Ruckers: a harpsichord and virginal building tradition
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Edition: | Digitally print. version (with corr.) |
| Series: | Cambridge musical texts and monographs
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XXII, 346 S. zahlr. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9780521066822 9780521365659 0521365651 |
Staff View
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Record in the Search Index
| _version_ | 1804137739147280384 |
|---|---|
| adam_text | Contents
List of illustrations and tables page
xii
Conventions and definitions
xix
Acknowledgements
xxi
Errata
xxiii
Introduction
1
chapter one Ruckers family history and the Guild of St Luke
3
Antwerp and the Netherlands at the time of the Ruckers family
3
Ruckers family history
4
Ruckers and other Antwerp artists
12
The Guild of St Luke
13
Conditions of work in the Guild workshops
14
The Couchets and the Ruckers tradition
15
chapter two The pre-Ruckers instruments and traditions
16
The early Italian tradition
16
Sixteenth-century Italian construction
16
Italian string scalings and stringing materials
17
Disposition and sound of sixteenth-century Italian harpsichords
20
The early Germanic tradition
20
Early Flemish instruments
23
Early Flemish double-manual harpsichords
29
chapter three The types of instrument built by the Ruckers, and
the Ruckers numbering system
34
The models of Ruckers virginal
34
Contents
The standard types of harpsichord
40
Special models of
Ruckers
harpsichord
41
Ruckers
combined harpsichord and virginal
45
The numbers found on the different models of
Ruckers
instruments
46
The interpretation of the
Ruckers
numbering system
46
Chapterfour The stringing and pitches of
Ruckers
instruments
55
Some acoustics of clavecimbel soundboards and strings
55
The pitches of
Ruckers
instruments
56
Ruckers
virginal scalings
58
Ruckers
harpsichord scalings
58
Ruckers
stringing materials
60
Ruckers
string gauges
62
chapter five The construction of virginals
67
Virginal baseboards
68
Virginal outer case and framing
69
Virginal wrestplanks and hitchpin rails
71
Virginal lid and keywell flap
72
Virginal toolbox
73
Virginal soundboards
73
Virginal soundboard barring
74
Virginal bridges
76
The harpichordium stop
77
Virginal registers
78
Bridge-pinning in virginals
79
Gluing the virginal soundboard into the case
80
Virginal keyframes and keyboards
80
Virginal jacks and jackrail
86
chapter six Construction of
Ruckers
harpsichords
88
Harpsichord baseboards
88
Harpsichord case sides and internal framing
89
The main lid, lid flap and keywell flap in harpsichords
96
The harpsichord wrestplank
97
Harpsichord soundboards
100
Soundboard barring and hitchpin rails in harpsichords
102
viii
Contents
Harpsichord bridges
103
Harpsichord registers
110
Keyboards and keyframes in harpsichords
115
Ruckers
jacks
121
Harpsichord jackrails
126
Harpsichord stands
126
chapter seven The decoration of
Ruckers
instruments
128
Flemish printed-paper decorations
128
Catalogue of block-printed patterns found on
Ruckers clavecimbels 135
Ruckers
painted soundboards
145
Styles and periods of
Ruckers
soundboard decoration
149
Soundboard preparation, painting media and pigments
158
Ruckers
roses
158
Lid and keywell-flap decoration
165
Outer-case decoration
167
Mouldings
168
Key arcades
169
Locks and strap hinges
169
In conclusion
170
chapter eight The determination of the original compass, disposition and
pitch of
Ruckers
harpsichords
172
Determination of the number of natural notes
172
Making a string-band strip
173
Finding pitch
с
using the 49cm rule
175
Using the bridge-positioning holes to determine the played notes
с
and f*
175
Some examples of the application of the method
175
Conclusions
182
chapter nine Trademarks of
Ruckers
instruments
183
Unauthentic
Ruckers
instruments
183
Ruckers
instrument authentication
184
Differences in the construction methods among the various members
of the
Ruckers
family
190
Ruckers
instruments in paintings
191
The value and importance of fake and counterfeit
Ruckers
