SchenkerGUIDE: a brief handbook and web site for Schenkerian analysis
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2008
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references Part I: An overview of Schenkerian analysis. An introduction to the concepts of Schenkerian analysis ; An overview of the basics ; Larger scale structures -- Part II: Getting started on an analysis. A four-stage method ; Presenting a Schenkerian analysis -- Part III: The Schenkerian approach to form, register, motives and dramatic structure. Schenkerian analysis and form ; Playing with register ; Parallelisms and dramatic structure ; Beyond Schenker : the breakdown of tonal hierarchy -- Part IV: Exercises |
| Beschreibung: | XIV, 254 S. Notenbeisp. |
| ISBN: | 9780415973977 |
Internformat
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| 100 | 1 | |a Pankhurst, Tom |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a SchenkerGUIDE |b a brief handbook and web site for Schenkerian analysis |c Tom Pankhurst |
| 246 | 1 | 3 | |a Schenker guide |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a New York [u.a.] |b Routledge |c 2008 | |
| 300 | |a XIV, 254 S. |b Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references | ||
| 500 | |a Part I: An overview of Schenkerian analysis. An introduction to the concepts of Schenkerian analysis ; An overview of the basics ; Larger scale structures -- Part II: Getting started on an analysis. A four-stage method ; Presenting a Schenkerian analysis -- Part III: The Schenkerian approach to form, register, motives and dramatic structure. Schenkerian analysis and form ; Playing with register ; Parallelisms and dramatic structure ; Beyond Schenker : the breakdown of tonal hierarchy -- Part IV: Exercises | ||
| 600 | 1 | 7 | |a Schenker, Heinrich |d 1868-1935 |0 (DE-588)118607154 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Schenkerian analysis | |
| 650 | 4 | |a Analyse schenkérienne | |
| 650 | 4 | |a Schenkerian analysis | |
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| 655 | 7 | |0 (DE-588)4151278-9 |a Einführung |2 gnd-content | |
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Datensatz im Suchindex
| _version_ | 1804137350929842176 |
|---|---|
| adam_text | Contents
List of figure and examples
viii
Preface
xiii
PART I
An overview of Schenkerian analysis I
1
An introduction to the concepts of Schenkerian analysis
3
Schenkerian analysis: some key ideas
5
2
An overview of the basics
10
Music and elaboration
10
Basic melodic elaborations
21
Further elaborations
32
3
Larger-scale structures
50
Bass prolongations
51
Ehborations of the bass
52
TuiO part contrapuntal structures
54
Closure and the descending line
55
Variants of the Urlinie
60
The main prolongations of the Ursatz
63
Compound melody and background prolongations
63
Initial arpeggiations and initial ascents
63
Motion from and to an inner voice
65
interruptions and neighbor notes
68
Obligatory register
72
Register transfer and coupling
74
Mixture
77
vi
Contents
Some
further prolongations of the
Bassbrechung 78
Substitution and cover tones
80
PART II
Getting started on an analysis
85
4
A four-stage method
87
An introduction to the analytical process
87
Stages one and two
91
Harmonic analysis
94
Stage
airee
(middleground analysis)
95
Stage four (background analysis)
100
A final worked example.
104
5
Presenting a Schenkerian analysis
108
Foreground graphs
109
Middleground graph
115
Middleground summaries
120
Schenkerian notation in practice
122
PART III
Analysis in practice
127
6
Schenkerian analysis and form
129
Allegretto from Beethoven s Piano Sonata, Op.
14,
No.
1 130
Chopin, Grande
Valse Brilliante,
Op.
18 137
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10 141
7
Playing with register
154
Menuetto from Mozart s Dissonance Quartet
156
Menuetto from Beethoven s Piano Sonata in
F
minor, Op.
2,
No.
1 161
8
Parallelisms and dramatic structure
166
Hidden repetition
166
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1 170
Beethoven, String Quartet in
F
minor, Op.
95 174
9
Beyond
Schenkers
The breakdown of tonal hierarchy
180
Contents
vii
PART IV
Exercises 1
9
1
Group A
—
Foreground analysis
193
Group
В
—
Middleground analysis
199
Group
С
—
Longer extracts
203
Group
D
—
Problematic extracts
221
Group
E
—
Schenker s analyses
231
Gbssary
239
Notes
248
Select bibliography
251
Index
253
Visit the
www-SchenkerGUIDExom
website for more exercises, a range
of hints and tips, a searchable glossary plus an extensive bibliography.
