Verfügbarkeit: From sound to symbol

From sound to symbol: fundamentals of music

Gespeichert in:

Bibliographische Detailangaben
Hauptverfasser:	Houlahan, Micheál (VerfasserIn), Tacka, Philip (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York Oxford Univ. Press 2009 [erschienen] 2008
Schlagworte:	Music theory > Textbooks Musiktheorie Einführung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references (p. ) and index
Beschreibung:	XX, 488 S. Notenbeisp. 1 CD (12 cm), 1 CD-ROM (12 cm)

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Datensatz im Suchindex

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adam_text	Contents____________________ Preface xiii Explanation of Icons and Terms xix Chapter 1. Rhythm 1 : Basic Rhythms in Simple Meter 1 UH IT 1.1 U H IT 1.8 Beat, Tempo, Meter, Measures ...............1 Beaming Notes in , , and Meter / (Si.) ........................28 MU / Introduction to Musical Structure ............4 UNIT 1.9 IIIIIT1 í * anc « Simple Meter ..................31 Introduction to Meter .....................7 UNIT 1.10 IIIIIT1 M URII 1.4 Introduction to Rhythm ...................13 IIIIIT1 M Counting in Duple, Triple, and Quadruple URII 1.4 Meter Using Numbers ...................33 nui Repeat Signs; First and Second Endings; Basic Rhythm Patterns in Simple Meter .......14 Ties and Slurs .........................35 UNIT ЇДІ Supplementary Musicianship Basic Rhythm Patterns That Include Rests Exercises: Chapter 1....................39 in Simple Meter ........................20 Sight Singing Melodies and Rhythms .........39 Performance: Ensemble Singing .............41 UNITLl Improvisation and Composition ............44 Meter and Time Signatures of Ч, §, and ^ .....25 Listening ..............................45 Chapter 2. The Keyboard and Notation of Pitch 47 UNIT2.1 UNIT2.4 The Keyboard and Basic Concepts Bass Clef or F Clef .......................64 Associated with Pitch ...................47 nim« q UHIIZiD UHITZ.Z Notating Sharps and Flats on the Staff .......70 Whole Step and Half Step Intervals at the Keyboard ........................59 U H IT 2.3 Treble Clef and Introduction to the Notation of Pitch ...................61 Chapter 3. Rhythm 2: More Advanced Rhythms in Simple Meter 79 UHIT3.1 UHIT3.2 ι ι ι 1 Four Sounds on a Beat Time Signatures g, §, and g ■ r· ι КЛ * -ra ίη Simple Meter ........................83 in Simple Meter ........................79 Y VII VIII CONTENTS U H IT 3.3 J ----- Т=Ч J— η ι Eighth and Sixteenth Note Combinations .........................87 UHIT3.4 ι ι Dotted Eighth Note and Sixteenth Note Combinations .........................91 UHIT3.5 Dotted Notes: A Dotted Quarter Note Followed by an Eighth Note ......................96 UHIT3.6 K J K Syncopation ................104 Supplementary Musicianship Exercises: Chapters 2 and 3.............109 Sight Singing Melodies and Rhythms .......109 Improvisation and Composition ...........114 Keyboard Performance ...................115 Performance: Ensemble Singing ............116 Chapter 4. Melody: Orientation to the Major Scale: Major Pentachord, Major Hexachord Scales 119 UH IT 4.1 Melodic Contour .......................119 UH IT 4.2 Major Pentachord Scales and Melodies ......121 UNIT 4.3 Determining the Intervals Between Notes of the Pentachord Scale ...........126 UNIT 4.4 Writing a Major Pentachord Scale and Melody on the Staff Using Accidentals. .127 UHIT4.5 Major Hexachord Scales and Melodies ......132 UNIT 4.6 Determining the Intervals Between Notes of the Major Hexachord Scale .......136 U H IT 4.7 Song Analysis and Pentatonic Scale .........137 Supplementary Musicianship Exercises: Chapter 4...................143 Sight Singing Melodies and Rhythms ........143 Developing Musical Memory ..............147 Improvisation and Composition ...........148 Keyboard Performance ...................150 Performance: Ensemble Singing ............154 Error Detection ........................157 Chapter 5. The Major Scale UNIT 5.1 Major Diatonic Scales and Melodies ........159 U HIT 5.2 Determining the Intervals Between Notes of the Major Scale ................164 UNIT 5.3 Writing Major Scales on the Staff Using Accidentals ..........................165 UNIT 5.4 Key Signatures .........................166 UNIT5.5 Transposition ..........................173 UNIT5.6 Identifying the Key of a Composition from a Given Key Signature Using Solfège Syllables ................. I75 159 UHIT5.7 Modal Scales ..........................177 UNIT5.8 Song Analysis ..........................181 Supplementary Musicianship Exercises: Chapter 5...................185 Sight Singing Melodies and Rhythms .........................185 Keyboard Performance ...................193 Performance: Ensemble Singing ............198 Developing Musical Memory ..............206 Error Detection ........................206 Improvisation and Composition ...........207 Listening ..............................209 CONTENTS їх Chapter 6. Intervals UNIT 6.1 Interval Identification ....................211 UNIT 6.2 Interval Quality: Major, Minor, and Perfect ..........................216 UNIT 6.3 Major, Minor, Augmented, and Diminished Intervals ..................226 211 UNIT 6.4 Inversion of Intervals ....................230 UNIT 6.5 Compound Intervals ....................232 UNIT 6.6 Determining the Names of Intervals by Half Steps .........................234 Chapter 7. Orientation to the Minor Scale: Minor Pentachord and Minor Hexachord Scales and Melodies 238 UNIT7.1 Minor Pentachord Scales and Melodies ......237 UNIT 7.2 Determining the Size and Quality of Intervals Between the Notes of the Minor Pentachord Scale ................243 UNIT7.3 Writing a Minor Pentachord Scale and Melody on the Staff ....... .246 UNIT7.4 Minor Hexachord Scales and Melodies ............... .249 UNIT7.5 Determining the Size and Quality of Intervals Between Notes of the Minor Hexachord Scale. . .254 UHIT7.6 Minor Pentatonic Scales and Melodies .255 Supplementary Musicianship Exercises: Chapter 7...................259 Sight Singing Melodies and Rhythms ........259 Keyboard Performance ...................262 Keyboard Performance ...................266 Developing Musical Memory ..............267 Improvisation and Composition ...........267 Performance: Ensemble Singing ............268 Chapters. The Minor Scale: Natural Form 272 UNIT 8.1 Natural Minor Scales and Melodies .........271 UNIT 8.2 Determining the Intervals Between Notes of the Natural Minor Scale .........277 UNIT 8.3 Writing a Natural Minor Scale on the Staff Using Accidentals ...........278 UNIT 8.4 Writing a Natural Minor Melody on the Staff Using Accidentals ...........280 UNIT8.5 Relative and Parallel Key Relationships ......282 UNIT 8.6 Minor Key Signatures ....................286 CONTENTS Chapter 9. The Minor Scale: Harmonic and Melodic Forms UH IT 9.1 Harmonic Minor Scales and Melodies .......295 UNIT 9.2 Determining the Intervals Between Notes of the Harmonic Minor Scale .......299 UNIT9.3 Writing a Harmonic Minor Scale on the Staff with a Key Signature ............301 UHIT9.4 Melodic Minor Scales and Melodies ........303 UNIT9.S Determining the Intervals Between Notes of the Melodic Minor Scale .........308 UNIT 9.6 Writing a Melodic Minor Scale on the Staff with a Key Signature ............309 295 UHIÏ9.7 Identifying the Key of a Composition ........313 UNIT 9.8 Minor Modes ..........................316 The Chromatic Scale ....................319 Supplementary Musicianship Exercises: Chapters 8 and 9.....................321 Sight Singing Melodies and Rhythms ........321 Improvisation and Composition ...........332 Keyboard Performance ...................333 Performance: Ensemble Singing ............339 Chapter 10. Rhythm 3: Compound Meter and Advanced Rhythmic Concepts 345 U H IT 10.1 Rhythm Patterns in Compound Meter .......345 U HIT 10.2 Rhythm Patterns in Compound Meter J J>J JÜ.......................352 U HIT 10.3 Rhythm Patterns in Compound Meter thythm Patterns in ΠΤΊ J.