Securing baritone, bass-baritone, and bass voices:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York [u.a.]
Oxford Univ. Press
2008
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XVIII, 209 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9780195322651 |
Staff View
MARC
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| 245 | 1 | 0 | |a Securing baritone, bass-baritone, and bass voices |c Richard Miller |
| 264 | 1 | |a New York [u.a.] |b Oxford Univ. Press |c 2008 | |
| 300 | |a XVIII, 209 S. |b Ill., graph. Darst., Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references and index | ||
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Record in the Search Index
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|---|---|
| adam_text | CONTENTS
PART I. TECHNIQUE
Chapter i. Who Is a Baritone? Who a Bass-Baritone?
Who a Bass?
3
How to Determine a Male Voice Category
4
The Lyric Baritone
9
The Verdi Baritone
9
The Nonoperatic Baritone
10
The
Baritenor 10
The Bass-Baritone
11
The Bass
11
Chapter
2.
Beginning in the Speech-Inflection
Range (the Onset)
13
Making the Transition from Speech to Song
14
Chapter
3.
Managing the Breath
17
The Respiratory Cycle
17
Breath Management Methods
18
The Role of the Diaphragm
18
The Thorax
19
The Abdominal Musculature
19
Appoggio
20
Alerting the Singer to the
Appoggio
Experience
Farinelli s Exercise
25
Breath-Management Literature Examples
for the Young Singer 2~
Chapter
4.
Vowel Definition and the chiaroscuro
35
The Role of Spectral Analysis
35
The Vowel Series and Their
Formants
36
21
The Singer s
Formant
3 7
Voice Placement
38
Voce finta
38
Securing the Chiaroscuro Tone
39
The Role of the Tongue
39
Using the Front and Back Vowel Series
39
Using Consonant Pairs to Induce Correct Tongue
Postures
41
More on the Retroflex Tongue
43
The Role of the Jaw
44
The Role of the Facial Elevator Muscles
45
The Role of the Larynx as a Resonator
47
Dealing with Tension in the Lips, the Jaw, the
Tongue, and the Neck
47
Using the Nasal Continuants in Balancing the
Chiaroscuro
51
Chapter
5.
Vowel Modification ( Cover ), Energization,
and Range Equalization
56
Chapter
6.
Moving into Middle Voice
(zona di
passaggio)
and Above
60
Zona di passaggio
Exercises for Lyric and Dramatic
Baritone Voices
61
Exercises for Baritone That Prepare for the Region of
the
secondo passaggio
63
Useful Passages from the Literature
68
For the Bass-Baritone and for the Bass
79
Chapter
7.
The Agility Factor
86
Agility Passages from the Literature
for the Baritone
89
Agility Passages from the Literature for the Bass-
Baritone and the Bass
93
Chapter
8.
Further Consideration of Resonance in
Baritone, Bass-Baritone, and Bass Voices
100
Chapter
9.
More on Positioning of the Larynx
102
Securing Laryngeal External-Frame Support
104
Stabilizing the Larynx
106
Chapter
10.
Pedagogic Uses of Falsetto for Baritone,
Bass-Baritone, and Bass Voices
107
Chapter
11.
The Phenomenon of Vibrato, an Inherent
Component of Elite Voice Resonance
114
Chapter
12.
Establishing Technical Security (Trusting
the Body)
118
The Wisdom of the Body
119
XVI
CONTENTS
Chapter
13.
Developing an Individual Tonal Concept
123
Chapter
14.
Dynamic Control,
mezza voce,
and the
messa
di voce
126
Chapter
15.
Voice Viruses (Dealing with Some Common
Problems of Male Low Voices)
129
The Unipeeper (Undersinging)
129
TheUniboomer (Oversinging)
130
The Shatterer (Intermittent Breaking in the
Passaggio
Region)
131
The Wanderer (Flatting and Sharping)
134
The Sausage Maker
(Nonlegato
Singing)
r
34
The Univoweler (Diction Distortion)
135
The Sluggard (Sighing and Yawning)
136
The Uniregistrant (The No-Register Singer)
136
Chapter
16.
Contributing to Performance
Effectiveness
137
Obtaining the Axial Position
Г37
The Role of Physical Quietude in
Classical Singing
139
Distinguishing between Resonance and
Nasality
r
40
Introducing the Uses of Stwhbass
141
Voce aperta
(Open Timbre) and
voce chiusa
(Closed
Timbre), and the Larynx as a Resonator
141
Avoiding
voce ingoiata
(
Pharyngeal Timbre
) 145
Raccogliere ¡a bocca (una bocat raccolta):
Natural
Communicative Expression
144
PART II. PERFORMANCE PREPARATION AND ENHANCEMENT
Chapter
17.