Figure
and examples
Figure
2.1
Basic melodic elaborations
22
Examples
1.1
Mozart, Variations in
С
( Ah
vous dirais-
j
e
maman ),
К.
265 6
1.2
Ah vous dirais-je maman,
melodic analysis
7
2.1
Beethoven,
Seven
Variations on
the
National
Song
God save the King (or My Country,
Tis
of Thee )
U
2.2
J. S.
Bach, Partita No.
2
in
D
minor for Violin Solo,
BWV
1004,
Chaconne
13
2.3
Mozart, Piano Sonata in
F
major, KV
332,
Adagio
14
2.4
Mozart, The London Sketchbook, KV
15,
No.
28;
Eight Minuets, KV
315,
No.
8 16
2.5
An example of species counterpoint
18
2.6
Mozart, Symphony in
G
minor, K.
550,
first movement
19
2.7
Species counterpoint as a series of layers
20
2.8
Arpeggiations of
С
major
22
2.9
Beethoven, Piano Sonata in
Cl
minor, Op.
27,
No.
2
( Moonlight ), Presto agitato
24
2.10
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio
25
2.11
Neighbor notes prolonging a C major harmony
26
2.12
J. S. Bach, The Well Tempered
Clavier,
Book
1,
Preludio
II
26
2.13
Schubert, Six Impromptus, Op.
142,
No.
3 27
2.14
Linear progressions prolonging a C major harmony
28
2.15
Mozart, Piano Sonata in
G
major, KV
283,
Presto
29
2.16
Decorated third progression
30
2.17
Mozart, Variations in
Et, KV
353, Thema 31
2.18
Mozart, Eleven Minuets, KV
176,
No.
1 33
2.19
Haydn, Piano Sonata in
Et
major, Hob.
XVI,
No.
28,
Allegro
moderato
34
Figure
and examples
ix
2.20
Beethoven, Sonata quasi
una
fantasia, Op.
27,
No.
1,
Andante
35
2.21
Haydn, Piano Sonata in El» major, Hob.
XVI,
No.
52,
Moderato
36
2.22
Haydn, Piano Sonata in
С
major, Hob.
XVI,
No.
15,
Air
38
2.23
Beethoven, Piano Sonata in
С
minor, Op.
13,
Rondo
39
2.24
Lower thirds
39
2.25
Haydn, Piano Sonata in
С
minor, Hob.
XVI,
No.
20,
Allegro
moderato
40
2.26
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
Trio
41
2.27
Gorelli,
Violin Sonata, Op.
5,
No.
3,
Allegro
43
2.28
Corelli, Violin Sonata, Op.
5,
No.
4,
Adagio
44
2.29
Mozart, Nannerl s Notebook, KV
6,
No.
2,
Andante
45
2.30
J. S. Bach, The Well Tempered Clavier, Book
2,
Fugue
XIX 46
2.31
Chopin, Mazurka in
Gţ
minor, Op.
33,
No.
1 47
2.32
Haydn, Piano Sonata in
G
minor, Hob.
XVI,
No.
44,
Allegretto
47
2.33
Haydn, Piano Sonata in
С
major, Hob.
XVI,
No.
50,
Allegro
48
2.34
Mozart, Twelve Minuets, KV
103,
No.
1 48
3.1
Chorale phrase
50
3.2
Examples of I-V-I structures
51
3.3
Haydn, Piano Sonata in
G
major, Hob.
XVI,
No.
11,
Presto
53
3.4
Haydn, Piano Sonata in
С
major, Hob.
XVI,
No.
10,
Trio
53
3.5
The Ursatz
л
55
3.6
Examples of endings on
1 57
3.7
Different embellishments of a
2-Ї
ending
58
3.8
Chopin, Prelude, Op.
28,
No.
4 59
3.9
A short phrase based on the Ursatz
60
3.10
Descents from
3, 5
and
8 61
3.11
Chopin, Mazurka, Op.
17,
No.
1 62
3.12
Unfoldings
63
3.13
Initial ascent and initial arpeggiation
64
3.14
Schubert, Wanderer s
Nachtlied,
Op.
4,
No.
3 65
3.15
Beethoven, Piano Sonata in
F
minor, Op.
