Holdings: The art of digital video

The art of digital video:

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Bibliographic Details
Main Author:	Watkinson, John (Author)
Format:	Book
Language:	English
Published:	Amsterdam [u.a.] Elsevier/Focal Press c2008
Edition:	4. ed.
Subjects:	Digital video Digitale Videotechnik Videobearbeitung
Online Access:	Inhaltsverzeichnis Inhaltsverzeichnis
Item Description:	Includes bibliographical references and index
Physical Description:	XV, 672 S. Ill., graph. Darst. 25 cm
ISBN:	9780240520056

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Record in the Search Index

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adam_text	THE ART OF DIGITAL VIDEO FOURTH EDITION JOHN WATKINSON AMSTERDAM * BOSTON * HEIDELBERG * LONDON * NEW YORK * OXFORD PARIS * SAN DIEGO * SAN FRANCISCO * SINGAPORE * SYDNEY * TOKYO ELSEVIER FOCAL PRESS IS AN IMPRINT OF ELSEVIER CONTENTS PREFACE TO FOURTH EDITION XIII ACKNOWLEDGMENTS XV CHAPTER1 INTRODUCING DIGITAL VIDEO TELEVISION SYSTEMS 1 VIDEOSIGNALS 2 DIGITAL VIDEO 4 STANDARD AND HIGH-DEFINITION VIDEO 8 COLOUR 9 CONVERGENCE OF VIDEO AND INFORMATION TECHNOLOGY 11 BASICS: TRANSMISSION, STORAGE, AND COMPRESSION 17 TIME COMPRESSION AND PACKETISING 18 SYNCHRONISATION AND TIME BASE CORRECTION 21 ERROR CORRECTION AND CONCEALMENT 25 TRANSMISSION 27 STORAGE 29 VIDEO COMPRESSION AND MPEG 33 REAL TIME? 36 DIGITAL AUDIO 37 DIGITAL CINEMA 38 REFERENCES ! 38 CHAPTER 2 OPTICAL AND VIDEO PRINCIPLES INTRODUCTION 39 WHATISLIGHT? 40 SOURCES OF LIGHT 41 OPTICAL PRINCIPLES 44 PHOTOMETRIE UNITS 47 THE HUMAN VISUAL SYSTEM 51 THE EYE 53 MOTION PORTRAYAL AND DYNAMIC RESOLUTION 60 SCANNING 62 ESSAY: PROGRESSIV E OR INTERLACED SCAN? 64 CONTENTS SYNCHRONISING 69 BANDWIDTH AND DEFINITION 76 APERTURE EFFECT 77 SCANNING FORMATS FOR SD AND HDTV 79 COLOUR VISION 79 COLORIMETRY 80 COLOUR DIFFERENCE SIGNALS 88 CHAPTER3 DIGITAL PRINCIPLES INTRODUCTION 95 DIGITAL PROCESSING 100 BINARY ADDITION 106 GAIN CONTROL BY MULTIPLICATION 110 THE COMPUTER 110 INTERRUPTS 113 DIGITAL SIGNAL PROCESSORS 117 TIME BASE CORRECTION 121 MULTIPLEXING PRINCIPLES 124 STATISTICAL MULTIPLEXING 127 DIGITAL FADERS AND CONTROLS 127 ESSAY: THE GALOIS FIELD 131 FILTERS 134 TRANSFORMS 137 CONVOLUTION 138 FIRANDLIRFILTERS 141 FIRFILTERS 142 SAMPLING-RATE CONVERSION 147 TRANSFORMSAND DUALITY 159 THE FOURIER TRANSFORM 162 THE DISCRETE COSINE TRANSFORM (DCT) 170 THE WAVELET TRANSFORM 174 REFERENCES 176 CHAPTER 4 CONVERSION INTRODUCTION TO CONVERSION 179 SAMPLING AND ALIASING 180 RECONSTRUCTION 183 FILTER DESIGN 185 TWO-DIMENSIONAL SAMPLING SPECTRA 187 SAMPLING CLOCKJITTER 192 QUANTIZING 195 QUANTIZING ERROR 196 INTRODUCTION TO DITHER 201 REQUANTIZING AND DIGITAL DITHER 203 ESSAY: DITHER TECHNIQUES 207 BASIC DIGITAL-TO-ANALOG CONVERSION 211 BASIC