PianoLab: an introduction to class piano
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Belmont, CA [u.a.]
Thomson Schirmer
2008
|
| Ausgabe: | 6. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Track list for accompanying sound disc on p. [2] of cover. -- Keyboard chart with staff notation and guitar chord diagrams bound in book. -- Includes indexes. |
| Beschreibung: | XIX, 344 S. Ill. 28 cm. CD (12 cm) |
| ISBN: | 049518974X 9780495189749 |
Internformat
MARC
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| 100 | 1 | |a Lindeman, Carolynn A. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a PianoLab |b an introduction to class piano |c Carolynn A. Lindeman |
| 246 | 1 | 3 | |a Piano lab |
| 250 | |a 6. ed. | ||
| 264 | 1 | |a Belmont, CA [u.a.] |b Thomson Schirmer |c 2008 | |
| 300 | |a XIX, 344 S. |b Ill. |c 28 cm. |e CD (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Track list for accompanying sound disc on p. [2] of cover. -- Keyboard chart with staff notation and guitar chord diagrams bound in book. -- Includes indexes. | ||
| 650 | 4 | |a Piano |v Methods |v Group instruction | |
| 650 | 4 | |a Music theory | |
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Datensatz im Suchindex
| _version_ | 1804137191044022272 |
|---|---|
| adam_text | Note
to Students
xv
Preface to the Sixth Edition
xvii
chapter one
Objectives
1
unit
1
Getting Ready! Learning Piano Basics
Keyboard Position
2
Finger Numbers
3
The Keyboard
3
Exploring and Creating at the Keyboard
4
Exploring the Damper Pedal
5
unit
2
Exploring the White Keys
6
Names of the White Keys
б
C-D-E Groups
7
F-G-A-B Groups
7
Blues Progression
10
unit
3
Exploring the Black Keys
12
Sharps and Flats
12
Names of the Black Keys
—
Enharmonies
12
Improvisation
—
Black Keys
14
Composing Projects
14
Online Extensions
15
Chapter One Evaluation
16
chapter two
and
Ш&
IMogar
ТшегТшџег
Tattern 17
Objectives
17
uniti
Major Five-Finger Pattern
18
Half Steps and Whole Steps
18
The Major Five-Finger Pattern
18
unit
2
Rhythmic Reading
22
Notes and Rests
22
Beat and Meter
23
unit
3
Pitch Reading
28
Treble Clef and Bass Clef Notation
28
The Grand Staff
31
Composing Project
34
Online Extensions
34
Dynamic Signs
35
Tempo Terms
35
Solo Repertoire
36
Technique Exercises
37
Chapter Two Evaluation
38
Тгасисщ//
th&
Тісиш
40
Practice Journal
41
chapter three
widi
Спша/ ЩшИл/
43
Objectives
43
uniti
Interval Reading
44
Intervals
44
Intervals in the Major Five-Finger Pattern
44
FIVE HELPFUL HINTS FOR READING MUSIC
49
unit
2
Performing the G, D, A, and
F
Major Five-Finger Patterns
50
Transposing
53
unit
3
Chord-Root Accompaniments
54
Chords
54
Performing Chord Roots from Staff Notation
55
Performing Chord Roots from Lead Sheet Notation
57
GUIDELINES FOR PERFORMING CHORD-ROOT ACCOMPANIMENTS WITH I AND V CHORDS
57
VI CONTENTS
Composing Project
58
Online Extensions
58
More Rhythm Reading
59
Solo Repertoire
60
Technique Exercises
62
Chapter Three Evaluation
64
chapter four Terfarmmgy
Oßtted
Ñatea,
Zlpheat&,
and Major
Triada
67
Objectives
67
unit
1
Dotted Notes
68
Performing Melodies with Dotted Notes
69
unit
2
Upbeats
74
Performing Melodies with Upbeats
75
unit3 Triads
78
Triads in Root Position and Inversions
78
The Major Triad
78
The Tonic Chord (Major)
81
Composing Projects
84
GUIDELINES FOR COMPOSING A PARALLEL PHRASE
84
GUIDELINES FOR COMPOSING A CONTRASTING PHRASE
85
Oneline Extensions
86
Solo Repertoire
87
Technique Exercises
88
Chapter Four Evaluation
90
Memorizing?
