Postwar Hollywood: 1946 - 1962
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Malden, MA [u.a.]
Blackwell Publ.
2007
|
| Edition: | 1. publ. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XXV, 459 S. zahlr. Ill. |
| ISBN: | 9781405150750 9781405150743 |
Staff View
MARC
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| 245 | 1 | 0 | |a Postwar Hollywood |b 1946 - 1962 |c Drew Casper |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a Malden, MA [u.a.] |b Blackwell Publ. |c 2007 | |
| 300 | |a XXV, 459 S. |b zahlr. Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 648 | 7 | |a Geschichte 1946-1962 |2 gnd |9 rswk-swf | |
| 650 | 7 | |a Film |2 swd | |
| 650 | 7 | |a Filmwirtschaft |2 swd | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Motion picture industry |z United States |x History | |
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Record in the Search Index
| _version_ | 1804137230516617216 |
|---|---|
| adam_text | Contents
Acknowledgments
xi
List of Illustrations
xiii
Foreword
xv
Preface: How to Use this Book
xx
Part I: Cultural Overview: The Years of Change in America,
1946-62
ι
Introduction
1
1
Major Historical Events
з
Introduction
3
1.1
The Cold War
3
1.2
Civil Rights
7
Conclusion
8
2
Economic Situation
n
Introduction
11
2.1
Economic Resurgence
11
2.2
Post-Industrial Society
12
Conclusion
13
3
Societal Issues
14
Introduction
14
3.1
Consumer Culture and Middle-Classness
14
3.2
The American Male
15
3.3
The American Female
16
3.4
The American Family
17
3.5
Juvenile Delinquency
18
3.6
Sensuality, Sex, and Violence
19
3.7
Social Morality
19
3.8
Crime
20
3.9
Religion
20
Conclusion
21
4
Other Popular Leisure Activities
23
Introduction
23
4.1
Television
23
4.2
Recordings and Radio
26
4.3
Theater
28
4.4
Adult Popular Fiction
31
4.5
Sports, Travel, and Home Improvement
33
Conclusion
34
Part II: Business
37
Introduction
t
37
5
Production and Distribution
39
5.1
The Antitrust Suit Wrap-Up and Fallout
39
5.2
The Loss of the Audience
43
5.3
The Decline and Shift in Product
43
5.4
Consolidation
46
5.5
The Mode of Independent Production
47
5.6
Runaway Production
50
5.7
Diversification
53
5.7.1
Television
53
5.7.2
Music
59
5.8
Company Profiles: The Administrative and Financial Picture
59
5.8.1 Radio-Keith-Orpheum (RKO)
60
5.8.2
Paramount
61
5.8.3
Warner Brothers
63
5.8.4
Twentieth Century-Fox
64
5.8.5
Metro-Goldwyn-Mayer
66
5.8.6
Columbia
68
5.8.7
Universal
70
5.8.8
United Artists
72
5.8.9
Disney
73
5.8.10
Republic
74
5.8.11
Monogram-Allied Artists
75
5.8.12
American International Pictures
76
5.9
The Industry and HUAC
77
5.10
Distribution Practices
81
6
Exhibition
87
Conclusion
89
Part III: Technology
91
Introduction
91
7
Color
93
7.1
Ansco Color and Metrocolor
94
7.2
Eastman Color, Warnercolor, Color By Deluxe, Columbia Color
94
7.3
Trucolor by Consolidated and Cinecolor/Natural Color/Super
Cinecolor
95
8
Screen Shapes and Accompanying Sound Systems
97
8.1
Multi-Camera Systems
97
8.1.1
Cinerama and interlocked six-Zseven-track magnetic stereo
sound
97
8.1.2
Cinemiracle
102
8.2
Anamorphic Systems
103
8.2.1
Cinemascope
and Mag Optical stereophonic sound;
Regalscope;
Cinemascope
55 103
8.2.2 Panavision 35 105
8.3
Widescreen
110
8.4
Wide-Frame Systems
110
8.4.1
VistaVision and Perspecta stereophonic sound
110
8.4.2
Technirama and Super Technirama
70
111
8.5
The
70
mm/Wide-Gauge Processes
112
8.5.1
Todd-AO
112
8.5.2
Camera
65
and Ultra
Panavision 70;
Super
Panavision 70 113
9
Three-Dimension, Special Effects, and Film Production
Refinements us
