Poetics of cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Routledge
2008
|
| Schriftenreihe: | Film studies
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Inhaltsverzeichnis |
| Beschreibung: | XII, 499 S. Ill. |
| ISBN: | 0415977789 0415977797 9780415977784 9780415977791 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments xi
Introduction 1
I Questions of Theory
1* Poetics of Cinema 11
The Tradition 12
Domains and Tendencies 17
One Poetics of Film 19
Poetics: A Program 23
An Excursion on Reflections and Zeitgeists 30
From Shriek to Shot 32
What Snakes, Eagles, and Rhesus Macaques Can Teach Us 43
2* Convention, Construction, and
Cinematic Vision 57
Shot/Reverse Shot: A Convention? 57
Primary Theory and a Continuum of Conventions 61
A Package Deal 66
Contingent Universals and Us 73
Afterword 75
Vll
viii
Contents
XI Studies in Narrative
3* Three Dimensions of Film Narrative
Some First Moves 88
Protagonists and Their Problems 90
Narration 93
Plot Structure 102
The Narrative World 110
Afterword: Narrators, Implied Authors, and Other Superfluities
4* Cognition and Comprehension
Viewing and Forgetting in
Mildred Pierce
Narrative Norms 137
Two Methods of Murder 138
The Partial Replay 143
Secrets and Lies, and Narration 149
5* The Art Cinema as a Mode of
Film Practice
Realism, Authorship, Ambiguity 152
The Art Cinema in History 157
Afterword 158
6* Film Futures
Rules of the Game 174
Some Sources 185
7* Mutual Friends and
Chronologies of Chance
Protagonists and Projects 192
This Particular Web 194
Major Players 198
Familiars, Strangers, and Random Walks 200
Only Connect, or at Least Collide 204
Narration Makes Networks 207
Compare and Contrast 211
Criss-Crossers Cross Over 214
Four Small Worlds 218
Nashville (1975) 221
Magnolia (1999) 227
Favor is de la lune (1984) 233
Les Passagers (1999) 237
85
121
135
151
171
189
Contents
IX
Sustaining the Network 242
Network Narrative: A Working Filmography 245
XXX Studies in Style
8. Cinecerity
Style and Film History 255
Style and the Critic 257
Envoi 261
9* Taking Tilings to Extremes
Hallucinations Courtesy of
Robert Reinert
Revelations at the Cinema Verdi 266
Close-Up Depth 269
Problems and Solutions 276
IQ* CinemaScope
The Ivlodern Ts/liracle You See
Without Cjlasses
The Big Picture 284
Hollywood Cadillac 287
A Lack of Scope 290
Taming a New Technology 301
Some Virtues of Clotheslines 307
Reinventing the Tableau 312
The End of Screen Ratios? 320
11* Who Blinked First?
The Tightrope 327
The Strength of the Stare 331
Streamlined Behavior 334
12* Visual Style in Japanese Cinema*
1925—1945
A Classical Cinema? 338
Voices in the Dark 345
Exercising the Eye 347
Constructing and Reconstructing Japaneseness 352
Stylistic Trends 356
Blending and Refining 363
The Pacific War: Toning Down Technique 369
Afterword 372
253
263
281
327
— ~t f-j
X
Contents
13* A Cinema of Flourishes
Decorative Style in 192,0s and
193 Os Japanese Film
Some Functions of Style 377
Games With Vision 380
A Tradition of Ornamentation 388
14* Aesthetics in Action
Kang~Fu, (Janplay, and
Cinematic Expression
Hollywood Action: The 1980s and After 396
The Mechanics of Movement 399
Toward an Ecstatic Cinema 406
15* Richness Through Imperfection
King Fin and the CJlimpse
Inherited Norms 414
A Problem and Some Solutions 416
Cuts and Slashes 423
Glimpses of Marvels 429
Notes
375
395
413
431
Index
481
|
| adam_txt |
Contents
Acknowledgments xi
Introduction 1
I Questions of Theory
1* Poetics of Cinema 11
The Tradition 12
Domains and Tendencies 17
One Poetics of Film 19
Poetics: A Program 23
An Excursion on Reflections and Zeitgeists 30
From Shriek to Shot 32
What Snakes, Eagles, and Rhesus Macaques Can Teach Us 43
2* Convention, Construction, and
Cinematic Vision 57
Shot/Reverse Shot: A Convention? 57
Primary Theory and a Continuum of Conventions 61
A Package Deal 66
Contingent Universals and Us 73
Afterword 75
Vll
viii
