Alcman and the cosmos of Sparta:
"The Partheneion, or "maiden song," composed in the seventh century BCE by the Spartan poet Alcman, is the earliest substantial example of a choral lyric. A provocative reinterpretation of the Partheneion and its broader context, this book excavates the poem's cosmological underp...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Chicago [u.a.]
Univ. of Chicago Press
2008
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Summary: | "The Partheneion, or "maiden song," composed in the seventh century BCE by the Spartan poet Alcman, is the earliest substantial example of a choral lyric. A provocative reinterpretation of the Partheneion and its broader context, this book excavates the poem's cosmological underpinnings and locates its ethical charge in the popular image of a perfectly harmonious universe." "Moving far beyond standard literary interpretations, Gloria Ferrari uncovers this astral symbolism by approaching the poem from sever angles to reconstruct the web of ancient drama, music, religion, painting, and material culture in which it is enmeshed. This bold new analysis significantly deepens our understanding of Greek poetry and the rich culture of Archaic Sparta."--BOOK JACKET. |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | VIII, 184, [16] S. Ill. |
| ISBN: | 9780226668673 0226668673 |
Staff View
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Record in the Search Index
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|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
VU
INTRODUCTION
I
ι.
THE MYTHS
19
HIPPOCOON
AND HIS SONS
2O
PATH AND SIGN
29
MEASURE
41
PHAETHON
53
2.
THE CHORUS
69
THE TRAVAILS
OF
THE CHORUS 70
PLEIADBS, HYADES, AND
SIRIUS 83
THB
MOON AND
THE STARS
89
3.
RITUAL
IN PERFORMANCE
ю5
HBAVEN
AND EARTH I08
THE MOURNING
VOICE
119
POSTSCRIPT ia7
the season of
thb karneia
128
kalathiskos
dancers
135
appendix: parthbnbion text and translation
151
abbreviations
159
references 163
indbx os sources i77
index of monuments i81
gbnbral indbx 183
illustrations follow page
88
ALCMAN
and the
COSMOS OF SPARTA
GLORIA FERRARI
GLORIA FERRARI is professor
emerita
of
classical archaeology and art at Harvard Univer¬
sity. Her many books include Figures of Speech:
Men and Maidens in Ancient Greece, also pub¬
lished by the University of Chicago Press.
The Partheneion, or maiden song, com¬
posed in the seventh century
ВСЕ
by the
Spartan poet
Alemán,
is the earliest substantial
example of a choral lyric. A provocative rein-
terpretation of the Partheneion and its broader
context,
Alemán
and the Cosmos of Sparta exca¬
vates the poem s cosmological underpinnings
and locates its ethical charge in the popular im¬
age of a perfectly harmonious universe.
Moving far beyond standard literary inter¬
pretations, Gloria Ferrari uncovers this astral
symbolism by approaching the poem from sev¬
eral angles to reconstruct the web of ancient
drama, music, religion, painting, and material
culture in which it is enmeshed. She shows, for
example, that by stringing together images of
horses, stars, and birds, the poem evokes clas¬
sical antiquity s beloved dance of the constel¬
lations. Instrumental in shaping the structure
of the lyric, this dance symbolizes the cosmic
order reflected in the order of the state, which
the chorus would have enacted in a ritual per¬
formance of the song.
With broad implications for archaeology,
art history, and ancient science, Ferrari s bold
new analysis significantly deepens our under¬
standing of Greek poetry and the rich culture
of Archaic Sparta.
For information on books of related interest or for a catalog
of new publications, please write:
Marketing Department
The University of Chicago Press
1427
East 60th Street
Chicago,
IL
60637-2954
U.S.A.
www.press.uchicago.edu
Cover ¡mage: Attic red-figure vase in the shape of a knucklebone,
470-450
ВСЕ.
London, British Museum,
E
804. ©
Copyright the
Trustees of the British Museum.
BOOK ANDJACKET DESIGN BY MICHAEL
BREHM
PRINTED IN THE U.S.A.
|
| adam_txt |
CONTENTS
ACKNOWLEDGMENTS
VU
INTRODUCTION
I
ι.
THE MYTHS
19
HIPPOCOON
AND HIS SONS
2O
PATH AND SIGN
29
MEASURE
41
PHAETHON
53
2.
THE CHORUS
69
THE TRAVAILS
OF
THE CHORUS 70
PLEIADBS, HYADES, AND
SIRIUS 83
THB
MOON AND
THE STARS
89
3.
RITUAL
IN PERFORMANCE
ю5
HBAVEN
AND EARTH I08
THE MOURNING
VOICE
119
POSTSCRIPT ia7
the season of
thb karneia
128
kalathiskos
dancers
135
appendix: parthbnbion text and translation
151
abbreviations
159
references 163
indbx os sources i77
index of monuments i81
gbnbral indbx 183
illustrations follow page
88
ALCMAN
and the
COSMOS OF SPARTA
GLORIA FERRARI
GLORIA FERRARI is professor
emerita
of
classical archaeology and art at Harvard Univer¬
sity. Her many books include Figures of Speech:
Men and Maidens in Ancient Greece, also pub¬
lished by the University of Chicago Press.
