Antokoletz, E. (2008). Musical symbolism in the operas of Debussy and Bartók: Trauma, gender, and the unfolding of the unconscious. Oxford Univ. Press. https://doi.org/10.1093/acprof:oso/9780195365825.001.0001
Chicago Style (17th ed.) CitationAntokoletz, Elliott. Musical Symbolism in the Operas of Debussy and Bartók: Trauma, Gender, and the Unfolding of the Unconscious. New York [u.a.]: Oxford Univ. Press, 2008. https://doi.org/10.1093/acprof:oso/9780195365825.001.0001.
MLA (9th ed.) CitationAntokoletz, Elliott. Musical Symbolism in the Operas of Debussy and Bartók: Trauma, Gender, and the Unfolding of the Unconscious. Oxford Univ. Press, 2008. https://doi.org/10.1093/acprof:oso/9780195365825.001.0001.
Warning: These citations may not always be 100% accurate.