The sixteenth century Italian paintings: 2 Venice : 1540 - 1600
Gespeichert in:
| Körperschaft: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
National Gallery Co.
2008
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | National Gallery catalogues
National Gallery catalogues |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XXV, 518 Seiten zahlr. Ill., Kt. |
| ISBN: | 9781857099133 |
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Datensatz im Suchindex
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|---|---|
| adam_text |
NATIONAL
GALLERY CATALOGUES
THE SIXTEENTH CENTURY
ITALIAN PAINTINGS VolumeII
VENICE
1540-1600
Nicholas Penny
This volume includes some of the greatest pictures in
the National Gallery: Titian's Vendramin Family
venerating a Relic of the True Cross and The Death of
Actaeon; Veronese's Famuli of Darius and his four
Allegories, and Tintoretto's Origin of the Milky Way.
There are also new discoveries, such as the small
painting by Veronese of The Rape of
Europa,
long
considered a copy, whose quality is revealed by recent
cleaning. The great Bassano family, who worked
outside Venice but often in the service of the city and
its art market, is also well represented. Veronese may
be the artist whose entire range is best displayed, with
paintings of all sizes and types from his youth to
maturity. But the influence of Titian pervades the
entire period covered in this catalogue, and for that
reason his works after
1540
are included here; his
earlier paintings will appear in another volume.
The catalogue can also serve as an introduction to
all the major types of painting produced in the city:
the altarpiece, the confraternity chapel decoration, the
ceiling painting, paintings for the portego (the long
central hall of a palace), the portrait, and even
furniture paintmg. Many of these pictures have passed
through some of the greatest collections in Europe
-
most notably those of Emperor Rudolph
П,
in Prague,
of Queen Christina of Sweden and of the Due
d'Orléans
-
and the stories behind their provenance
represent key episodes in the history of European
taste. The author's account of how these works were
acquired makes this catalogue an important
contribution to the history of collecting and to the
history of the National Gallery itself.
NICHOLAS PENNY was appointed Director of the
National Gallery» London, as this volume went to
press. He was previously Senior Curator of Sculpture
and Decorative Arts at the National Gallery of Art,
Washington, and prior to that, Keeper and
Clore
Curator at the National Gallery, London. His
publications include Giotto to
Durer
(1991);
the
Catalogue of European Sculpture in the Asfunakm
Museum
(1992):
The Materiab of Sculptum
(1993):
Frames
(1997);
and the National Gallery catalogue of
The Sixteenth Century Italian Paintings
Wolunie
I:
Bergamo. Brescia and Cremona
(2004).
This catalogue was funded with a grant from
tìie
American
Friends of the Sational Gallery. London, nmde posmbk hj a
generous donation from
Arturo
and HoBij
Melos thrauglì
the Arthur and Holly
Magul
Foundation.
DIRECTOR'S FOREWORD VII ACKNOWLEDGEMENTS VIII MAPS X INTRODUCTION XIII
THE ORGCINISATION OF THE CATALOGUE XXIV LIST OF ARTISTS AND PAINTINGS
XXV CATALOGUE 1-441 APPENDIX OF COLLECTORS' BIOGRAPHIES 442 LIST OF
PUBLICATIONS CITED 476 CHANGES OF ATTRIBUTION 500 INDEX BY INVENTORY
NUMBER 500 GENERAL INDEX 501 PHOTOGRAPHIC CREDITS 518 |
| adam_txt |
NATIONAL
GALLERY CATALOGUES
THE SIXTEENTH CENTURY
ITALIAN PAINTINGS VolumeII
VENICE
1540-1600
Nicholas Penny
This volume includes some of the greatest pictures in
the National Gallery: Titian's Vendramin Family
venerating a Relic of the True Cross and The Death of
Actaeon; Veronese's Famuli of Darius and his four
Allegories, and Tintoretto's Origin of the Milky Way.