The Partheneion, or "maiden song," com¬
posed in the seventh century
ВСЕ
by the
Spartan poet
Alemán,
is the earliest substantial
example of a choral lyric. A provocative rein-
terpretation of the Partheneion and its broader
context,
Alemán
and the Cosmos of Sparta exca¬
vates the poem's cosmological underpinnings
and locates its ethical charge in the popular im¬
age of a perfectly harmonious universe.
Moving far beyond standard literary inter¬
pretations, Gloria Ferrari uncovers this astral
symbolism by approaching the poem from sev¬
eral angles to reconstruct the web of ancient
drama, music, religion, painting, and material
culture in which it is enmeshed. She shows, for
example, that by stringing together images of
horses, stars, and birds, the poem evokes clas¬
sical antiquity's beloved dance of the constel¬
lations. Instrumental in shaping the structure
of the lyric, this dance symbolizes the cosmic
order reflected in the order of the state, which
the chorus would have enacted in a ritual per¬
formance of the song.
With broad implications for archaeology,
art history, and ancient science, Ferrari's bold
new analysis significantly deepens our under¬
standing of Greek poetry and the rich culture
of Archaic Sparta.
For information on books of related interest or for a catalog
of new publications, please write:
Marketing Department
The University of Chicago Press
1427
East 60th Street
Chicago,
IL
60637-2954
U.S.A.
www.press.uchicago.edu
Cover ¡mage: Attic red-figure vase in the shape of a knucklebone,
470-450
ВСЕ.
London, British Museum,
E
804. ©
Copyright the
Trustees of the British Museum.
BOOK ANDJACKET DESIGN BY MICHAEL
BREHM
PRINTED IN THE U.S.A. |
| any_adam_object | 1 |
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| spelling | Ferrari, Gloria Verfasser aut Alcman and the cosmos of Sparta Gloria Ferrari Chicago [u.a.] Univ. of Chicago Press 2008 VIII, 184, [16] S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index "The Partheneion, or "maiden song," composed in the seventh century BCE by the Spartan poet Alcman, is the earliest substantial example of a choral lyric. A provocative reinterpretation of the Partheneion and its broader context, this book excavates the poem's cosmological underpinnings and locates its ethical charge in the popular image of a perfectly harmonious universe." "Moving far beyond standard literary interpretations, Gloria Ferrari uncovers this astral symbolism by approaching the poem from sever angles to reconstruct the web of ancient drama, music, religion, painting, and material culture in which it is enmeshed. This bold new analysis significantly deepens our understanding of Greek poetry and the rich culture of Archaic Sparta."--BOOK JACKET. Alcman Criticism and interpretation Alcman ca. 2. Hälfte v7. Jh. Parthenion (DE-588)4324839-1 gnd rswk-swf Geschichte Cosmology, Ancient Theater Greece Sparta History To 500 Griechenland Alcman lyr. TLG 0291 (DE-2581)TH000000088 gbd Sparta, 750 - 500 v. Chr. (DE-2581)TH000003519 gbd Alcman ca. 2. Hälfte v7. Jh. Parthenion (DE-588)4324839-1 u DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016474146&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016474146&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Ferrari, Gloria Alcman and the cosmos of Sparta Alcman Criticism and interpretation Alcman ca. 2. Hälfte v7. Jh. Parthenion (DE-588)4324839-1 gnd Geschichte Cosmology, Ancient Theater Greece Sparta History To 500 |
| subject_GND | (DE-588)4324839-1 |
| title | Alcman and the cosmos of Sparta |
| title_auth | Alcman and the cosmos of Sparta |
| title_exact_search | Alcman and the cosmos of Sparta |
| title_exact_search_txtP | Alcman and the cosmos of Sparta |
| title_full | Alcman and the cosmos of Sparta Gloria Ferrari |
| title_fullStr | Alcman and the cosmos of Sparta Gloria Ferrari |
| title_full_unstemmed | Alcman and the cosmos of Sparta Gloria Ferrari |
| title_short | Alcman and the cosmos of Sparta |
| title_sort | alcman and the cosmos of sparta |
| topic | Alcman Criticism and interpretation Alcman ca. 2. Hälfte v7. Jh. Parthenion (DE-588)4324839-1 gnd Geschichte Cosmology, Ancient Theater Greece Sparta History To 500 |
| topic_facet | Alcman Criticism and interpretation Alcman ca. 2. Hälfte v7. Jh. Parthenion Geschichte Cosmology, Ancient Theater Greece Sparta History To 500 Griechenland |
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