ANALOG-TO-DIGITAL CONVERSION 213 ESSAY: OVERSAMPLING 215 FACTORS AFFECTING CONVERTOR QUALITY 221 ESSAY: DIGITIZING COMPONENT VIDEO 223 COLOUR IN THE DIGITAL DOMAIN 230 REFERENCES 235 CHAPTER S DIGITAL VIDEO PROCESSING INTRODUCTION 237 A SIMPLE DIGITAL VISION MIXER 237 BLANKING 241 KEYING 241 CHROMA KEYING 242 SIMPLE EFFECTS 246 PLANAR DIGITAL VIDEO EFFECTS 251 ADDRESS GENERATION AND INTERPOLATION 251 SKEWAND ROTATION 255 PERSPECTIVE ROTATION 258 NON-PLANAR EFFECTS 262 CONTROLLING EFFECTS 263 GRAPHICS 264 ESSAY: CONVERTING BETWEEN COMPUTER AND VIDEO FORMATS 270 GRAPHIC ART/PAINT SYSTEMS 275 LINEAR AND NON-LINEAR EDITING 276 ONLINE AND OFFLINE EDITING 277 DIGITAL FILMMAKING 278 THE NON-LINEAR WORKSTATION 280 LOCATING THE EDIT POINT 282 PERFORMING THE EDIT 284 APPLICATIONS OF MOTION COMPENSATION 286 ESSAY: MOTION-ESTIMATION TECHNIQUES 289 MOTION-COMPENSATED STANDARDS CONVERSION 301 CONTENTS CAMERA-SHAKE COMPENSATION 307 DE-INTERLACING 310 NOISE REDUCTION 314 REFERENCES 315 CHAPTER 6 VIDEO COMPRESSION AND MPEG INTRODUCTION TO COMPRESSION 317 WHATISMPEG? 325 SPATIAL AND TEMPORAL REDUNDANCY IN MPEG 329 I AND P CODING 338 CODING APPLICATIONS 342 SPATIAL COMPRESSION 343 SCANNING AND RUN-LENGTH/VARIABLE-LENGTH CODING 348 A BI-DIRECTIONAL CODER 352 SLICES 357 AN MPEG-2 CODER 362 THE ELEMENTARY STREAM 364 AN MPEG-2 DECODER 365 MPEG-4 AND ADVANCED VIDEO CODING (AVC) 367 TEXTURE CODING 369 ADVANCED VIDEO CODING 375 MOTION COMPENSATION (MC) IN AVC 381 ANAVCCODEC 383 CODING ARTIFACTS 385 PROCESSING MPEG-2 AND CONCATENATION 388 REFERENCES 395 CHAPTER 7 DIGITAL AUDIO IN VIDEO WHATISSOUND? 397 LEVEL AND LOUDNESS 400 CRITICAL BANDS 402 ESSAY: STEREO AND SURROUND SOUND 406 CHOICE OF SAMPLING RATE FOR AUDIO 413 BASIC DIGITAL-TO-ANALOG CONVERSION 415 BASIC ANALOG-TO-DIGITAL CONVERSION 423 ALTERNATIVE CONVERTORS 428 OVERSAMPLING AND NOISE SHAPING 431 ONE-BIT CONVERTORS 439 OPERATING LEVELS IN DIGITAL AUDIO 443 MPEG AUDIO COMPRESSION 444 DOLBY AC-3 457 REFERENCES 458 CHAPTER 8 DIGITAL CODING PRINCIPLES INTRODUCTION 461 TYPESOF TRANSMISSION CHANNEL 463 TRANSMISSION LINES 464 TYPES OF RECORDING MEDIUM 467 MAGNETIC RECORDING 468 OPTICALAND MAGNETO-OPTICAL DISKS 475 EQUALIZATION AND DATA SEPARATION 477 SLICINGANDJITTER REJECTION 478 CHANNEL CODING 484 SIMPLE CODES 486 GROUP CODES 490 RANDOMIZING AND ENCRYPTION 493 ESSAY: PARTIAL RESPONSE 496 BASIC ERROR CORRECTION 501 CONCEALMENT BY INTERPOLATION 506 BLOCK AND CONVOLUTIONAL CODES 507 CYCLIC CODES 509 ESSAY: THE REED-SOLOMON CODES 519 REFERENCES 531 CHAPTER 9 STORAGE TECHNOLOGY INTRODUCTION 533 DISK STORAGE 534 MAGNETIC DISKS 537 ACCESSING THE BLOCKS 541 SERVO-SURFACE DISKS 543 THE DISK CONTROLLER 545 DEFECT HANDLING 551 DISK SERVERS 553 OPTICAL DISK PRINCIPLES 554 FOCUS AND TRACKING SYSTEMS 557 STRUCTURE OF A DVD PLAYER 