Миме
92
GUIDELINES FOR MEMORIZING PIECES
92
chapter five
Лп-
Introduction- to-
iñ& Minar
Јте^Тггџег
IPattern-
and
Minar
Triada
93
Objectives
93
unit
1
Minor Five-Finger Pattern
94
Comparison of Major and Minor Patterns
94
Intervals in the Minor Five-Finger Pattern
97
unit
2
Performing Minor Melodies
98
CONTENTS
VÜ
unit
3
Minor Triads
102
Comparison of Major and Minor Triads
102
The Minor Triad
103
The Tonic Chord (Minor)
104
Composing Project
106
Online Extensions
106
More Rhythm Reading
107
Solo Repertoire
108
Technique Exercises
110
Chapter Five Evaluation
112
chapter six
Тефтпіщ^
Major Scales and
Ί
and
У
7
ۖard&
115
Objectives
115
unit
1
The Major Scale
116
Identification of Scale Tones
117
Intervals
118
Maj
or Scale Fingering
119
unit
2
Major Key Signatures
124
GUIDELINES FOR USING THE KEY SIGNATURE TO DETERMINE THE TONIC OR MAJOR KEY
124
Placement of Sharps and Flats in Key Signatures
125
The Circle of Fifths (Major Keys)
125
Identifying Major Keys
126
unit
3
Tonic and Dominant Chords
130
The Dominant Seventh Chord
131
HELPFUL HINTS FOR MOVING BETWEEN THE I AND V7 CHORDS ( PIANO POSITION )
131
Composing Project
135
Online Extensions
135
Solo Repertoire
136
Technique Exercises
138
Chapter Six Evaluation
140
U
2
chapter seven
Tñ&TrwiaiyyCñm-d&andiZ^ar
Ъ1иг&
143
Objectives
143
uniti
Primary Chords
144
The
Subdominant
Chord
144
Performing Primary Chords
144
Viii
CONTENTS
unit
2
The 12-Bar Blues Progression
148
The 12-Bar Blues Progression
148
Performing the 12-Bar Blues Progression
148
Performing Blues Compositions
150
Improvising a Piano Blues
153
unit3 Syncopation
154
Performing Syncopated Music
155
Composing Project
158
Online Extensions
159
Solo Repertoire
160
Technique Exercises
164
Chapter Seven Evaluation
166
chapter eight
wM/
Tńmcuryt
CnuTčL·
(IMąjar %gy&)
169
Objectives
169
unit
1
Chords and Inversions
170
The Seventh Chord
170
Chord Inversions of Triads and Seventh Chords
172
I and
Vi
Chords
174
I and IV4 Chords
176
unit
2
Primary Chords in Piano Position
178
Performing I-IVf
-VÎ
Chords
180
unit
3
Harmonizing
186
Nonchord Tones
186
Harmonizing Melodies with Primary Chords
187
GUIDELINES FOR HARMONIZING MELODIES WITH PRIMARY CHORDS
187
Composing Project
190
Online Extensions
191
Solo Repertoire
192
Technique Exercises
194
Chapter Eight Evaluation
196
CONTENTS
ІХ
chapter nine cAjv Introduction ta<
Ш&
MinarScalea
and IPriinmyy Chords in
Minar
199
Objectives
199
unit
1
The Minor Scales
200
The Natural Minor Scale
201
Minor Key Signatures
203
GUIDELINES FOR USING THE KEY SIGNATURE TO DETERMINE THE TONIC OR MINOR KEY
203
The Harmonic Minor Scale
205
The Melodic Minor Scale
207
Identification of Scale Tones
207
Performing Pieces in Minor Keys
208
unît
2
Primary Chords in Minor ( Piano Position )
210
Performing
Ì-ÌV4-V5
Chords
212
Harmonizing Melodies with Primary Chords
216
unit
3
Relative and Parallel Majors and Minors
218
Relative
Maj
ors
and Minors
218
Parallel
Maj
ors
and Minors
219
Composing Project
222
Online Extensions
223
Solo Repertoire
224
Technique Exercises
226
Chapter Nine Evaluation
228
chapter ten
OînerScale&i
Madea,
andTanaliäeď
231
Objectives
231
unit
1
Pentatonic Scales and Modes
232
Pentatonic Scales
232
Modes
235
unit
2
The Blues Scale
238
Performing the Blues Scale
238
unit
3
The Whole-Tone Scale, Bitonality, and Atonality
242
The Whole-Tone Scale
242
Bitonality
244
Atonality
245
Composing Project
246
Online Extensions
246
x
contents
Solo Repertoire
247
Technique Exercises
252
Chapter Ten
Evaluation
254
Supplementary
ЪЫ&ю
257
Solo Repertoire (Classical)
257
Folk Song
(Bartók)
257
Sunrise (Yeager)
258
Little Rondo
(Türk)
260
Bagatelle (Diabelli)
261
Minuet in G, K.