· .356 .360 UHIT10.4 Rhythm Patterns in Compound MeterJ JJJJ ................ UHIT10.5 Rhythm Patterns in Compound MeterJ! 3~] ......................362 U HIT 10.6 Triplets and Duplets.....................367 U HIT 10.7 Changing Meter and Asymmetric Meters ..............................371 U HIT 10.8 Song Analysis ..........................375 Supplementary Musicianship Exercises: Chapter 10..................379 Sight Singing Melodies and Rhythms ........379 Improvisation and Composition ...........384 Performance: Ensemble Singing. ...........385 Listening ..............................386 CONTENTS χι Chapter 11. Introducing Harmonic Concepts 389 UNITILI Tonic and Dominant Chord Functions in a Major Key. . .389 UNIT 11.2 Tonic and Dominant Chord Functions in Minor ...... .399 №11.3 Tonic, Dominant, and Subdominant Chord Functions in Major Tonality .............404 «11.4 Tonic, Dominant, and Subdominant Chord Functions in Minor Tonality .............409 UNIT 11.5 Major, Minor, Diminished, and Augmented Triads .....................412 UNIT11.6 Roman Numeral Analysis and Figured Bass .........................423 Chapter 12. An Introduction to Harmonic Progressions UNIT 12.1 PrimaryTriads: Tonic and Dominant Chord Progressions in Root Position ............431 UNIT 12.2 Authentic and Half Cadences ..............436 UNIT 12.3 PrimaryTriads: Tonic, Subdominant, and Dominant Chords in Root Position .....437 UNIT 12.4 The Dominant Seventh Chord .............441 UNIT12.S Piagai and Half Cadences ................445 431 UNIT12.6 An Introduction to Nonharmonic Tones or Nonchord Tones ...............446 UH IT 12.7 Harmonic Progressions Involving Secondary Triads ......................449 Supplementary Musicianship Exercises: Chapters 11 and 12...................461 Sight Singing Melodies and Rhythms ........461 Keyboard Performance ...................463 Performance: Ensemble Singing ............469 Glossary 473 Index 475 Audio CD Track List 489
adam_txt	Contents_ Preface xiii Explanation of Icons and Terms xix Chapter 1. Rhythm 1 : Basic Rhythms in Simple Meter 1 UH IT 1.1 U H IT 1.8 Beat, Tempo, Meter, Measures .1 Beaming Notes in \, \, and \ Meter / (Si.) .28 MU / Introduction to Musical Structure .4 UNIT 1.9 IIIIIT1 í ' ' anc' « Simple Meter .31 Introduction to Meter .7 UNIT 1.10 IIIIIT1 M URII 1.4 Introduction to Rhythm .13 IIIIIT1 M Counting in Duple, Triple, and Quadruple URII 1.4 Meter Using Numbers .33 nui Repeat Signs; First and Second Endings; Basic Rhythm Patterns in Simple Meter .14 Ties and Slurs .35 UNIT ЇДІ Supplementary Musicianship Basic Rhythm Patterns That Include Rests Exercises: Chapter 1.39 in Simple Meter .20 Sight Singing Melodies and Rhythms .39 Performance: Ensemble Singing .41 UNITLl Improvisation and Composition .44 Meter and Time Signatures of Ч, §, and ^ .25 Listening .45 Chapter 2. The Keyboard and Notation of Pitch 47 UNIT2.1 UNIT2.4 The Keyboard and Basic Concepts Bass Clef or F Clef .64 Associated with Pitch .47 nim« q UHIIZiD UHITZ.Z Notating Sharps and Flats on the Staff .70 Whole Step and Half Step Intervals at the Keyboard .59 U H IT 2.3 Treble Clef and Introduction to the Notation of Pitch .61 Chapter 3. Rhythm 2: More Advanced Rhythms in Simple Meter 79 UHIT3.1 UHIT3.2 ι ι ι 1 Four Sounds on a Beat Time Signatures g, §, and g ■ r· ι КЛ -ra ίη Simple Meter .83 in Simple Meter .79 Y VII VIII CONTENTS U H IT 3.3 J ----- Т=Ч J— η ι Eighth and Sixteenth Note Combinations .87 UHIT3.4 ι ι Dotted Eighth Note and Sixteenth Note