Metropolis on the Styx: the underworlds of modern urban culture, 1800-2001
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Ithaca [u.a.]
Cornell Univ. Press
2007
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references (p. [317]-356) and index |
| Physical Description: | XVII, 377 S. Ill., Kt. 24 cm |
| ISBN: | 9780801444906 9780801473043 |
Staff View
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| 245 | 1 | 0 | |a Metropolis on the Styx |b the underworlds of modern urban culture, 1800-2001 |c David L. Pike |
| 264 | 1 | |a Ithaca [u.a.] |b Cornell Univ. Press |c 2007 | |
| 300 | |a XVII, 377 S. |b Ill., Kt. |c 24 cm | ||
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| 500 | |a Includes bibliographical references (p. [317]-356) and index | ||
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| 650 | 7 | |a Stadscultuur |2 gtt | |
| 650 | 4 | |a Gesellschaft | |
| 650 | 4 | |a Civilization, Subterranean | |
| 650 | 4 | |a Sociology, Urban | |
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Record in the Search Index
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|---|---|
| adam_text | Contents
List of Illustrations ix
Preface and Acknowledgments xm
1. THE DEVIL, THE UNDERGROUND,
AND THE VERTICAL CITY I
The Underground Metropolis 3
Modernist Space and Underground
Theory 11
From the Mine to the Trench 25
The Devil above and the Devil below 36
The Devil and the Rhythms of
Modern Life 46
Seasons in Twentieth Century Hell 54
Modernism, Memory, and Urban Space 59
2. THE DEVIL COMES TO TOWN 65
The Devil in Paris and London 67
The Devil in Urban Hell 73
Spectacles of the Metropolitan Devil 84
His Satanic Majesty s Court 105
The Devil on Crutches 112
Satanic Verses 124
The Devil Take the Hindmost 137
The Modern Devil 146
3. MYSTERIES OF THE UNDERGROUND 158
The True Mysteries of the Modern
Metropolis Revealed 159
Sensations of Subterranean London 170
If the rich only knew . . . 183
The Afterlife of the Urban Mysteries 194
The Urban Underworlds of
Postwar America 211
VIII • CONTENTS
4. THROUGH THE LOOKING GLASS 220
Et Ego in Arcadia 223
Down by the Dark Arches 243
A Passage under the Thames 260
Foreign Incursions 274
The Arcade Entrenched 282
Thresholds of Stage and Screen 301
The Threshold of a New Millennium 312
Notes 317
Index 357
List of Illustrations
1.1 The age of heroic engineering transforms the imagination of the space be
neath the earth I 4
1.2 Under the Cascade of the Trocadero, in imitation of the Falls of the Giesbach
I 5
1.3 Shining a light on underground London I 7
1.4 Journey into the lower depths of Paris I 8
1.5 Folk art in a natural space: The Wieliczka Mines I 15
1.6 Chislehurst Caves today I 16
1.7 The arch as subterranean space I 17
1.8 Spaces of the poor assimilated to the underground I 18
1.9 The late Victorian world verticalized by the Salvation Army I 19
1.10 Pocket guide to the new underground I 22
1.11 Mysteries of the new underground I 23
1.12 The commodification of the underground I 24
1.13 Life as a subterranean activity I 26
1.14 Trench warfare as the culmination of mining technology I 32
1.15 Representational space in the trenches: a German street designation re
placed by the name of an infamous London rookery I 35
1.16 The devil on crutches takes Don Cleophas on a tour of Madrid un roofed
I 38
2.1 The devil in modern capitalism: multifarious, spectacular, and rootless I 69
2.2 The phantasmagoric devil I 71
2.3 Pandaemonium: Hell as the modern city I 75
2.4 Dante s impotent Lucifer, frozen amid damned souls at the bottom of the
city of Dis I 77
2.5 Lambeth Gas Works: the iconography of urban hell I 79
