Ways of listening: an ecological approach to the perception of musical meaning
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Oxford Univ. Press
2008
|
| Schriftenreihe: | Oxford Scholarship Online
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (237 S.) Notenbeisp. |
| ISBN: | 9780195151947 |
| DOI: | 10.1093/acprof:oso/9780195151947.001.0001 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV023344654 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 080613s2008 xxu|||| o||u| ||||||eng d | ||
| 020 | |a 9780195151947 |9 978-0-19-515194-7 | ||
| 024 | 7 | |a 10.1093/acprof:oso/9780195151947.001.0001 |2 doi | |
| 035 | |a (OCoLC)239331002 | ||
| 035 | |a (DE-599)BVBBV023344654 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 | ||
| 050 | 0 | |a ML3845 | |
| 084 | |a LR 56650 |0 (DE-625)109805:13528 |2 rvk | ||
| 084 | |a LR 56820 |0 (DE-625)109812:13528 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Clarke, Eric |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Ways of listening |b an ecological approach to the perception of musical meaning |c Eric F. Clarke |
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2008 | |
| 300 | |a 1 Online-Ressource (237 S.) |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Oxford Scholarship Online | |
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Introduction -- Perception, ecology, and music -- Jimi Hendrix's "Star spangled banner" -- Music, motion, and subjectivity -- Subject-position in music -- Autonomy/heteronomy and perceptual style -- The first movement of Beethoven's string quartet in A minor, op. 132 -- Conclusions. | |
| 650 | 4 | |a Music - History and criticism | |
| 650 | 4 | |a Musical perception | |
| 650 | 4 | |a Nature (Aesthetics) | |
| 650 | 4 | |a Musik | |
| 650 | 4 | |a Musical perception | |
| 650 | 4 | |a Nature (Aesthetics) | |
| 650 | 4 | |a Music |x History and criticism | |
| 650 | 0 | 7 | |a Bedeutung |0 (DE-588)4005184-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikverstehen |0 (DE-588)4212275-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikalische Semiotik |0 (DE-588)4195308-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikhören |0 (DE-588)4075127-2 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Musikhören |0 (DE-588)4075127-2 |D s |
| 689 | 0 | 1 | |a Musikverstehen |0 (DE-588)4212275-2 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Musikalische Semiotik |0 (DE-588)4195308-3 |D s |
| 689 | 1 | |5 DE-604 | |
| 689 | 2 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 2 | 1 | |a Bedeutung |0 (DE-588)4005184-5 |D s |
| 689 | 2 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druckausgabe |z 0-19-515194-1 |
| 856 | 4 | 0 | |u https://doi.org/10.1093/acprof:oso/9780195151947.001.0001 |x Verlag |3 Volltext |
| 912 | |a ZDB-28-OSM | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-016528364 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |
| 966 | e | |u https://doi.org/10.1093/acprof:oso/9780195151947.001.0001 |l BSB01 |p ZDB-28-OSM |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804137699313975296 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Clarke, Eric |
| author_facet | Clarke, Eric |
| author_role | aut |
| author_sort | Clarke, Eric |
| author_variant | e c ec |
| building | Verbundindex |
| bvnumber | BV023344654 |
| callnumber-first | M - Music |
| callnumber-label | ML3845 |
| callnumber-raw | ML3845 |
| callnumber-search | ML3845 |
| callnumber-sort | ML 43845 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LR 56650 LR 56820 |
| collection | ZDB-28-OSM |
| contents | Introduction -- Perception, ecology, and music -- Jimi Hendrix's "Star spangled banner" -- Music, motion, and subjectivity -- Subject-position in music -- Autonomy/heteronomy and perceptual style -- The first movement of Beethoven's string quartet in A minor, op. 132 -- Conclusions. |
| ctrlnum | (OCoLC)239331002 (DE-599)BVBBV023344654 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1093/acprof:oso/9780195151947.001.0001 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02650nmm a2200661zc 4500</leader><controlfield tag="001">BV023344654</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">080613s2008 xxu|||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780195151947</subfield><subfield code="9">978-0-19-515194-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1093/acprof:oso/9780195151947.001.0001</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)239331002</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV023344654</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML3845</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56650</subfield><subfield code="0">(DE-625)109805:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56820</subfield><subfield code="0">(DE-625)109812:13528</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Clarke, Eric</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Ways of listening</subfield><subfield code="b">an ecological approach to the perception of musical meaning</subfield><subfield code="c">Eric F. Clarke</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York [u.a.]</subfield><subfield code="b">Oxford Univ. Press</subfield><subfield code="c">2008</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (237 S.)</subfield><subfield code="b">Notenbeisp.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Oxford Scholarship Online</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction -- Perception, ecology, and music -- Jimi Hendrix's "Star spangled banner" -- Music, motion, and subjectivity -- Subject-position in music -- Autonomy/heteronomy and perceptual style -- The first movement of Beethoven's string quartet in A minor, op. 132 -- Conclusions.