Performance Preparation and
Enhancement
149
The Developmental Continuum
149
Dealing with Performance Anxiety
150
The Question of Relaxation t.51
Marking Properly
r
53
Prevocal Warm-Up Activity
154
Early Career Preparation and Pursuit
157
Mastering the Art of Communication
160
Daily Regimen and Healthy Vocalism
163
Useful Passages from the Literature
164
Chapter
18.
Early Repertoire Suggestions
166
A Few Less-Demanding Items for Baritone
166
CONTENTS
xvii
A Few Less-Demanding Items for Bass-Baritone
and Bass
169
Chapter
19.
Choosing Audition Material
172
Appendix
1.
A Sampling of a Few Great Baritones, Bass-
Baritones, and Basses of the Past and Present
Who Serve as Good Models
175
Appendix
2.
What Should the Well-Equipped Teacher
Know?
178
Appendix
3.
IPA
Symbols for Some Sung Vowels, with Model
Words
181
Appendix
4.
The Ten Commandments of Voice Pedagogy
(Diagnosing and Prescribing)
182
Glossary
185
Select Bibliography
Index
205
19З
|
| adam_txt |
CONTENTS
PART I. TECHNIQUE
Chapter i. Who Is a Baritone? Who a Bass-Baritone?
Who a Bass?
3
How to Determine a Male Voice Category
4
The Lyric Baritone
9
The Verdi Baritone
9
The Nonoperatic Baritone
10
The
Baritenor 10
The Bass-Baritone
11
The Bass
11
Chapter
2.
Beginning in the Speech-Inflection
Range (the Onset)
13
Making the Transition from Speech to Song
14
Chapter
3.
Managing the Breath
17
The Respiratory Cycle
17
Breath Management Methods
18
The Role of the Diaphragm
18
The Thorax
19
The Abdominal Musculature
19
Appoggio
20
Alerting the Singer to the
Appoggio
Experience
"Farinelli's Exercise"
25
Breath-Management Literature Examples
for the Young Singer 2~
Chapter
4.
Vowel Definition and the chiaroscuro
35
The Role of Spectral Analysis
35
The Vowel Series and Their
Formants
36
21
The Singer's
Formant
3 7
"Voice Placement"
38
Voce finta
38
Securing the Chiaroscuro Tone
39
The Role of the Tongue
39
Using the Front and Back Vowel Series
39
Using Consonant Pairs to Induce Correct Tongue
Postures
41
More on the Retroflex Tongue
43
The Role of the Jaw
44
The Role of the Facial Elevator Muscles
45
The Role of the Larynx as a Resonator
47
Dealing with Tension in the Lips, the Jaw, the
Tongue, and the Neck
47
Using the Nasal Continuants in Balancing the
Chiaroscuro
51
Chapter
5.
Vowel Modification ("Cover"), Energization,
and Range Equalization
56
Chapter
6.
Moving into Middle Voice
(zona di
passaggio)
and Above
60
Zona di passaggio
Exercises for Lyric and Dramatic
Baritone Voices
61
Exercises for Baritone That Prepare for the Region of
the
secondo passaggio
63
Useful Passages from the Literature
68
For the Bass-Baritone and for the Bass
79
Chapter
7.
The Agility Factor
86
Agility Passages from the Literature
for the Baritone
89
Agility Passages from the Literature for the Bass-
Baritone and the Bass
93
Chapter
8.
Further Consideration of "Resonance" in
Baritone, Bass-Baritone, and Bass Voices
100
Chapter
9.
More on Positioning of the Larynx
102
Securing Laryngeal External-Frame Support
104
Stabilizing the Larynx
106
Chapter
10.
Pedagogic Uses of Falsetto for Baritone,
Bass-Baritone, and Bass Voices
107
Chapter
11.
The Phenomenon of Vibrato, an Inherent
Component of Elite Voice Resonance
114
Chapter
12.
Establishing Technical Security (Trusting
the Body)
118
The Wisdom of the Body
119
XVI
CONTENTS
Chapter
13.
Developing an Individual Tonal Concept
123
Chapter
14.
Dynamic Control,
mezza voce,
and the
messa
di voce
126
Chapter
15.
Voice Viruses (Dealing with Some Common
Problems of Male Low Voices)
129
The Unipeeper (Undersinging)
129
TheUniboomer (Oversinging)
130
The Shatterer (Intermittent Breaking in the
Passaggio
Region)
131
The Wanderer (Flatting and Sharping)
134
The Sausage Maker
(Nonlegato
Singing)
r
34
The Univoweler (Diction Distortion)
135
The Sluggard (Sighing and Yawning)
136
The Uniregistrant (The No-Register Singer)
136
Chapter
16.