2.6 Miltonic myth meets contemporary engineering I 80
2.7 The devil of commerce I 85
2.8 A medieval hellmouth in the lower right hand side of a Last Judgment portal
I 88
2.9 A typical pantomime plot and setting I 89
2.10 The conventions of pantomime applied to the boarding school: Harlequin
consigning academic monsters to the world below I 90
2.11 Satan in the drawing room I 94
2.12 Blue Stocking Hall: the devil as printer I 96
X • LIST OF ILLUSTRATIONS
2.13 A neo paganist phantasmagoria I 98
2.14 The gamut of devil jokes I 100
2.15 Playing on the afterlife: nineteenth century syncretism I 101
2.16 Charon s Bark: Ship of fools I 102
2.17 The corrupt metropolis addicted to spectacle I 103
2.18 Asmodeus as revolutionary journalist I 109
2.19 Cross Section of a Parisian House, 1 January 184s—Five Levels of Parisian Life
I 115
2.20 The nine story building on the rue Valois | 117
2.21 Asmodeus dandy I 119
2.22 The devil on sticks as the all seeing voice of satire I 120
2.23 The brooding nineteenth century version of Dante s Satan, sublimely frozen
at the core of Hell I 132
2.24 Regency London as underworld. Programme for Don Giovanni in London!
I 139
2.25 Late Victorian satanic rationality: Spring Heel d Jack I 141
2.26 The Prince of Darkness in an Edwardian drawing room I 145
2.27 The modern underworld without the fun: Edwardian Orpheus I 147
2.28 The Cafe du Neant I 148
2.29 The Cabaret de l Enfer I 150
2.30 Georges Melies in typically Mephistophelean mode I 151
2.31 The devil as rave DJ I 157
3.1 Prince Rodolphe of Gerolstein rescued from a subterranean flood I 166
3.2 The spirit of the underground: driven insane by blindness and confinement,
the Maitre d Ecole strangles his one time accomplice, La Chouette I 167
3.3 The Old House in West Street at the time of demolition I 172
3.4 Secret closet in the Old House in West Street I 175
3.5 The subterranean vaults I 176
3.6 Subterranean illumination: a historiated initial letter I 179
3.7 Mystires de Paris ready for use I 186
3.8 Regency London unified as a vertical city I 193
3.9 Tom Getting the best of a Charley I 194
3.10 The quintessential modern supervillain I 200
3.11 The shadow of the underworld duplicates the mapping control of the police
I 202
3.12 The oneirism of modern Paris: one of Hector Guimard s e dicules, at avenue
Parmentier I 205
3.13 The gas had done its work : the war seeps into a Paris drawing room I 208
3.14 Film noir goes underground: Roy Morgan (Richard Basehart) faces off
against the police in the drain tunnels of Los Angeles I 215
3.15 The New York City Subway as rationalized urban underworld I 216
3.16 The death throes of old London: Harry Fabian (Richard Widmark) flees at
night through the ruins of the postwar city I 217
3.17 The polyglot city of future noir, emptied of productive meaning I 218
LIST OF ILLUSTRATIONS • XI
4.1 The Paris passage: Passage Choiseul—Hotel de Gesvres I 222
4.2 The London arch: workaday spaces near the site of the old Adelphi arches
I 223
4.3 The railway creates a paradigmatic space of Paris modernity, with the Pont
de l Europe in the background I 224
4.4 The arch as representational space proper to the fallen woman I 225
4.5 The passage vogue in central Paris I 226
4.6 The railway arch I 228
4.7 Passage du Caire (juin ipo/) 33 rue d Alexandrie I 231
4.8 Egyptomania: 2 place du Caire (1907—08) I 233
4.9 The glamorous underworld of Paris: I 234
4.10 What makes sense for traffic makes a hiding place for thieves: Highgate
Tunnel I 239
4.11 London s only enduring arcade success, between Piccadilly and Burlington
Gardens I 240
4.12 Center of children s toys and women of doubtful reputation: the Lowther