Combinations .91 UHIT3.5 Dotted Notes: A Dotted Quarter Note Followed by an Eighth Note .96 UHIT3.6 K J K Syncopation .104 Supplementary Musicianship Exercises: Chapters 2 and 3.109 Sight Singing Melodies and Rhythms .109 Improvisation and Composition .114 Keyboard Performance .115 Performance: Ensemble Singing .116 Chapter 4. Melody: Orientation to the Major Scale: Major Pentachord, Major Hexachord Scales 119 UH IT 4.1 Melodic Contour .119 UH IT 4.2 Major Pentachord Scales and Melodies .121 UNIT 4.3 Determining the Intervals Between Notes of the Pentachord Scale .126 UNIT 4.4 Writing a Major Pentachord Scale and Melody on the Staff Using Accidentals. .127 UHIT4.5 Major Hexachord Scales and Melodies .132 UNIT 4.6 Determining the Intervals Between Notes of the Major Hexachord Scale .136 U H IT 4.7 Song Analysis and Pentatonic Scale .137 Supplementary Musicianship Exercises: Chapter 4.143 Sight Singing Melodies and Rhythms .143 Developing Musical Memory .147 Improvisation and Composition .148 Keyboard Performance .150 Performance: Ensemble Singing .154 Error Detection .157 Chapter 5. The Major Scale UNIT 5.1 Major Diatonic Scales and Melodies .159 U HIT 5.2 Determining the Intervals Between Notes of the Major Scale .164 UNIT 5.3 Writing Major Scales on the Staff Using Accidentals .165 UNIT 5.4 Key Signatures .166 UNIT5.5 Transposition .173 UNIT5.6 Identifying the Key of a Composition from a Given Key Signature Using Solfège Syllables . I75 159 UHIT5.7 Modal Scales .177 UNIT5.8 Song Analysis .181 Supplementary Musicianship Exercises: Chapter 5.185 Sight Singing Melodies and Rhythms .185 Keyboard Performance .193 Performance: Ensemble Singing .198 Developing Musical Memory .206 Error Detection .206 Improvisation and Composition .207 Listening .209 CONTENTS їх Chapter 6. Intervals UNIT 6.1 Interval Identification .211 UNIT 6.2 Interval Quality: Major, Minor, and Perfect .216 UNIT 6.3 Major, Minor, Augmented, and Diminished Intervals .226 211 UNIT 6.4 Inversion of Intervals .230 UNIT 6.5 Compound Intervals .232 UNIT 6.6 Determining the Names of Intervals by Half Steps .234 Chapter 7. Orientation to the Minor Scale: Minor Pentachord and Minor Hexachord Scales and Melodies 238 UNIT7.1 Minor Pentachord Scales and Melodies .237 UNIT 7.2 Determining the Size and Quality of Intervals Between the Notes of the Minor Pentachord Scale .243 UNIT7.3 Writing a Minor Pentachord Scale and Melody on the Staff . .246 UNIT7.4 Minor Hexachord Scales and Melodies . .249 UNIT7.5 Determining the Size and Quality of Intervals Between Notes of the Minor Hexachord Scale. . .254 UHIT7.6 Minor Pentatonic Scales and Melodies .255 Supplementary Musicianship Exercises: Chapter 7.259 Sight Singing Melodies and Rhythms .259 Keyboard Performance .262 Keyboard Performance .266 Developing Musical Memory .267 Improvisation and Composition .267 Performance: Ensemble Singing .268 Chapters. The Minor Scale: Natural Form 272 UNIT 8.1 Natural Minor Scales and Melodies .271 UNIT 8.2 Determining the Intervals Between Notes of the Natural Minor Scale .277 UNIT 8.3 Writing a Natural Minor Scale on the Staff Using Accidentals .278 UNIT 8.4 Writing a Natural Minor Melody on the Staff Using Accidentals .280 UNIT8.5 Relative and Parallel Key Relationships .282 UNIT 8.6 Minor Key Signatures .286 CONTENTS Chapter 9. The Minor Scale: Harmonic and Melodic Forms UH IT 9.1 Harmonic Minor Scales and Melodies .295 UNIT 9.2 Determining the Intervals Between Notes of the Harmonic Minor Scale .299 UNIT9.3 Writing a Harmonic Minor Scale on the Staff with a Key Signature .301 UHIT9.4 Melodic Minor Scales and Melodies .303 UNIT9.S Determining the Intervals Between Notes of the Melodic Minor Scale .308 UNIT 9.6 Writing a Melodic Minor Scale on the Staff with a Key Signature .309 295 UHIÏ9.7 Identifying the Key of a Composition .313 UNIT 9.8 Minor Modes .316 The Chromatic Scale .319 Supplementary Musicianship Exercises: Chapters 8 and 9.321 Sight Singing Melodies and Rhythms .321 Improvisation and Composition .332 Keyboard Performance .333 Performance: Ensemble Singing .339 Chapter 10. Rhythm 3: Compound Meter and Advanced Rhythmic Concepts 345 U H IT 10.1 Rhythm Patterns in Compound Meter .345 U HIT 10.2 Rhythm Patterns in Compound Meter J J>J JÜ.352 U HIT 10.3 Rhythm Patterns in Compound Meter thythm Patterns in ΠΤΊ J.