American cinema of the 1960s: themes and variations
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
New Brunswick, NJ [u.a.]
Rutgers Univ. Press
2008
|
Schriftenreihe: | Screen decades
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | Includes bibliographical references (p. 247-252) and index |
Beschreibung: | XIV, 275 S. Ill. 24 cm |
ISBN: | 9780813542188 9780813542195 |
Internformat
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Datensatz im Suchindex
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adam_text | CONTENTS
Acknowledgments ¡x
Timeline:The
1960s xi
Introduction: Movies and the
1960s
I
BARRY KEITH GRANT
1960
Movies and Intimations of Disaster and Hope
22
CHRISTOPHER SHARRETT
1961
Movies and Civil Rights
44
ANNA EVERETT
1962
Movies and Deterioration
67
ERIC SCHAEFER
1963
Movies and the Little Soldiers of the New Frontier
89
JOE McELHANEY
1964
Movies, the Great Society, and the New Sensibility
11
о
JAMES MORRISON
1965
Movies and the Color Line
130
DAVID
D
ESS
ER
1966
Movies and Camp
150
HARRY
M. BENSHOFF
1967
Movies and the Specter of Rebellion
172
MURRAY
POMERANČE
1968
Movies and the Failure of Nostalgia
193
LESLIE H. ABRAMSON
1969
Movies and the Counterculture
217
CHRISTIE MILUKEN
Select Academy Awards,
1960-1969 239
Works Cited and Consulted
247
Contributors
253
Index
257
he profound cultural and political changes of the
1960s
brought the
United States closer to social revolution than at any other time in the twenti¬
eth century. The country fragmented as various challenges to state power
were met with increasing and violent resistance. The Cold War heated up
and the Vietnam War divided Americans. Civil rights, women s liberation,
and gay rights further emerged as significant social issues. Free love was celebrated
even as the decade was marked by assassinations, mass murders, and social
unrest.
At the same time, American cinema underwent radical change as well. The
studio system crumbled, and the Production Code was replaced by a new ratings
system. Among the challenges faced by the film industry were the dawning shift in
theatrical exhibition from urban centers to surburban multiplexes, an increase in
runaway productions, the rise of independent producers, and competition from
both television and foreign art films. Hollywood movies became more cynical,
violent, and sexually explicit, reflecting the changing values of the time.
In ten original essays, American Cinema of the
1960s
examines a range of
films that characterized the decade, including Hollywood movies, documentaries,
and independent and experimental films. Among the films discussed are Elmer
Gantry, The Apartment, West Side Story, The Manchurian
Candidate,
To Kill a
Mockingbird, Cape Fear, Bonnie and Clyde,
2001:
A Space Odyssey, Midnight
Cowboy, and Easy Rider.
Barry Keith Grant is a professor in the Department of Communication, Popular
Culture, and Film at Brock University in Ontario, Canada, and the author of
numerous books.
|
adam_txt |
CONTENTS
Acknowledgments ¡x
Timeline:The
1960s xi
Introduction: Movies and the
1960s
I
BARRY KEITH GRANT
1960
Movies and Intimations of Disaster and Hope
22
CHRISTOPHER SHARRETT
1961
Movies and Civil Rights
44
ANNA EVERETT
1962
Movies and Deterioration
67
ERIC SCHAEFER
1963
Movies and the Little Soldiers of the New Frontier
89
JOE McELHANEY
1964
Movies, the Great Society, and the New Sensibility
11
о
JAMES MORRISON
1965
Movies and the Color Line
130
DAVID
D
ESS
ER
1966
Movies and Camp
150
HARRY
M. BENSHOFF
1967
Movies and the Specter of Rebellion
172
MURRAY
POMERANČE
1968
Movies and the Failure of Nostalgia
193
LESLIE H. ABRAMSON
1969
Movies and the Counterculture
217
CHRISTIE MILUKEN
Select Academy Awards,
1960-1969 239
Works Cited and Consulted
247
Contributors
253
Index
257
he profound cultural and political changes of the
1960s
brought the
United States closer to social revolution than at any other time in the twenti¬
eth century. The country fragmented as various challenges to state power
were met with increasing and violent resistance. The Cold War heated up
and the Vietnam War divided Americans. Civil rights, women's liberation,
and gay rights further emerged as significant social issues. Free love was celebrated
even as the decade was marked by assassinations, mass murders, and social
unrest.
At the same time, American cinema underwent radical change as well. The
studio system crumbled, and the Production Code was replaced by a new ratings
system. Among the challenges faced by the film industry were the dawning shift in
theatrical exhibition from urban centers to surburban multiplexes, an increase in
runaway productions, the rise of independent producers, and competition from
both television and foreign art films. Hollywood movies became more cynical,
violent, and sexually explicit, reflecting the changing values of the time.
In ten original essays, American Cinema of the
1960s
examines a range of
films that characterized the decade, including Hollywood movies, documentaries,
and independent and experimental films. Among the films discussed are Elmer
Gantry, The Apartment, West Side Story, The Manchurian
Candidate,
To Kill a
Mockingbird, Cape Fear, Bonnie and Clyde,
2001:
A Space Odyssey, Midnight
Cowboy, and Easy Rider.
Barry Keith Grant is a professor in the Department of Communication, Popular
Culture, and Film at Brock University in Ontario, Canada, and the author of
numerous books. |
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spelling | American cinema of the 1960s themes and variations ed. by Barry Keith Grant New Brunswick, NJ [u.a.] Rutgers Univ. Press 2008 XIV, 275 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Screen decades Includes bibliographical references (p. 247-252) and index Geschichte 1900-2000 Geschichte 1960-1969 gnd rswk-swf Motion pictures / United States / History Film Geschichte Motion pictures United States History 20th century Motion pictures United States Plots, themes, etc Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichte 1960-1969 z DE-604 Grant, Barry Keith 1947- Sonstige (DE-588)132998696 oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016415203&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016415203&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | American cinema of the 1960s themes and variations Motion pictures / United States / History Film Geschichte Motion pictures United States History 20th century Motion pictures United States Plots, themes, etc Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4143413-4 |
title | American cinema of the 1960s themes and variations |
title_auth | American cinema of the 1960s themes and variations |
title_exact_search | American cinema of the 1960s themes and variations |
title_exact_search_txtP | American cinema of the 1960s themes and variations |
title_full | American cinema of the 1960s themes and variations ed. by Barry Keith Grant |
title_fullStr | American cinema of the 1960s themes and variations ed. by Barry Keith Grant |
title_full_unstemmed | American cinema of the 1960s themes and variations ed. by Barry Keith Grant |
title_short | American cinema of the 1960s |
title_sort | american cinema of the 1960s themes and variations |
title_sub | themes and variations |
topic | Motion pictures / United States / History Film Geschichte Motion pictures United States History 20th century Motion pictures United States Plots, themes, etc Film (DE-588)4017102-4 gnd |
topic_facet | Motion pictures / United States / History Film Geschichte Motion pictures United States History 20th century Motion pictures United States Plots, themes, etc USA Aufsatzsammlung |
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