Deleuze and the cinemas of performance: powers of affection
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Edinburgh
Edinburgh Univ. Press
2008
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references (p. [218]-227) and index |
| Physical Description: | VIII, 240 S. |
| ISBN: | 9780748635252 |
Staff View
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| 500 | |a Includes bibliographical references (p. [218]-227) and index | ||
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| 600 | 1 | 4 | |a Deleuze / Gilles / 1925-1995 |
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Record in the Search Index
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| adam_text |
This book offers a unique reconsideration of the performing body that privileges the notion of
affective force over the notion of visual form at the centre of former theories of spectacle and
performativity. Drawing on
Gilles
Deleuze's philosophy of the body, and on Deteuze-Spinoza's
relevant concepts of affect and expression, Elena del Rio examines a kind of cinema that she
calls 'affective-performative'. The features of this cinema unfold via detailed and engaging
discussions of the movements, gestures and speeds of the body in a variety of films by Douglas
Sirk, Rainer W.
Fassbinder,
Sally Potter, Claire Dents, and David Lynch. Key to the book's
engagement with performance is a consistent attention to the body's powers of affection.
Grounding her analysis in these powers, del Rio shows the insufficiency of former theoretical
approaches in accounting for the transformative and creative capacities of the moving body of
performance.
Deteuzeandthe Cinemas of Performance will be of interest to any scholars and students of film
concerned with bodily aspects of cinema, whether from a Oeleuzian, a phenomenological, or a
feminist perspective.
Features
•
The first study of the interface between Deleuzian theory and
film performance
•
A sustained consideration of the links between the body of
performance and the body of affect
•
A re-evaluation of central concepts in earlier film theory
-
f
rom
fetishistic spectacle and performativity to Brechtian
distanciation,
sadomasochism, and narcissism
•
An analysis of the relation of the performative body to a
femînisţ
politics
Elena del Rio is Associate Professor of Film Studies at the University of Alberta, Canada.
CONTENTS ACKNOWLEDGMENTS VB INTRODUCTION: CINEMA AND THE
AFFECTIVE-PERFORMATIVE 1 FROM REPRESENTATION TO PERFORMANCE 4 DELEUZE
AND PERFORMANCE: THE AFFECTIVE-EXPRESSIVE EVENT I GENRE AND THE
AFFECTIVE-PERFORMATIVE 13 TRAJECTORY 17 1 ANIMATED FETISHES 26 RULING
OUT EXPRESSION: FEMINIST THEORIES OF SPECTACLE AND PERFORMATIVITY 31
IMITATION OF LIRE 38 UPWARD THRUST: IDEAL ABSTRACTION 38 DOWNWARD
THRUST: ANOMALOUS REPETITION 40 SADOMASOCHISM, A SHOCK TO THOUGHT 47
WRUETENON THE WIND: LETHAI POWERS OF THE FETISH 51 THE TARNISHED ANGELS:
BAKHTINIAN CARNIVALESQUE AS DELEUZIAN AFFECTIVE SHOCK 55 2
CHOREOGRAPHIES OF AFFECT 67 FASSBINDER'S BRECHTIAN AESTHETICS: IN THE
REALM OF THE EMOTIONS 70 BETWEEN BRECHT AND ARTAUD: THE MARRIAGE OF
MARIA BRAUN 76 ZONES OF AFFECT: PSYCHOANA1YSIS, MELODRAMA, TRAUMA 77
"DER HERMANN IST TOT," OR HOW MARIA BEGAN TO MOVE 80 FRAME AND
PERFORMANCE: DANCING IN OEDIPAL ENCLOSURES 85 CRUEL PERFORMANCE: THE
BITTER TEARS 0/ PETRA VON KANT 89 PERFORMANCE: AN INTENSIVE KIND OF
THEATRE 89 WORDS THAT "STRIKE APOSE" 91 BITS AND PIECES OFBODIES 95 THE
FRAME AND THE OPEN: THE MOVING TABLEAU 97 PETRA'S NARCISSISM, THE FI1M'S
SE1F-AFFECTION 101 CRUELTY AS LOVE 102 VI DELEUZE AND THE CINEMAS OF
PERFORMANCE 3 DANCING FEMINISMS THRILLER: COUNTER-NARCISSISTIC
PERFORMANCE "REDEFINING MELODRAMA FOR OUR TIM ES" DISCIPLINING THE BODY
AFFECTIVE/ CONDUCTIVE POWERS OF THE VOICE THE THRILI OF TANGO: POTTER'S
NARCISSISTIC PERFORMANCE FROM RAGE TO DAN CE POWERS AND CAPACITIES
LESSONS ON NARCISSISM ACTIONS AND PASSIONS 4 KINESTHETIC SEDUCTIONS
NENETTE AND BONI: A DISORDER OF THE SENSES BEAU TRAVAIL: PERFORMING THE
NARRATIVE OF SEDUCTION FRIDAY NIGHT: A LINE OF FLIGHT AGAINST ALL ODDS
LET THE FILM LOVE YOU 5 POWERS OF THE FALSE AFFECTIVE CONTAGION AN
AFFECTIVE UNCONSCIOUS: ASYMMETRICAL RESONANCES CREATIVE FORGERS AT THE
LIMITS OF GENRE CONCLUSION: EVERYTHING IS "YES" WORKS CITED INDEX 113
117 118 120 125 129 131 133 135 138 148 150 155 165 174 178 181 188 194
199 208 218 228 |
| adam_txt |
This book offers a unique reconsideration of the performing body that privileges the notion of
affective force over the notion of visual form at the centre of former theories of spectacle and
performativity. Drawing on
Gilles
Deleuze's philosophy of the body, and on Deteuze-Spinoza's
relevant concepts of affect and expression, Elena del Rio examines a kind of cinema that she
calls 'affective-performative'. The features of this cinema unfold via detailed and engaging
discussions of the movements, gestures and speeds of the body in a variety of films by Douglas
Sirk, Rainer W.