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music - History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical perception</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Nature (Aesthetics)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musical perception</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Nature (Aesthetics)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bedeutung</subfield><subfield code="0">(DE-588)4005184-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikverstehen</subfield><subfield code="0">(DE-588)4212275-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikalische Semiotik</subfield><subfield code="0">(DE-588)4195308-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikhören</subfield><subfield code="0">(DE-588)4075127-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musikhören</subfield><subfield code="0">(DE-588)4075127-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musikverstehen</subfield><subfield code="0">(DE-588)4212275-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Musikalische Semiotik</subfield><subfield code="0">(DE-588)4195308-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="2" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2="1"><subfield code="a">Bedeutung</subfield><subfield code="0">(DE-588)4005184-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="2" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druckausgabe</subfield><subfield code="z">0-19-515194-1</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1093/acprof:oso/9780195151947.001.0001</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-28-OSM</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-016528364</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1093/acprof:oso/9780195151947.001.0001</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-28-OSM</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV023344654 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T21:02:54Z |
| indexdate | 2024-07-09T21:16:27Z |
| institution | BVB |
| isbn | 9780195151947 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016528364 |
| oclc_num | 239331002 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (237 S.) Notenbeisp. |
| psigel | ZDB-28-OSM |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| series2 | Oxford Scholarship Online |
| spelling | Clarke, Eric Verfasser aut Ways of listening an ecological approach to the perception of musical meaning Eric F. Clarke New York [u.a.] Oxford Univ. Press 2008 1 Online-Ressource (237 S.) Notenbeisp. txt rdacontent c rdamedia cr rdacarrier Oxford Scholarship Online Includes bibliographical references and index Introduction -- Perception, ecology, and music -- Jimi Hendrix's "Star spangled banner" -- Music, motion, and subjectivity -- Subject-position in music -- Autonomy/heteronomy and perceptual style -- The first movement of Beethoven's string quartet in A minor, op. 132 -- Conclusions. Music - History and criticism Musical perception Nature (Aesthetics) Musik Music History and criticism Bedeutung (DE-588)4005184-5 gnd rswk-swf Musikverstehen (DE-588)4212275-2 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikalische Semiotik (DE-588)4195308-3 gnd rswk-swf Musikhören (DE-588)4075127-2 gnd rswk-swf Musikhören (DE-588)4075127-2 s Musikverstehen (DE-588)4212275-2 s DE-604 Musikalische Semiotik (DE-588)4195308-3 s Musik (DE-588)4040802-4 s Bedeutung (DE-588)4005184-5 s Erscheint auch als Druckausgabe 0-19-515194-1 https://doi.org/10.1093/acprof:oso/9780195151947.001.0001 Verlag Volltext |
| spellingShingle | Clarke, Eric Ways of listening an ecological approach to the perception of musical meaning Introduction -- Perception, ecology, and music -- Jimi Hendrix's "Star spangled banner" -- Music, motion, and subjectivity -- Subject-position in music -- Autonomy/heteronomy and perceptual style -- The first movement of Beethoven's string quartet in A minor, op. 132 -- Conclusions. Music - History and criticism Musical perception Nature (Aesthetics) Musik Music History and criticism Bedeutung (DE-588)4005184-5 gnd Musikverstehen (DE-588)4212275-2 gnd Musik (DE-588)4040802-4 gnd Musikalische Semiotik (DE-588)4195308-3 gnd Musikhören (DE-588)4075127-2 gnd |
| subject_GND | (DE-588)4005184-5 (DE-588)4212275-2 (DE-588)4040802-4 (DE-588)4195308-3 (DE-588)4075127-2 |
| title | Ways of listening an ecological approach to the perception of musical meaning |
| title_auth | Ways of listening an ecological approach to the perception of musical meaning |
| title_exact_search | Ways of listening an ecological approach to the perception of musical meaning |
| title_exact_search_txtP | Ways of listening an ecological approach to the perception of musical meaning |
| title_full | Ways of listening an ecological approach to the perception of musical meaning Eric F. Clarke |
| title_fullStr | Ways of listening an ecological approach to the perception of musical meaning Eric F. Clarke |
| title_full_unstemmed | Ways of listening an ecological approach to the perception of musical meaning Eric F. Clarke |
| title_short | Ways of listening |
| title_sort | ways of listening an ecological approach to the perception of musical meaning |
| title_sub | an ecological approach to the perception of musical meaning |
| topic | Music - History and criticism Musical perception Nature (Aesthetics) Musik Music History and criticism Bedeutung (DE-588)4005184-5 gnd Musikverstehen (DE-588)4212275-2 gnd Musik (DE-588)4040802-4 gnd Musikalische Semiotik (DE-588)4195308-3 gnd Musikhören (DE-588)4075127-2 gnd |
| topic_facet | Music - History and criticism Musical perception Nature (Aesthetics) Musik Music History and criticism Bedeutung Musikverstehen Musikalische Semiotik Musikhören |
| url | https://doi.org/10.1093/acprof:oso/9780195151947.001.0001 |
| work_keys_str_mv | AT clarkeeric waysoflisteninganecologicalapproachtotheperceptionofmusicalmeaning |