The theory and technique of electronic music:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New Jersey
World Scientific
2007
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XIV, 331 Seiten Diagramme, Illustrationen |
| ISBN: | 9812700773 9789812700773 |
Staff View
MARC
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| 020 | |a 9789812700773 |9 978-981-270-077-3 | ||
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| 100 | 1 | |a Puckette, Miller S. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The theory and technique of electronic music |c Miller Puckette |
| 264 | 1 | |a New Jersey |b World Scientific |c 2007 | |
| 300 | |a XIV, 331 Seiten |b Diagramme, Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Electronic music |x Instruction and study | |
| 650 | 0 | 7 | |a Elektronische Musik |0 (DE-588)4014355-7 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Elektronische Musik |0 (DE-588)4014355-7 |D s |
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Record in the Search Index
| _version_ | 1804137049775669248 |
|---|---|
| adam_text | Contents
Foreword
xi
Preface
xiii
1
Sinusoids, Amplitude and Frequency
1
1.1
Measures of Amplitude
..................... 3
1.2
Units of Amplitude
....................... 4
1.3
Controlling Amplitude
..................... 6
1.4
Frequency
............................ 6
1.5
Synthesizing a Sinusoid
.................... 8
1.6
Superposing Signals
...................... 11
1.7
Periodic Signals
......................... 12
1.8
About the Software Examples
................. 15
Quick introduction to Pd
................... 16
How to find and run the examples
.............. 17
1.9
Examples
............................ 18
Constant amplitude sealer
................... 18
Amplitude control in decibels
................. 20
Smoothed amplitude control with an envelope generator
. . 21
Major triad
........................... 22
Conversion between frequency and pitch
........... 23
More additive synthesis
.................... 24
Exercises
............................... 25
2
Wavetables
and Samplers
27
2.1
The Wavetable Oscillator
................... 30
2.2
Sampling
............................ 33
2.3
Enveloping Samplers
...................... 36
2.4
Timbre Stretching
....................... 39
2.5
Interpolation
.......................... 43
vi
Contents
2.6
Examples
............................ 47
Wavetable oscillator
...................... 47
Wavetable lookup in general
.................. 48
Using a wavetable as a sampler
................ 51
Looping samplers
........................ 52
Overlapping sample looper
................... 54
Automatic read point precession
............... 55
Exercises
............................... 58
3
Audio and Control Computations
59
3.1
The Sampling Theorem
.................... 59
3.2
Control
............................. 61
3.3
Control Streams
........................ 63
3.4
Conversion from Audio Signals to Numeric Control Streams
68
3.5
Control Streams in Block Diagrams
.............. 69
3.6
Event Detection
......................... 69
3.7
Audio Signals as Control
.................... 71
3.8
Operations on Control Streams
................ 74
3.9
Control Operations in Pd
................... 76
3.10
Examples
............................ 78
Sampling and foldover
..................... 78
Converting controls to signals
................. 80
Non-
looping wavetable player
................. 81
Signals to controls
....................... 82
Analog-style sequencer
..................... 83
MIDI-style synthesizer
..................... 83
Exercises
............................... 86
4
Automation and Voice Management
89
4.1
Envelope Generators
...................... 89
4.2
Linear and Curved Amplitude Shapes
............ 92
4.3
Continuous and Discontinuous Control Changes
....... 94
4.3.1
Muting
......................... 95
4.3.2
Switch-and-ramp
.................... 96
4.4
Polyphony
............................ 98
4.5
Voice Allocation
........................ 99
4.6
Voice Tags
............................ 100
4.7
Encapsulation in Pd
...................... 102
4.8
Examples
............................ 104
ADSR envelope generator
................... 104
Transfer functions for amplitude control