1
(W A. Mozart)
261
Écossaise
(Schubert)
262
Minuet (C.
E E.
Bach)
263
Schwaebisch
(J. C. E
Bach)
263
Growing (Diemer)
264
Minuet
(Rameau)
265
March (Shostakovich)
266
German Dance, No.
2
(Haydn)
267
Bourrée
(L.
Mozart)
268
Für Elise
(excerpt) (Beethoven)
269
Minuet in
ξ Κ.
2
(W A. Mozart)
270
Op.
39,
No.
8
(Kabalevsky)
271
Op.
39,
No.
5
(Kabalevsky)
271
φ
Minuet
in G
(J.
S. Bach)
272
ftý
Theme from Six
Variations (Beethoven)
273
Pastorale
(Bielawa)
274
4&
Little Piece (Schumann)
275
Minuet (W
E Bach)
276
III (Bartók)
277
4& Mazurka No.
3
(Szymanowska)
278
Clusterphobia (Van
de Vate)
279
Shifting Shadows (Van
de Vate)
280
Prologue (Persichetti)
281
Solo
Repertoire
(Blues, Ragtime, and Jazz)
283
Slow-Walkin Guy (Caramia)
283
No
Name
Blues (McGlone)
284
Blue, Blue, Blue (Zlatunich)
285
Just Struttin Along
(Mier)
286
The Entertainer (Joplin)
288
Ensemble Music
290
Duet Exercise
32
(Beyer)
290
Take Me Out to the Ball Game (Norworth-von Tilzer)
292
CONTENTS
Xi
Silent Night
(Mohr-Graber) 294
Streets of Laredo (American Cowboy Song)
295
Songs with Accompaniments
296
He s Got the Whole World in His Hands (Spiritual)
296
Kang Ding Ching Ge (Chinese Folk Song)
296
Banks of the Ohio (American Ballad)
297
Down in the Valley (American Folk Song)
297
Give My Regards to Broadway (Cohan)
298
The First Noel (Carol)
299
We Shall Overcome (Civil Rights Song)
299
America (Smith, Traditional Melody)
300
America the Beautiful (Bates-Ward)
300
Memory (excerpt), from Cats (Nunn-Webber)
301
Melodies
302
Hey, Lidee (American Folk Song)
302
St. James Infirmary (American Folk Song)
302
Do, Lord (Spiritual)
303
Worried Man Blues (American Folk Song)
303
St. Anthony Chorale (Haydn)
304
Theme from Bridal Chorus (Wagner)
304
Capriccio
in
G
Major (excerpt) (Haydn)
304
John B. (Caribbean Folk Song)
305
I Know Where I m Going (American Folk Song)
305
De colores
(Traditional Mexican Song)
306
You re a Grand Old Flag (Cohan)
307
Appendixes
appendix A Musical Terms and Signs
309
Dynamic Terms and Signs
309
Common Tempo Terms
309
Additional Terms and Signs
309
Accidentals
311
Metronome Markings
311
appendix
В
Rhythm Notation
312
Notes, Rests, and Beams
312
Frequently Used Time Signatures in Simple Meter
313
Frequently Used Time Signatures in Compound Meter
313
Frequently Used Time Signatures in Asymmetric Meter
313
appendix
С
Treble and Bass Clef Notation/Octave Identification
314
appendix
D
Circle of Fifths (Major and Minor Keys)
315
ХІІ
CONTENTS
appendix
E
Major Scales (with Piano Fingerings)
316
Major Scales (Fingerings for Two-Octave Scales)
318
appendix
F
Selected Minor Scales (with Piano Fingerings)
319
Selected Harmonic Minor Scales (Fingerings for Two-Octave Scales)
321