Arcade I 241
4.13 The Adelphi when completed in 1768 I 244
4.14 Plan of the Arches below the Adelphi buildings I 245
4.15 The arch as a space of fantasy I 247
4.16 An early and forgotten Paris arcade | 249
4.17 The Adelphi as descent to the underworld I 252
4.18 The Adelphi under surveillance I 253
4.19 A little subterranean city I 254
4.20 The arch as framing device for an urban vista I 255
4.21 Popular iconography of the Adelphi arches I 256
4.22 The ubiquitous arches: scene list in a program for After Dark: A Tale of
London Life I 258
4.23 The Thames Tunnel when it opened I 262
4.24 The Thames Tunnel today I 263
4.25 The respectable half of the celebrated banquet I 266
4.26 Satirizing subterranean speculation: the Tunnel /. / or another Bubble
Burst I 268
4.27 The Tunnel as an underwater thoroughfare I 269
4.28 The triumph of the imperial endeavor. The tunnel lined with scarlet baize for
The Queen s Visit to the Thames Tunnel I 270
4.29 Subaqueous tunneling on a modest and remunerative scale I 275
4.30 Early pipe dreams I 277
4.31 The early twentieth century tunnel: for transport only. Le Tunnel sous la
Manche I 280
4.32 Paul Nash s nihilistic vision of the war: Void I 287
4.33 All the comforts of home I 288
4.34 Mixed underground metaphors: Tommy in the Rabbit Warren I 289
4.35 German trench monumentalism I 291
XII • LIST OF ILLUSTRATIONS
4.36 Upper world distinctions: Buried Quick and Unburied Dead I 292
4.37 Trench city: Preparations for the Battles of Arras, 1917 I 294
4.38 The Strand, Ploegsteert Wood I 295
4.39 Trench vernacular architecture I 296
4.40 Neotroglodytes at war I 298
4.41 The Theatre of War ! The Strangest Entertainment the Stage Has Seen I 302
4.42 Enemies make peace underground in G. W. Pabst s Kameradschaft (1931)
I 307
4.43 Great War spiritualism: the dead rise in Stanley Spencer s painting Resurrection
1 308
4.44 The dead march on Paris in Abel Gance s antiwar epic J accuse I 309
|
| adam_txt |
Contents
List of Illustrations ix
Preface and Acknowledgments xm
1. THE DEVIL, THE UNDERGROUND,
AND THE VERTICAL CITY I
The Underground Metropolis 3
Modernist Space and Underground
Theory 11
From the Mine to the Trench 25
The Devil above and the Devil below 36
The Devil and the Rhythms of
Modern Life 46
Seasons in Twentieth Century Hell 54
Modernism, Memory, and Urban Space 59
2. THE DEVIL COMES TO TOWN 65
The Devil in Paris and London 67
The Devil in Urban Hell 73
Spectacles of the Metropolitan Devil 84
His Satanic Majesty's Court 105
The Devil on Crutches 112
Satanic Verses 124
The Devil Take the Hindmost 137
The Modern Devil 146
3. MYSTERIES OF THE UNDERGROUND 158
The True Mysteries of the Modern
Metropolis Revealed 159
Sensations of Subterranean London 170
"If the rich only knew . . ." 183
The Afterlife of the Urban Mysteries 194
The Urban Underworlds of
Postwar America 211
VIII • CONTENTS
4. THROUGH THE LOOKING GLASS 220
Et Ego in Arcadia 223
Down by the Dark Arches 243
A Passage under the Thames 260
Foreign Incursions 274
The Arcade Entrenched 282
Thresholds of Stage and Screen 301
The Threshold of a New Millennium 312
Notes 317
Index 357
List of Illustrations
1.1 The age of heroic engineering transforms the imagination of the space be
neath the earth I 4
1.2 Under the Cascade of the Trocadero, in imitation of the Falls of the Giesbach
I 5
1.3 Shining a light on underground London I 7
1.4 Journey into the lower depths of Paris I 8
1.5 Folk art in a "natural" space: The Wieliczka Mines I 15
1.6 Chislehurst Caves today I 16
1.7 The arch as subterranean space I 17
1.8 Spaces of the poor assimilated to the underground I 18