57,
Andante
con moto
66
3.16
Motion from and to an inner voice
67
3.17
Neighbor note and interruption
68
3.18
Beethoven, Symphony No.
9,
Ode to Joy theme from finale
69
3.19
Mozart, Variations for Piano in D, KV
25 70
3.20
Chopin, Mazurka, Op.
17,
No.
1 72
3.21
Mozart, Piano Sonata in
С
minor, KV
457,
Allegro
assai
73
3.22
Haydn, Piano Sonata in
D
major, Hob.
XVI,
No.
19,
Moderato
74
χ
Figure and examples
3.23
Register transfer and coupling
75
3.24
Haydn, Twelve Minuets, Hob. IX, No.
11,
Minuet No.
3 16
3.25
Mozart, The London Sketchbook, KV
15,
No.
12 77
3.26
Mixture and ternary form
78
3.27
Haydn, Twelve Minuets, Hob. IX, No.
11,
Minuet No.
4 78
3.28
Examples of I-V—I structures descending
79
3.29
J. S. Bach, Chorale
Der Tag, der
is so freudenrich
(Riemenschneider
No.
158) 80
3.30
Double arpeggiation in bass
80
3.31
Brahms, Waltz, Op.
39,
No.
2 81
3.32
Brahms, Waltz, Op.
39,
No.
2 82
3.33
Brahms, Waltz, Op.
39,
No.
5 83
4.1
Haydn, Piano Sonata in
G
major, Hob.
XVI,
No.
39,
first movement
88
4.2
Clementi,
Sonatina for Piano, Op.
38,
No.
1 92
4.3
J. S. Bach, Chorale
Schaut, ihr Sünder (Riemenschneider
No.
171),
slightly adapted
95
4.4
Beethoven, Piano Sonata in
D
minor, Op.
31,
No.
2,
Allegretto
98
4.5
Alternative analysis of Beethoven, Piano Sonata in
D
minor, Op.
31,
No.
2 99
4.6
Mozart, Nannerl s Notebook,
Menuet,
KV
5 102
4.7
Mozart, Eight Minuets, KV
315,
No.
1,
Trio
105
5.1
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, foreground
graph
110
5.2
Examples of poor foreground notation
112
5.3
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, foreground
graph
113
5.4
Corelli, Sonata for Violin, Op.
5,
No.
12,
Adagio,
alternative foreground readings with their middleground
consequences
114
5.5
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, stage four
analysis
116
5.6
Problematic reading of Corelli, Violin Sonata, Op.
5,
No.
12 118
5.7
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio,
middleground summary
120
5.8
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, alternative
middleground summaries
121
5.9
Mozart, Piano Sonata in
С
Major, K.
545,
first movement,
from Schenker s Free Composition 111
5.10
Beethoven, Piano Sonata, Op.
27,
No,
2,
third movement,
from Schenker s Free Composition
123
5.11
Bach, Chorale No.
320,
from Felix Salzer s Structural Hearing
125
Figure
and examples
xi
5.12
Beethoven, Piano Sonata, Op.
109,
third movement,
Theme, from Forte and Gilbert s Introduction to Schenkerian
Analysis
126
6.1
Divided and undivided forms
130
6.2
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto
131
6.3
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto
133
6.4
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto, middleground analysis
134
6.5
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto
135
6.6
Beethoven, Sonata in
E
major, Op.
14,
No.
1,
Allegretto
136
6.7
Typical structure for minuet and trio
137
6.8
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto, end of
Maggiore
into recapitulation of Allegretto
138
6.9
Chopin, Grande
Valse
Brilliante,
Op.
18 139
6.10
Chopin, Grande
Valse
Brilliante, Op.
18 140
6.11
Chopin, Grande
Valse
Brilliante, Op.
18 142
6.12
Sonata forms
144
6.13
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato
146
6.14
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato
149
6.15
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato,
analysis as descent from
5 151
6.16
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato,
analysis as descent from
5 152
7.1
Handel, The Messiah, Thy rebuke hath broken his heart
156
7.2
Mozart, String Quartet in
С
major, K.
465,
Menuetto
157
7.3
Mozart, String Quartet in
С
major, K.
465,
Menuetto
159
7.4
Mozart, String Quartet in
С
major, K.
465,
Menuetto
161
7.5
Ursatz form for minor key binary form
162
7.6
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
Menuetto
163
7.7
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
Menuetto
164
7.8
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
summary of movement
165
8.1
Beethoven, Symphony No.