564 DIGITAL VIDEOTAPE 569 THE ROTARY HEAD TAPE TRANSPORT 571 DIGITAL VIDEO CASSETTES 573 DIGITAL VTR BLOCK DIAGRAM 574 DVANDDVCPRO 580 CHAPTERIO COMMUNICATION SYSTEMS INTRODUCTION 587 PRODUCTION-RELATED INTERFACES 591 SERIAL DIGITAL VIDEO INTERFACES 592 SYNCHRONISING 594 SD-SDI 597 HD-SDI 601 ANCILLARY DATA 603 SDTI 603 ASI .....605 AES/EBU 605 TELEPHONE-BASED SYSTEMS 611 DIGITAL TELEVISION BROADCASTING 615 MPEG PACKETS AND TIME STAMPS 618 PROGRAM-SPECIFIC INFORMATION (PSI) 621 TRANSPORT STREAM MULTIPLEXING 624 BROADCAST MODULATION TECHNIQUES 627 ESSAY: OFDM 633 ERROR CORRECTION IN DIGITAL TELEVISION BROADCASTING 637 DVB 637 THE DVB RECEIVER 640 ATSC 641 NETWORKS 647 NETWORK ARBITRATION 649 FIREWIRE 654 BROADBAND NETWORKS AND ATM 657 ATMAALS 660 REFERENCES 663 INDEX 665
adam_txt	THE ART OF DIGITAL VIDEO FOURTH EDITION JOHN WATKINSON AMSTERDAM * BOSTON * HEIDELBERG * LONDON * NEW YORK * OXFORD PARIS * SAN DIEGO * SAN FRANCISCO * SINGAPORE * SYDNEY * TOKYO ELSEVIER FOCAL PRESS IS AN IMPRINT OF ELSEVIER CONTENTS PREFACE TO FOURTH EDITION XIII ACKNOWLEDGMENTS XV CHAPTER1 INTRODUCING DIGITAL VIDEO TELEVISION SYSTEMS 1 VIDEOSIGNALS 2 DIGITAL VIDEO 4 STANDARD AND HIGH-DEFINITION VIDEO 8 COLOUR 9 CONVERGENCE OF VIDEO AND INFORMATION TECHNOLOGY 11 BASICS: TRANSMISSION, STORAGE, AND COMPRESSION 17 TIME COMPRESSION AND PACKETISING 18 SYNCHRONISATION AND TIME BASE CORRECTION 21 ERROR CORRECTION AND CONCEALMENT 25 TRANSMISSION 27 STORAGE 29 VIDEO COMPRESSION AND MPEG 33 REAL TIME? 36 DIGITAL AUDIO 37 DIGITAL CINEMA 38 REFERENCES ! 38 CHAPTER 2 OPTICAL AND VIDEO PRINCIPLES INTRODUCTION 39 WHATISLIGHT? 40 SOURCES OF LIGHT 41 OPTICAL PRINCIPLES 44 PHOTOMETRIE UNITS 47 THE HUMAN VISUAL SYSTEM 51 THE EYE 53 MOTION PORTRAYAL AND DYNAMIC RESOLUTION 60 SCANNING 62 ESSAY: PROGRESSIV E OR INTERLACED SCAN? 64 CONTENTS SYNCHRONISING 69 BANDWIDTH AND DEFINITION 76 APERTURE EFFECT 77 SCANNING FORMATS FOR SD AND HDTV 79 COLOUR VISION 79 COLORIMETRY 80 COLOUR DIFFERENCE SIGNALS 88 CHAPTER3 DIGITAL PRINCIPLES INTRODUCTION 95 DIGITAL PROCESSING 100 BINARY ADDITION 106 GAIN CONTROL BY MULTIPLICATION 110 THE COMPUTER 110 INTERRUPTS 113 DIGITAL SIGNAL PROCESSORS 117 TIME BASE CORRECTION 121 MULTIPLEXING PRINCIPLES 124 STATISTICAL MULTIPLEXING 127 DIGITAL FADERS AND CONTROLS 127 ESSAY: THE GALOIS FIELD 131 FILTERS 134 TRANSFORMS 137 CONVOLUTION 138 FIRANDLIRFILTERS 141 FIRFILTERS 142 SAMPLING-RATE CONVERSION 147 TRANSFORMSAND DUALITY 159 THE FOURIER TRANSFORM 162 THE DISCRETE COSINE TRANSFORM (DCT) 170 THE WAVELET TRANSFORM 174 REFERENCES 176 CHAPTER 4 CONVERSION INTRODUCTION TO CONVERSION 179 SAMPLING AND ALIASING 180 RECONSTRUCTION 183 FILTER DESIGN 185 TWO-DIMENSIONAL SAMPLING SPECTRA 187 SAMPLING CLOCKJITTER 192 QUANTIZING 195 QUANTIZING ERROR 196 INTRODUCTION TO DITHER 201 