appendix
G
Intervals and Chords
322
Intervals
322
Triads
322
Seventh Chords
323
appendix
H
Primary Chords in Selected Major and Minor Keys
324
appendix I Accompaniment Patterns
326
appendix
J
Selected Chords and Chord Symbols (Lead Sheet Notation)
329
Key for Chord Symbols
329
Chords over Bass Notes
330
Glossary
331
Indexes
337
Classified Index
337
Solo Repertoire
337
Ensemble Pieces
338
Technique Exercises
338
Composing Projects
338
General Index
339
Title Index
342
CONTENTS
XIII
|
| adam_txt |
Note
to Students
xv
Preface to the Sixth Edition
xvii
chapter one
Objectives
1
unit
1
Getting Ready! Learning Piano Basics
Keyboard Position
2
Finger Numbers
3
The Keyboard
3
Exploring and Creating at the Keyboard
4
Exploring the Damper Pedal
5
unit
2
Exploring the White Keys
6
Names of the White Keys
б
C-D-E Groups
7
F-G-A-B Groups
7
Blues Progression
10
unit
3
Exploring the Black Keys
12
Sharps and Flats
12
Names of the Black Keys
—
Enharmonies
12
Improvisation
—
Black Keys
14
Composing Projects
14
Online Extensions
15
Chapter One Evaluation
16
chapter two
and
Ш&
IMogar
ТшегТшџег
Tattern 17
Objectives
17
uniti
Major Five-Finger Pattern
18
Half Steps and Whole Steps
18
The Major Five-Finger Pattern
18
unit
2
Rhythmic Reading
22
Notes and Rests
22
Beat and Meter
23
unit
3
Pitch Reading
28
Treble Clef and Bass Clef Notation
28
The Grand Staff
31
Composing Project
34
Online Extensions
34
Dynamic Signs
35
Tempo Terms
35
Solo Repertoire
36
Technique Exercises
37
Chapter Two Evaluation
38
Тгасисщ//
th&
Тісиш
40
Practice Journal
41
chapter three
widi
Спша/ "ЩшИл/
43
Objectives
43
uniti
Interval Reading
44
Intervals
44
Intervals in the Major Five-Finger Pattern
44
FIVE HELPFUL HINTS FOR READING MUSIC
49
unit
2
Performing the G, D, A, and
F
Major Five-Finger Patterns
50
Transposing
53
unit
3
Chord-Root Accompaniments
54
Chords
54
Performing Chord Roots from Staff Notation
55
Performing Chord Roots from Lead Sheet Notation
57
GUIDELINES FOR PERFORMING CHORD-ROOT ACCOMPANIMENTS WITH I AND V CHORDS
57
VI CONTENTS
Composing Project
58
Online Extensions
58
More Rhythm Reading
59
Solo Repertoire
60
Technique Exercises
62
Chapter Three Evaluation
64
chapter four Terfarmmgy
Oßtted
'Ñatea,
Zlpheat&,
and Major
Triada
67
Objectives
67
unit
1
Dotted Notes
68
Performing Melodies with Dotted Notes
69
unit
2
Upbeats
74
Performing Melodies with Upbeats
75
unit3 Triads
78
Triads in Root Position and Inversions
78
The Major Triad
78
The Tonic Chord (Major)
81
Composing Projects
84
GUIDELINES FOR COMPOSING A PARALLEL PHRASE
84
GUIDELINES FOR COMPOSING A CONTRASTING PHRASE
85
Oneline Extensions
86
Solo Repertoire
87
Technique Exercises
88
Chapter Four Evaluation
90
Memorizing?
