The literature - film reader: issues of adaptation
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Lanham, Md. [u.a.]
Scarecrow Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | XXVIII, 361 S. |
| ISBN: | 0810859491 9780810859494 |
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| 245 | 1 | 0 | |a The literature - film reader |b issues of adaptation |c ed. by James M. Welsh, Peter Lev |
| 264 | 1 | |a Lanham, Md. [u.a.] |b Scarecrow Press |c 2007 | |
| 300 | |a XXVIII, 361 S. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments
ix
Introduction: Issues of Screen Adaptation:
What Is Truth?
xiii
James M, Welsh
Part Is Polemics
Chapter
1
к
Wasn t Like That in the Book
... 3
Brian McFarhne
Chapter
2
Literature vs. Literacy: Two Futures for
Adaptation Studies
15
Thomas M. Leitcft
Chapter
3
Adaptation Studies and the History of Ideas:
The Case o{ Apocalypse Now
J
5
Donald
M. Whdey
Chapter
4
Adaptation Studies Revisited: Purposes,
Perspectives, and Inspiration
51
Sardi
Cardwell
vi í^ -*
Contents
Chapter
5
The Cold War s Undigested Apple-Dumpling :
Imaging Mob-Dick in
1956
and
2001 65
Walter
C.Metz
Chapter
6
Trying Harder: Probability, Objectivity, and
Rationality in Adaptation Studies
77
David L.
Kranz
Part II: Classic and Popular Literature
Chapter
7
What Is a Shakespeare Film, Anyway?
105
James M. Welsh
Chapter
8
Returning to Naples: Seeing the End in Shakespeare
Film Adaptation
115
Yong Li
Lan
Chapter
9
Pop Goes the Shakespeare:
Baz
Luhrmann s
WilUam Shakespeare s Romeo
+
Juliet
125
Elsie Walker
Chapter
10
Refraining Adaptation: Representing the Invisible
(On The House of Mirth, Directed by
Terence Davies,
2000) 149
Wendy Everett
Chapter
11
Sucking
Dracula:
Mythic Biography into Fiction
into Film, or Why Francis Ford Coppola s Dracuh
Is Not Really
Bram
Stoker s
Dracula
or
Wallachia s
Dracula
165
James M. Welsh
Chapter
12
Vertigo, Novel and Film
175
Peter Lev
Chapter
13
Heinlein,
Verhoeven,
and the Problem of the Real:
Starship Troopers
187
J. P. Tefotte
Part III: Politics and Adaptation
Chapter
14
Literary Hardball: The Novel-to-Screen
Complexities of The Manchurian Candidate
201
Linda Costanzo Cahir
Contents —
vii
Chapter
15
The
Oale:
A Balancing Act from Page to Screen
217
Odette Caufman-Blumenfeld
Chapter
16
Adaptation and the Cold War: Mankiewicz s
The Quiet American
235
Brian Neve
Chapter
17
All the Quiet Americans
245
C.
Kennedi
Pellow
Part IV: History, Biography, and Memoir
Chapter
18
Camille Claudel:
Biography Constructed
as Melodrama
259
Joan Driscoll Lynch
Chapter
19
W. C. Handy Goes Uptown: Hollywood Constructs
the American Blues Musician
271
JohnC.Tibbetts
Chapter
20
Memoir and the Limits of Adaptation
285
William Mooney
Chapter
21
Getting It Right: The Alamo on Film
297
Frank Thompson
Chapter
22
Plains Speaking: Sound, Sense, and Sensibility in
Ang
Lee s Ride with the Devil
307
John C. Tibbetts
Part V: Epilogue: The Future of Adaptation Studies
Chapter
23
Where Are We Going, Where Have We Been?
327
Thomas M. Leitch
Chapter
24
The Future of Adaptation Studies
335
Peter Lev
Index
339
About the Editors
355
About the Contributors
357
Γ
From examinations of Francis Ford Coppola s Apocalypse Now to Alfred Hitchcock s Vertigo, The
Literature/Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources.
The first section presents essays on the hows and whys of adaptation studies, and subse¬
quent sections highlight films adapted from such literature genres as classic and popular
literature, drama, biography and memoir. The last section offers a new departure for adapta¬
tion studies, suggesting that films about history—often a separate category of film study—can
be viewed as adaptations of records of the past. The anthology concludes with speculations
about the future of adaptation studies.
Several essays provide detailed analyses of films, in some cases discussing more than one
adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American,
and Romeo and Juliet. Other works examined include Moby Dkk, The House of Mirth, Dracuk, and
Starship Troopers, which demonstrates the breadth of material considered for this anthology
Although many of these essays have appeared in
ШегвШе/Шт
Quarterly, more than half are
original contributions. Chosen for their readability
Љеу
ave«!
theoretical jargon as much as
possible. For this reason alone, this collection vM be erf
ІШетй
to not only cinema scholars
but also anyone interested
teÉÉÉr-snd
their soufft material. Ulfeiatety, The Literature/Rim
Iteaâer
provides an excellent <3V«M*w of this critical aspect of film studies.
|
| adam_txt |
Contents
Acknowledgments
ix
Introduction: Issues of Screen Adaptation:
What Is Truth?
xiii
James M, Welsh
Part Is Polemics
Chapter
1
к
Wasn't Like That in the Book
. 3
Brian McFarhne
Chapter
2
Literature vs. Literacy: Two Futures for
Adaptation Studies
15
Thomas M. Leitcft
Chapter
3
Adaptation Studies and the History of Ideas:
The Case o{ Apocalypse Now
J
5
Donald
M. Whdey
Chapter
4
Adaptation Studies Revisited: Purposes,
Perspectives, and Inspiration
51
Sardi
Cardwell
vi í^"-*
Contents
Chapter
5
The Cold War's "Undigested Apple-Dumpling":
Imaging Mob-Dick in
1956
and
2001 65
Walter
C.Metz
Chapter
6
Trying Harder: Probability, Objectivity, and
Rationality in Adaptation Studies
77
David L.
