Vision, gender, and power in nineteenth-century American women's writing: 1860 - 1900
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Winter
2008
|
| Schriftenreihe: | American studies
161 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VII, 400 S. Ill. 210 mm x 135 mm |
| ISBN: | 9783825354565 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Acknowledgements
............................................................................................................. ix
Introduction
......................................................................................................................... 1
1.
Nineteenth-Century
Visual
Discourses
................................................................. 13
1.1
Re-Locations
............................................................................................................ 13
1.2
Vision as an Epistemological Paradigm
and the Camera
Obscura
Model of Sight
............................................................... 16
1.3
The New Science of Vision: Vision and Physiology,
1810-1840 ..................... 21
1.4
Visual Research Goes Public:
Nineteenth-Century Visual Technology
............................................................. 25
1.5
The Camera and Visual Control
—
Early Uses of Photography
....................... 30
2.
Who Owns the Gaze? Twentieth-Century Theories of Vision and
the Power Implications of the Gaze
...................................................................... 37
2.1
Foucault:
Panoptic
Power and States of Surveillance
........................................ 39
The Panopticon
.......................................................................................................... 44
Gendered Panopticisms
............................................................................................... 46
2.2
The Micro-Politics of Looking in Sartre and Simmel
........................................ 53
Sartre and
Le
Regard
—
The L/>ok as Human Condition and Psychological Principle
54
Simmel s Ghnce
—
An Exoneration of Vision as a Mechanism oj Human Bonding
... 62
2.3
Looking at the Other
—
The Scopic Drive and the
Gendering of Vision in Feminist Film Theory
.................................................. 70
Visual Pleasure and Narrative Cinema :
The Male Ga^e and Female To-be-looked-at-ness
................................................ 71
The Scopic Drive, Stereotypes, and Power
.................................................................... 76
3.
A Crisis in Vision? Visual Technology, the Idiosyncrasies
of Human Sight, and Artistic Representation in
Harriet Prescott Spofford s Short Fiction
............................................................ 81
3.1
The Science of Vision(s)
........................................................................................ 82
The Power of Images: Photography between Fact and Fiction
....................................... 82
The Rise of Photographic Surveillance and the Optical Unconscious in Mr. Furbush
85
The Idiosyncrasies of Human Sight: The Black Bess - Visions of Male Hysteria?
.. 93
3.2
Vision and Painting
............................................................................................... 104
Λ
Liberation of Color and Form: The Break with the
Perspectivalist Scopic Regime in Nineteenth-Century Painting
............................ 105
vi
Contents
Spofford
and Painting: Turner, Delacroix, and Church
in the United States at Mid-Century
................................................................. 109
A Debauch of Ught
-
Painting in Desert Sands
.............................................. 113
The Vampire
Gaste in
Oesert Sands
.................................................................... 116
A Shared Vision: Female Bonding and the Mutual Glance
...................................... 121
The Artist as Tourist:
Panoptic
Power vs. Embodied Vision in Desert Sands
....... 125
Visual Discourses and Aesthetic Negotiations
.......................................................... 132
4.
The Eye of Detection
............................................................................................... 135
4.1
A Century of Detection
........................................................................................ 138
Epistemologica!
Uncertainties and the Need for Detection
.......................................... 138
Modernising Power: The Institutionali^ation of the Police
and New Forms of Investigation
........................................................................ 142
Detection, Capitalism, and the Middle Class
............................................................ 145
Disciplinarian or Social
Investigatori
The Role of the Detective in Nineteenth-Century Fiction
.................................... 149
4.2
Seeing through the Lens of
Sentimentalism:
Metta
Fuller Victor s The Dead better
................................................................. 152
Transparency vs. Imposture:
Sentimentalism
and Corruption in The Dead Letter
.. 156
The Lens of
Sentimentalism
-
Richard Redfield s Visual Practices
........................... 159
TheBJght Way ofLooking?Detective burton s Visual Detection
............................. 163
Richard s Education : The Demise of
Sentimentalism?
........................................... 167
Detection and Intrusion
—
Surveillance, Privacy, and Gender
..................................... 171
Unforced Transparency and the Case ofLenore Burton
............................................. 175
4.3
Detecting the Secrets of Womanhood: Anna Katharine Green
.................... 178
The Threat of Public Exposure in The Leavenworth Case and Hand and Ring
183
The Aesthete s Ga%e inThe Leavenworth Case: Women as Art and Fetish
........ 193
Vision, Sexual Fantasy, and the Working-Class Girl
.............................................. 198
The
Epistemologica!
Power of Vision in Hand and Ring
........................................ 200
Visions in Context: Gryce s
D
etectorial Practices
...................................................... 207
Detection, the Nineteenth-Century Observer, and American Women Writers
............. 209
5.
