Koncert wielki na głosy unisono:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Polish |
| Published: |
Olsztyn
Pracownia Wydawn. ElSet
2007
|
| Edition: | Wyd. 1 |
| Subjects: | |
| Online Access: | Abstract |
| Physical Description: | 189 S. zahlr. Ill. 23x25 cm |
| ISBN: | 9788389151568 |
Staff View
MARC
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| 610 | 1 | 7 | |a Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) / wydawnictwa ilustrowane |2 jhpk |
| 610 | 1 | 7 | |a Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) - wydawnictwa ilustrowane |2 jhpk |
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Record in the Search Index
| _version_ | 1804137398130442240 |
|---|---|
| adam_text | Summary
This is the first attempt at describing the fifty-year-long his¬
tory of
Wiktor Wawrzyczek
Choir at the University of
Warmia
and
Mazury
in
Olsztyn.
The choir was set up in
1952
on the ini¬
tiative of professor Wawrzyczek, a university tutor and a lecturer,
an outstanding scientist and a chemist, but also a great music
lover and the choir s protector for many years to come. Today he
is the patron of his music child , which the choir takes pride in.
Professor Wawrzyczek was one of the Founding Fathers of the
Higher School of Agriculture, the first college in
Olsztyn,
a foun¬
dation stone for the future University of
Warmia
and
Mazury.
Looking back at the history of the choir, you can take a chance
and say that the choir was an absolutely necessity for the college
to exist. On the other hand, reversing this rhetorical figure by
claiming that the choir needed the college to exist would be too
hazardous.
The choir appeared. And so did problems, as you may sus¬
pect. The idea of creating a choir at an agricultural college meant
that its conductor had to be found outside the school. Another
difficult question was how to finance the choir
-
should it be
self-reliant or not? What was to be the nature of that choir
-
should it serve as an embellishment to college celebrations or
had it better master a wide repertoire of music, attracting large
audiences home and abroad? But then it would never be a pro¬
fessional choir, would it? In that case, was it destined to be a pro¬
vincial choir, singing folk songs
-
after all it was an agricultural
college? In the early days of the choir s history, back in the
1950s,
nobody wrote business plans, nobody had a long-term vision.
There was a choir. Professor Wawrzyczek
-
the book states that
clearly enough
-
thought and acted in a truly European style. He
knew that by paying from his own pocket for students study
trips, supporting students who were worse off, helping them
with a good word, telling good things about the choir to the mass
media, creating an image of a choir showered with awards, a
choir winning festivals and music contests
-
all this would ulti¬
mately lead to success.
In one of the interviews given to a local paper, professor
Wawrzyczek said:
(...)
When I arrived at the Higher School of Agriculture in
Olsztyn,
I noticed that the students interests were rather low-key
and that those students who were artistically talented could fulfil
themselves in some kind of ensembles. At one of my lectures I
suggested calling a meeting with students who would want
tojóin
a choir. The meeting was attended mostly by boys and that is why
the first academic choir
Olsztyn
was a men s choir. Obviously, at
any college students come and go every few years. And this means
that an academic choir constantly evolves .
And it was this ever-changing make-up of the choir members
(voices), and its continuous evolution that in the following years
was to be the choir s main driving force. Development
-
obvious¬
ly
-
artistic development. Most professional choirs, especially
prestigious ones, have permanent composition. Singers, shaped
by artistic managers ever since they join a professional choir, like
musicians in an orchestra, represent high standards of perform¬
ance so in time a choir turns into a uniform music set. Recogniz¬
able from the first notes sung. How does the stable position of a
professional choir compare to an amateur choir, in which the only
certain and unchangeable thing is that it will change? This is the
obstacle that conductors of amateur choirs, especially academic
ones, stumble over.
The book describing the past days of
Wiktor
Wawrzyczek
Choir quotes the choir s chroniclers, sketching an overview of
the atmosphere prevailing among students in
Olsztyn,
the atmos¬
phere that surrounded the choir and
-
later in the
1960s
and
1970s
-
other student ensembles that sprung up at the Higher School of
Agriculture, as if in contrast to the technical character of the
school. The book contains a multitude of anecdotes and less
known events in the history of the choir, which attracted a large
crowd of supporters, often accompanying the choir at rehearsals.
Today any artist would appreciate such everyday voluntary public.
Friendly to music and musicians. Then life went on faster, often
pushing emotions aside. Any emotions. Especially musical ones.