........... 106
Additive synthesis: Risset s bell
................ 107
Contents
vii
Additive synthesis: spectral envelope control
........ 110
Polyphonic synthesis: sampler
................. 112
Exercises
............................... 116
5
Modulation
119
5.1
Taxonomy of Spectra
...................... 119
5.2
Multiplying Audio Signals
................... 122
5.3
Waveshaping
.......................... 126
5.4
Frequency and Phase Modulation
............... 132
5.5
Examples
............................ 135
Ring modulation and spectra
................. 135
Octave divider and
formant
adder
.............. 137
Waveshaping and difference tones
............... 138
Waveshaping using Chebychev polynomials
......... 139
Waveshaping using an exponential function
......... 141
Sinusoidal waveshaping: evenness and oddness
....... 143
Phase modulation and
FM................... 144
Exercises
............................... 146
6
Designer Spectra
149
6.1
Carrier/Modulator Model
................... 150
6.2
Pulse Trains
........................... 153
6.2.1
Pulse trains via waveshaping
............. 153
6.2.2
Pulse trains via wavetable stretching
......... 154
6.2.3
Resulting spectra
.................... 155
6.3
Movable Ring Modulation
................... 158
6.4
Phase-Aligned
Formant
(PAF)
Generator
.......... 160
6.5
Examples
............................ 165
Wavetable pulse train
..................... 165
Simple
formant
generator
................... 167
Two-cosine carrier signal
.................... 168
The
PAF
generator
....................... 170
Stretched
wavetables
...................... 174
Exercises
............................... 174
7
Time Shifts and Delays
175
7.1
Complex Numbers
....................... 176
7.1.1
Complex sinusoids
................... 178
7.2
Time Shifts and Phase Changes
................ 180
7.3
Delay Networks
......................... 181
7.4
Recirculating Delay Networks
................. 186
7.5
Power Conservation and Complex Delay Networks
..... 190
viii Contents
7.6
Artificial
Reverberation
.................... 195
7.6.1
Controlling reverberators
............... 198
7.7
Variable and Fractional Shifts
................. 198
7.8
Fidelity of Interpolating Delay Lines
............. 202
7.9
Pitch Shifting
.......................... 204
7.10
Examples
............................ 209
Fixed, noninterpolating delay line
............... 209
Recirculating comb filter
.................... 210
Variable delay line
....................... 210
Order of execution and lower limits on delay times
..... 212
Order of execution in non-recirculating delay lines
..... 215
Non-recirculating comb filter as octave
doubler
....... 216
Time-varying complex comb filter: shakers
.......... 218
Reverberator
.......................... 219
Pitch shifter
........................... 222
Exercises
............................... 222
8
Filters
225
8.1
Taxonomy of Filters
...................... 226
8.1.1
Low-pass and high-pass filters
............. 226
8.1.2
Band-pass and stop-band filters
............ 228
8.1.3
Equalizing filters
.................... 229
8.2
Elementary Filters
....................... 231
8.2.1
Elementary non-recirculating filter
.......... 231
8.2.2
Non-recirculating filter, second form
......... 233
8.2.3
Elementary recirculating filter
............. 234
8.2.4
Compound filters
.................... 235
8.2.5
Real outputs from complex filters
........... 236
8.2.6
Two recirculating filters for the price of one
..... 237
8.3
Designing Filters
........................ 238
8.3.1
One-pole low-pass filter
................ 238
8.3.2
One-pole, one-zero high-pass filter
.......... 239
8.3.3
Shelving filter
...................... 240
8.3.4
Band-pass filter
..................... 242
8.3.5
Peaking and stop-band filter
............. 243
8.3.6
Butterworth filters
................... 244
8.3.7
Stretching the unit circle with rational functions
. . 245
8.3.8
Butterworth band-pass filter
............. 248
8.3.9
Time-varying coefficients
............... 249
8.3.10
Impulse responses of recirculating filters
....... 251
8.3.11
All-pass filters
..................... 253
8.4
Applications
........................... 254
Contents ix
8.4.1 Subtractive
synthesis..................
