The cult film reader:
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Maidenhead
Open University Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. [495]-521) and indexes |
| Beschreibung: | xxii, 549 Seiten 25 cm |
| ISBN: | 0335219233 0335219241 9780335219230 9780335219247 |
Internformat
MARC
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| 245 | 1 | 0 | |a The cult film reader |c edited by Ernest Mathijs and Xavier Mendik |
| 264 | 1 | |a Maidenhead |b Open University Press |c 2008 | |
| 300 | |a xxii, 549 Seiten |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references (p. [495]-521) and indexes | ||
| 650 | 4 | |a Motion pictures / History | |
| 650 | 7 | |a Cultfilms |2 gtt | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Cult films |x History and criticism | |
| 650 | 4 | |a Motion pictures |x History | |
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| 700 | 1 | |a Mathijs, Ernest |d 1968- |0 (DE-588)1047093588 |4 edt | |
| 700 | 1 | |a Mendik, Xavier |d 1969- |0 (DE-588)1199870498 |4 edt | |
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Datensatz im Suchindex
| _version_ | 1805087088432906240 |
|---|---|
| adam_text |
Contents
Contributors
ix
Foreword
xvii
Cult corner: acknowledgements
xix
Publisher's acknowledgements
xxi
Editorial introduction: What is cult film?
1
Note on the organization of materials
13
SECTION
1
The concepts of cult
15
Introduction
15
1.1
Harry Allan Potamkin: 'Film cults'
25
1.2
Walter Benjamin: 'The work of art in the age of mechanical
reproduction'
29
1.3
Susan
Sontag:
'Notes on "camp"'
41
1.4
Andrew Ross:'Uses of camp'
53
1.5
Umberto Eco:
'Casablanca: Cult movies and
intertextual
collage'
67
1.6
Barry K. Grant: 'Science fiction double feature: Ideology in the cult film'
76
1.7
Anne Jerslev: 'Semiotics by instinct: "Cult film" as a signifying practice
between film and audience'
88
1.8
Jeffrey Sconce:
'
"Trashing" the academy: Taste, excess and an emerging
politics of cinematic style'
100
1.9
Joan Hawkins: 'Sleaze mania, Euro-trash and high art: The place of
European art films in American low culture'
119
1.10
Matt Hills: 'Media fandom, neoreligiosity and cultural) studies'
133
VI THE CULT FILM
READER
1.11
Mark
Jancovich: 'Cult
fictions:
Cult
movies, subcultural capital and
the production of cultural distinctions'
149
SECTION
2
Cult case studies
163
Introduction
163
2.1
JeanVigo:
'Un chien
andaloď
173
2.2
Joan Hawkins: 'The anxiety of influence: Georges
Franju
and the
medical horrorshows of Jess Franco'
176
2.3
Eric Schaefer: 'The obscene seen: Spectacle and transgression in
postwar burlesque films'
186
2.4
Parker Tyler:'Orson Welles and the big experimental film cult'
200
2.5
Gary Hentzi: 'Little cinema of horrors'
208
2.6
Welch Everman: 'What is a cult horror film?'
212
2.7
Harry Benshoff: 'Blaxploitation horror films: Generic
reappropriation
or
reinscription?