Reduced to Visibility? Visual Socializations and Female Identity
.............213
5.1
Defined by Visibility
.............................................................................................213
5.2
Directing the Male Gaze: Louisa May Alcott s Behind a Mask
........................221
Living Pictures, Telling Poses: Woman s Body as Text and Male Literacy
................224
The Orchestration ofGa^es: Gender, Objectification, and Visual Control
.................228
Tableaux
Vivants,
or, jean s Play within a Play
....................................................232
Performance and
Sodai
Power
...................................................................................235
5.3
Vision and Female
Bildung in
Elizabeth Stoddard s The Morgesons
..................238
juvenile Reflections
....................................................................................................242
Seeing Oneself Through the Eyes of Others:
Cassandra s Visual Initiation in Barmouth
....................................................... 245
Contents
vii
Female Case Studies in Barmouth
............................................................................ 248
The Effects and limits of Cassandra s Visual Education in Barmouth
.................... 252
The Sexual Politics of booking: Cassandra between Visual Objectification,
Visual Agency, and Erotic Desire in Rosville
....................................................253
Self-Reflection and Stagnation: The Return to Surrey
................................................262
Visual Reciprocity: Cassandra in
Belem
................................................................... 263
Female Visual Scrutiny in
Belem
............................................................................. 266
Constriction and (Self-)Possession
.............................................................................268
Defined by Visibility
—
Vision and Female Self-Constitution
................................... 272
6.
Desire and the Female Gaze
..................................................................................275
6.1
Vision, Race, and Desire
...................................................................................... 279
Encoding Race in Nineteenth-Century Visual Practices
............................................ 279
Visual Practices of Racism and Desire in
Łjouisa
May Alcott s Taming a Tartar
. 283
The Indescribable Difference of Race :
Radst
Discourses and Visual Indexing
........ 287
Aesthetici^ng the Other— Eroticizing the Tartar
..................................................... 292
Visual Encounters: Negotiating Power and Desire in Taming a Tartar
................ 299
6.2
The Erotic Appeal of the Male Working-Class Body
...................................... 304
botanizing the Asphalt : Vision, Observation, and Class
...................................... 304
L
E. Uè, A
Night Under Ground
..................................................................... 308
Consuming Western Si(gh)t(e)s- The Trip to the Mines
........................................... 310
The Descent into the Mine
—
A Dialectic of Empowerment and Eoss of Control
....... 317
The Miner as Sculpture
—
Killing Working-Class Men into Art?
............................. 321
Elizabeth Stoddard: Concerning Two Voyages
...................................................... 327
Delectable Sights: Female Spectatorship and the Spectacles of a Sea-Voyage
.............. 329
A Visual Education?
.............................................................................................. 333
6.3
The Wages of Looking: The Female Desirous Gaze
and the Consequences of Visual Trespassing
.............................................. 337
What Woman Gets and What She Sees: Delight Hunter and the Eack of
Marital Delight in Anna Katharine Green s The Hermit of—Street
............. 339
ifEooks Could Kill: The Sexual Politics ofEooking
inSpofford s The Amber Gods
...................................................................... 345
Women and Visual Mastery:
A Trompe
l Oeil?...................................................
354
Conclusion
.......................................................................................................................357
Bibliography
...................................................................................................................... 363
Illustrations
........................................................................................................................ 393
|
| adam_txt |
CONTENTS
Acknowledgements
. ix
Introduction
. 1
1.
Nineteenth-Century
Visual
Discourses
. 13
1.1
Re-Locations
. 13
1.2
Vision as an Epistemological Paradigm
and the Camera
Obscura
Model of Sight
. 16
1.3
The New Science of Vision: Vision and Physiology,
1810-1840 . 21
1.4
Visual Research Goes Public:
Nineteenth-Century Visual Technology
. 25
1.5
The Camera and Visual Control
—
Early Uses of Photography
. 30
2.
Who Owns the Gaze? Twentieth-Century Theories of Vision and
the Power Implications of the Gaze
. 37
2.1
Foucault:
Panoptic
Power and States of Surveillance
. 39
The Panopticon
. 44
Gendered Panopticisms
. 46
2.2
The Micro-Politics of Looking in Sartre and Simmel
. 53
Sartre and
Le
Regard
—
The L/>ok as Human Condition and Psychological Principle
54
Simmel's Ghnce
—
An Exoneration of Vision as a Mechanism oj"Human Bonding
. 62
2.3
Looking at the Other
—
The Scopic Drive and the
Gendering of Vision in Feminist Film Theory
. 70
'Visual Pleasure and Narrative Cinema":
The Male Ga^e and Female To-be-looked-at-ness
. 71
The Scopic Drive, Stereotypes, and Power
. 76
3.