Fassbinder,
Sally Potter, Claire Dents, and David Lynch. Key to the book's
engagement with performance is a consistent attention to the body's powers of affection.
Grounding her analysis in these powers, del Rio shows the insufficiency of former theoretical
approaches in accounting for the transformative and creative capacities of the moving body of
performance.
Deteuzeandthe Cinemas of Performance will be of interest to any scholars and students of film
concerned with bodily aspects of cinema, whether from a Oeleuzian, a phenomenological, or a
feminist perspective.
Features
•
The first study of the interface between Deleuzian theory and
film performance
•
A sustained consideration of the links between the body of
performance and the body of affect
•
A re-evaluation of central concepts in earlier film theory
-
f
rom
fetishistic spectacle and performativity to Brechtian
distanciation,
sadomasochism, and narcissism
•
An analysis of the relation of the performative body to a
femînisţ
politics
Elena del Rio is Associate Professor of Film Studies at the University of Alberta, Canada.
CONTENTS ACKNOWLEDGMENTS VB INTRODUCTION: CINEMA AND THE
AFFECTIVE-PERFORMATIVE 1 FROM REPRESENTATION TO PERFORMANCE 4 DELEUZE
AND PERFORMANCE: THE AFFECTIVE-EXPRESSIVE EVENT I GENRE AND THE
AFFECTIVE-PERFORMATIVE 13 TRAJECTORY 17 1 ANIMATED FETISHES 26 RULING
OUT EXPRESSION: FEMINIST THEORIES OF SPECTACLE AND PERFORMATIVITY 31
IMITATION OF LIRE 38 UPWARD THRUST: IDEAL ABSTRACTION 38 DOWNWARD
THRUST: ANOMALOUS REPETITION 40 SADOMASOCHISM, A SHOCK TO THOUGHT 47
WRUETENON THE WIND: LETHAI POWERS OF THE FETISH 51 THE TARNISHED ANGELS:
BAKHTINIAN CARNIVALESQUE AS DELEUZIAN AFFECTIVE SHOCK 55 2
CHOREOGRAPHIES OF AFFECT 67 FASSBINDER'S BRECHTIAN AESTHETICS: IN THE
REALM OF THE EMOTIONS 70 BETWEEN BRECHT AND ARTAUD: THE MARRIAGE OF
MARIA BRAUN 76 ZONES OF AFFECT: PSYCHOANA1YSIS, MELODRAMA, TRAUMA 77
"DER HERMANN IST TOT," OR HOW MARIA BEGAN TO MOVE 80 FRAME AND
PERFORMANCE: DANCING IN OEDIPAL ENCLOSURES 85 CRUEL PERFORMANCE: THE
BITTER TEARS 0/ PETRA VON KANT 89 PERFORMANCE: AN INTENSIVE KIND OF
THEATRE 89 WORDS THAT "STRIKE APOSE" 91 BITS AND PIECES OFBODIES 95 THE
FRAME AND THE OPEN: THE MOVING TABLEAU 97 PETRA'S NARCISSISM, THE FI1M'S
SE1F-AFFECTION 101 CRUELTY AS LOVE 102 VI DELEUZE AND THE CINEMAS OF
PERFORMANCE 3 DANCING FEMINISMS THRILLER: COUNTER-NARCISSISTIC
PERFORMANCE "REDEFINING MELODRAMA FOR OUR TIM ES" DISCIPLINING THE BODY
AFFECTIVE/ CONDUCTIVE POWERS OF THE VOICE THE THRILI OF TANGO: POTTER'S
NARCISSISTIC PERFORMANCE FROM RAGE TO DAN CE POWERS AND CAPACITIES
LESSONS ON NARCISSISM ACTIONS AND PASSIONS 4 KINESTHETIC SEDUCTIONS
NENETTE AND BONI: A DISORDER OF THE SENSES BEAU TRAVAIL: PERFORMING THE
NARRATIVE OF SEDUCTION FRIDAY NIGHT: A LINE OF FLIGHT AGAINST ALL ODDS
LET THE FILM LOVE YOU 5 POWERS OF THE FALSE AFFECTIVE CONTAGION AN
AFFECTIVE UNCONSCIOUS: ASYMMETRICAL RESONANCES CREATIVE FORGERS AT THE
LIMITS OF GENRE CONCLUSION: EVERYTHING IS "YES" WORKS CITED INDEX 113
117 118 120 125 129 131 133 135 138 148 150 155 165 174 178 181 188 194
199 208 218 228 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Río, Elena del |
| author_GND | (DE-588)1186837780 |
| author_facet | Río, Elena del |
| author_role | aut |
| author_sort | Río, Elena del |
| author_variant | e d r ed edr |
| building | Verbundindex |
| bvnumber | BV023424012 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.B62 |
| callnumber-search | PN1995.9.B62 |