' 216
2.8
Steve Chibnall:'Carter in context'
226
2.9
Noel Carroll: 'The future of allusion: Hollywood in the seventies (and
beyond)'
240
2.10
Janet Staiger: 'Hitchcock in Texas: Intertextuality in the face of blood
and gore'
244
2.11
Steven Jay Schneider: 'The essential evil in/of Eraserhead (or, Lynch
to the contrary)'
250
2.12
Lawrence O'Toole: 'The cult of horror'
257
2.13
J.P. Telotte:
'
The Blair Witch Project: Film and the internet'
263
SECTIONS
National and international cults
275
Introduction
275
3.1
J. Hoberman and Jonathan
Rosenbaum:
'El
Topo:
Through the
wasteland of the counterculture'
284
3.2
Gary Needham: 'Playing with genre: An introduction to the Italian
giallo'
294
3.3
Leon Hunt: 'Han's Island revisited: Enter the Dragon as transnational
cult film'
301
CONTENTS
VII
3.4 Annalee Newitz:
'Magical girls and atomic bomb sperm: Japanese
animation in America'
3.5
Jinsoo An:
'
The Killer: Cult film and transcultural (mis)reading'
3.6
Harmony Wu: 'Trading in horror, cult and matricide: Peter Jackson's
phenomenal bad taste and New Zealand fantasies of inter/national
cinematic success'
3.7
Sheila J. Nayar: 'Invisible representation: The oral contours of a
national popular cinema'
3.8
Nezih Erdogan: 'Mute bodies, disembodied voices: Notes on sound
in Turkish popular cinema'
3.9
Tom
Mes: 'Ichi
the Killer'
309
320
328
339
349
360
SECTION
4
Cult consumption
Introduction
4.1
Siegfried Kracauer: 'Cult of distraction: On Berlin's picture palaces'
4.2
Pierre Bourdieu: 'Introduction to Distinction'
4.3
Bruce A. Austin: 'Portrait of a cult film audience: The Rocky Horror
Picture Show'
4.4
Gina Marchetti:
'Subcultural studies and the film audience:
Rethinking the film viewing context'
4.5
David Sanjek: 'Fans' notes: The horror film fanzine'
4.6
Henry Jenkins:
'
"Get a life!": Fans, poachers, nomads'
4.7
John
Fiske:
'The cultural economy of random'
4.8
Martin Barker, Jane Arthurs and Ramaswami Harindranath:
'The Crash controversy: Reviewing the press'
4.9
I.Q. Hunter: 'Beaver Las Vegas! A fan-boy's defence
oí
Showgirls'
4.10
Martin Barker, Ernest
Mathijs
and
Xavier
Mendik: 'Menstrual
monsters: The reception of the Ginger Snaps cult horror franchise'
369
369
381
386
392
403
419
429
445
456
472
482
Cult bibliography
Index of film titles
General index
495
523
533 |
| adam_txt |
Contents
Contributors
ix
Foreword
xvii
Cult corner: acknowledgements
xix
Publisher's acknowledgements
xxi
Editorial introduction: What is cult film?
1
Note on the organization of materials
13
SECTION
1
The concepts of cult
15
Introduction
15
1.1
Harry Allan Potamkin: 'Film cults'
25
1.2
Walter Benjamin: 'The work of art in the age of mechanical
reproduction'
29
1.3
Susan
Sontag:
'Notes on "camp"'
41
1.4
Andrew Ross:'Uses of camp'
53
1.5
Umberto Eco:
'Casablanca: Cult movies and
intertextual
collage'
67
1.6
Barry K. Grant: 'Science fiction double feature: Ideology in the cult film'
76
1.7
Anne Jerslev: 'Semiotics by instinct: "Cult film" as a signifying practice
between film and audience'
88
1.8
Jeffrey Sconce:
'
"Trashing" the academy: Taste, excess and an emerging
politics of cinematic style'
100
1.9
Joan Hawkins: 'Sleaze mania, Euro-trash and high art: The place of
European art films in American low culture'
119
1.10
Matt Hills: 'Media fandom, neoreligiosity and cultural) studies'
133
VI THE CULT FILM
READER
1.11
Mark
Jancovich: 'Cult
fictions:
Cult
movies, subcultural capital and
the production of cultural distinctions'
149
SECTION
2
Cult case studies
163
Introduction
163
2.1
JeanVigo:
'Un chien
andaloď
173
2.2
Joan Hawkins: 'The anxiety of influence: Georges
Franju
and the
medical horrorshows of Jess Franco'
176
2.3
Eric Schaefer: 'The obscene seen: Spectacle and transgression in
postwar burlesque films'
186
2.4
Parker Tyler:'Orson Welles and the big experimental film cult'
200
2.5
Gary Hentzi: 'Little cinema of horrors'
208
2.6
Welch Everman: 'What is a cult horror film?'