5,
Allegro con brio
168
8.2
J. S. Bach, Little Prelude in
С
major, BWV
939 170
8.3
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegro
171
8.4
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegro
172
8.5
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegro
173
xii
Figure and
exampies
8.6
Beethoven,
Piano Sonata
in E
major, Op.
14,
No.
1,
Allegro
173
8.7
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
175
8.8
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
176
8.9
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
177
8.10
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
178
9.1
Haydn, Piano Sonata in
F
major, Hob.
XVI,
No.
23,
Allegro
181
9.2
Schumann, Scenes of Childbod, Op.
25,
Frightening
181
9.3
Debussy, Preludes, Book
1,
No.
10
( The Sunken Cathedral )
182
9.4
Nielsen, Five Pieces for Piano, Op.
3, Arabeske 183
9.5
Nielsen, Five Pieces for Piano, Op.
3, Arabeske 184
9.6
Nielsen, Five Pieces for Piano, Op.
3, Arabeske 185
9.7
Nielsen, Five Pieces for Piano, Op.
3, Arabeske 185
9.8
Nielsen, Five Pieces for Piano, Op.
3, Arabeske 186
9.9
Liszt,
Nuages Gris, S.
199 186
9.10
Liszt,
Nuages Gris, S.
199 187
9.11
Liszt, Nuages Gris, S.
199 187
9.12
Bartók,
String Quartet No.
5,
as analyzed in Felix Salzer s
Structural Hearing
188
|
| adam_txt |
Contents
List of figure and examples
viii
Preface
xiii
PART I
An overview of Schenkerian analysis I
1
An introduction to the concepts of Schenkerian analysis
3
Schenkerian analysis: some key ideas
5
2
An overview of the basics
10
Music and elaboration
10
Basic melodic elaborations
21
Further elaborations
32
3
Larger-scale structures
50
Bass prolongations
51
Ehborations of the bass
52
TuiO'part contrapuntal structures
54
Closure and the descending line
55
Variants of the Urlinie
60
The main prolongations of the Ursatz
63
Compound melody and background prolongations
63
Initial arpeggiations and initial ascents
63
Motion from and to an inner voice
65
interruptions and neighbor notes
68
Obligatory register
72
Register transfer and coupling
74
Mixture
77
vi
Contents
Some
further prolongations of the
Bassbrechung 78
Substitution and cover tones
80
PART II
Getting started on an analysis
85
4
A four-stage method
87
An introduction to the analytical process
87
Stages one and two
91
Harmonic analysis
94
Stage
airee
(middleground analysis)
95
Stage four (background analysis)
100
A final worked example.
104
5
Presenting a Schenkerian analysis
108
Foreground graphs
109
Middleground graph
115
Middleground summaries
120
Schenkerian notation in practice
122
PART III
Analysis in practice
127
6
Schenkerian analysis and form
129
Allegretto from Beethoven's Piano Sonata, Op.
14,
No.
1 130
Chopin, Grande
Valse Brilliante,
Op.
18 137
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10 141
7
Playing with register
154
Menuetto from Mozart''s "Dissonance" Quartet
156
Menuetto from Beethoven's Piano Sonata in
F
minor, Op.
2,
No.
1 161
8
Parallelisms and dramatic structure
166
Hidden repetition
166
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1 170
Beethoven, String Quartet in
F
minor, Op.
95 174
9
Beyond
Schenkers
The breakdown of tonal hierarchy
180
Contents
vii
PART IV
Exercises 1
9
1
Group A
—
Foreground analysis
193
Group
В
—
Middleground analysis
199
Group
С
—
Longer extracts
203
Group
D
—
Problematic extracts
221
Group
E
—
Schenker's analyses
231
Gbssary
239
Notes
248
Select bibliography
251
Index
253
Visit the
www-SchenkerGUIDExom
website for more exercises, a range
of hints and tips, a searchable glossary plus an extensive bibliography.
Figure
and examples
Figure
2.1
Basic melodic elaborations
22
Examples
1.1
Mozart, Variations in
С
("Ah
vous dirais-
j
e
maman"),
К.
265 6
1.2
"Ah vous dirais-je maman,"
melodic analysis
7
2.1
Beethoven,
Seven
Variations on
the
National
Song
"God save the King" (or "My Country,
'Tis
of Thee")
U
2.2
J. S.
Bach, Partita No.