254
8.4.2
Envelope following
................... 256
8.4.3
Single sideband modulation
.............. 258
8.5
Examples
............................ 259
Prefabricated low-, high-, and band-pass filters
....... 259
Prefabricated time-varying band-pass filter
......... 260
Envelope followers
....................... 261
Single sideband modulation
.................. 263
Using elementary filters directly: shelving and peaking
. . . 264
Making and using all-pass filters
............... 266
Exercises
............................... 266
9
Fourier Analysis and Resynthesis
267
9.1
Fourier Analysis of Periodic Signals
............... 267
9.1.1
Periodicity of the Fourier transform
......... 269
9.1.2
Fourier transform as additive synthesis
........ 269
9.2
Properties of Fourier Transforms
............... 270
9.2.1
Fourier transform of DC
................ 270
9.2.2
Shifts and phase changes
............... 272
9.2.3
Fourier transform of a sinusoid
............ 274
9.3
Fourier Analysis of Non-Periodic Signals
........... 274
9.4
Fourier Analysis and Reconstruction of Audio Signals
. . . 279
9.4.1
Narrow-band companding
............... 281
9.4.2
Timbre stamping (classical vocoder)
......... 283
9.5
Phase
.............................. 284
9.5.1
Phase relationships between channels
......... 288
9.6
Phase Bashing
......................... 290
9.7
Examples
............................ 291
Fourier analysis and resynthesis in Pd
............ 291
Narrow-band companding: noise suppression
........ 293
Timbre stamp ( vocoder )
................... 295
Phase vocoder time bender
.................. 296
Exercises
............................... 299
10
Classical Waveforms
301
10.1
Symmetries and Fourier Series
................ 302
10.1.1
Sawtooth waves and symmetry
............ 304
10.2
Dissecting Classical Waveforms
................ 305
10.3
Fourier Series of the Elementary Waveforms
......... 308
10.3.1
Sawtooth wave
..................... 309
10.3.2
Parabolic wave
..................... 310
10.3.3
Square and symmetric triangle waves
......... 311
χ
Contents
10.3.4 General
(non-symmetric) triangle wave
........ 311
10.4
Predicting and Controlling Foldover
............. 313
10.4.1
Over-sampling
..................... 314
10.4.2
Sneaky triangle waves
................. 314
10.4.3
Transition splicing
................... 316
10.5
Examples
............................ 319
Combining sawtooth waves
.................. 319
Strategies for band-limiting sawtooth waves
......... 320
Exercises
............................... 322
Bibliography
323
Index
327
|
| adam_txt |
Contents
Foreword
xi
Preface
xiii
1
Sinusoids, Amplitude and Frequency
1
1.1
Measures of Amplitude
. 3
1.2
Units of Amplitude
. 4
1.3
Controlling Amplitude
. 6
1.4
Frequency
. 6
1.5
Synthesizing a Sinusoid
. 8
1.6
Superposing Signals
. 11
1.7
Periodic Signals
. 12
1.8
About the Software Examples
. 15
Quick introduction to Pd
. 16
How to find and run the examples
. 17
1.9
Examples
. 18
Constant amplitude sealer
. 18
Amplitude control in decibels
. 20
Smoothed amplitude control with an envelope generator
. . 21
Major triad
. 22
Conversion between frequency and pitch
. 23
More additive synthesis
. 24
Exercises
. 25
2
Wavetables
and Samplers
27
2.1
The Wavetable Oscillator
. 30
2.2
Sampling
. 33
2.3
Enveloping Samplers
. 36
2.4
Timbre Stretching
. 39
2.5
Interpolation
. 43
vi
Contents
2.6
Examples
. 47
Wavetable oscillator
. 47
Wavetable lookup in general
. 48
Using a wavetable as a sampler
. 51
Looping samplers
. 52
Overlapping sample looper
. 54
Automatic read point precession
. 55
Exercises
. 58
3
Audio and Control Computations
59
3.1
The Sampling Theorem
. 59
3.2
Control
. 61
3.3
Control Streams
. 63
3.4
Conversion from Audio Signals to Numeric Control Streams