REQUANTIZING AND DIGITAL DITHER 203 ESSAY: DITHER TECHNIQUES 207 BASIC DIGITAL-TO-ANALOG CONVERSION 211 BASIC ANALOG-TO-DIGITAL CONVERSION 213 ESSAY: OVERSAMPLING 215 FACTORS AFFECTING CONVERTOR QUALITY 221 ESSAY: DIGITIZING COMPONENT VIDEO 223 COLOUR IN THE DIGITAL DOMAIN 230 REFERENCES 235 CHAPTER S DIGITAL VIDEO PROCESSING INTRODUCTION 237 A SIMPLE DIGITAL VISION MIXER 237 BLANKING 241 KEYING 241 CHROMA KEYING 242 SIMPLE EFFECTS 246 PLANAR DIGITAL VIDEO EFFECTS 251 ADDRESS GENERATION AND INTERPOLATION 251 SKEWAND ROTATION 255 PERSPECTIVE ROTATION 258 NON-PLANAR EFFECTS 262 CONTROLLING EFFECTS 263 GRAPHICS 264 ESSAY: CONVERTING BETWEEN COMPUTER AND VIDEO FORMATS 270 GRAPHIC ART/PAINT SYSTEMS 275 LINEAR AND NON-LINEAR EDITING 276 ONLINE AND OFFLINE EDITING 277 DIGITAL FILMMAKING 278 THE NON-LINEAR WORKSTATION 280 LOCATING THE EDIT POINT 282 PERFORMING THE EDIT 284 APPLICATIONS OF MOTION COMPENSATION 286 ESSAY: MOTION-ESTIMATION TECHNIQUES 289 MOTION-COMPENSATED STANDARDS CONVERSION 301 CONTENTS CAMERA-SHAKE COMPENSATION 307 DE-INTERLACING 310 NOISE REDUCTION 314 REFERENCES 315 CHAPTER 6 VIDEO COMPRESSION AND MPEG INTRODUCTION TO COMPRESSION 317 WHATISMPEG? 325 SPATIAL AND TEMPORAL REDUNDANCY IN MPEG 329 I AND P CODING 338 CODING APPLICATIONS 342 SPATIAL COMPRESSION 343 SCANNING AND RUN-LENGTH/VARIABLE-LENGTH CODING 348 A BI-DIRECTIONAL CODER 352 SLICES 357 AN MPEG-2 CODER 362 THE ELEMENTARY STREAM 364 AN MPEG-2 DECODER 365 MPEG-4 AND ADVANCED VIDEO CODING (AVC) 367 TEXTURE CODING 369 ADVANCED VIDEO CODING 375 MOTION COMPENSATION (MC) IN AVC 381 ANAVCCODEC 383 CODING ARTIFACTS 385 PROCESSING MPEG-2 AND CONCATENATION 388 REFERENCES 395 CHAPTER 7 DIGITAL AUDIO IN VIDEO WHATISSOUND? 397 LEVEL AND LOUDNESS 400 CRITICAL BANDS 402 ESSAY: STEREO AND SURROUND SOUND 406 CHOICE OF SAMPLING RATE FOR AUDIO 413 BASIC DIGITAL-TO-ANALOG CONVERSION 415 BASIC ANALOG-TO-DIGITAL CONVERSION 423 ALTERNATIVE CONVERTORS 428 OVERSAMPLING AND NOISE SHAPING 431 ONE-BIT CONVERTORS 439 OPERATING LEVELS IN DIGITAL AUDIO 443 MPEG AUDIO COMPRESSION 444 DOLBY AC-3 457 REFERENCES 458 CHAPTER 8 DIGITAL CODING PRINCIPLES INTRODUCTION 461 TYPESOF TRANSMISSION CHANNEL 463 TRANSMISSION LINES 464 TYPES OF RECORDING MEDIUM 467 MAGNETIC RECORDING 468 OPTICALAND MAGNETO-OPTICAL DISKS 475 EQUALIZATION AND DATA SEPARATION 477 SLICINGANDJITTER REJECTION 478 CHANNEL CODING 484 SIMPLE CODES 486 GROUP CODES 490 RANDOMIZING AND ENCRYPTION 493 ESSAY: PARTIAL RESPONSE 496 BASIC ERROR CORRECTION 501 CONCEALMENT BY INTERPOLATION 506 BLOCK AND CONVOLUTIONAL CODES 507 CYCLIC CODES 509 ESSAY: THE REED-SOLOMON CODES 519 REFERENCES 531 CHAPTER 9 STORAGE TECHNOLOGY INTRODUCTION 533 DISK STORAGE 534 MAGNETIC DISKS 537 ACCESSING THE BLOCKS 541 SERVO-SURFACE DISKS 543 THE DISK CONTROLLER 545 DEFECT HANDLING 