2
in
D
minor for Violin Solo,
BWV
1004,
Chaconne
13
2.3
Mozart, Piano Sonata in
F
major, KV
332,
Adagio
14
2.4
Mozart, The London Sketchbook, KV
15,
No.
28;
Eight Minuets, KV
315,
No.
8 16
2.5
An example of species counterpoint
18
2.6
Mozart, Symphony in
G
minor, K.
550,
first movement
19
2.7
Species counterpoint as a series of layers
20
2.8
Arpeggiations of
С
major
22
2.9
Beethoven, Piano Sonata in
Cl
minor, Op.
27,
No.
2
("Moonlight"), Presto agitato
24
2.10
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio
25
2.11
Neighbor notes prolonging a C major harmony
26
2.12
J. S. Bach, The Well Tempered
Clavier,
Book
1,
Preludio
II
26
2.13
Schubert, Six Impromptus, Op.
142,
No.
3 27
2.14
Linear progressions prolonging a C major harmony
28
2.15
Mozart, Piano Sonata in
G
major, KV
283,
Presto
29
2.16
Decorated third progression
30
2.17
Mozart, Variations in
Et, KV
353, Thema 31
2.18
Mozart, Eleven Minuets, KV
176,
No.
1 33
2.19
Haydn, Piano Sonata in
Et
major, Hob.
XVI,
No.
28,
Allegro
moderato
34
Figure
and examples
ix
2.20
Beethoven, Sonata quasi
una
fantasia, Op.
27,
No.
1,
Andante
35
2.21
Haydn, Piano Sonata in El» major, Hob.
XVI,
No.
52,
Moderato
36
2.22
Haydn, Piano Sonata in
С
major, Hob.
XVI,
No.
15,
Air
38
2.23
Beethoven, Piano Sonata in
С
minor, Op.
13,
Rondo
39
2.24
Lower thirds
39
2.25
Haydn, Piano Sonata in
С
minor, Hob.
XVI,
No.
20,
Allegro
moderato
40
2.26
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
Trio
41
2.27
Gorelli,
Violin Sonata, Op.
5,
No.
3,
Allegro
43
2.28
Corelli, Violin Sonata, Op.
5,
No.
4,
Adagio
44
2.29
Mozart, Nannerl's Notebook, KV
6,
No.
2,
Andante
45
2.30
J. S. Bach, The Well Tempered Clavier, Book
2,
Fugue
XIX 46
2.31
Chopin, Mazurka in
Gţ
minor, Op.
33,
No.
1 47
2.32
Haydn, Piano Sonata in
G
minor, Hob.
XVI,
No.
44,
Allegretto
47
2.33
Haydn, Piano Sonata in
С
major, Hob.
XVI,
No.
50,
Allegro
48
2.34
Mozart, Twelve Minuets, KV
103,
No.
1 48
3.1
Chorale phrase
50
3.2
Examples of I-V-I structures
51
3.3
Haydn, Piano Sonata in
G
major, Hob.
XVI,
No.
11,
Presto
53
3.4
Haydn, Piano Sonata in
С
major, Hob.
XVI,
No.
10,
Trio
53
3.5
The Ursatz
л
55
3.6
Examples of endings on
1 57
3.7
Different embellishments of a
2-Ї
ending
58
3.8
Chopin, Prelude, Op.
28,
No.
4 59
3.9
A short phrase based on the Ursatz
60
3.10
Descents from
3, 5
and
8 61
3.11
Chopin, Mazurka, Op.
17,
No.
1 62
3.12
Unfoldings
63
3.13
Initial ascent and initial arpeggiation
64
3.14
Schubert, "Wanderer's
Nachtlied,"
Op.
4,
No.
3 65
3.15
Beethoven, Piano Sonata in
F
minor, Op.
57,
Andante
con moto
66
3.16
Motion from and to an inner voice
67
3.17
Neighbor note and interruption
68
3.18
Beethoven, Symphony No.
9,
"Ode to Joy" theme from finale
69
3.19
Mozart, Variations for Piano in D, KV
25 70
3.20
Chopin, Mazurka, Op.
17,
No.
1 72
3.21
Mozart, Piano Sonata in
С
minor, KV
457,
Allegro
assai
73
3.22
Haydn, Piano Sonata in
D
major, Hob.