instruments
192
ix
Contents
chapter ten The influence of the Ruckers/Couchet tradition on later
harpsichord building practice
196
Ioannes Couchet and the beginning of change
196
The Couchet sons and the developing tradition
197
The
Ruckers
tradition in England in the eighteenth century
199
The
Ruckers
tradition in eighteenth-century France
201
The effect of the
Ruckers
tradition in the rest of Northern Europe
204
chapter eleven The
ravalement
of
Ruckers
and Couchet clavecimbels
207
Ravalement
of
Ruckers
virginals
207
Ravalement
of
Ruckers
harpsichords
208
chapter twelve
Ruckers
clavecimbels, music and performance practice
218
Clavecimbel composers in the Low Countries contemporary with the
Ruckers 218
The short octave and meantone tuning
220
The keyboard and action and their effect on the player
221
The pitch scheme of
Ruckers
clavecimbels
223
The
Ruckers
virginals
224
Harpsichord registration
226
The musical function of double-manual harpsichords
227
The
chromatic-bäss-octave
singles
229
The chromatic-bass-octave doubles
230
The Couchets and the change in musical taste and fashion
230
Ravalement
of
Ruckers
clavecimbels and implications for later music
and performance practice
231
Ruckers
instruments in modern times
233
Catalogue of
Ruckers
instruments
236
Catalogue of unauthentic
Ruckers
instruments
277
Appendices
1
The
duim
284
2
The Hagaerts 5-voet
spineti
virginal
286
3
The 2V2-voet virginal
287
4
The stringing of instrument types not in Douwes
289
5
Douwes scalings and
Ruckers
instruments
291
6
Classification of
Ruckers
instruments according to
their original state
292
χ
Contents
7
Transposition by a tone in mcantone tuning
293
8
Klaas Douwes
on clavccimbels
293
9
Harpsichord entry in Reynvaan s Dictionary
295
10
van
Blankenburg
on the
cla
vecimbel
297
11
Contract between Iocs and Goosen Rarest
299
12
Regulations of the Guild of St Luke pertaining to the
clavecimbel builders
300
13
Harpsichord from the
Encyclopedie
301
14
The preparation of bone for keyboards
302
15 Ruckers
instruments sold in Paris sales during the
eighteenth century
302
16 Gerbier-Windebank
correspondence concerning
a
Ruckers
harpsichord
304
17
Correspondence between G. F.
Duarte
and Constantijn
Huygens
305
18
Letter from Ioannes Couchet to Constantijn Huygens
306
19
Obituary poem by Constantijn Huygens on the death of
Ioannes Couchet
307
Select bibliography
309
Index
319
|
| adam_txt |
Contents
List of illustrations and tables page
xii
Conventions and definitions
xix
Acknowledgements
xxi
Errata
xxiii
Introduction
1
chapter one Ruckers family history and the Guild of St Luke
3
Antwerp and the Netherlands at the time of the Ruckers family
3
Ruckers family history
4
Ruckers and other Antwerp artists
12
The Guild of St Luke
13
Conditions of work in the Guild workshops
14
The Couchets and the Ruckers tradition
15
chapter two The pre-Ruckers instruments and traditions
16
The early Italian tradition
16
Sixteenth-century Italian construction
16
Italian string scalings and stringing materials
17
Disposition and sound of sixteenth-century Italian harpsichords
20
The early Germanic tradition
20
Early Flemish instruments
23
Early Flemish double-manual harpsichords
29
chapter three The types of instrument built by the Ruckers, and
the Ruckers numbering system
34
The models of Ruckers virginal
34
Contents
The standard types of harpsichord
40
Special models of
Ruckers
harpsichord
41
Ruckers
combined harpsichord and virginal
45
The numbers found on the different models of
Ruckers
instruments
46
The interpretation of the
Ruckers
numbering system
46
Chapterfour The stringing and pitches of
Ruckers
instruments
55
Some acoustics of clavecimbel soundboards and strings
55
The pitches of
Ruckers
instruments
56
Ruckers
virginal scalings
58
Ruckers
harpsichord scalings
58
Ruckers
stringing materials
60
Ruckers
string gauges
62
chapter five The construction of virginals
67
Virginal baseboards
68
Virginal outer case and framing
69
Virginal wrestplanks and hitchpin rails
71
Virginal lid and keywell flap
72
Virginal toolbox
73
Virginal soundboards