Kranz
Part II: Classic and Popular Literature
Chapter
7
What Is a "Shakespeare Film," Anyway?
105
James M. Welsh
Chapter
8
Returning to Naples: Seeing the End in Shakespeare
Film Adaptation
115
Yong Li
Lan
Chapter
9
Pop Goes the Shakespeare:
Baz
Luhrmann's
WilUam Shakespeare's Romeo
+
Juliet
125
Elsie Walker
Chapter
10
Refraining Adaptation: Representing the Invisible
(On The House of Mirth, Directed by
Terence Davies,
2000) 149
Wendy Everett
Chapter
11
Sucking
Dracula:
Mythic Biography into Fiction
into Film, or Why Francis Ford Coppola's Dracuh
Is Not Really
Bram
Stoker's
Dracula
or
Wallachia's
Dracula
165
James M. Welsh
Chapter
12
Vertigo, Novel and Film
175
Peter Lev
Chapter
13
Heinlein,
Verhoeven,
and the Problem of the Real:
Starship Troopers
187
J. P. Tefotte
Part III: Politics and Adaptation
Chapter
14
Literary Hardball: The Novel-to-Screen
Complexities of The Manchurian Candidate
201
Linda Costanzo Cahir
Contents '—'
vii
Chapter
15
The
Oale:
A Balancing Act from Page to Screen
217
Odette Caufman-Blumenfeld
Chapter
16
Adaptation and the Cold War: Mankiewicz's
The Quiet American
235
Brian Neve
Chapter
17
All the Quiet Americans
245
C.
Kennedi
Pellow
Part IV: History, Biography, and Memoir
Chapter
18
Camille Claudel:
Biography Constructed
as Melodrama
259
Joan Driscoll Lynch
Chapter
19
W. C. Handy Goes Uptown: Hollywood Constructs
the American Blues Musician
271
JohnC.Tibbetts
Chapter
20
Memoir and the Limits of Adaptation
285
William Mooney
Chapter
21
Getting It Right: The Alamo on Film
297
Frank Thompson
Chapter
22
"Plains" Speaking: Sound, Sense, and Sensibility in
Ang
Lee's Ride with the Devil
307
John C. Tibbetts
Part V: Epilogue: The Future of Adaptation Studies
Chapter
23
Where Are We Going, Where Have We Been?
327
Thomas M. Leitch
Chapter
24
The Future of Adaptation Studies
335
Peter Lev
Index
339
About the Editors
355
About the Contributors
357
Γ
From examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The
Literature/Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources.
The first section presents essays on the hows and whys of adaptation studies, and subse¬
quent sections highlight films adapted from such literature genres as classic and popular
literature, drama, biography and memoir. The last section offers a new departure for adapta¬
tion studies, suggesting that films about history—often a separate category of film study—can
be viewed as adaptations of records of the past. The anthology concludes with speculations
about the future of adaptation studies.
Several essays provide detailed analyses of films, in some cases discussing more than one
adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American,
and Romeo and Juliet. Other works examined include Moby Dkk, The House of Mirth, Dracuk, and
Starship Troopers, which demonstrates the breadth of material considered for this anthology
Although many of these essays have appeared in
ШегвШе/Шт
Quarterly, more than half are
original contributions. Chosen for their readability
Љеу
ave«!
theoretical jargon as much as
possible. For this reason alone, this collection vM be erf
ІШетй
to not only cinema scholars
but also anyone interested
teÉÉÉr-snd
their soufft material. Ulfeiatety, The Literature/Rim
Iteaâer
provides an excellent <3V«M*w of this critical aspect of film studies. \ |
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| spelling | The literature - film reader issues of adaptation ed. by James M. Welsh, Peter Lev Lanham, Md. [u.a.] Scarecrow Press 2007 XXVIII, 361 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references Adaptations cinématographiques - Histoire et critique Cinéma et littérature Film adaptations History and criticism Motion pictures and literature Film (DE-588)4017102-4 gnd rswk-swf Vorlage (DE-588)4188682-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Vorlage (DE-588)4188682-3 s DE-604 Welsh, James Michael Sonstige oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015988294&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015988294&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | The literature - film reader issues of adaptation Adaptations cinématographiques - Histoire et critique Cinéma et littérature Film adaptations History and criticism Motion pictures and literature Film (DE-588)4017102-4 gnd Vorlage (DE-588)4188682-3 gnd |
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| title | The literature - film reader issues of adaptation |
| title_auth | The literature - film reader issues of adaptation |
| title_exact_search | The literature - film reader issues of adaptation |
| title_exact_search_txtP | The literature - film reader issues of adaptation |
| title_full | The literature - film reader issues of adaptation ed. by James M. Welsh, Peter Lev |
| title_fullStr | The literature - film reader issues of adaptation ed. by James M. Welsh, Peter Lev |
| title_full_unstemmed | The literature - film reader issues of adaptation ed. by James M. Welsh, Peter Lev |
| title_short | The literature - film reader |
| title_sort | the literature film reader issues of adaptation |
| title_sub | issues of adaptation |
| topic | Adaptations cinématographiques - Histoire et critique Cinéma et littérature Film adaptations History and criticism Motion pictures and literature Film (DE-588)4017102-4 gnd Vorlage (DE-588)4188682-3 gnd |
| topic_facet | Adaptations cinématographiques - Histoire et critique Cinéma et littérature Film adaptations History and criticism Motion pictures and literature Film Vorlage Aufsatzsammlung |
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