Shakespeare and Garrick:
Much has been written about the acting style of David Garrick, the eighteenth century's greatest actor-manager, but this book, unusually, claims a place for him within Shakespeare studies as a literary as well as a theatrical figure. It analyses several of Garrick's alterations of Shakespe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Contributor biographical information Publisher description Table of contents only Inhaltsverzeichnis |
| Zusammenfassung: | Much has been written about the acting style of David Garrick, the eighteenth century's greatest actor-manager, but this book, unusually, claims a place for him within Shakespeare studies as a literary as well as a theatrical figure. It analyses several of Garrick's alterations of Shakespeare's plays in which he took the lead, and traces his close involvement with the major Shakespeare editors of the period, including his friend Samuel Johnson. Admirers claimed that Garrick's performances illuminated the playtexts better than the commentaries of scholarly editors. His reputation as Shakespeare's living representative and best interpreter was so high that he was involved in most Shakespeare-related projects of his day, not least the Jubilee at Stratford. While Garrick lived, the imminent divorce of 'stage' and 'page' could not take place. Cunningham shows how vital a resource Garrick's collection of early plays in English has been to generations of Shakespeare scholars. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | VII, 231 S. Ill. |
| ISBN: | 9780521889773 |
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| 520 | 3 | |a Much has been written about the acting style of David Garrick, the eighteenth century's greatest actor-manager, but this book, unusually, claims a place for him within Shakespeare studies as a literary as well as a theatrical figure. It analyses several of Garrick's alterations of Shakespeare's plays in which he took the lead, and traces his close involvement with the major Shakespeare editors of the period, including his friend Samuel Johnson. Admirers claimed that Garrick's performances illuminated the playtexts better than the commentaries of scholarly editors. His reputation as Shakespeare's living representative and best interpreter was so high that he was involved in most Shakespeare-related projects of his day, not least the Jubilee at Stratford. While Garrick lived, the imminent divorce of 'stage' and 'page' could not take place. Cunningham shows how vital a resource Garrick's collection of early plays in English has been to generations of Shakespeare scholars. | |
| 600 | 1 | 4 | |a Garrick, David |d 1717-1779 |
| 600 | 1 | 4 | |a Garrick, David |d 1717-1779 |x Influence |
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Datensatz im Suchindex
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Contents
List of illustrations page vi
Acknowledgements vii
Prologue: Garrick's alterations of Shakespeare — a note on texts i
1 Garrick and Shakespeare - before the divorce
of stage and page 3
2 The contexts of Garrick's alterations of Shakespeare 13
3 'To give the actor more eclat' - Garrick's earliest
alterations of Shakespeare 43
4 'Re-bottling' Shakespeare — Garrick in mid-career (1753-1768) 76
5 (Entr'acte): Celebrating Shakespeare on page and stage in 1769 106
6 'Parental and filial capacities' - King Lear and Hamlet 119
Epilogue: Garrick's legacy to Shakespeare studies 162
Notes 171
Bibliography 207
Index 226
Illustrations
Frontispiece: Roubiliac's statue of Shakespeare.
1. Garrick in the role of Kitely in Every Man in His Humour. 38
2. Garrick and Hannah Pritchard in Garrick's alteration of Macbeth. 56
3. Garrick and George Anne Bellamy in the tomb scene
of Garrick's alteration of Romeo and Juliet. 6j
4. Shakespeare, Tragedy and Comedy advance to welcome
Garrick to Parnassus, while fellow actors mourn his passing. 92
5. Stratford-on-Avon, 7 September 1769; Garrick and
the Drury Lane choir and orchestra perform the Ode. 108
6. Garrick in his alteration of King Lear. 126
7. Garrick as Hamlet sees his father's ghost. 141
8. Garrick's preparation copy for his alteration of Hamlet. 146 |
| adam_txt |
Contents
List of illustrations page vi
Acknowledgements vii
Prologue: Garrick's alterations of Shakespeare — a note on texts i
1 Garrick and Shakespeare - before the divorce
of stage and page 3
2 The contexts of Garrick's alterations of Shakespeare 13
3 'To give the actor more eclat' - Garrick's earliest
alterations of Shakespeare 43
4 'Re-bottling' Shakespeare — Garrick in mid-career (1753-1768) 76
5 (Entr'acte): Celebrating Shakespeare on page and stage in 1769 106
6 'Parental and filial capacities' - King Lear and Hamlet 119
Epilogue: Garrick's legacy to Shakespeare studies 162
Notes 171
Bibliography 207
Index 226
Illustrations
Frontispiece: Roubiliac's statue of Shakespeare.
