Cinemusic?: constructing the film score
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
Newcastle
Cambridge Scholars Publ.
2008
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | X, 211 S. Ill. |
Staff View
MARC
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| 250 | |a 1. publ. | ||
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Record in the Search Index
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|---|---|
| adam_text | Table of Contents
Acknowledgements
...................................................................................
vii
Introduction
................................................................................................ix
Chapter One
.................................................................................................1
1
lth Bradford Film Festival, Film
&
Music Conference,
2005:
Keynote Interview with Trevor Jones
Scoring Processes
Chapter Two
..............................................................................................17
Spotting, Scoring, Soundtrack: The Evolution of Trevor Jones s Score
for Sea of Love
Ian Sapiro and David Cooper
Chapter Three
............................................................................................33
Scoring Moth: Beyond the Temp Track
Miguel
Mera
Chapter Four
..............................................................................................51
Looking and Listening
Geoffrey Cox and Keith Marley
Popular Scores
Chapter Five
..............................................................................................69
Music and Editing
—
The Message Within the Filmic Event: Exploring
an Extract of Moulin Rouge
Connie Wallcraft
Chapter Six
................................................................................................85
The Popular Song Performs
Louise O Riordan
VI
Chapter Seven
............................................................................................97
Please, Give Me Second Grace : A Study of Five Songs in Wes
Anderson s The Royal Teneribaums
Elena
Boschi
Narrativity
Chapter Eight
...........................................................................................113
Shades of Grey: Suspense, Subjectivity and the Soundtrack
in Notorious
Catherine Haworth
Chapter Nine
............................................................................................127
Desiring the Diegesis: Music and Self-Seduction in the Films
of Wong
Kar-
Wai
Alexander Binns
Chapter Ten
.............................................................................................141
Noises, Sounds and Sweet Airs : Singing the Film Space
in
Prospero
s
Books
Holly Rogers
Chapter Eleven
........................................................................................165
12th Bradford Film Festival, Film
&
Music Conference,
2006:
Keynote Interview with Michael
Nyman
Afterword
................................................................................................181
Some Futures for the Study of Sound, Music, and the Moving Image
Anahid Kassabian
Bibliography
............................................................................................191
Videography
............................................................................................199
Discography
.............................................................................................201
About the Contributors
............................................................................203
Index
........................................................................................................205
|
| adam_txt |
Table of Contents
Acknowledgements
.
vii
Introduction
.ix
Chapter One
.1
1
lth Bradford Film Festival, Film
&
Music Conference,
2005:
Keynote Interview with Trevor Jones
Scoring Processes
Chapter Two
.17
Spotting, Scoring, Soundtrack: The Evolution of Trevor Jones's Score
for Sea of Love
Ian Sapiro and David Cooper
Chapter Three
.33
Scoring Moth: Beyond the Temp Track
Miguel
Mera
Chapter Four
.51
Looking and Listening
Geoffrey Cox and Keith Marley
Popular Scores
Chapter Five
.69
Music and Editing
—
The Message Within the Filmic Event: Exploring
an Extract of Moulin Rouge
Connie Wallcraft
Chapter Six
.85
The Popular Song Performs
Louise O'Riordan
VI
Chapter Seven
.97
"Please, Give Me Second Grace": A Study of Five Songs in Wes
Anderson's The Royal Teneribaums
Elena
Boschi
Narrativity
Chapter Eight
.113
Shades of Grey: Suspense, Subjectivity and the Soundtrack
in Notorious
Catherine Haworth
Chapter Nine
.127
Desiring the Diegesis: Music and Self-Seduction in the Films
of Wong
Kar-
Wai
Alexander Binns
Chapter Ten
.141
"Noises, Sounds and Sweet Airs": Singing the Film Space
in
Prospero
's
Books
Holly Rogers
Chapter Eleven
.165
12th Bradford Film Festival, Film
&
Music Conference,
2006:
Keynote Interview with Michael
Nyman
Afterword
.181
Some Futures for the Study of Sound, Music, and the Moving Image
Anahid Kassabian
Bibliography
.191
Videography
.199
Discography
.201
About the Contributors
.203
Index
.205 |
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| spelling | Cinemusic? constructing the film score ed. by David Cooper ... 1. publ. Newcastle Cambridge Scholars Publ. 2008 X, 211 S. Ill. txt rdacontent n rdamedia nc rdacarrier Motion picture music / History and criticism Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmmusik (DE-588)4017129-2 s DE-604 Cooper, David 1956- Sonstige (DE-588)122134567 oth Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016584583&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Cinemusic? constructing the film score |
| title_auth | Cinemusic? constructing the film score |
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| title_short | Cinemusic? |
| title_sort | cinemusic constructing the film score |
| title_sub | constructing the film score |
| topic | Motion picture music / History and criticism Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
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