How to rehearse when there is no rehearsal: acting and the media
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York
Limelight Editions
2007
|
| Subjects: | |
| Online Access: | Table of contents only Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references (p. [269]-270) and indexes |
| Physical Description: | xxii, 280 p. 23 cm |
| ISBN: | 0879103426 |
Staff View
MARC
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Record in the Search Index
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| adam_text | How to Rehearse
When There Is
No Rehearsal
ACTINGANDTHEMEDIA
By Alice Spivak
Written in Collaboration with Robert Blumenfeld
LIMELIGHT EDITIONS
AN IMPRINT OF HAL LEONARD CORPORATION
NEW YORK
TABLEOFCONTENTS
Foreword
Thoughts about Stanislavsky and Acting Today
by Robert Blumenfeld xi
Preface
The Need forThis Book xvii
Acknowledgments xxi
Part 1
Acting and Current Working Conditions 1
Chapter 1
The Stanislavsky System Explored 3
Chapter 2
Why Rehearse? 19
Commitment and Practicing Alone 19; Rehearsing Scenes for Class 28
Chapter 3
Film and Television: The End of Rehearsal 31
Television Commercials 35; Soap Opera and Nighttime Television Drama 36; The
Situation Comedy (Sitcom) 41
Part 2
Rehearsing on Your Own 49
Introduction
Developing the Process 51
Impulses and Instincts 59; Concentration and Relaxation 62; Substitution and
Endowment 65
Chapter 4
Step 1: How to Read the Script 69
Finding the Themes 76; Finding the Playwright s Music 77
Chapter 5
Step 2: Developing the Relationships 81
First Readings 85; Revealing the Subtext 92
Chapter 6
Step 3: Paying Attention to the Inner Objects 95
Chapter 7
Step 4: Finding the Objective 103
Chapter 8
Step 5: Following Up on Place and Circumstances:
The Here and Now 127
Place 127; Circumstances 134
Chapter 9
Step 6: Planning the Activity 137
Chapter 10
Step 7: Delving into the Prior Relationship 147
Chapter 11
Step 8:The Character Chart, Part 1:
Writing a Preliminary Character Background 153
Introduction 153; Background Questions 156
Chapter 12
Step 9:The Character Chart, Part 2:
Deciding on the Character Traits 169
More about Negative Character Traits 174; Two Exercises 178
Chapter 13
Step 10:The Character Chart, Part 3:
Life Drives 181
Chapter 14
Step 11: Becoming the Character 187
Essences 189; Complete Character Charts 201
Part 3
The Steps Condensed When You Have No Time:
My Experience in the Media 207
Chapter 15
The Ideal and the Practical: Working in Film and Television 209
Chapter 16
The Director and the Camera 229
Camera Takes and How to Deal With Them 229; Working with Directors: Translating the
Director s Language 238
Chapter 17
Auditions 247
Plays 250; Film 252; Television 255; Prepared Monologues 257
A Parting Word 263
Glossary of Acting Terms 265
Bibliography 269
Index of People 271
Index of Films and Television Programs 275
Index of Plays 277
About the Author and Collaborator 279
|
| adam_txt |
How to Rehearse
When There Is
No Rehearsal
ACTINGANDTHEMEDIA
By Alice Spivak
Written in Collaboration with Robert Blumenfeld
LIMELIGHT EDITIONS
AN IMPRINT OF HAL LEONARD CORPORATION
NEW YORK
TABLEOFCONTENTS
Foreword
Thoughts about Stanislavsky and Acting Today
by Robert Blumenfeld xi
Preface
The Need forThis Book xvii
Acknowledgments xxi
Part 1
Acting and Current Working Conditions 1
Chapter 1
The Stanislavsky System Explored 3
Chapter 2
Why Rehearse? 19
Commitment and Practicing Alone 19; Rehearsing Scenes for Class 28
Chapter 3
Film and Television: The End of Rehearsal 31
Television Commercials 35; Soap Opera and Nighttime Television Drama 36; The
Situation Comedy (Sitcom) 41
Part 2
Rehearsing on Your Own 49
Introduction
Developing the Process 51
Impulses and Instincts 59; Concentration and Relaxation 62; Substitution and
Endowment 65
Chapter 4
Step 1: How to Read the Script 69
Finding the Themes 76; Finding the Playwright's Music 77
Chapter 5
Step 2: Developing the Relationships 81
First Readings 85; Revealing the Subtext 92
Chapter 6
Step 3: Paying Attention to the Inner Objects 95
Chapter 7
Step 4: Finding the Objective 103
Chapter 8
Step 5: Following Up on Place and Circumstances:
The Here and Now 127
Place 127; Circumstances 134
Chapter 9
Step 6: Planning the Activity 137
Chapter 10
Step 7: Delving into the Prior Relationship 147
Chapter 11
Step 8:The Character Chart, Part 1:
Writing a Preliminary Character Background 153
Introduction 153; Background Questions 156
Chapter 12
Step 9:The Character Chart, Part 2:
Deciding on the Character Traits 169
More about Negative Character Traits 174; Two Exercises 178
Chapter 13
Step 10:The Character Chart, Part 3:
Life Drives 181
Chapter 14
Step 11: Becoming the Character 187
Essences 189; Complete Character Charts 201
Part 3
The Steps Condensed When You Have No Time:
My Experience in the Media 207
Chapter 15
The Ideal and the Practical: Working in Film and Television 209
Chapter 16
The Director and the Camera 229
Camera Takes and How to Deal With Them 229; Working with Directors: Translating the
Director's Language 238
Chapter 17
Auditions 247
Plays 250; Film 252; Television 255; Prepared Monologues 257
A Parting Word 263
Glossary of Acting Terms 265
Bibliography 269
Index of People 271
Index of Films and Television Programs 275
Index of Plays 277
About the Author and Collaborator 279 |
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| spelling | Spivak, Avia Verfasser aut How to rehearse when there is no rehearsal acting and the media by Alice Spivak ; written in collaboration with Robert Blumenfeld New York Limelight Editions 2007 xxii, 280 p. 23 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. [269]-270) and indexes Theater rehearsals Motion picture acting Television acting Blumenfeld, Robert Sonstige oth http://www.loc.gov/catdir/toc/fy0713/2007276206.html Table of contents only HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016233128&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Spivak, Avia How to rehearse when there is no rehearsal acting and the media Theater rehearsals Motion picture acting Television acting |
| title | How to rehearse when there is no rehearsal acting and the media |
| title_auth | How to rehearse when there is no rehearsal acting and the media |
| title_exact_search | How to rehearse when there is no rehearsal acting and the media |
| title_exact_search_txtP | How to rehearse when there is no rehearsal acting and the media |
| title_full | How to rehearse when there is no rehearsal acting and the media by Alice Spivak ; written in collaboration with Robert Blumenfeld |
| title_fullStr | How to rehearse when there is no rehearsal acting and the media by Alice Spivak ; written in collaboration with Robert Blumenfeld |
| title_full_unstemmed | How to rehearse when there is no rehearsal acting and the media by Alice Spivak ; written in collaboration with Robert Blumenfeld |
| title_short | How to rehearse when there is no rehearsal |
| title_sort | how to rehearse when there is no rehearsal acting and the media |
| title_sub | acting and the media |
| topic | Theater rehearsals Motion picture acting Television acting |
| topic_facet | Theater rehearsals Motion picture acting Television acting |
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