A Crisis in Vision? Visual Technology, the Idiosyncrasies
of Human Sight, and Artistic Representation in
Harriet Prescott Spofford's Short Fiction
. 81
3.1
The Science of Vision(s)
. 82
The Power of Images: Photography between Fact and Fiction
. 82
The Rise of Photographic Surveillance and the Optical Unconscious in "Mr. Furbush"
85
The Idiosyncrasies of Human Sight: 'The Black Bess"- Visions of Male Hysteria?
. 93
3.2
Vision and Painting
. 104
Λ
Liberation of Color and Form: The Break with the
Perspectivalist Scopic Regime in Nineteenth-Century Painting
. 105
vi
Contents
Spofford
and Painting: Turner, Delacroix, and Church
in the United States at Mid-Century
. 109
A "Debauch of Ught"
-
Painting in "Desert Sands"
. 113
The Vampire
Gaste in
'Oesert Sands"
. 116
A Shared Vision: Female Bonding and the Mutual Glance
. 121
The Artist as Tourist:
Panoptic
Power vs. Embodied Vision in "Desert Sands"
. 125
Visual Discourses and Aesthetic Negotiations
. 132
4.
The Eye of Detection
. 135
4.1
A Century of Detection
. 138
Epistemologica!
Uncertainties and the Need for Detection
. 138
Modernising Power: The Institutionali^ation of the Police
and New Forms of Investigation
. 142
Detection, Capitalism, and the Middle Class
. 145
Disciplinarian or Social
Investigatori
The Role of the Detective in Nineteenth-Century Fiction
. 149
4.2
Seeing through the Lens of
Sentimentalism:
Metta
Fuller Victor's The Dead better
. 152
Transparency vs. Imposture:
Sentimentalism
and Corruption in The Dead Letter
. 156
The Lens of
Sentimentalism
-
'Richard Redfield's Visual Practices
. 159
TheBJght Way ofLooking?Detective burton's Visual Detection
. 163
Richard's "Education": The Demise of
Sentimentalism?
. 167
Detection and Intrusion
—
Surveillance, Privacy, and Gender
. 171
Unforced Transparency and the Case ofLenore Burton
. 175
4.3
Detecting the Secrets of Womanhood: Anna Katharine Green
. 178
The Threat of Public Exposure in The Leavenworth Case and Hand and Ring
183
The Aesthete's Ga%e inThe Leavenworth Case: Women as Art and Fetish
. 193
Vision, Sexual Fantasy, and the Working-Class Girl
. 198
The
Epistemologica!
Power of Vision in Hand and Ring
. 200
Visions in Context: Gryce's
D
etectorial Practices
. 207
Detection, the Nineteenth-Century Observer, and American Women Writers
. 209
5.
Reduced to Visibility? Visual Socializations and Female Identity
.213
5.1
Defined by Visibility
.213
5.2
Directing the Male Gaze: Louisa May Alcott's Behind a Mask
.221
Living Pictures, Telling Poses: Woman's Body as Text and Male Literacy
.224
The Orchestration ofGa^es: Gender, Objectification, and Visual Control
.228
Tableaux
Vivants,
or, jean's Play within a Play
.232
Performance and
Sodai
Power
.235
5.3
Vision and Female
Bildung in
Elizabeth Stoddard's The Morgesons
.238
juvenile Reflections
.242
Seeing Oneself Through the Eyes of Others:
Cassandra's Visual Initiation in Barmouth
. 245
Contents
vii
Female Case Studies in Barmouth
. 248
The Effects and limits of Cassandra's Visual Education in Barmouth
. 252
The Sexual Politics of booking: Cassandra between Visual Objectification,
Visual Agency, and Erotic Desire in Rosville
.253
Self-Reflection and Stagnation: The Return to Surrey
.262
Visual Reciprocity: Cassandra in
Belem
. 263
Female Visual Scrutiny in
Belem
. 266
Constriction and (Self-)Possession
.268
Defined by Visibility
—
Vision and Female Self-Constitution
. 272
6.
Desire and the Female Gaze
.275
6.1
Vision, Race, and Desire
. 279
Encoding Race in Nineteenth-Century Visual Practices
. 279
Visual Practices of Racism and Desire in
Łjouisa
May Alcott's 'Taming a Tartar"
. 283
"The Indescribable Difference of Race":
Radst
Discourses and Visual Indexing
. 287
Aesthetici^ng the Other— Eroticizing the Tartar
. 292
Visual'Encounters: Negotiating Power and Desire in 'Taming a Tartar"
. 299
6.2
The Erotic Appeal of the Male Working-Class Body
. 304
botanizing the Asphalt": Vision, Observation, and Class
. 304
L
E. Uè, "A
Night Under Ground"
. 308
Consuming Western Si(gh)t(e)s- The Trip to the Mines
. 310
The Descent into the Mine
—
A Dialectic of Empowerment and Eoss of Control
. 317
The Miner as Sculpture
—
Killing Working-Class Men into Art?