Миме
92
GUIDELINES FOR MEMORIZING PIECES
92
chapter five
Лп-
Introduction- to-
iñ& Minar
Јте^Тггџег
IPattern-
and
Minar
Triada
93
Objectives
93
unit
1
Minor Five-Finger Pattern
94
Comparison of Major and Minor Patterns
94
Intervals in the Minor Five-Finger Pattern
97
unit
2
Performing Minor Melodies
98
CONTENTS
VÜ
unit
3
Minor Triads
102
Comparison of Major and Minor Triads
102
The Minor Triad
103
The Tonic Chord (Minor)
104
Composing Project
106
Online Extensions
106
More Rhythm Reading
107
Solo Repertoire
108
Technique Exercises
110
Chapter Five Evaluation
112
chapter six
Тефтпіщ^
Major Scales and
Ί
and
У
7
ۖard&
115
Objectives
115
unit
1
The Major Scale
116
Identification of Scale Tones
117
Intervals
118
Maj
or Scale Fingering
119
unit
2
Major Key Signatures
124
GUIDELINES FOR USING THE KEY SIGNATURE TO DETERMINE THE TONIC OR MAJOR KEY
124
Placement of Sharps and Flats in Key Signatures
125
The Circle of Fifths (Major Keys)
125
Identifying Major Keys
126
unit
3
Tonic and Dominant Chords
130
The Dominant Seventh Chord
131
HELPFUL HINTS FOR MOVING BETWEEN THE I AND V7 CHORDS ("PIANO POSITION")
131
Composing Project
135
Online Extensions
135
Solo Repertoire
136
Technique Exercises
138
Chapter Six Evaluation
140
U
2
chapter seven
Tñ&TrwiaiyyCñm-d&andiZ^ar
Ъ1иг&
143
Objectives
143
uniti
Primary Chords
144
The
Subdominant
Chord
144
Performing Primary Chords
144
Viii
CONTENTS
unit
2
The 12-Bar Blues Progression
148
The 12-Bar Blues Progression
148
Performing the 12-Bar Blues Progression
148
Performing Blues Compositions
150
Improvising a Piano Blues
153
unit3 Syncopation
154
Performing Syncopated Music
155
Composing Project
158
Online Extensions
159
Solo Repertoire
160
Technique Exercises
164
Chapter Seven Evaluation
166
chapter eight
wM/
Tńmcuryt
CnuTčL·
(IMąjar %gy&)
169
Objectives
169
unit
1
Chords and Inversions
170
The Seventh Chord
170
Chord Inversions of Triads and Seventh Chords
172
I and
Vi
Chords
174
I and IV4 Chords
176
unit
2
Primary Chords in "Piano Position"
178
Performing I-IVf
-VÎ
Chords
180
unit
3
Harmonizing
186
Nonchord Tones
186
Harmonizing Melodies with Primary Chords
187
GUIDELINES FOR HARMONIZING MELODIES WITH PRIMARY CHORDS
187
Composing Project
190
Online Extensions
191
Solo Repertoire
192
Technique Exercises
194
Chapter Eight Evaluation
196
CONTENTS
ІХ
chapter nine cAjv Introduction ta<
Ш&
MinarScalea
and IPriinmyy Chords in
Minar
199
Objectives
199
unit
1
The Minor Scales
200
The Natural Minor Scale
201
Minor Key Signatures
203
GUIDELINES FOR USING THE KEY SIGNATURE TO DETERMINE THE TONIC OR MINOR KEY
203
The Harmonic Minor Scale
205
The Melodic Minor Scale
207
Identification of Scale Tones
207
Performing Pieces in Minor Keys
208
unît
2
Primary Chords in Minor ("Piano Position")
210
Performing
Ì-ÌV4-V5
Chords
212
Harmonizing Melodies with Primary Chords
216
unit
3
Relative and Parallel Majors and Minors
218
Relative
Maj
ors
and Minors
218
Parallel
Maj
ors
and Minors
219
Composing Project
222
Online Extensions
223
Solo Repertoire
224
Technique Exercises
226
Chapter Nine Evaluation
228
chapter ten
OînerScale&i
Madea,
andTanaliäeď
231
Objectives
231
unit
1
Pentatonic Scales and Modes
232
Pentatonic Scales
232
Modes
235
unit
2
The Blues Scale
238
Performing the Blues Scale
238
unit
3
The Whole-Tone Scale, Bitonality, and Atonality
242
The Whole-Tone Scale
242
Bitonality
244
Atonality
245
Composing Project
246
Online Extensions
246
x
contents
Solo Repertoire
247
Technique Exercises
252
Chapter Ten
Evaluation
254
Supplementary
ЪЫ&ю
257
Solo Repertoire (Classical)
257
Folk Song
(Bartók)
257
Sunrise (Yeager)
258
Little Rondo
(Türk)
260
Bagatelle (Diabelli)
261
Minuet in G, K.