68
3.5
Control Streams in Block Diagrams
. 69
3.6
Event Detection
. 69
3.7
Audio Signals as Control
. 71
3.8
Operations on Control Streams
. 74
3.9
Control Operations in Pd
. 76
3.10
Examples
. 78
Sampling and foldover
. 78
Converting controls to signals
. 80
Non-
looping wavetable player
. 81
Signals to controls
. 82
Analog-style sequencer
. 83
MIDI-style synthesizer
. 83
Exercises
. 86
4
Automation and Voice Management
89
4.1
Envelope Generators
. 89
4.2
Linear and Curved Amplitude Shapes
. 92
4.3
Continuous and Discontinuous Control Changes
. 94
4.3.1
Muting
. 95
4.3.2
Switch-and-ramp
. 96
4.4
Polyphony
. 98
4.5
Voice Allocation
. 99
4.6
Voice Tags
. 100
4.7
Encapsulation in Pd
. 102
4.8
Examples
. 104
ADSR envelope generator
. 104
Transfer functions for amplitude control
. 106
Additive synthesis: Risset's bell
. 107
Contents
vii
Additive synthesis: spectral envelope control
. 110
Polyphonic synthesis: sampler
. 112
Exercises
. 116
5
Modulation
119
5.1
Taxonomy of Spectra
. 119
5.2
Multiplying Audio Signals
. 122
5.3
Waveshaping
. 126
5.4
Frequency and Phase Modulation
. 132
5.5
Examples
. 135
Ring modulation and spectra
. 135
Octave divider and
formant
adder
. 137
Waveshaping and difference tones
. 138
Waveshaping using Chebychev polynomials
. 139
Waveshaping using an exponential function
. 141
Sinusoidal waveshaping: evenness and oddness
. 143
Phase modulation and
FM. 144
Exercises
. 146
6
Designer Spectra
149
6.1
Carrier/Modulator Model
. 150
6.2
Pulse Trains
. 153
6.2.1
Pulse trains via waveshaping
. 153
6.2.2
Pulse trains via wavetable stretching
. 154
6.2.3
Resulting spectra
. 155
6.3
Movable Ring Modulation
. 158
6.4
Phase-Aligned
Formant
(PAF)
Generator
. 160
6.5
Examples
. 165
Wavetable pulse train
. 165
Simple
formant
generator
. 167
Two-cosine carrier signal
. 168
The
PAF
generator
. 170
Stretched
wavetables
. 174
Exercises
. 174
7
Time Shifts and Delays
175
7.1
Complex Numbers
. 176
7.1.1
Complex sinusoids
. 178
7.2
Time Shifts and Phase Changes
. 180
7.3
Delay Networks
. 181
7.4
Recirculating Delay Networks
. 186
7.5
Power Conservation and Complex Delay Networks
. 190
viii Contents
7.6
Artificial
Reverberation
. 195
7.6.1
Controlling reverberators
. 198
7.7
Variable and Fractional Shifts
. 198
7.8
Fidelity of Interpolating Delay Lines
. 202
7.9
Pitch Shifting
. 204
7.10
Examples
. 209
Fixed, noninterpolating delay line
. 209
Recirculating comb filter
. 210
Variable delay line
. 210
Order of execution and lower limits on delay times
. 212
Order of execution in non-recirculating delay lines
. 215
Non-recirculating comb filter as octave
doubler
. 216
Time-varying complex comb filter: shakers
. 218
Reverberator
. 219
Pitch shifter
. 222
Exercises
. 222
8
Filters
225
8.1
Taxonomy of Filters
. 226
8.1.1
Low-pass and high-pass filters
. 226
8.1.2
Band-pass and stop-band filters
. 228
8.1.3
Equalizing filters
. 229
8.2
Elementary Filters
. 231
8.2.1
Elementary non-recirculating filter
. 231
8.2.2
Non-recirculating filter, second form
. 233
8.2.3
Elementary recirculating filter
. 234
8.2.4
Compound filters
. 235
8.2.5
Real outputs from complex filters
. 236
8.2.6
Two recirculating filters for the price of one
. 237
8.3
Designing Filters
. 238
8.3.1
One-pole low-pass filter
. 238
8.3.2
One-pole, one-zero high-pass filter
. 239
8.3.3
Shelving filter
. 240
8.3.4
Band-pass filter
. 242
8.3.5
Peaking and stop-band filter
. 243
8.3.6
Butterworth filters
. 244
8.3.7
Stretching the unit circle with rational functions
. . 245
8.3.8
Butterworth band-pass filter
. 248
8.3.9
Time-varying coefficients
. 249
8.3.10
Impulse responses of recirculating filters
. 251
8.3.11
All-pass filters
. 253
8.4
Applications
. 254
Contents ix
8.4.1 Subtractive
synthesis.