9.1 3-D 115
9.2
Special Effects
116
9.3
Film Production Refinements
118
Conclusion
119
Part IV: Censorship
121
Introduction
121
10
TestCases
125
10.1
The Outlaw (UA, 1946/RKO,
1950) 125
10.2
The Jane Russell Syndrome: Rita Hayworth, Marilyn Monroe, Cyd
Charisse, Sophia
Loren,
and
Gina
Lollobrigida
126
10.3
The Adaptation of Controversial and Sensational Novels:
Double Indemnity (P,
1944),
Leave Her to Heaven (TCF,
1945),
The Postman Always Rings Twice (MGM,
1946),
Duel in the Sun
(SRO,
1946),
Forever Amber (TCF,
1947),
and Flamingo Road
(WB,
1949) 127
10.4
Racism: Pinky (TCF,
1949)
and Curley (UA,
1947) 128
10.5
The Bicycle Thief
(1949) 129
10.6
Stromboli
(1950) 130
10.7
The Miracle
(1950)
and the US Supreme Court Decision of
1952 131
10.8
Detective Story (P,
1951),
Beyond the Forest (WB,
1949),
The Doctor
and the Girl (MGM,
1949),
A Place in the Sun (P,
1951),
People Will
Talk (TCF,
1951),
and Code Amendments of
1951 132
10.9
The Moon Is Blue (UA,
1953) 135
10.10
The French Line (RKO,
1953) 136
10.11
From Here to Eternity (C,
1953) 136
10.12
Shurlock s Reign and Code Readjustments of
1954;
La Ronde
(1950)
and
M (C,
1951) 137
10.13
Backlash; The Man with the Golden Arm (UA,
1955)
and Picnic
(C,
1955) 138
10.14
The Code Revision of
1956 140
10.15
Baby Doll (WB,
1956),
Tea and Sympathy (MGM,
1956),
and The
Bad Seed (WB,
1956) 140
10.16
Giant (WB,
1956),
Serenade (WB,
1956),
Island in the Sun (TCF,
1957),
and Sayonara (WB,
1957) 143
10.17
Legion Expansion: Peyton Place (TCF,
1957) 143
10.18
Roth vs. US and The Game of Love
(1954);
The Garden of Eden
(Excelsior Pictures,
1957) 144
10.19
Vertigo (P,
1958),
Bonjour Tristesse
(С,
1958),
and Cat on a Hot Tin
Roof (MGM,
1958) 145
10.20
Lady Chatterley s Lover
(1957),
And God Created Woman
(1958),
Room at the Top
(1959),
and Never on Sunday
(1960) 146
10.21
Anatomy of a Murder (C,
1959) 148
10.22
Suddenly Last Summer (C,
1959),
Some Like It Hot (UA,
1959),
and
Pillow Talk (U,
1959) 149
10.23
Blue Denim (TCF,
1959)
and A Summer Place (WB,
1959) 149
10.24
Happy Anniversary (U A,
1959) 150
10.25
Elmer Gantry (UA,
1960) 151
10.26
Sanctuary (TCF,
1961)
and Splendor in the Grass (WB,
1961) 152
10.27
Lolita (MGM,
1962)
and the Code Amendment of
1961 153
10.28
Don Juan
(1959) 154
Conclusion
155
Part V:
Genre
157
Introduction
157
11
Adventure
161
12
Biography
1
7.0
13
Historical Spectacle
179
185
186
191
193
198
200
202
203
204
205
205
207
208
210
212
16
Melodrama
2
із
16.1
Family Melodrama
213
16.2
Female Melodrama
238
16.3
Male Melodrama
250
16.4
Romance Melodrama
259
17
Musical
270
17.1
Musical Comedy and Musical Drama
271
17.2
Musical Biography
282
18
Social Problem Film and Courtroom Drama
287
18.1
Social Problem Film
287
18.2
Courtroom Drama
293
19
Suspense Thriller
297
19.1
World War II and Cold War Thriller
299
14
Comedy
14.1
Social Satire
14.2
Farce
14.3
Romantic Comedy
14.4
Family Comedy
14.5
Fantasy Comedy
14.6
Comedian Comedy
14.7
Black Comedy
14.8
Parody
15
Horror, Science Fiction, and Fantasy
15.1
Horror-Science Fiction
15.2
AIP
Teenage Horror
15.3
Modern Horror
15.4
Science Fiction
15.5
Fantasy
χ
Contents
19.2
Crime
Thriller:
Lawmen and Criminals
301
19.2.1
Lawmen: private detective, police detective/cop, G-man,
layman
301
19.2.2
Criminals: gangster, prisoner, psychopath, hustler,
middle-class felon
305
19.3
Social Problem Thriller
324
20
War
327
21
Western
336
Conclusion
347
Part VI: Style
349
Introduction
349
22
Noir
353
Introduction
353
22.1
Determinations and Practitioners
354
22.2
Noir
and Genre
362
22.3