XVI,
No.
19,
Moderato
74
χ
Figure and examples
3.23
Register transfer and coupling
75
3.24
Haydn, Twelve Minuets, Hob. IX, No.
11,
Minuet No.
3 16
3.25
Mozart, The London Sketchbook, KV
15,
No.
12 77
3.26
Mixture and ternary form
78
3.27
Haydn, Twelve Minuets, Hob. IX, No.
11,
Minuet No.
4 78
3.28
Examples of I-V—I structures descending
79
3.29
J. S. Bach, Chorale
"Der Tag, der
is so freudenrich"
(Riemenschneider
No.
158) 80
3.30
Double arpeggiation in bass
80
3.31
Brahms, Waltz, Op.
39,
No.
2 81
3.32
Brahms, Waltz, Op.
39,
No.
2 82
3.33
Brahms, Waltz, Op.
39,
No.
5 83
4.1
Haydn, Piano Sonata in
G
major, Hob.
XVI,
No.
39,
first movement
88
4.2
Clementi,
Sonatina for Piano, Op.
38,
No.
1 92
4.3
J. S. Bach, Chorale
"Schaut, ihr Sünder" (Riemenschneider
No.
171),
slightly adapted
95
4.4
Beethoven, Piano Sonata in
D
minor, Op.
31,
No.
2,
Allegretto
98
4.5
Alternative analysis of Beethoven, Piano Sonata in
D
minor, Op.
31,
No.
2 99
4.6
Mozart, Nannerl's Notebook,
Menuet,
KV
5 102
4.7
Mozart, Eight Minuets, KV
315,
No.
1,
Trio
105
5.1
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, foreground
graph
110
5.2
Examples of poor foreground notation
112
5.3
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, foreground
graph
113
5.4
Corelli, Sonata for Violin, Op.
5,
No.
12,
Adagio,
alternative foreground readings with their middleground
consequences
114
5.5
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, stage four
analysis
116
5.6
Problematic reading of Corelli, Violin Sonata, Op.
5,
No.
12 118
5.7
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio,
middleground summary
120
5.8
Corelli, Violin Sonata, Op.
5,
No.
12,
Adagio, alternative
middleground summaries
121
5.9
Mozart, Piano Sonata in
С
Major, K.
545,
first movement,
from Schenker's Free Composition 111
5.10
Beethoven, Piano Sonata, Op.
27,
No,
2,
third movement,
from Schenker's Free Composition
123
5.11
Bach, Chorale No.
320,
from Felix Salzer's Structural Hearing
125
Figure
and examples
xi
5.12
Beethoven, Piano Sonata, Op.
109,
third movement,
Theme, from Forte and Gilbert's Introduction to Schenkerian
Analysis
126
6.1
Divided and undivided forms
130
6.2
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto
131
6.3
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto
133
6.4
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto, middleground analysis
134
6.5
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto
135
6.6
Beethoven, Sonata in
E
major, Op.
14,
No.
1,
Allegretto
136
6.7
Typical structure for minuet and trio
137
6.8
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegretto, end of
Maggiore
into recapitulation of Allegretto
138
6.9
Chopin, Grande
Valse
Brilliante,
Op.
18 139
6.10
Chopin, Grande
Valse
Brilliante, Op.
18 140
6.11
Chopin, Grande
Valse
Brilliante, Op.
18 142
6.12
Sonata forms
144
6.13
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato
146
6.14
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato
149
6.15
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato,
analysis as descent from
5 151
6.16
Haydn, Divertimento in
С
major, Hob.
XVI,
No.
10,
Moderato,
analysis as descent from
5 152
7.1
Handel, The Messiah, "Thy rebuke hath broken his heart"
156
7.2
Mozart, String Quartet in
С
major, K.
465,
Menuetto
157
7.3
Mozart, String Quartet in
С
major, K.
465,
Menuetto
159
7.4
Mozart, String Quartet in
С
major, K.
465,
Menuetto
161
7.5
Ursatz form for minor key binary form
162
7.6
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
Menuetto
163
7.7
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
Menuetto
164
7.8
Beethoven, Piano Sonata in
F
minor, Op.
2,
No.
1,
summary of movement
165
8.1
Beethoven, Symphony No.
5,
Allegro con brio
168
8.2
J. S. Bach, Little Prelude in
С
major, BWV
939 170
8.3
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegro
171
8.4
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegro
172
8.5
Beethoven, Piano Sonata in
E
major, Op.