| callnumber-sort | PN 41995.9 B62 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 45100 AP 50300 CC 8400 CI 5599 |
| ctrlnum | (OCoLC)214307544 (DE-599)BVBBV023424012 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Philosophie |
| discipline_str_mv | Allgemeines Philosophie |
| format | Book |
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| index_date | 2024-07-02T21:32:01Z |
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| isbn | 9780748635252 |
| language | English |
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| physical | VIII, 240 S. |
| publishDate | 2008 |
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| publisher | Edinburgh Univ. Press |
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| spelling | Río, Elena del Verfasser (DE-588)1186837780 aut Deleuze and the cinemas of performance powers of affection Elena del Río Edinburgh Edinburgh Univ. Press 2008 VIII, 240 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [218]-227) and index Deleuze, Gilles / 1925-1995 Deleuze / Gilles / 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf Body, Human, in motion pictures Motion pictures / Philosophy Film Philosophie Affekt (DE-588)4135470-9 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Körper Motiv (DE-588)4164424-4 gnd rswk-swf Film (DE-588)4017102-4 s Körper Motiv (DE-588)4164424-4 s Affekt (DE-588)4135470-9 s DE-604 Deleuze, Gilles 1925-1995 (DE-588)118524534 p 1\p DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016606396&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016606396&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Río, Elena del Deleuze and the cinemas of performance powers of affection Deleuze, Gilles / 1925-1995 Deleuze / Gilles / 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Body, Human, in motion pictures Motion pictures / Philosophy Film Philosophie Affekt (DE-588)4135470-9 gnd Film (DE-588)4017102-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| subject_GND | (DE-588)118524534 (DE-588)4135470-9 (DE-588)4017102-4 (DE-588)4164424-4 |
| title | Deleuze and the cinemas of performance powers of affection |
| title_auth | Deleuze and the cinemas of performance powers of affection |
| title_exact_search | Deleuze and the cinemas of performance powers of affection |
| title_exact_search_txtP | Deleuze and the cinemas of performance powers of affection |
| title_full | Deleuze and the cinemas of performance powers of affection Elena del Río |
| title_fullStr | Deleuze and the cinemas of performance powers of affection Elena del Río |
| title_full_unstemmed | Deleuze and the cinemas of performance powers of affection Elena del Río |
| title_short | Deleuze and the cinemas of performance |
| title_sort | deleuze and the cinemas of performance powers of affection |
| title_sub | powers of affection |
| topic | Deleuze, Gilles / 1925-1995 Deleuze / Gilles / 1925-1995 Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Body, Human, in motion pictures Motion pictures / Philosophy Film Philosophie Affekt (DE-588)4135470-9 gnd Film (DE-588)4017102-4 gnd Körper Motiv (DE-588)4164424-4 gnd |
| topic_facet | Deleuze, Gilles / 1925-1995 Deleuze / Gilles / 1925-1995 Deleuze, Gilles 1925-1995 Body, Human, in motion pictures Motion pictures / Philosophy Film Philosophie Affekt Körper Motiv |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016606396&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016606396&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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