· .356 .360 UHIT10.4 Rhythm Patterns in Compound MeterJ JJJJ . UHIT10.5 Rhythm Patterns in Compound MeterJ! 3~] .362 U HIT 10.6 Triplets and Duplets.367 U HIT 10.7 Changing Meter and Asymmetric Meters .371 U HIT 10.8 Song Analysis .375 Supplementary Musicianship Exercises: Chapter 10.379 Sight Singing Melodies and Rhythms .379 Improvisation and Composition .384 Performance: Ensemble Singing. .385 Listening .386 CONTENTS χι Chapter 11. Introducing Harmonic Concepts 389 UNITILI Tonic and Dominant Chord Functions in a Major Key. . .389 UNIT 11.2 Tonic and Dominant Chord Functions in Minor . .399 №11.3 Tonic, Dominant, and Subdominant Chord Functions in Major Tonality .404 «11.4 Tonic, Dominant, and Subdominant Chord Functions in Minor Tonality .409 UNIT 11.5 Major, Minor, Diminished, and Augmented Triads .412 UNIT11.6 Roman Numeral Analysis and Figured Bass .423 Chapter 12. An Introduction to Harmonic Progressions UNIT 12.1 PrimaryTriads: Tonic and Dominant Chord Progressions in Root Position .431 UNIT 12.2 Authentic and Half Cadences .436 UNIT 12.3 PrimaryTriads: Tonic, Subdominant, and Dominant Chords in Root Position .437 UNIT 12.4 The Dominant Seventh Chord .441 UNIT12.S Piagai and Half Cadences .445 431 UNIT12.6 An Introduction to Nonharmonic Tones or Nonchord Tones .446 UH IT 12.7 Harmonic Progressions Involving Secondary Triads .449 Supplementary Musicianship Exercises: Chapters 11 and 12.461 Sight Singing Melodies and Rhythms .461 Keyboard Performance .463 Performance: Ensemble Singing .469 Glossary 473 Index 475 Audio CD Track List 489
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spelling	Houlahan, Micheál Verfasser aut From sound to symbol fundamentals of music Mícheál Houlahan ; Philip Tacka New York Oxford Univ. Press 2009 [erschienen] 2008 XX, 488 S. Notenbeisp. 1 CD (12 cm), 1 CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. ) and index Music theory Textbooks Musiktheorie (DE-588)4040876-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musiktheorie (DE-588)4040876-0 s DE-604 Tacka, Philip Verfasser aut Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016394463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Houlahan, Micheál Tacka, Philip From sound to symbol fundamentals of music Music theory Textbooks Musiktheorie (DE-588)4040876-0 gnd
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title	From sound to symbol fundamentals of music
title_auth	From sound to symbol fundamentals of music
title_exact_search	From sound to symbol fundamentals of music
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title_full	From sound to symbol fundamentals of music Mícheál Houlahan ; Philip Tacka
title_fullStr	From sound to symbol fundamentals of music Mícheál Houlahan ; Philip Tacka
title_full_unstemmed	From sound to symbol fundamentals of music Mícheál Houlahan ; Philip Tacka
title_short	From sound to symbol
title_sort	from sound to symbol fundamentals of music
title_sub	fundamentals of music
topic	Music theory Textbooks Musiktheorie (DE-588)4040876-0 gnd
topic_facet	Music theory Textbooks Musiktheorie Einführung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016394463&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT houlahanmicheal fromsoundtosymbolfundamentalsofmusic AT tackaphilip fromsoundtosymbolfundamentalsofmusic

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