Mode of Representation and Attitude of Mind
362
23
Documentary Realism and Psychological-Sociological Realism
368
Introduction
368
23.1
Determinations of a Deeper Realism
368
23.2
Documentary Realism: Determinations and Practitioners
370
23.3
Psychological-Sociological Realism: Determinations and Practitioners
377
23.4
Mode of Representation and Attitude of Mind
378
24
Other Stylistic Devices
394
Conclusion
398
25
Coda
399
Select Bibliography
402
Appendix: Hierarchical Order of Postwar Hollywood s Top Ten
Ђох
-Office
Stars
(1946-62) 407
Index
409
|
| adam_txt |
Contents
Acknowledgments
xi
List of Illustrations
xiii
Foreword
xv
Preface: How to Use this Book
xx
Part I: Cultural Overview: The Years of Change in America,
1946-62
ι
Introduction
1
1
Major Historical Events
з
Introduction
3
1.1
The Cold War
3
1.2
Civil Rights
7
Conclusion
8
2
Economic Situation
n
Introduction
11
2.1
Economic Resurgence
11
2.2
Post-Industrial Society
12
Conclusion
13
3
Societal Issues
14
Introduction
14
3.1
Consumer Culture and Middle-Classness
14
3.2
The American Male
15
3.3
The American Female
16
3.4
The American Family
17
3.5
Juvenile Delinquency
18
3.6
Sensuality, Sex, and Violence
19
3.7
Social Morality
19
3.8
Crime
20
3.9
Religion
20
Conclusion
21
4
Other Popular Leisure Activities
23
Introduction
23
4.1
Television
23
4.2
Recordings and Radio
26
4.3
Theater
28
4.4
Adult Popular Fiction
31
4.5
Sports, Travel, and Home Improvement
33
Conclusion
34
Part II: Business
37
Introduction
t
37
5
Production and Distribution
39
5.1
The Antitrust Suit Wrap-Up and Fallout
39
5.2
The Loss of the Audience
43
5.3
The Decline and Shift in Product
43
5.4
Consolidation
46
5.5
The Mode of Independent Production
47
5.6
Runaway Production
50
5.7
Diversification
53
5.7.1
Television
53
5.7.2
Music
59
5.8
Company Profiles: The Administrative and Financial Picture
59
5.8.1 Radio-Keith-Orpheum (RKO)
60
5.8.2
Paramount
61
5.8.3
Warner Brothers
63
5.8.4
Twentieth Century-Fox
64
5.8.5
Metro-Goldwyn-Mayer
66
5.8.6
Columbia
68
5.8.7
Universal
70
5.8.8
United Artists
72
5.8.9
Disney
73
5.8.10
Republic
74
5.8.11
Monogram-Allied Artists
75
5.8.12
American International Pictures
76
5.9
The Industry and HUAC
77
5.10
Distribution Practices
81
6
Exhibition
87
Conclusion
89
Part III: Technology
91
Introduction
91
7
Color
93
7.1
Ansco Color and Metrocolor
94
7.2
Eastman Color, Warnercolor, Color By Deluxe, Columbia Color
94
7.3
Trucolor by Consolidated and Cinecolor/Natural Color/Super
Cinecolor
95
8
Screen Shapes and Accompanying Sound Systems
97
8.1
Multi-Camera Systems
97
8.1.1
Cinerama and interlocked six-Zseven-track magnetic stereo
sound
97
8.1.2
Cinemiracle
102
8.2 '
Anamorphic Systems
103
8.2.1
Cinemascope
and Mag Optical stereophonic sound;
Regalscope;
Cinemascope
55 103
8.2.2 Panavision 35 105
8.3
Widescreen
110
8.4
Wide-Frame Systems
110
8.4.1
VistaVision and Perspecta stereophonic sound
110
8.4.2
Technirama and Super Technirama
70
111
8.5
The
70
mm/Wide-Gauge Processes
112
8.5.1
Todd-AO
112
8.5.2
Camera
65
and Ultra
Panavision 70;
Super
Panavision 70 113
9
Three-Dimension, Special Effects, and Film Production
Refinements us
9.1 3-D 115
9.2
Special Effects
116
9.3
Film Production Refinements
118
Conclusion
119
Part IV: Censorship
121
Introduction
121
10
TestCases
125
10.1
The Outlaw (UA, 1946/RKO,
1950) 125
10.2
The Jane Russell Syndrome: Rita Hayworth, Marilyn Monroe, Cyd
Charisse, Sophia
Loren,
and
Gina
Lollobrigida
126
10.3
The Adaptation of Controversial and Sensational Novels:
Double Indemnity (P,
1944),