Contributing to Performance
Effectiveness
137
Obtaining the Axial Position
Г37
The Role of Physical Quietude in
Classical Singing
139
Distinguishing between Resonance and
Nasality
r
40
Introducing the Uses of Stwhbass
141
Voce aperta
(Open Timbre) and
voce chiusa
(Closed
Timbre), and the Larynx as a Resonator
141
Avoiding
voce ingoiata
(
Pharyngeal Timbre
) 145
Raccogliere ¡a bocca (una bocat raccolta):
Natural
Communicative Expression
144
PART II. PERFORMANCE PREPARATION AND ENHANCEMENT
Chapter
17.
Performance Preparation and
Enhancement
149
The Developmental Continuum
149
Dealing with Performance Anxiety
150
The Question of Relaxation t.51
Marking Properly
r
53
Prevocal Warm-Up Activity
154
Early Career Preparation and Pursuit
157
Mastering the Art of Communication
160
Daily Regimen and Healthy Vocalism
163
Useful Passages from the Literature
164
Chapter
18.
Early Repertoire Suggestions
166
A Few Less-Demanding Items for Baritone
166
CONTENTS
xvii
A Few Less-Demanding Items for Bass-Baritone
and Bass
169
Chapter
19.
Choosing Audition Material
172
Appendix
1.
A Sampling of a Few Great Baritones, Bass-
Baritones, and Basses of the Past and Present
Who Serve as Good Models
175
Appendix
2.
What Should the Well-Equipped Teacher
Know?
178
Appendix
3.
IPA
Symbols for Some Sung Vowels, with Model
Words
181
Appendix
4.
The Ten Commandments of Voice Pedagogy
(Diagnosing and Prescribing)
182
Glossary
185
Select Bibliography
Index
205
19З |
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| illustrated | Illustrated |
| index_date | 2024-07-02T20:56:35Z |
| indexdate | 2024-07-09T21:15:59Z |
| institution | BVB |
| isbn | 9780195322651 |
| language | English |
| lccn | 2006051353 |
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| spelling | Miller, Richard 1926-2009 Verfasser (DE-588)137143133 aut Securing baritone, bass-baritone, and bass voices Richard Miller New York [u.a.] Oxford Univ. Press 2008 XVIII, 209 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Singing Instruction and study Baritones (Singers) Training of Bass-baritones Training of Basses (Singers) Training of Bariton Stimmlage (DE-588)4392006-8 gnd rswk-swf Bass Stimmlage (DE-588)4712215-8 gnd rswk-swf Gesangunterricht (DE-588)4156945-3 gnd rswk-swf Gesangstechnik (DE-588)4156939-8 gnd rswk-swf Bass Stimmlage (DE-588)4712215-8 s Gesangstechnik (DE-588)4156939-8 s Gesangunterricht (DE-588)4156945-3 s DE-604 Bariton Stimmlage (DE-588)4392006-8 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016512279&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Miller, Richard 1926-2009 Securing baritone, bass-baritone, and bass voices Singing Instruction and study Baritones (Singers) Training of Bass-baritones Training of Basses (Singers) Training of Bariton Stimmlage (DE-588)4392006-8 gnd Bass Stimmlage (DE-588)4712215-8 gnd Gesangunterricht (DE-588)4156945-3 gnd Gesangstechnik (DE-588)4156939-8 gnd |
| subject_GND | (DE-588)4392006-8 (DE-588)4712215-8 (DE-588)4156945-3 (DE-588)4156939-8 |
| title | Securing baritone, bass-baritone, and bass voices |
| title_auth | Securing baritone, bass-baritone, and bass voices |
| title_exact_search | Securing baritone, bass-baritone, and bass voices |
| title_exact_search_txtP | Securing baritone, bass-baritone, and bass voices |
| title_full | Securing baritone, bass-baritone, and bass voices Richard Miller |
| title_fullStr | Securing baritone, bass-baritone, and bass voices Richard Miller |
| title_full_unstemmed | Securing baritone, bass-baritone, and bass voices Richard Miller |
| title_short | Securing baritone, bass-baritone, and bass voices |
| title_sort | securing baritone bass baritone and bass voices |
| topic | Singing Instruction and study Baritones (Singers) Training of Bass-baritones Training of Basses (Singers) Training of Bariton Stimmlage (DE-588)4392006-8 gnd Bass Stimmlage (DE-588)4712215-8 gnd Gesangunterricht (DE-588)4156945-3 gnd Gesangstechnik (DE-588)4156939-8 gnd |
| topic_facet | Singing Instruction and study Baritones (Singers) Training of Bass-baritones Training of Basses (Singers) Training of Bariton Stimmlage Bass Stimmlage Gesangunterricht Gesangstechnik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016512279&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT millerrichard securingbaritonebassbaritoneandbassvoices |