73
Virginal soundboard barring
74
Virginal bridges
76
The harpichordium stop
77
Virginal registers
78
Bridge-pinning in virginals
79
Gluing the virginal soundboard into the case
80
Virginal keyframes and keyboards
80
Virginal jacks and jackrail
86
chapter six Construction of
Ruckers
harpsichords
88
Harpsichord baseboards
88
Harpsichord case sides and internal framing
89
The main lid, lid flap and keywell flap in harpsichords
96
The harpsichord wrestplank
97
Harpsichord soundboards
100
Soundboard barring and hitchpin rails in harpsichords
102
viii
Contents
Harpsichord bridges
103
Harpsichord registers
110
Keyboards and keyframes in harpsichords
115
Ruckers
jacks
121
Harpsichord jackrails
126
Harpsichord stands
126
chapter seven The decoration of
Ruckers
instruments
128
Flemish printed-paper decorations
128
Catalogue of block-printed patterns found on
Ruckers clavecimbels 135
Ruckers
painted soundboards
145
Styles and periods of
Ruckers
soundboard decoration
149
Soundboard preparation, painting media and pigments
158
Ruckers
roses
158
Lid and keywell-flap decoration
165
Outer-case decoration
167
Mouldings
168
Key arcades
169
Locks and strap hinges
169
In conclusion
170
chapter eight The determination of the original compass, disposition and
pitch of
Ruckers
harpsichords
172
Determination of the number of natural notes
172
Making a string-band strip
173
Finding pitch
с
using the 49cm rule
175
Using the bridge-positioning holes to determine the played notes
с
and f*
175
Some examples of the application of the method
175
Conclusions
182
chapter nine Trademarks of
Ruckers
instruments
183
Unauthentic
Ruckers
instruments
183
Ruckers
instrument authentication
184
Differences in the construction methods among the various members
of the
Ruckers
family
190
Ruckers
instruments in paintings
191
The value and importance of fake and counterfeit
Ruckers
instruments
192
ix
Contents
chapter ten The influence of the Ruckers/Couchet tradition on later
harpsichord building practice
196
Ioannes Couchet and the beginning of change
196
The Couchet sons and the developing tradition
197
The
Ruckers
tradition in England in the eighteenth century
199
The
Ruckers
tradition in eighteenth-century France
201
The effect of the
Ruckers
tradition in the rest of Northern Europe
204
chapter eleven The
ravalement
of
Ruckers
and Couchet clavecimbels
207
Ravalement
of
Ruckers
virginals
207
Ravalement
of
Ruckers
harpsichords
208
chapter twelve
Ruckers
clavecimbels, music and performance practice
218
Clavecimbel composers in the Low Countries contemporary with the
Ruckers 218
The short octave and meantone tuning
220
The keyboard and action and their effect on the player
221
The pitch scheme of
Ruckers
clavecimbels
223
The
Ruckers
virginals
224
Harpsichord registration
226
The musical function of double-manual harpsichords
227
The
chromatic-bäss-octave
singles
229
The chromatic-bass-octave doubles
230
The Couchets and the change in musical taste and fashion
230
Ravalement
of
Ruckers
clavecimbels and implications for later music
and performance practice
231
Ruckers
instruments in modern times
233
Catalogue of
Ruckers
instruments
236
Catalogue of unauthentic
Ruckers
instruments
277
Appendices
1
The
duim
284
2
The Hagaerts 5-voet
spineti
virginal
286
3
The 2V2-voet virginal
287
4
The stringing of instrument types not in Douwes
289
5
Douwes scalings and
Ruckers
instruments
291
6
Classification of
Ruckers
instruments according to
their original state
292
χ
Contents
7
Transposition by a tone in mcantone tuning
293
8
Klaas Douwes
on clavccimbels
293
9
'Harpsichord' entry in Reynvaan's Dictionary
295
10
van
Blankenburg
on the
cla
vecimbel
297
11
Contract between Iocs and Goosen Rarest
299
12
Regulations of the Guild of St Luke pertaining to the
clavecimbel builders
300
13
'Harpsichord' from the
Encyclopedie
301
14
The preparation of bone for keyboards
302
15 Ruckers
instruments sold in Paris sales during the
eighteenth century
302
16 Gerbier-Windebank
correspondence concerning
a
Ruckers
harpsichord
304
17
Correspondence between G. F.