551 DISK SERVERS 553 OPTICAL DISK PRINCIPLES 554 FOCUS AND TRACKING SYSTEMS 557 STRUCTURE OF A DVD PLAYER 564 DIGITAL VIDEOTAPE 569 THE ROTARY HEAD TAPE TRANSPORT 571 DIGITAL VIDEO CASSETTES 573 DIGITAL VTR BLOCK DIAGRAM 574 DVANDDVCPRO 580 CHAPTERIO COMMUNICATION SYSTEMS INTRODUCTION 587 PRODUCTION-RELATED INTERFACES 591 SERIAL DIGITAL VIDEO INTERFACES 592 SYNCHRONISING 594 SD-SDI 597 HD-SDI 601 ANCILLARY DATA 603 SDTI 603 ASI .605 AES/EBU 605 TELEPHONE-BASED SYSTEMS 611 DIGITAL TELEVISION BROADCASTING 615 MPEG PACKETS AND TIME STAMPS 618 PROGRAM-SPECIFIC INFORMATION (PSI) 621 TRANSPORT STREAM MULTIPLEXING 624 BROADCAST MODULATION TECHNIQUES 627 ESSAY: OFDM 633 ERROR CORRECTION IN DIGITAL TELEVISION BROADCASTING 637 DVB 637 THE DVB RECEIVER 640 ATSC 641 NETWORKS 647 NETWORK ARBITRATION 649 FIREWIRE 654 BROADBAND NETWORKS AND ATM 657 ATMAALS 660 REFERENCES 663 INDEX 665
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illustrated	Illustrated
index_date	2024-07-02T21:22:53Z
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isbn	9780240520056
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lccn	2007047332
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physical	XV, 672 S. Ill., graph. Darst. 25 cm
publishDate	2008
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publisher	Elsevier/Focal Press
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spelling	Watkinson, John Verfasser aut The art of digital video John Watkinson 4. ed. Amsterdam [u.a.] Elsevier/Focal Press c2008 XV, 672 S. Ill., graph. Darst. 25 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Digital video Digitale Videotechnik (DE-588)4274176-2 gnd rswk-swf Videobearbeitung (DE-588)4536854-5 gnd rswk-swf Digitale Videotechnik (DE-588)4274176-2 s Videobearbeitung (DE-588)4536854-5 s DE-604 http://www.gbv.de/dms/ilmenau/toc/497635623.PDF Inhaltsverzeichnis GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016581306&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Watkinson, John The art of digital video Digital video Digitale Videotechnik (DE-588)4274176-2 gnd Videobearbeitung (DE-588)4536854-5 gnd
subject_GND	(DE-588)4274176-2 (DE-588)4536854-5
title	The art of digital video
title_auth	The art of digital video
title_exact_search	The art of digital video
title_exact_search_txtP	The art of digital video
title_full	The art of digital video John Watkinson
title_fullStr	The art of digital video John Watkinson
title_full_unstemmed	The art of digital video John Watkinson
title_short	The art of digital video
title_sort	the art of digital video
topic	Digital video Digitale Videotechnik (DE-588)4274176-2 gnd Videobearbeitung (DE-588)4536854-5 gnd
topic_facet	Digital video Digitale Videotechnik Videobearbeitung
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