1
(W A. Mozart)
261
Écossaise
(Schubert)
262
Minuet (C.
E E.
Bach)
263
Schwaebisch
(J. C. E
Bach)
263
Growing (Diemer)
264
Minuet
(Rameau)
265
March (Shostakovich)
266
German Dance, No.
2
(Haydn)
267
Bourrée
(L.
Mozart)
268
Für Elise
(excerpt) (Beethoven)
269
Minuet in
ξ Κ.
2
(W A. Mozart)
270
Op.
39,
No.
8
(Kabalevsky)
271
Op.
39,
No.
5
(Kabalevsky)
271
φ
Minuet
in G
(J.
S. Bach)
272
ftý
Theme from Six
Variations (Beethoven)
273
Pastorale
(Bielawa)
274
4&
Little Piece (Schumann)
275
Minuet (W
E Bach)
276
III (Bartók)
277
4& Mazurka No.
3
(Szymanowska)
278
Clusterphobia (Van
de Vate)
279
Shifting Shadows (Van
de Vate)
280
Prologue (Persichetti)
281
Solo
Repertoire
(Blues, Ragtime, and Jazz)
283
Slow-Walkin' Guy (Caramia)
283
No
Name
Blues (McGlone)
284
Blue, Blue, Blue (Zlatunich)
285
Just Struttin' Along
(Mier)
286
The Entertainer (Joplin)
288
Ensemble Music
290
Duet Exercise
32
(Beyer)
290
Take Me Out to the Ball Game (Norworth-von Tilzer)
292
CONTENTS
Xi
Silent Night
(Mohr-Graber) 294
Streets of Laredo (American Cowboy Song)
295
Songs with Accompaniments
296
He's Got the Whole World in His Hands (Spiritual)
296
Kang Ding Ching Ge (Chinese Folk Song)
296
Banks of the Ohio (American Ballad)
297
Down in the Valley (American Folk Song)
297
Give My Regards to Broadway (Cohan)
298
The First Noel (Carol)
299
We Shall Overcome (Civil Rights Song)
299
America (Smith, Traditional Melody)
300
America the Beautiful (Bates-Ward)
300
Memory (excerpt), from Cats (Nunn-Webber)
301
Melodies
302
Hey, Lidee (American Folk Song)
302
St. James Infirmary (American Folk Song)
302
Do, Lord (Spiritual)
303
Worried Man Blues (American Folk Song)
303
St. Anthony Chorale (Haydn)
304
Theme from Bridal Chorus (Wagner)
304
Capriccio
in
G
Major (excerpt) (Haydn)
304
John B. (Caribbean Folk Song)
305
I Know Where I'm Going (American Folk Song)
305
De colores
(Traditional Mexican Song)
306
You're a Grand Old Flag (Cohan)
307
Appendixes
appendix A Musical Terms and Signs
309
Dynamic Terms and Signs
309
Common Tempo Terms
309
Additional Terms and Signs
309
Accidentals
311
Metronome Markings
311
appendix
В
Rhythm Notation
312
Notes, Rests, and Beams
312
Frequently Used Time Signatures in Simple Meter
313
Frequently Used Time Signatures in Compound Meter
313
Frequently Used Time Signatures in Asymmetric Meter
313
appendix
С
Treble and Bass Clef Notation/Octave Identification
314
appendix
D
Circle of Fifths (Major and Minor Keys)
315
ХІІ
CONTENTS
appendix
E
Major Scales (with Piano Fingerings)
316
Major Scales (Fingerings for Two-Octave Scales)
318
appendix
F
Selected Minor Scales (with Piano Fingerings)
319
Selected Harmonic Minor Scales (Fingerings for Two-Octave Scales)
321
appendix
G
Intervals and Chords
322
Intervals
322
Triads
322
Seventh Chords
323
appendix
H
Primary Chords in Selected Major and Minor Keys
324
appendix I Accompaniment Patterns
326
appendix
J
Selected Chords and Chord Symbols (Lead Sheet Notation)
329
Key for Chord Symbols
329
Chords over Bass Notes
330
Glossary
331
Indexes
337
Classified Index
337
Solo Repertoire
337
Ensemble Pieces
338
Technique Exercises
338
Composing Projects
338
General Index
339
Title Index
342
CONTENTS
XIII |
| any_adam_object | 1 |
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| author | Lindeman, Carolynn A. |
| author_facet | Lindeman, Carolynn A. |
| author_role | aut |