Thus, our story has a construction of a music piece, a concert,
a grand concert for voices in unison. How many of those voices
have there been in the history of
Wiktor Wawrzyczek
Choir? As
the choir s chroniclers counted
-
well over a thousand. The choir
itself has given
1600
concerts and the audience has reached over
300 000.
Each part of the concert chronicles a certain stage in develop¬
ment of the choir s singing skills. The choir has been led by nine
conductors and it has made nine records. But the trophies won at
various contents, festivals and tournaments are countless. Too
many to give a precise number. Unless in the future some patient
and analytical mind will group those trophies according to their
kinds, shapes, sizes and this will help us say how many awards,
merits, diplomas, cups, tuning forks, belts, etc. the choir has col¬
lected.
The ninth conductor is
Benedykt Błoński,
who took over the
choir in
1982.
He led the choir into The grand crescendo
-
to
cite the title of one of the book chapters. A passage from the con¬
versation with
Błoński
published in our book:
The book s author:
-
I have an impression that you were
extremely lucky. Almost immediately
-
coming straight from a
music academy
-
you received an exceptional gift, a well-man¬
aged choir to take over.
Błoński:
-When I was about to graduate from the academy, as
part of my diploma, I conducted Vivaldi s Credo for a choir and a
string quintet and Mozart s Mass for a choir and an organ. There
was that moment as the concert was reaching the final accords
when a thought appeared in my mind
-
Oh, what a pity that it
ends so soon. I might never have a chance to stand in front of a
choir and conduct such a well prepared piece of music, not to
mention conducting a choir and an orchestra, a choir and an
organ . In this sorrowful frame of mind I came to
Olsztyn,
to
experience a Grand Chance. And that was when I assisted
Kaz¬
imierz
Strumowski, who at that time conducted
Wiktor
Wawrzy¬
czek Choir but was already looking for someone to replace him as
he was planning to move to
Poznan.
So it was like a dream come true, a dream of being a choir
master, a conductor?
No, it wasn t. At first it was hard work. Here I was, standing in
Siiritifitiiy
front
of a large group of people, bombarded by a multitude of
sounds, wondering what I was doing there
-
1 couldn t hear any¬
thing! But then, step by step, at great effort, our work went on.
When did you come to think that conducting a choir could be
your life s work, that your place was here?
It was around
1987.
1 began to wonder
-
could this work make
any sense, ever? My doubts were compounded by the fact that I
ran another choir, the choir of the Higher School of Pedagogy in
Olsztyn.
There were quite many people who advised me
-
Why
don t you give up those students in Kortowo, why don t you stay
with the teacher college choir. You ll achieve something with
those singers, at least they can read notes, they have a potential .
But I did not listen to their advice nor did I abandon the Wawrzy-
czek choir singers. In time we benefited from increasing the
number of rehearsals to three weekly. Our goals and the pro¬
gramme were set out clearly. Something deep in my heart made
me stay with the Kortowo choir, so I did. Although it took me
some time to believe firmly that I was right. I d say that in
1987
1
made a decision, and the choir agreed, that it was a good idea to do
something that would give us satisfaction. Even though at that
time we lacked courage to say what this something might be.
But we knew how much work it would cost us.
Some more numbers, some more figures ahead of us. The
choir of the University in
Olsztyn
has sung in nearly all Europe¬
an countries
-
Austria, Belgium, Britain, Bulgaria, the Czech
Republic, Denmark, Greece, Holland, Hungary, Ireland, Roma¬
nia, Slovakia, Yugoslavia. It has been to some countries several
times
-
France, Spain, Germany, Vatican and whole Italy. The
concerts given by
Wiktor
Wawrzyczek Choir were applauded by
audiences in North America (Mexico) and South America (Argen¬
tina).
As the choir s chroniclers calculated
-
should the choir do all
those concerts in one tour, it would be
350
thousand kilometres
long and would take them nearly half a year, travelling day and
night at a speed of
80
kph.
The memoirs end
-
as in a music composition
-
with a
cadence. Here it comes
-
the last chapter called The unusual
choir s history continued . And it is continued as the colourful life
goes one. New invitations, letters and reviews pile up; new piec¬
es of music being composed; new photographs, thoughts and
memoirs documented. Today we are joyful not just because our
choir is superior, but also because professor Wawrzyczek proved
to be right like a prophet when he set out the way his choir had to
follow
-
hard but infallible. The choir has deserved the present
conductor, who, although not anointed by the choir s Master, has
always known where and how to lead the choir, ever since he
picked up a baton. The choir in turn has turned into an institution
which upholds traditions of former singing ensembles in Poland
but also, as the years go by, creates its own traditions and has sur¬
passed the fame of its home town. The recordings made by the
choir, the music it creates, draws upon and passes on to listeners.
