 S. zahlr. Ill.
publishDate	2008
publishDateSearch	2008
publishDateSort	2008
publisher	Olms
record_format	marc
series	Studien zur Kunstgeschichte
series2	Studien zur Kunstgeschichte
spelling	Kommerell, Viktor Verfasser aut Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses Viktor Kommerell Hildesheim [u.a.] Olms 2008 248 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Studien zur Kunstgeschichte 173 Ovid <43 B.C.-17 or 18 A.D> Metamorphoses Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd rswk-swf Geschichte 1480-1600 gnd rswk-swf Art, Renaissance Italy Grotesque in art Rezeption (DE-588)4049716-1 gnd rswk-swf Groteske Kunst (DE-588)4158316-4 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Domus Aurea Rom (DE-588)4224549-7 gnd rswk-swf Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 u Groteske Kunst (DE-588)4158316-4 s DE-604 Domus Aurea Rom (DE-588)4224549-7 g Rezeption (DE-588)4049716-1 s Italien (DE-588)4027833-5 g Geschichte 1480-1600 z Studien zur Kunstgeschichte 173 (DE-604)BV035415984 173 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016608644&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016608644&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Kommerell, Viktor Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses Studien zur Kunstgeschichte Ovid <43 B.C.-17 or 18 A.D> Metamorphoses Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd Art, Renaissance Italy Grotesque in art Rezeption (DE-588)4049716-1 gnd Groteske Kunst (DE-588)4158316-4 gnd
subject_GND	(DE-588)4123895-3 (DE-588)4049716-1 (DE-588)4158316-4 (DE-588)4027833-5 (DE-588)4224549-7
title	Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses
title_auth	Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses
title_exact_search	Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses
title_exact_search_txtP	Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses
title_full	Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses Viktor Kommerell
title_fullStr	Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses Viktor Kommerell
title_full_unstemmed	Metamorphosed margins the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses Viktor Kommerell
title_short	Metamorphosed margins
title_sort	metamorphosed margins the case for a visual rhetoric of the renaissance grottesche under the influence of ovid s metamorphoses
title_sub	the case for a visual rhetoric of the Renaissance Grottesche under the influence of Ovid's metamorphoses
topic	Ovid <43 B.C.-17 or 18 A.D> Metamorphoses Ovidius Naso, Publius v43-17 Metamorphoses (DE-588)4123895-3 gnd Art, Renaissance Italy Grotesque in art Rezeption (DE-588)4049716-1 gnd Groteske Kunst (DE-588)4158316-4 gnd
topic_facet	Ovid <43 B.C.-17 or 18 A.D> Metamorphoses Ovidius Naso, Publius v43-17 Metamorphoses Art, Renaissance Italy Grotesque in art Rezeption Groteske Kunst Italien Domus Aurea Rom
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016608644&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016608644&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV035415984
work_keys_str_mv	AT kommerellviktor metamorphosedmarginsthecaseforavisualrhetoricoftherenaissancegrottescheundertheinfluenceofovidsmetamorphoses

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