Verfügbarkeit: Comparative cinema

Comparative cinema: how American university students view foreign films

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Bibliographische Detailangaben
Format:	Buch
Sprache:	English
Veröffentlicht:	Lewiston, NY Edwin Mellen Press 2008
Schlagworte:	Geschichte Film Motion pictures > Europe Europa Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references
Beschreibung:	V, 345 S.
ISBN:	9780773451667

Internformat

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Datensatz im Suchindex

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adam_text	COMPARATIVE CINEMA How American University Students View Foreign Films Edited by Beate Allert With a Foreword by Guy Stern The Edwin Mellen Press LewistonQueenstonLampeter TABLE OF CONTENTS Foreword by Guy Stern i Acknowledgements v BeateAUert Introduction 1 1 FILM BASED ON SIGNS, IMAGES, AND SOUNDS: EAST MEETS WEST 19 YWnLlao Hieroglyph, Ideogram, and Eisenstein 21 DongmeiXu From Peking Opera to Eisenstein: Montage and Its Classical-Modernist Charm 33 Alexander M Lesher Sound, Light and Time in Ingmar Bergman s Sawdust and Tinsel and Wild 47 Strawberries l TEMPORALITY AND MEMORY 73 Lynne MUes-Morttlo Rats! Rats! Rats everywhere The city is alive again : Postwar Berlin in Wolfgang Staudte s Die MOrder sind unter tins 75 Tatyana Lyaskovets Crystalline Regime: Approaching Resnais Last Year at Marienbad with Deleuze on 95 Time Leslie Batty History, Time, and the Postmodern Condition in Last Year in Marienbad 113 ErtnKealey Equivocal Temporality in Chris Marker s La Jetie 123 3 ORPHEUS MYTH IN FILM 135 lvette Wilson Marcel Camus Black Orpheus / Orfeu negro: Popular Culture and Identity (Re-) 137 Creation Adryan Glasgow Orpheus and the Flaneuse: Black Orpheus I Orfeu negro on Mobility and Gendered 151 Spectatorship Gerald Maki Backward Glances: Black Orpheus I Orfeu negro and Problems of Political 167 Interpretation Paulo Dutra Death and Love in Black Orpheus I Orfeu negro 183 4 GENDER AND IDENTITY 195 Michael R Mauritzen Dismantling the Phallus: Creative Crisis and the Rote of Women in Fellini s 8 /i 197 Benjamin G Ortiz Bufluel s Viridiana: Realism and Surrealism 215 MassimUiano Glorgini It Cuts Like a Knife: Ekphrastic Revindication for Bufluel s Un Chien Andalou in Bodas de Sangre by Federico Garcia Lorca 227 Christopher La Cross Gendered Technology and Constructing Identity in Fritz Lang s Metropolis 243 5 VISIONS AND DREAMS: PERSONAL, PUBLIC, AND POLITICAL 267 Adryan Glasgow Public Texts and Public Traumas: W Staudte s The Murderers are Among Us and 269 Francois Truffaut s 400 Blows Rebecca Nlcholson-Welr Levinas Concept of Useless Suffering in Le Sang d un Poete or how Cocteau avoids being caught up in his film 281 Melissa Garr Dreaming the Impossible Dream: Don Quijote in Bergman s The Seventh Seal 293 Kristin teaman Controlling Uncontrollable Visions: Isak s Dreams and Salvation in Ingmar Bergman s Wild Strawberries 309 Bibliography 325
adam_txt	COMPARATIVE CINEMA How American University Students View Foreign Films Edited by Beate Allert With a Foreword by Guy Stern The Edwin Mellen Press LewistonQueenstonLampeter TABLE OF CONTENTS Foreword by Guy Stern i Acknowledgements v BeateAUert Introduction 1 1 FILM BASED ON SIGNS, IMAGES, AND SOUNDS: EAST MEETS WEST 19 YWnLlao Hieroglyph, Ideogram, and Eisenstein 21 DongmeiXu From Peking Opera to Eisenstein: Montage and Its Classical-Modernist Charm 33 Alexander M Lesher Sound, Light and Time in Ingmar Bergman's Sawdust and Tinsel and Wild 47 Strawberries l TEMPORALITY AND MEMORY 73 Lynne MUes-Morttlo 'Rats! Rats! Rats everywhere The city is alive again': Postwar Berlin in Wolfgang Staudte's Die MOrder sind unter tins 75 Tatyana Lyaskovets Crystalline Regime: Approaching Resnais' Last Year at Marienbad with Deleuze on 95 Time Leslie Batty History, Time, and the Postmodern Condition in Last Year in Marienbad 113 ErtnKealey Equivocal Temporality in Chris Marker's La Jetie 123 3 ORPHEUS MYTH IN FILM 135 lvette Wilson Marcel Camus' Black Orpheus / Orfeu negro: Popular Culture and Identity (Re-) 137 Creation Adryan Glasgow Orpheus and the Flaneuse: Black Orpheus I Orfeu negro on Mobility and Gendered 151 Spectatorship Gerald Maki Backward Glances: Black Orpheus I Orfeu negro and Problems of Political 167 Interpretation Paulo Dutra Death and Love in Black Orpheus I Orfeu negro 183 4 GENDER AND IDENTITY 195 Michael R Mauritzen Dismantling the Phallus: Creative Crisis and the Rote of Women in Fellini's 8'/i 197 Benjamin G Ortiz Bufluel's Viridiana: Realism and Surrealism 215 MassimUiano Glorgini It Cuts Like a Knife: Ekphrastic Revindication for Bufluel's Un Chien Andalou in Bodas de Sangre by Federico Garcia Lorca 227 Christopher La Cross Gendered Technology and Constructing Identity in Fritz Lang's Metropolis 243 5 VISIONS AND DREAMS: PERSONAL, PUBLIC, AND POLITICAL 267 Adryan Glasgow Public Texts and Public Traumas: W Staudte's The Murderers are Among Us and 269 Francois Truffaut's 400 Blows Rebecca Nlcholson-Welr Levinas' Concept of Useless Suffering in Le Sang d'un Poete or how Cocteau avoids being caught up in his film 281 Melissa Garr Dreaming the Impossible Dream: Don Quijote in Bergman's The Seventh Seal 293 Kristin teaman Controlling Uncontrollable Visions: Isak's Dreams and Salvation in Ingmar Bergman's Wild Strawberries 309 Bibliography 325
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title	Comparative cinema how American university students view foreign films
title_auth	Comparative cinema how American university students view foreign films
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title_full	Comparative cinema how American university students view foreign films ed. by Beate Allert
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title_full_unstemmed	Comparative cinema how American university students view foreign films ed. by Beate Allert
title_short	Comparative cinema
title_sort	comparative cinema how american university students view foreign films
title_sub	how American university students view foreign films
topic	Film Motion pictures Europe Film (DE-588)4017102-4 gnd
topic_facet	Film Motion pictures Europe Europa Aufsatzsammlung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016432600&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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