1.9 The late Victorian world verticalized by the Salvation Army I 19
1.10 Pocket guide to the new underground I 22
1.11 Mysteries of the new underground I 23
1.12 The commodification of the underground I 24
1.13 Life as a subterranean activity I 26
1.14 Trench warfare as the culmination of mining technology I 32
1.15 Representational space in the trenches: a German "street" designation re
placed by the name of an infamous London rookery I 35
1.16 The devil on crutches takes Don Cleophas on a tour of Madrid "un roofed"
I 38
2.1 The devil in modern capitalism: multifarious, spectacular, and rootless I 69
2.2 The phantasmagoric devil I 71
2.3 Pandaemonium: Hell as the modern city I 75
2.4 Dante's impotent Lucifer, frozen amid damned souls at the bottom of the
city of Dis I 77
2.5 Lambeth Gas Works: the iconography of urban hell I 79
2.6 Miltonic myth meets contemporary engineering I 80
2.7 The devil of commerce I 85
2.8 A medieval hellmouth in the lower right hand side of a Last Judgment portal
I 88
2.9 A typical pantomime plot and setting I 89
2.10 The conventions of pantomime applied to the boarding school: Harlequin
consigning academic monsters to the world below I 90
2.11 Satan in the drawing room I 94
2.12 Blue Stocking Hall: the devil as printer I 96
X • LIST OF ILLUSTRATIONS
2.13 A "neo paganist" phantasmagoria I 98
2.14 The gamut of devil jokes I 100
2.15 Playing on the afterlife: nineteenth century syncretism I 101
2.16 Charon's Bark: Ship of fools I 102
2.17 The corrupt metropolis addicted to spectacle I 103
2.18 Asmodeus as revolutionary journalist I 109
2.19 Cross Section of a Parisian House, 1 January 184s—Five Levels of Parisian Life
I 115
2.20 The nine story building on the rue Valois | 117
2.21 Asmodeus dandy I 119
2.22 The devil on sticks as the all seeing voice of satire I 120
2.23 The brooding nineteenth century version of Dante's Satan, sublimely frozen
at the core of Hell I 132
2.24 Regency London as underworld. Programme for Don Giovanni in London!
I 139
2.25 Late Victorian satanic rationality: Spring Heel'd Jack I 141
2.26 The Prince of Darkness in an Edwardian drawing room I 145
2.27 The modern underworld without the fun: Edwardian Orpheus I 147
2.28 The Cafe du Neant I 148
2.29 The Cabaret de l'Enfer I 150
2.30 Georges Melies in typically Mephistophelean mode I 151
2.31 The devil as rave DJ I 157
3.1 Prince Rodolphe of Gerolstein rescued from a subterranean flood I 166
3.2 The spirit of the underground: driven insane by blindness and confinement,
the Maitre d'Ecole strangles his one time accomplice, La Chouette I 167
3.3 The Old House in West Street at the time of demolition I 172
3.4 Secret closet in the Old House in West Street I 175
3.5 The subterranean vaults I 176
3.6 Subterranean illumination: a historiated initial letter I 179
3.7 Mystires de Paris ready for use I 186
3.8 Regency London unified as a vertical city I 193
3.9 Tom Getting the best of a Charley I 194
3.10 The quintessential modern supervillain I 200
3.11 The shadow of the underworld duplicates the mapping control of the police
I 202
3.12 The oneirism of modern Paris: one of Hector Guimard's e'dicules, at avenue
Parmentier I 205
3.13 "The gas had done its work": the war seeps into a Paris drawing room I 208
3.14 Film noir goes underground: Roy Morgan (Richard Basehart) faces off
against the police in the drain tunnels of Los Angeles I 215
3.15 The New York City Subway as rationalized urban underworld I 216
3.16 The death throes of old London: Harry Fabian (Richard Widmark) flees at
night through the ruins of the postwar city I 217
3.17 The polyglot city of future noir, emptied of productive meaning I 218