14,
No.
1,
Allegro
173
xii
Figure and
exampies
8.6
Beethoven,
Piano Sonata
in E
major, Op.
14,
No.
1,
Allegro
173
8.7
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
175
8.8
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
176
8.9
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
177
8.10
Beethoven, String Quartet in
F
minor, Op.
95,
Allegro
con brio
178
9.1
Haydn, Piano Sonata in
F
major, Hob.
XVI,
No.
23,
Allegro
181
9.2
Schumann, Scenes of Childbod, Op.
25,
"Frightening"
181
9.3
Debussy, Preludes, Book
1,
No.
10
("The Sunken Cathedral")
182
9.4
Nielsen, Five Pieces for Piano, Op.
3, "Arabeske" 183
9.5
Nielsen, Five Pieces for Piano, Op.
3, "Arabeske" 184
9.6
Nielsen, Five Pieces for Piano, Op.
3, "Arabeske" 185
9.7
Nielsen, Five Pieces for Piano, Op.
3, "Arabeske" 185
9.8
Nielsen, Five Pieces for Piano, Op.
3, "Arabeske" 186
9.9
Liszt,
"Nuages Gris," S.
199 186
9.10
Liszt,
"Nuages Gris," S.
199 187
9.11
Liszt, "Nuages Gris," S.
199 187
9.12
Bartók,
String Quartet No.
5,
as analyzed in Felix Salzer's
Structural Hearing
188 |
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| author | Pankhurst, Tom |
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| index_date | 2024-07-02T19:42:52Z |
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| spelling | Pankhurst, Tom Verfasser aut SchenkerGUIDE a brief handbook and web site for Schenkerian analysis Tom Pankhurst Schenker guide 1. publ. New York [u.a.] Routledge 2008 XIV, 254 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Part I: An overview of Schenkerian analysis. An introduction to the concepts of Schenkerian analysis ; An overview of the basics ; Larger scale structures -- Part II: Getting started on an analysis. A four-stage method ; Presenting a Schenkerian analysis -- Part III: The Schenkerian approach to form, register, motives and dramatic structure. Schenkerian analysis and form ; Playing with register ; Parallelisms and dramatic structure ; Beyond Schenker : the breakdown of tonal hierarchy -- Part IV: Exercises Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd rswk-swf Schenkerian analysis Analyse schenkérienne Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Schenker, Heinrich 1868-1935 (DE-588)118607154 p Musikalische Analyse (DE-588)4040814-0 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016298423&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Pankhurst, Tom SchenkerGUIDE a brief handbook and web site for Schenkerian analysis Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Schenkerian analysis Analyse schenkérienne Musikalische Analyse (DE-588)4040814-0 gnd |
| subject_GND | (DE-588)118607154 (DE-588)4040814-0 (DE-588)4151278-9 |
| title | SchenkerGUIDE a brief handbook and web site for Schenkerian analysis |
| title_alt | Schenker guide |
| title_auth | SchenkerGUIDE a brief handbook and web site for Schenkerian analysis |
| title_exact_search | SchenkerGUIDE a brief handbook and web site for Schenkerian analysis |
| title_exact_search_txtP | SchenkerGUIDE a brief handbook and web site for Schenkerian analysis |
| title_full | SchenkerGUIDE a brief handbook and web site for Schenkerian analysis Tom Pankhurst |
| title_fullStr | SchenkerGUIDE a brief handbook and web site for Schenkerian analysis Tom Pankhurst |
| title_full_unstemmed | SchenkerGUIDE a brief handbook and web site for Schenkerian analysis Tom Pankhurst |
| title_short | SchenkerGUIDE |
| title_sort | schenkerguide a brief handbook and web site for schenkerian analysis |
| title_sub | a brief handbook and web site for Schenkerian analysis |
| topic | Schenker, Heinrich 1868-1935 (DE-588)118607154 gnd Schenkerian analysis Analyse schenkérienne Musikalische Analyse (DE-588)4040814-0 gnd |
| topic_facet | Schenker, Heinrich 1868-1935 Schenkerian analysis Analyse schenkérienne Musikalische Analyse Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016298423&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT pankhursttom schenkerguideabriefhandbookandwebsiteforschenkeriananalysis AT pankhursttom schenkerguide |