There are also new discoveries, such as the small
painting by Veronese of The Rape of
Europa,
long
considered a copy, whose quality is revealed by recent
cleaning. The great Bassano family, who worked
outside Venice but often in the service of the city and
its art market, is also well represented. Veronese may
be the artist whose entire range is best displayed, with
paintings of all sizes and types from his youth to
maturity. But the influence of Titian pervades the
entire period covered in this catalogue, and for that
reason his works after
1540
are included here; his
earlier paintings will appear in another volume.
The catalogue can also serve as an introduction to
all the major types of painting produced in the city:
the altarpiece, the confraternity chapel decoration, the
ceiling painting, paintings for the portego (the long
central hall of a palace), the portrait, and even
furniture paintmg. Many of these pictures have passed
through some of the greatest collections in Europe
-
most notably those of Emperor Rudolph
П,
in Prague,
of Queen Christina of Sweden and of the Due
d'Orléans
-
and the stories behind their provenance
represent key episodes in the history of European
taste. The author's account of how these works were
acquired makes this catalogue an important
contribution to the history of collecting and to the
history of the National Gallery itself.
NICHOLAS PENNY was appointed Director of the
National Gallery» London, as this volume went to
press. He was previously Senior Curator of Sculpture
and Decorative Arts at the National Gallery of Art,
Washington, and prior to that, Keeper and
Clore
Curator at the National Gallery, London. His
publications include Giotto to
Durer
(1991);
the
Catalogue of European Sculpture in the Asfunakm
Museum
(1992):
The Materiab of Sculptum
(1993):
Frames
(1997);
and the National Gallery catalogue of
The Sixteenth Century Italian Paintings
Wolunie
I:
Bergamo. Brescia and Cremona
(2004).
This catalogue was funded with a grant from
tìie
American
Friends of the Sational Gallery. London, nmde posmbk hj a
generous donation from
Arturo
and HoBij
Melos thrauglì
the Arthur and Holly
Magul
Foundation.
DIRECTOR'S FOREWORD VII ACKNOWLEDGEMENTS VIII MAPS X INTRODUCTION XIII
THE ORGCINISATION OF THE CATALOGUE XXIV LIST OF ARTISTS AND PAINTINGS
XXV CATALOGUE 1-441 APPENDIX OF COLLECTORS' BIOGRAPHIES 442 LIST OF
PUBLICATIONS CITED 476 CHANGES OF ATTRIBUTION 500 INDEX BY INVENTORY
NUMBER 500 GENERAL INDEX 501 PHOTOGRAPHIC CREDITS 518 |
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| spelling | The National Gallery (London) Verfasser (DE-588)1003322-1 aut The sixteenth century Italian paintings 2 Venice : 1540 - 1600 National Gallery, London ; Nicholas Penny 1. publ. London National Gallery Co. 2008 XXV, 518 Seiten zahlr. Ill., Kt. txt rdacontent n rdamedia nc rdacarrier National Gallery catalogues The National Gallery London (DE-588)1003322-1 gnd rswk-swf Geschichte 1540-1600 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Venedig (DE-588)4062501-1 gnd rswk-swf Venetien (DE-588)4062510-2 gnd rswk-swf (DE-588)4163417-2 Katalog gnd-content Venetien (DE-588)4062510-2 g Malerei (DE-588)4037220-0 s Geschichte 1540-1600 z DE-604 The National Gallery London (DE-588)1003322-1 b Venedig (DE-588)4062501-1 g Penny, Nicholas Sonstige oth Mancini, Giorgia Sonstige (DE-588)1123676887 oth (DE-604)BV019581068 2 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016228363&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016228363&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | The sixteenth century Italian paintings |
| title_auth | The sixteenth century Italian paintings |
| title_exact_search | The sixteenth century Italian paintings |
| title_exact_search_txtP | The sixteenth century Italian paintings |
| title_full | The sixteenth century Italian paintings 2 Venice : 1540 - 1600 National Gallery, London ; Nicholas Penny |
| title_fullStr | The sixteenth century Italian paintings 2 Venice : 1540 - 1600 National Gallery, London ; Nicholas Penny |
| title_full_unstemmed | The sixteenth century Italian paintings 2 Venice : 1540 - 1600 National Gallery, London ; Nicholas Penny |
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