LIST OF ILLUSTRATIONS • XI
4.1 The Paris passage: Passage Choiseul—Hotel de Gesvres I 222
4.2 The London arch: workaday spaces near the site of the old Adelphi arches
I 223
4.3 The railway creates a paradigmatic space of Paris modernity, with the Pont
de l'Europe in the background I 224
4.4 The arch as representational space proper to the "fallen woman" I 225
4.5 The passage vogue in central Paris I 226
4.6 The railway arch I 228
4.7 Passage du Caire (juin ipo/) 33 rue d'Alexandrie I 231
4.8 Egyptomania: 2 place du Caire (1907—08) I 233
4.9 The glamorous underworld of Paris: I 234
4.10 What makes sense for traffic makes a hiding place for thieves: Highgate
Tunnel I 239
4.11 London's only enduring arcade success, between Piccadilly and Burlington
Gardens I 240
4.12 Center of children's toys and women of doubtful reputation: the Lowther
Arcade I 241
4.13 The Adelphi when completed in 1768 I 244
4.14 Plan of the Arches below the Adelphi buildings I 245
4.15 The arch as a space of fantasy I 247
4.16 An early and forgotten Paris arcade | 249
4.17 The Adelphi as descent to the underworld I 252
4.18 The Adelphi under surveillance I 253
4.19 "A little subterranean city" I 254
4.20 The arch as framing device for an urban vista I 255
4.21 Popular iconography of the Adelphi arches I 256
4.22 The ubiquitous arches: scene list in a program for After Dark: A Tale of
London Life I 258
4.23 The Thames Tunnel when it opened I 262
4.24 The Thames Tunnel today I 263
4.25 The respectable half of the celebrated banquet I 266
4.26 Satirizing subterranean speculation: "the Tunnel /.'/ or another Bubble
Burst" I 268
4.27 The Tunnel as an underwater thoroughfare I 269
4.28 The triumph of the imperial endeavor. The tunnel lined with scarlet baize for
The Queen s Visit to the Thames Tunnel I 270
4.29 Subaqueous tunneling on a modest and remunerative scale I 275
4.30 Early pipe dreams I 277
4.31 The early twentieth century tunnel: for transport only. Le Tunnel sous la
Manche I 280
4.32 Paul Nash's nihilistic vision of the war: Void I 287
4.33 All the comforts of home I 288
4.34 Mixed underground metaphors: "Tommy"in the "Rabbit Warren" I 289
4.35 German trench monumentalism I 291
XII • LIST OF ILLUSTRATIONS
4.36 Upper world distinctions: Buried Quick and Unburied Dead I 292
4.37 Trench city: Preparations for the Battles of Arras, 1917 I 294
4.38 "The Strand,"Ploegsteert Wood I 295
4.39 Trench vernacular architecture I 296
4.40 Neotroglodytes at war I 298
4.41 "The Theatre of War"! The Strangest Entertainment the Stage Has Seen I 302
4.42 Enemies make peace underground in G. W. Pabst's Kameradschaft (1931)
I 307
4.43 Great War spiritualism: the dead rise in Stanley Spencer's painting Resurrection
1 308
4.44 The dead march on Paris in Abel Gance's antiwar epic J'accuse I 309 |
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| author | Pike, David L. 1963- |
| author_GND | (DE-588)131448331 |
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| callnumber-sort | TA 3712 |
| callnumber-subject | TA - General and Civil Engineering |
| ctrlnum | (OCoLC)237194910 (DE-599)BVBBV023048461 |
| dewey-full | 307.76 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 307 - Communities |
| dewey-raw | 307.76 |
| dewey-search | 307.76 |
| dewey-sort | 3307.76 |
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| discipline_str_mv | Soziologie |
| era | Geschichte 1800-2001 gnd |
| era_facet | Geschichte 1800-2001 |
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| id | DE-604.BV023048461 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:23:36Z |