. 321
Elizabeth Stoddard: "Concerning Two Voyages"
. 327
Delectable Sights: Female Spectatorship and the Spectacles of a Sea-Voyage
. 329
A Visual Education?
. 333
6.3
The Wages of Looking: The Female Desirous Gaze
and the Consequences of Visual "Trespassing"
. 337
What Woman Gets and What She Sees: Delight Hunter and the Eack of
Marital Delight in Anna Katharine Green's 'The Hermit of—Street"
. 339
ifEooks Could Kill: The Sexual Politics ofEooking
inSpofford's 'The Amber Gods"
. 345
Women and Visual Mastery:
A Trompe
l'Oeil?.
354
Conclusion
.357
Bibliography
. 363
Illustrations
. 393 |
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| dewey-ones | 813 - American fiction in English |
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| dewey-search | 813.0099287 |
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| discipline | Anglistik / Amerikanistik Literaturwissenschaft |
| discipline_str_mv | Anglistik / Amerikanistik Literaturwissenschaft |
| era | Geschichte 1800-1900 Geschichte 1860-1920 gnd |
| era_facet | Geschichte 1800-1900 Geschichte 1860-1920 |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV023305228 |
| illustrated | Illustrated |
| index_date | 2024-07-02T20:48:12Z |
| indexdate | 2024-07-09T21:15:26Z |
| institution | BVB |
| isbn | 9783825354565 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016489614 |
| oclc_num | 228805883 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-29 DE-824 DE-12 DE-20 DE-703 DE-473 DE-BY-UBG DE-739 DE-355 DE-BY-UBR DE-11 DE-188 |
| owner_facet | DE-19 DE-BY-UBM DE-29 DE-824 DE-12 DE-20 DE-703 DE-473 DE-BY-UBG DE-739 DE-355 DE-BY-UBR DE-11 DE-188 |
| physical | VII, 400 S. Ill. 210 mm x 135 mm |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Winter |
| record_format | marc |
| series | American studies |
| series2 | American studies |
| spelling | Spengler, Birgit Verfasser (DE-588)135694795 aut Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 Birgit Spengler Heidelberg Winter 2008 VII, 400 S. Ill. 210 mm x 135 mm txt rdacontent n rdamedia nc rdacarrier American studies 161 Geschichte 1800-1900 Geschichte 1860-1920 gnd rswk-swf American literature Women authors History and criticism American literature 19th century History and criticism Vision in literature Wahrnehmung Motiv (DE-588)4259404-2 gnd rswk-swf Frauenroman (DE-588)4134195-8 gnd rswk-swf Geschlechtsunterschied Motiv (DE-588)4399889-6 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Frauenroman (DE-588)4134195-8 s Wahrnehmung Motiv (DE-588)4259404-2 s Geschlechtsunterschied Motiv (DE-588)4399889-6 s Geschichte 1860-1920 z DE-604 American studies 161 (DE-604)BV000005812 161 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016489614&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Spengler, Birgit Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 American studies American literature Women authors History and criticism American literature 19th century History and criticism Vision in literature Wahrnehmung Motiv (DE-588)4259404-2 gnd Frauenroman (DE-588)4134195-8 gnd Geschlechtsunterschied Motiv (DE-588)4399889-6 gnd |
| subject_GND | (DE-588)4259404-2 (DE-588)4134195-8 (DE-588)4399889-6 (DE-588)4078704-7 |
| title | Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 |
| title_auth | Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 |
| title_exact_search | Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 |
| title_exact_search_txtP | Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 |
| title_full | Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 Birgit Spengler |
| title_fullStr | Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 Birgit Spengler |
| title_full_unstemmed | Vision, gender, and power in nineteenth-century American women's writing 1860 - 1900 Birgit Spengler |
| title_short | Vision, gender, and power in nineteenth-century American women's writing |
| title_sort | vision gender and power in nineteenth century american women s writing 1860 1900 |
| title_sub | 1860 - 1900 |
| topic | American literature Women authors History and criticism American literature 19th century History and criticism Vision in literature Wahrnehmung Motiv (DE-588)4259404-2 gnd Frauenroman (DE-588)4134195-8 gnd Geschlechtsunterschied Motiv (DE-588)4399889-6 gnd |
| topic_facet | American literature Women authors History and criticism American literature 19th century History and criticism Vision in literature Wahrnehmung Motiv Frauenroman Geschlechtsunterschied Motiv USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016489614&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV000005812 |
| work_keys_str_mv | AT spenglerbirgit visiongenderandpowerinnineteenthcenturyamericanwomenswriting18601900 |