| author_sort | Lindeman, Carolynn A. |
| author_variant | c a l ca cal |
| building | Verbundindex |
| bvnumber | BV022948845 |
| callnumber-first | M - Music |
| callnumber-label | MT222 |
| callnumber-raw | MT222 |
| callnumber-search | MT222 |
| callnumber-sort | MT 3222 |
| callnumber-subject | MT - Instruction and Study |
| ctrlnum | (OCoLC)123434782 (DE-599)BVBBV022948845 |
| dewey-full | 786.2/193 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 786 - Keyboard & other instruments |
| dewey-raw | 786.2/193 |
| dewey-search | 786.2/193 |
| dewey-sort | 3786.2 3193 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 6. ed. |
| format | Book |
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| genre | (DE-588)4151278-9 Einführung gnd-content |
| genre_facet | Einführung |
| id | DE-604.BV022948845 |
| illustrated | Illustrated |
| index_date | 2024-07-02T19:01:16Z |
| indexdate | 2024-07-09T21:08:22Z |
| institution | BVB |
| isbn | 049518974X 9780495189749 |
| language | English |
| lccn | 2006929621 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-016153353 |
| oclc_num | 123434782 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | XIX, 344 S. Ill. 28 cm. CD (12 cm) |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Thomson Schirmer |
| record_format | marc |
| spelling | Lindeman, Carolynn A. Verfasser aut PianoLab an introduction to class piano Carolynn A. Lindeman Piano lab 6. ed. Belmont, CA [u.a.] Thomson Schirmer 2008 XIX, 344 S. Ill. 28 cm. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Track list for accompanying sound disc on p. [2] of cover. -- Keyboard chart with staff notation and guitar chord diagrams bound in book. -- Includes indexes. Piano Methods Group instruction Music theory Klavierspiel (DE-588)4030996-4 gnd rswk-swf Musiktheorie (DE-588)4040876-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Klavierspiel (DE-588)4030996-4 s Musiktheorie (DE-588)4040876-0 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016153353&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lindeman, Carolynn A. PianoLab an introduction to class piano Piano Methods Group instruction Music theory Klavierspiel (DE-588)4030996-4 gnd Musiktheorie (DE-588)4040876-0 gnd |
| subject_GND | (DE-588)4030996-4 (DE-588)4040876-0 (DE-588)4151278-9 |
| title | PianoLab an introduction to class piano |
| title_alt | Piano lab |
| title_auth | PianoLab an introduction to class piano |
| title_exact_search | PianoLab an introduction to class piano |
| title_exact_search_txtP | PianoLab an introduction to class piano |
| title_full | PianoLab an introduction to class piano Carolynn A. Lindeman |
| title_fullStr | PianoLab an introduction to class piano Carolynn A. Lindeman |
| title_full_unstemmed | PianoLab an introduction to class piano Carolynn A. Lindeman |
| title_short | PianoLab |
| title_sort | pianolab an introduction to class piano |
| title_sub | an introduction to class piano |
| topic | Piano Methods Group instruction Music theory Klavierspiel (DE-588)4030996-4 gnd Musiktheorie (DE-588)4040876-0 gnd |
| topic_facet | Piano Methods Group instruction Music theory Klavierspiel Musiktheorie Einführung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=016153353&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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