Leave Her to Heaven (TCF,
1945),
The Postman Always Rings Twice (MGM,
1946),
Duel in the Sun
(SRO,
1946),
Forever Amber (TCF,
1947),
and Flamingo Road
(WB,
1949) 127
10.4
Racism: Pinky (TCF,
1949)
and Curley (UA,
1947) 128
10.5
The Bicycle Thief
'(1949) 129
10.6
Stromboli
(1950) 130
10.7
The Miracle
(1950)
and the US Supreme Court Decision of
1952 131
10.8
Detective Story (P,
1951),
Beyond the Forest (WB,
1949),
The Doctor
and the Girl (MGM,
1949),
A Place in the Sun (P,
1951),
People Will
Talk (TCF,
1951),
and Code Amendments of
1951 132
10.9
The Moon Is Blue (UA,
1953) 135
10.10
The French Line (RKO,
1953) 136
10.11
From Here to Eternity (C,
1953) 136
10.12
Shurlock's Reign and Code Readjustments of
1954;
La Ronde
(1950)
and
M (C,
1951) 137
10.13
Backlash; The Man with the Golden Arm (UA,
1955)
and Picnic
(C,
1955) 138
10.14
The Code Revision of
1956 140
10.15
Baby Doll (WB,
1956),
Tea and Sympathy (MGM,
1956),
and The
Bad Seed (WB,
1956) 140
10.16
Giant (WB,
1956),
Serenade (WB,
1956),
Island in the Sun (TCF,
1957),
and Sayonara (WB,
1957) 143
10.17
Legion Expansion: Peyton Place (TCF,
1957) 143
10.18
Roth vs. US and The Game of Love
(1954);
The Garden of Eden
(Excelsior Pictures,
1957) 144
10.19
Vertigo (P,
1958),
Bonjour Tristesse
(С,
1958),
and Cat on a Hot Tin
Roof (MGM,
1958) 145
10.20
Lady Chatterley's Lover
(1957),
And God Created Woman
(1958),
Room at the Top
(1959),
and Never on Sunday
(1960) 146
10.21
Anatomy of a Murder (C,
1959) 148
10.22
Suddenly Last Summer (C,
1959),
Some Like It Hot (UA,
1959),
and
Pillow Talk (U,
1959) ' 149
10.23
Blue Denim (TCF,
1959)
and A Summer Place (WB,
1959) 149
10.24
Happy Anniversary (U'A,
1959) 150
10.25
Elmer Gantry (UA,
1960) 151
10.26
Sanctuary (TCF,
1961)
and Splendor in the Grass (WB,
1961) 152
10.27
Lolita (MGM,
1962)
and the Code Amendment of
1961 153
10.28
Don Juan
(1959) 154
Conclusion
155
Part V:
Genre
157
Introduction
157
11
Adventure
161
12
Biography
1
7.0
13
Historical Spectacle
179
185
186
191
193
198
200
202
203
204
205
205
207
208
210
212
16
Melodrama
2
із
16.1
Family Melodrama
213
16.2
Female Melodrama
238
16.3
Male Melodrama
250
16.4
Romance Melodrama
259
17
Musical
270
17.1
Musical Comedy and Musical Drama
271
17.2
Musical Biography
282
18
Social Problem Film and Courtroom Drama
287
18.1
Social Problem Film
287
18.2
Courtroom Drama
293
19
Suspense Thriller
297
19.1
World War II and Cold War Thriller
299
14
Comedy
14.1
Social Satire
14.2
Farce
14.3
Romantic Comedy
14.4
Family Comedy
14.5
Fantasy Comedy
14.6
Comedian Comedy
14.7
Black Comedy
14.8
Parody
15
Horror, Science Fiction, and Fantasy
15.1
Horror-Science Fiction
15.2
AIP
Teenage Horror
15.3
Modern Horror
15.4
Science Fiction
15.5
Fantasy
χ
Contents
19.2
Crime
Thriller:
Lawmen and Criminals
301
19.2.1
Lawmen: private detective, police detective/cop, G-man,
layman
301
19.2.2
Criminals: gangster, prisoner, psychopath, hustler,
middle-class felon
305
19.3
Social Problem Thriller
324
20
War
327
21
Western
336
Conclusion
347
Part VI: Style
349
Introduction
349
22
Noir
353
Introduction
353
22.1
Determinations and Practitioners
354
22.2
Noir
and Genre
362
22.3
Mode of Representation and Attitude of Mind
362
23
Documentary Realism and Psychological-Sociological Realism
368
Introduction
368
23.1
Determinations of a Deeper Realism
368
23.2
Documentary Realism: Determinations and Practitioners
370
23.3
Psychological-Sociological Realism: Determinations and Practitioners
377
23.4
Mode of Representation and Attitude of Mind
378
24
Other Stylistic Devices
394