212
2.7
Harry Benshoff: 'Blaxploitation horror films: Generic
reappropriation
or
reinscription?
' 216
2.8
Steve Chibnall:'Carter in context'
226
2.9
Noel Carroll: 'The future of allusion: Hollywood in the seventies (and
beyond)'
240
2.10
Janet Staiger: 'Hitchcock in Texas: Intertextuality in the face of blood
and gore'
244
2.11
Steven Jay Schneider: 'The essential evil in/of Eraserhead (or, Lynch
to the contrary)'
250
2.12
Lawrence O'Toole: 'The cult of horror'
257
2.13
J.P. Telotte:
'
The Blair Witch Project: Film and the internet'
263
SECTIONS
National and international cults
275
Introduction
275
3.1
J. Hoberman and Jonathan
Rosenbaum:
'El
Topo:
Through the
wasteland of the counterculture'
284
3.2
Gary Needham: 'Playing with genre: An introduction to the Italian
giallo'
294
3.3
Leon Hunt: 'Han's Island revisited: Enter the Dragon as transnational
cult film'
301
CONTENTS
VII
3.4 Annalee Newitz:
'Magical girls and atomic bomb sperm: Japanese
animation in America'
3.5
Jinsoo An:
'
The Killer: Cult film and transcultural (mis)reading'
3.6
Harmony Wu: 'Trading in horror, cult and matricide: Peter Jackson's
phenomenal bad taste and New Zealand fantasies of inter/national
cinematic success'
3.7
Sheila J. Nayar: 'Invisible representation: The oral contours of a
national popular cinema'
3.8
Nezih Erdogan: 'Mute bodies, disembodied voices: Notes on sound
in Turkish popular cinema'
3.9
Tom
Mes: 'Ichi
the Killer'
309
320
328
339
349
360
SECTION
4
Cult consumption
Introduction
4.1
Siegfried Kracauer: 'Cult of distraction: On Berlin's picture palaces'
4.2
Pierre Bourdieu: 'Introduction to Distinction'
4.3
Bruce A. Austin: 'Portrait of a cult film audience: The Rocky Horror
Picture Show'
4.4
Gina Marchetti:
'Subcultural studies and the film audience:
Rethinking the film viewing context'
4.5
David Sanjek: 'Fans' notes: The horror film fanzine'
4.6
Henry Jenkins:
'
"Get a life!": Fans, poachers, nomads'
4.7
John
Fiske:
'The cultural economy of random'
4.8
Martin Barker, Jane Arthurs and Ramaswami Harindranath:
'The Crash controversy: Reviewing the press'
4.9
I.Q. Hunter: 'Beaver Las Vegas! A fan-boy's defence
oí
Showgirls'
4.10
Martin Barker, Ernest
Mathijs
and
Xavier
Mendik: 'Menstrual
monsters: The reception of the Ginger Snaps cult horror franchise'
369
369
381
386
392
403
419
429
445
456
472
482
Cult bibliography
Index of film titles
General index
495
523
533 |
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| index_date | 2024-07-02T19:59:55Z |
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| spelling | The cult film reader edited by Ernest Mathijs and Xavier Mendik Maidenhead Open University Press 2008 xxii, 549 Seiten 25 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [495]-521) and indexes Motion pictures / History Cultfilms gtt Film Geschichte Cult films History and criticism Motion pictures History Kultfilm (DE-588)4347836-0 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Kultfilm (DE-588)4347836-0 s DE-604 Mathijs, Ernest 1968- (DE-588)1047093588 edt Mendik, Xavier 1969- (DE-588)1199870498 edt Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016362982&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The cult film reader |
| title_auth | The cult film reader |
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