1. Garrick in the role of Kitely in Every Man in His Humour. 38
2. Garrick and Hannah Pritchard in Garrick's alteration of Macbeth. 56
3. Garrick and George Anne Bellamy in the tomb scene
of Garrick's alteration of Romeo and Juliet. 6j
4. Shakespeare, Tragedy and Comedy advance to welcome
Garrick to Parnassus, while fellow actors mourn his passing. 92
5. Stratford-on-Avon, 7 September 1769; Garrick and
the Drury Lane choir and orchestra perform the Ode. 108
6. Garrick in his alteration of King Lear. 126
7. Garrick as Hamlet sees his father's ghost. 141
8. Garrick's preparation copy for his alteration of Hamlet. 146 |
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| spelling | Cunningham, Vanessa Verfasser aut Shakespeare and Garrick Vanessa Cunningham 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2008 VII, 231 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Much has been written about the acting style of David Garrick, the eighteenth century's greatest actor-manager, but this book, unusually, claims a place for him within Shakespeare studies as a literary as well as a theatrical figure. It analyses several of Garrick's alterations of Shakespeare's plays in which he took the lead, and traces his close involvement with the major Shakespeare editors of the period, including his friend Samuel Johnson. Admirers claimed that Garrick's performances illuminated the playtexts better than the commentaries of scholarly editors. His reputation as Shakespeare's living representative and best interpreter was so high that he was involved in most Shakespeare-related projects of his day, not least the Jubilee at Stratford. While Garrick lived, the imminent divorce of 'stage' and 'page' could not take place. Cunningham shows how vital a resource Garrick's collection of early plays in English has been to generations of Shakespeare scholars. Garrick, David 1717-1779 Garrick, David 1717-1779 Influence Shakespeare, William 1564-1616 Criticism, Textual Shakespeare, William 1564-1616 Criticism and interpretation History 18th century Shakespeare, William 1564-1616 Stage history 1625-1800 Shakespeare, William 1564-1616 (DE-588)118613723 gnd rswk-swf Garrick, David 1717-1779 (DE-588)118716425 gnd rswk-swf Geschichte 1700-1800 Geschichte Drama Editing History 18th century Bearbeitung (DE-588)4120981-3 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Shakespeare, William 1564-1616 (DE-588)118613723 p Drama (DE-588)4012899-4 s Bearbeitung (DE-588)4120981-3 s Garrick, David 1717-1779 (DE-588)118716425 p DE-604 http://www.loc.gov/catdir/enhancements/fy0806/2007050989-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0806/2007050989-d.html Publisher description http://www.loc.gov/catdir/enhancements/fy0806/2007050989-t.html Table of contents only HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016365903&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Cunningham, Vanessa Shakespeare and Garrick Garrick, David 1717-1779 Garrick, David 1717-1779 Influence Shakespeare, William 1564-1616 Criticism, Textual Shakespeare, William 1564-1616 Criticism and interpretation History 18th century Shakespeare, William 1564-1616 Stage history 1625-1800 Shakespeare, William 1564-1616 (DE-588)118613723 gnd Garrick, David 1717-1779 (DE-588)118716425 gnd Geschichte Drama Editing History 18th century Bearbeitung (DE-588)4120981-3 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)118613723 (DE-588)118716425 (DE-588)4120981-3 (DE-588)4012899-4 |
| title | Shakespeare and Garrick |
| title_auth | Shakespeare and Garrick |
| title_exact_search | Shakespeare and Garrick |
| title_exact_search_txtP | Shakespeare and Garrick |
| title_full | Shakespeare and Garrick Vanessa Cunningham |
| title_fullStr | Shakespeare and Garrick Vanessa Cunningham |
| title_full_unstemmed | Shakespeare and Garrick Vanessa Cunningham |
| title_short | Shakespeare and Garrick |
| title_sort | shakespeare and garrick |
| topic | Garrick, David 1717-1779 Garrick, David 1717-1779 Influence Shakespeare, William 1564-1616 Criticism, Textual Shakespeare, William 1564-1616 Criticism and interpretation History 18th century Shakespeare, William 1564-1616 Stage history 1625-1800 Shakespeare, William 1564-1616 (DE-588)118613723 gnd Garrick, David 1717-1779 (DE-588)118716425 gnd Geschichte Drama Editing History 18th century Bearbeitung (DE-588)4120981-3 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Garrick, David 1717-1779 Garrick, David 1717-1779 Influence Shakespeare, William 1564-1616 Criticism, Textual Shakespeare, William 1564-1616 Criticism and interpretation History 18th century Shakespeare, William 1564-1616 Stage history 1625-1800 Shakespeare, William 1564-1616 Geschichte Drama Editing History 18th century Bearbeitung Drama |
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