| indexdate | 2024-07-09T21:09:47Z |
| institution | BVB |
| isbn | 9780801444906 9780801473043 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016251880 |
| oclc_num | 237194910 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | XVII, 377 S. Ill., Kt. 24 cm |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Cornell Univ. Press |
| record_format | marc |
| spelling | Pike, David L. 1963- Verfasser (DE-588)131448331 aut Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 David L. Pike Ithaca [u.a.] Cornell Univ. Press 2007 XVII, 377 S. Ill., Kt. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [317]-356) and index Geschichte 1800-2001 gnd rswk-swf Underground areas / Social aspects Underground areas in literature Civilization, Subterranean Sociology, Urban Duivel gtt Ondergrondse bouwwerken gtt Stadscultuur gtt Gesellschaft Underground areas Social aspects Unterirdisches Bauwerk (DE-588)4223830-4 gnd rswk-swf Unterwelt Motiv (DE-588)4187121-2 gnd rswk-swf Underground Kultur, Motiv (DE-588)7583403-0 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Kunst (DE-588)4114333-4 s Unterwelt Motiv (DE-588)4187121-2 s Geschichte 1800-2001 z DE-604 Literatur (DE-588)4035964-5 s Underground Kultur, Motiv (DE-588)7583403-0 s Unterirdisches Bauwerk (DE-588)4223830-4 s b DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016251880&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Pike, David L. 1963- Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 Underground areas / Social aspects Underground areas in literature Civilization, Subterranean Sociology, Urban Duivel gtt Ondergrondse bouwwerken gtt Stadscultuur gtt Gesellschaft Underground areas Social aspects Unterirdisches Bauwerk (DE-588)4223830-4 gnd Unterwelt Motiv (DE-588)4187121-2 gnd Underground Kultur, Motiv (DE-588)7583403-0 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
| subject_GND | (DE-588)4223830-4 (DE-588)4187121-2 (DE-588)7583403-0 (DE-588)4035964-5 (DE-588)4114333-4 |
| title | Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 |
| title_auth | Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 |
| title_exact_search | Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 |
| title_exact_search_txtP | Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 |
| title_full | Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 David L. Pike |
| title_fullStr | Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 David L. Pike |
| title_full_unstemmed | Metropolis on the Styx the underworlds of modern urban culture, 1800-2001 David L. Pike |
| title_short | Metropolis on the Styx |
| title_sort | metropolis on the styx the underworlds of modern urban culture 1800 2001 |
| title_sub | the underworlds of modern urban culture, 1800-2001 |
| topic | Underground areas / Social aspects Underground areas in literature Civilization, Subterranean Sociology, Urban Duivel gtt Ondergrondse bouwwerken gtt Stadscultuur gtt Gesellschaft Underground areas Social aspects Unterirdisches Bauwerk (DE-588)4223830-4 gnd Unterwelt Motiv (DE-588)4187121-2 gnd Underground Kultur, Motiv (DE-588)7583403-0 gnd Literatur (DE-588)4035964-5 gnd Kunst (DE-588)4114333-4 gnd |
| topic_facet | Underground areas / Social aspects Underground areas in literature Civilization, Subterranean Sociology, Urban Duivel Ondergrondse bouwwerken Stadscultuur Gesellschaft Underground areas Social aspects Unterirdisches Bauwerk Unterwelt Motiv Underground Kultur, Motiv Literatur Kunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016251880&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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