Many of those who have had a chance to hear choral music per¬
formed by
Wiktor
Wawrzyczek Choir of the University of
Warm¬
ia
and
Mazury
in
Olsztyn
wait until the last sounds of their per¬
formance die out to ask
-
Excuse me, what choir is it? Who con¬
ducts this choir? Where are they from? What do you mean, from
Olsztyn?
And where is that?
So let us begin again. Right from the start: fifty five years ago
|
| adam_txt |
Summary
This is the first attempt at describing the fifty-year-long his¬
tory of
Wiktor Wawrzyczek
Choir at the University of
Warmia
and
Mazury
in
Olsztyn.
The choir was set up in
1952
on the ini¬
tiative of professor Wawrzyczek, a university tutor and a lecturer,
an outstanding scientist and a chemist, but also a great music
lover and the choir's protector for many years to come. Today he
is the patron of his 'music child', which the choir takes pride in.
Professor Wawrzyczek was one of the Founding Fathers of the
Higher School of Agriculture, the first college in
Olsztyn,
a foun¬
dation stone for the future University of
Warmia
and
Mazury.
Looking back at the history of the choir, you can take a chance
and say that the choir was an absolutely necessity for the college
to exist. On the other hand, reversing this rhetorical figure by
claiming that the choir needed the college to exist would be too
hazardous.
The choir appeared. And so did problems, as you may sus¬
pect. The idea of creating a choir at an agricultural college meant
that its conductor had to be found outside the school. Another
difficult question was how to finance the choir
-
should it be
self-reliant or not? What was to be the nature of that choir
-
should it serve as an embellishment to college celebrations or
had it better master a wide repertoire of music, attracting large
audiences home and abroad? But then it would never be a pro¬
fessional choir, would it? In that case, was it destined to be a pro¬
vincial choir, singing folk songs
-
after all it was an agricultural
college? In the early days of the choir's history, back in the
1950s,
nobody wrote business plans, nobody had a long-term vision.
There was a choir. Professor Wawrzyczek
-
the book states that
clearly enough
-
thought and acted in a truly European style. He
knew that by paying from his own pocket for students' study
trips, supporting students who were worse off, helping them
with a good word, telling good things about the choir to the mass
media, creating an image of a choir showered with awards, a
choir winning festivals and music contests
-
all this would ulti¬
mately lead to success.
In one of the interviews given to a local paper, professor
Wawrzyczek said:
(.)
When I arrived at the Higher School of Agriculture in
Olsztyn,
I noticed that the students' interests were rather low-key
and that those students who were artistically talented could fulfil
themselves in some kind of ensembles. At one of my lectures I
suggested calling a meeting with students who would want
tojóin
a choir. The meeting was attended mostly by boys and that is why
the first academic choir
Olsztyn
was a men's choir. Obviously, at
any college students come and go every few years. And this means
that an academic choir constantly evolves'.
And it was this ever-changing make-up of the choir members
(voices), and its continuous evolution that in the following years
was to be the choir's main driving force. Development
-
obvious¬
ly
-
artistic development. Most professional choirs, especially
prestigious ones, have permanent composition. Singers, shaped
by artistic managers ever since they join a professional choir, like
musicians in an orchestra, represent high standards of perform¬
ance so in time a choir turns into a uniform music set. Recogniz¬
able from the first notes sung. How does the stable position of a
professional choir compare to an amateur choir, in which the only
certain and unchangeable thing is that it will change? This is the
obstacle that conductors of amateur choirs, especially academic
ones, stumble over.
The book describing the past days of
"Wiktor
Wawrzyczek
Choir quotes the choir's chroniclers, sketching an overview of
the atmosphere prevailing among students in
Olsztyn,
the atmos¬
phere that surrounded the choir and
-
later in the
1960s
and
1970s
-
other student ensembles that sprung up at the Higher School of
Agriculture, as if in contrast to the technical character of the
school. The book contains a multitude of anecdotes and less
known events in the history of the choir, which attracted a large
crowd of supporters, often accompanying the choir at rehearsals.