Contents
XI Studies in Narrative
3* Three Dimensions of Film Narrative
Some First Moves 88
Protagonists and Their Problems 90
Narration 93
Plot Structure 102
The Narrative World 110
Afterword: Narrators, Implied Authors, and Other Superfluities
4* Cognition and Comprehension
Viewing and Forgetting in
Mildred Pierce
Narrative Norms 137
Two Methods of Murder 138
The Partial Replay 143
Secrets and Lies, and Narration 149
5* The Art Cinema as a Mode of
Film Practice
Realism, Authorship, Ambiguity 152
The Art Cinema in History 157
Afterword 158
6* Film Futures
Rules of the Game 174
Some Sources 185
7* Mutual Friends and
Chronologies of Chance
Protagonists and Projects 192
This Particular Web 194
Major Players 198
Familiars, Strangers, and Random Walks 200
Only Connect, or at Least Collide 204
Narration Makes Networks 207
Compare and Contrast 211
Criss-Crossers Cross Over 214
Four Small Worlds 218
Nashville (1975) 221
Magnolia (1999) 227
Favor is de la lune (1984) 233
Les Passagers (1999) 237
85
121
135
151
171
189
Contents
IX
Sustaining the Network 242
Network Narrative: A Working Filmography 245
XXX Studies in Style
8. Cinecerity
Style and Film History 255
Style and the Critic 257
Envoi 261
9* Taking Tilings to Extremes
Hallucinations Courtesy of
Robert Reinert
Revelations at the Cinema Verdi 266
Close-Up Depth 269
Problems and Solutions 276
IQ* CinemaScope
The Ivlodern Ts/liracle You See
Without Cjlasses
The Big Picture 284
Hollywood Cadillac 287
A Lack of Scope 290
Taming a New Technology 301
Some Virtues of Clotheslines 307
Reinventing the Tableau 312
The End of Screen Ratios? 320
11* Who Blinked First?
The Tightrope 327
The Strength of the Stare 331
Streamlined Behavior 334
12* Visual Style in Japanese Cinema*
1925—1945
A Classical Cinema? 338
Voices in the Dark 345
Exercising the Eye 347
Constructing and Reconstructing Japaneseness 352
Stylistic Trends 356
Blending and Refining 363
The Pacific War: Toning Down Technique 369
Afterword 372
253
263
281
327
— '~t f-j
X
Contents
13* A Cinema of Flourishes
Decorative Style in 192,0s and
193 Os Japanese Film
Some Functions of Style 377
Games With Vision 380
A Tradition of Ornamentation 388
14* Aesthetics in Action
Kang~Fu, (Janplay, and
Cinematic Expression
Hollywood Action: The 1980s and After 396
The Mechanics of Movement 399
Toward an Ecstatic Cinema 406
15* Richness Through Imperfection
King Fin and the CJlimpse
Inherited Norms 414
A Problem and Some Solutions 416
Cuts and Slashes 423
Glimpses of Marvels 429
Notes
375
395
413
431
Index
481 |
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| indexdate | 2024-07-09T21:08:26Z |
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| spelling | Bordwell, David 1947-2024 Verfasser (DE-588)119411091 aut Poetics of cinema David Bordwell New York [u.a.] Routledge 2008 XII, 499 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film studies Cinéma Esthetica gtt Filmkunst gtt Filmtheorie gtt Film Ästhetik Motion pictures Filmästhetik (DE-588)4140881-0 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf Filmtheorie (DE-588)4071216-3 s DE-604 Filmästhetik (DE-588)4140881-0 s http://www.loc.gov/catdir/toc/ecip079/2007004036.html Table of contents only Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016156406&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| subject_GND | (DE-588)4140881-0 (DE-588)4071216-3 |
| title | Poetics of cinema |
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| title_full | Poetics of cinema David Bordwell |
| title_fullStr | Poetics of cinema David Bordwell |
| title_full_unstemmed | Poetics of cinema David Bordwell |
| title_short | Poetics of cinema |
| title_sort | poetics of cinema |
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| topic_facet | Cinéma Esthetica Filmkunst Filmtheorie Film Ästhetik Motion pictures Filmästhetik |
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