254
8.4.2
Envelope following
. 256
8.4.3
Single sideband modulation
. 258
8.5
Examples
. 259
Prefabricated low-, high-, and band-pass filters
. 259
Prefabricated time-varying band-pass filter
. 260
Envelope followers
. 261
Single sideband modulation
. 263
Using elementary filters directly: shelving and peaking
. . . 264
Making and using all-pass filters
. 266
Exercises
. 266
9
Fourier Analysis and Resynthesis
267
9.1
Fourier Analysis of Periodic Signals
. 267
9.1.1
Periodicity of the Fourier transform
. 269
9.1.2
Fourier transform as additive synthesis
. 269
9.2
Properties of Fourier Transforms
. 270
9.2.1
Fourier transform of DC
. 270
9.2.2
Shifts and phase changes
. 272
9.2.3
Fourier transform of a sinusoid
. 274
9.3
Fourier Analysis of Non-Periodic Signals
. 274
9.4
Fourier Analysis and Reconstruction of Audio Signals
. . . 279
9.4.1
Narrow-band companding
. 281
9.4.2
Timbre stamping (classical vocoder)
. 283
9.5
Phase
. 284
9.5.1
Phase relationships between channels
. 288
9.6
Phase Bashing
. 290
9.7
Examples
. 291
Fourier analysis and resynthesis in Pd
. 291
Narrow-band companding: noise suppression
. 293
Timbre stamp ("vocoder")
. 295
Phase vocoder time bender
. 296
Exercises
. 299
10
Classical Waveforms
301
10.1
Symmetries and Fourier Series
. 302
10.1.1
Sawtooth waves and symmetry
. 304
10.2
Dissecting Classical Waveforms
. 305
10.3
Fourier Series of the Elementary Waveforms
. 308
10.3.1
Sawtooth wave
. 309
10.3.2
Parabolic wave
. 310
10.3.3
Square and symmetric triangle waves
. 311
χ
Contents
10.3.4 General
(non-symmetric) triangle wave
. 311
10.4
Predicting and Controlling Foldover
. 313
10.4.1
Over-sampling
. 314
10.4.2
Sneaky triangle waves
. 314
10.4.3
Transition splicing
. 316
10.5
Examples
. 319
Combining sawtooth waves
. 319
Strategies for band-limiting sawtooth waves
. 320
Exercises
. 322
Bibliography
323
Index
327 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Puckette, Miller S. |
| author_facet | Puckette, Miller S. |
| author_role | aut |
| author_sort | Puckette, Miller S. |
| author_variant | m s p ms msp |
| building | Verbundindex |
| bvnumber | BV022786106 |
| classification_rvk | LR 11370 ZN 6860 |
| ctrlnum | (OCoLC)237018182 (DE-599)BVBBV022786106 |
| discipline | Elektrotechnik / Elektronik / Nachrichtentechnik Musikwissenschaft |
| discipline_str_mv | Elektrotechnik / Elektronik / Nachrichtentechnik Musikwissenschaft |
| format | Book |
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| id | DE-604.BV022786106 |
| illustrated | Illustrated |
| index_date | 2024-07-02T18:38:09Z |
| indexdate | 2024-07-09T21:06:07Z |
| institution | BVB |
| isbn | 9812700773 9789812700773 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015991533 |
| oclc_num | 237018182 |
| open_access_boolean | |
| owner | DE-12 DE-11 DE-B768 |
| owner_facet | DE-12 DE-11 DE-B768 |
| physical | XIV, 331 Seiten Diagramme, Illustrationen |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | World Scientific |
| record_format | marc |
| spelling | Puckette, Miller S. Verfasser aut The theory and technique of electronic music Miller Puckette New Jersey World Scientific 2007 XIV, 331 Seiten Diagramme, Illustrationen txt rdacontent n rdamedia nc rdacarrier Electronic music Instruction and study Elektronische Musik (DE-588)4014355-7 gnd rswk-swf Elektronische Musik (DE-588)4014355-7 s DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015991533&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Puckette, Miller S. The theory and technique of electronic music Electronic music Instruction and study Elektronische Musik (DE-588)4014355-7 gnd |
| subject_GND | (DE-588)4014355-7 |
| title | The theory and technique of electronic music |
| title_auth | The theory and technique of electronic music |
| title_exact_search | The theory and technique of electronic music |
| title_exact_search_txtP | The theory and technique of electronic music |
| title_full | The theory and technique of electronic music Miller Puckette |
| title_fullStr | The theory and technique of electronic music Miller Puckette |
| title_full_unstemmed | The theory and technique of electronic music Miller Puckette |
| title_short | The theory and technique of electronic music |
| title_sort | the theory and technique of electronic music |
| topic | Electronic music Instruction and study Elektronische Musik (DE-588)4014355-7 gnd |
| topic_facet | Electronic music Instruction and study Elektronische Musik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015991533&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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