Conclusion
398
25
Coda
399
Select Bibliography
402
Appendix: Hierarchical Order of Postwar Hollywood's Top Ten
Ђох
-Office
Stars
(1946-62) ' 407
Index
409 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Casper, Drew |
| author_facet | Casper, Drew |
| author_role | aut |
| author_sort | Casper, Drew |
| author_variant | d c dc |
| building | Verbundindex |
| bvnumber | BV023014390 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.U6 |
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| callnumber-sort | PN 41993.5 U6 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 44983 |
| ctrlnum | (OCoLC)77494499 (DE-599)BVBBV023014390 |
| dewey-full | 791.430973/09045 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.430973/09045 |
| dewey-search | 791.430973/09045 |
| dewey-sort | 3791.430973 49045 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. publ. |
| era | Geschichte 1946-1962 gnd |
| era_facet | Geschichte 1946-1962 |
| format | Book |
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| geographic | USA swd USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV023014390 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:10:41Z |
| indexdate | 2024-07-09T21:08:59Z |
| institution | BVB |
| isbn | 9781405150750 9781405150743 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016218573 |
| oclc_num | 77494499 |
| open_access_boolean | |
| owner | DE-M472 DE-739 DE-11 DE-29 DE-188 |
| owner_facet | DE-M472 DE-739 DE-11 DE-29 DE-188 |
| physical | XXV, 459 S. zahlr. Ill. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Blackwell Publ. |
| record_format | marc |
| spelling | Casper, Drew Verfasser aut Postwar Hollywood 1946 - 1962 Drew Casper 1. publ. Malden, MA [u.a.] Blackwell Publ. 2007 XXV, 459 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1946-1962 gnd rswk-swf Film swd Filmwirtschaft swd Film Geschichte Motion picture industry United States History Motion pictures United States History Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA swd USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Filmwirtschaft (DE-588)4154384-1 s Geschichte 1946-1962 z DE-604 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016218573&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Casper, Drew Postwar Hollywood 1946 - 1962 Film swd Filmwirtschaft swd Film Geschichte Motion picture industry United States History Motion pictures United States History Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4154384-1 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | Postwar Hollywood 1946 - 1962 |
| title_auth | Postwar Hollywood 1946 - 1962 |
| title_exact_search | Postwar Hollywood 1946 - 1962 |
| title_exact_search_txtP | Postwar Hollywood 1946 - 1962 |
| title_full | Postwar Hollywood 1946 - 1962 Drew Casper |
| title_fullStr | Postwar Hollywood 1946 - 1962 Drew Casper |
| title_full_unstemmed | Postwar Hollywood 1946 - 1962 Drew Casper |
| title_short | Postwar Hollywood |
| title_sort | postwar hollywood 1946 1962 |
| title_sub | 1946 - 1962 |
| topic | Film swd Filmwirtschaft swd Film Geschichte Motion picture industry United States History Motion pictures United States History Filmwirtschaft (DE-588)4154384-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Filmwirtschaft Geschichte Motion picture industry United States History Motion pictures United States History USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016218573&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT casperdrew postwarhollywood19461962 |