Today any artist would appreciate such everyday voluntary public.
Friendly to music and musicians. Then life went on faster, often
pushing emotions aside. Any emotions. Especially musical ones.
Thus, our story has a construction of a music piece, a concert,
a grand concert for voices in unison. How many of those voices
have there been in the history of
Wiktor Wawrzyczek
Choir? As
the choir's chroniclers counted
-
well over a thousand. The choir
itself has given
1600
concerts and the audience has reached over
300 000.
Each part of the concert chronicles a certain stage in develop¬
ment of the choir's singing skills. The choir has been led by nine
conductors and it has made nine records. But the trophies won at
various contents, festivals and tournaments are countless. Too
many to give a precise number. Unless in the future some patient
and analytical mind will group those trophies according to their
kinds, shapes, sizes and this will help us say how many awards,
merits, diplomas, cups, tuning forks, belts, etc. the choir has col¬
lected.
The ninth conductor is
Benedykt Błoński,
who took over the
choir in
1982.
He led the choir into 'The grand crescendo'
-
to
cite the title of one of the book chapters. A passage from the con¬
versation with
Błoński
published in our book:
The book's author:
-
I have an impression that you were
extremely lucky. Almost immediately
-
coming straight from a
music academy
-
you received an exceptional gift, a well-man¬
aged choir to take over.
Błoński:
-When I was about to graduate from the academy, as
part of my diploma, I conducted Vivaldi's Credo for a choir and a
string quintet and Mozart's Mass for a choir and an organ. There
was that moment as the concert was reaching the final accords
when a thought appeared in my mind
-
'Oh, what a pity that it
ends so soon. I might never have a chance to stand in front of a
choir and conduct such a well prepared piece of music, not to
mention conducting a choir and an orchestra, a choir and an
organ'. In this sorrowful frame of mind I came to
Olsztyn,
to
experience a Grand Chance. And that was when I assisted
Kaz¬
imierz
Strumowski, who at that time conducted
Wiktor
Wawrzy¬
czek Choir but was already looking for someone to replace him as
he was planning to move to
Poznan.
So it was like a dream come true, a dream of being a choir
master, a conductor?
No, it wasn't. At first it was hard work. Here I was, standing in
Siiritifitiiy
front
of a large group of people, bombarded by a multitude of
sounds, wondering what I was doing there
-
1 couldn't hear any¬
thing! But then, step by step, at great effort, our work went on.
When did you come to think that conducting a choir could be
your life's work, that your place was here?
It was around
1987.
1 began to wonder
-
could this work make
any sense, ever? My doubts were compounded by the fact that I
ran another choir, the choir of the Higher School of Pedagogy in
Olsztyn.
There were quite many people who advised me
-
Why
don't you give up those students in Kortowo, why don't you stay
with the teacher college choir. You'll achieve something with
those singers, at least they can read notes, they have a potential'.
But I did not listen to their advice nor did I abandon the Wawrzy-
czek choir singers. In time we benefited from increasing the
number of rehearsals to three weekly. Our goals and the pro¬
gramme were set out clearly. Something deep in my heart made
me stay with the Kortowo choir, so I did. Although it took me
some time to believe firmly that I was right. I'd say that in
1987
1
made a decision, and the choir agreed, that it was a good idea to do
something that would give us satisfaction. Even though at that
time we lacked courage to say what this 'something' might be.
But we knew how much work it would cost us.
Some more numbers, some more figures ahead of us. The
choir of the University in
Olsztyn
has sung in nearly all Europe¬
an countries
-
Austria, Belgium, Britain, Bulgaria, the Czech
Republic, Denmark, Greece, Holland, Hungary, Ireland, Roma¬
nia, Slovakia, Yugoslavia. It has been to some countries several
times
-
France, Spain, Germany, Vatican and whole Italy. The
concerts given by
Wiktor
Wawrzyczek Choir were applauded by
audiences in North America (Mexico) and South America (Argen¬
tina).
As the choir's chroniclers calculated
-
should the choir do all
those concerts in one tour, it would be
350
thousand kilometres
long and would take them nearly half a year, travelling day and
night at a speed of
80
kph.