Duarte
and Constantijn
Huygens
305
18
Letter from Ioannes Couchet to Constantijn Huygens
306
19
Obituary poem by Constantijn Huygens on the death of
Ioannes Couchet
307
Select bibliography
309
Index
319 |
| any_adam_object | 1 |
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| ctrlnum | (OCoLC)219990938 (DE-599)BVBBV023371400 |
| dewey-full | 786.419 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.419 |
| dewey-search | 786.419 |
| dewey-sort | 3786.419 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | Digitally print. version (with corr.) |
| format | Book |
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| id | DE-604.BV023371400 |
| illustrated | Illustrated |
| index_date | 2024-07-02T21:12:42Z |
| indexdate | 2024-07-09T21:17:05Z |
| institution | BVB |
| isbn | 9780521066822 9780521365659 0521365651 |
| language | English |
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| owner | DE-355 DE-BY-UBR |
| owner_facet | DE-355 DE-BY-UBR |
| physical | XXII, 346 S. zahlr. Ill., graph. Darst., Notenbeisp. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Cambridge Univ. Press |
| record_format | marc |
| series2 | Cambridge musical texts and monographs |
| spelling | O'Brien, Grant Verfasser (DE-588)132985128 aut Ruckers a harpsichord and virginal building tradition Grant O'Brien Digitally print. version (with corr.) Cambridge [u.a.] Cambridge Univ. Press 2008 XXII, 346 S. zahlr. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Cambridge musical texts and monographs Ruckers family Ruckers Familie (DE-588)119028077 gnd rswk-swf Geschichte Harpsichord Construction Harpsichord History Cembalobau (DE-588)4281285-9 gnd rswk-swf Virginalbau (DE-588)1081957069 gnd rswk-swf Ruckers Familie (DE-588)119028077 p Cembalobau (DE-588)4281285-9 s Virginalbau (DE-588)1081957069 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016554657&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | O'Brien, Grant Ruckers a harpsichord and virginal building tradition Ruckers family Ruckers Familie (DE-588)119028077 gnd Geschichte Harpsichord Construction Harpsichord History Cembalobau (DE-588)4281285-9 gnd Virginalbau (DE-588)1081957069 gnd |
| subject_GND | (DE-588)119028077 (DE-588)4281285-9 (DE-588)1081957069 |
| title | Ruckers a harpsichord and virginal building tradition |
| title_auth | Ruckers a harpsichord and virginal building tradition |
| title_exact_search | Ruckers a harpsichord and virginal building tradition |
| title_exact_search_txtP | Ruckers a harpsichord and virginal building tradition |
| title_full | Ruckers a harpsichord and virginal building tradition Grant O'Brien |
| title_fullStr | Ruckers a harpsichord and virginal building tradition Grant O'Brien |
| title_full_unstemmed | Ruckers a harpsichord and virginal building tradition Grant O'Brien |
| title_short | Ruckers |
| title_sort | ruckers a harpsichord and virginal building tradition |
| title_sub | a harpsichord and virginal building tradition |
| topic | Ruckers family Ruckers Familie (DE-588)119028077 gnd Geschichte Harpsichord Construction Harpsichord History Cembalobau (DE-588)4281285-9 gnd Virginalbau (DE-588)1081957069 gnd |
| topic_facet | Ruckers family Ruckers Familie Geschichte Harpsichord Construction Harpsichord History Cembalobau Virginalbau |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016554657&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT obriengrant ruckersaharpsichordandvirginalbuildingtradition |