The memoirs end
-
as in a music composition
-
with a
cadence. Here it comes
-
the last chapter called 'The unusual
choir's history continued'. And it is continued as the colourful life
goes one. New invitations, letters and reviews pile up; new piec¬
es of music being composed; new photographs, thoughts and
memoirs documented. Today we are joyful not just because our
choir is superior, but also because professor Wawrzyczek proved
to be right like a prophet when he set out the way his choir had to
follow
-
hard but infallible. The choir has deserved the present
conductor, who, although not anointed by the choir's Master, has
always known where and how to lead the choir, ever since he
picked up a baton. The choir in turn has turned into an institution
which upholds traditions of former singing ensembles in Poland
but also, as the years go by, creates its own traditions and has sur¬
passed the fame of its home town. The recordings made by the
choir, the music it creates, draws upon and passes on to listeners.
Many of those who have had a chance to hear choral music per¬
formed by
Wiktor
Wawrzyczek Choir of the University of
Warm¬
ia
and
Mazury
in
Olsztyn
wait until the last sounds of their per¬
formance die out to ask
-
Excuse me, what choir is it? Who con¬
ducts this choir? Where are they from? What do you mean, from
Olsztyn?
And where is that?
So let us begin again. Right from the start: fifty five years ago |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Panasik, Krzysztof |
| author_facet | Panasik, Krzysztof |
| author_role | aut |
| author_sort | Panasik, Krzysztof |
| author_variant | k p kp |
| building | Verbundindex |
| bvnumber | BV023126560 |
| ctrlnum | (OCoLC)177333218 (DE-599)BVBBV023126560 |
| edition | Wyd. 1 |
| era | Geschichte 1952-2006 gnd |
| era_facet | Geschichte 1952-2006 |
| format | Book |
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| id | DE-604.BV023126560 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:53:41Z |
| indexdate | 2024-07-09T21:11:39Z |
| institution | BVB |
| isbn | 9788389151568 |
| language | Polish |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016328959 |
| oclc_num | 177333218 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 189 S. zahlr. Ill. 23x25 cm |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Pracownia Wydawn. ElSet |
| record_format | marc |
| spelling | Panasik, Krzysztof Verfasser aut Koncert wielki na głosy unisono Krzysztof Panasik Wyd. 1 Olsztyn Pracownia Wydawn. ElSet 2007 189 S. zahlr. Ill. 23x25 cm txt rdacontent n rdamedia nc rdacarrier Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) / wydawnictwa ilustrowane jhpk Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) - wydawnictwa ilustrowane jhpk Uniwersytet Warmińsko-Mazurski w Olsztynie (DE-588)10003818-9 gnd rswk-swf Geschichte 1952-2006 gnd rswk-swf Chor (DE-588)4010045-5 gnd rswk-swf Uniwersytet Warmińsko-Mazurski w Olsztynie (DE-588)10003818-9 b Chor (DE-588)4010045-5 s Geschichte 1952-2006 z DE-604 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016328959&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Panasik, Krzysztof Koncert wielki na głosy unisono Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) / wydawnictwa ilustrowane jhpk Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) - wydawnictwa ilustrowane jhpk Uniwersytet Warmińsko-Mazurski w Olsztynie (DE-588)10003818-9 gnd Chor (DE-588)4010045-5 gnd |
| subject_GND | (DE-588)10003818-9 (DE-588)4010045-5 |
| title | Koncert wielki na głosy unisono |
| title_auth | Koncert wielki na głosy unisono |
| title_exact_search | Koncert wielki na głosy unisono |
| title_exact_search_txtP | Koncert wielki na głosy unisono |
| title_full | Koncert wielki na głosy unisono Krzysztof Panasik |
| title_fullStr | Koncert wielki na głosy unisono Krzysztof Panasik |
| title_full_unstemmed | Koncert wielki na głosy unisono Krzysztof Panasik |
| title_short | Koncert wielki na głosy unisono |
| title_sort | koncert wielki na glosy unisono |
| topic | Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) / wydawnictwa ilustrowane jhpk Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) - wydawnictwa ilustrowane jhpk Uniwersytet Warmińsko-Mazurski w Olsztynie (DE-588)10003818-9 gnd Chor (DE-588)4010045-5 gnd |
| topic_facet | Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) / wydawnictwa ilustrowane Chór im. prof. Wiktora Wawrzyczka Uniwersytetu Warmińsko-Mazurskiego (Olsztyn) - wydawnictwa ilustrowane Uniwersytet Warmińsko-Mazurski w Olsztynie Chor |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016328959&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT panasikkrzysztof koncertwielkinagłosyunisono |