Brian Friel, Ireland, and the North:
"This study expands Friel criticism into a sizeable body of new material and into a new interpretative direction. Along with considering Friel's most recent plays, the book analyzes his interviews and essays to chart the author's ideological evolution throughout a career of more than...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2007
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge studies in modern theatre
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This study expands Friel criticism into a sizeable body of new material and into a new interpretative direction. Along with considering Friel's most recent plays, the book analyzes his interviews and essays to chart the author's ideological evolution throughout a career of more than forty years. Moreover, a chapter is devoted to his previously ignored articles for the Irish Press (1962-1963), a series that reveals unsuspected insights into Friel's disposition towards the Irish Republic. Refining our understanding of Friel's relationship to Republicanism is central to the argument; rather than assuming that the author embraces nationalist ideology, the book relocates the conceptual concerns of his work away from Dublin and to "the North," this bridge between Ireland and the British province of Northern Ireland."--BOOK JACKET. |
| Beschreibung: | XIV, 257 S. |
| ISBN: | 9780521873864 |
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Datensatz im Suchindex
| _version_ | 1804137040762109952 |
|---|---|
| adam_text | Contents
Acknowledgments page
xi
List of abbreviations
xiii
Introduction: Friel, criticism, and theory
/
ι
The Irish Press essays, 1962-1963: Alien and native
10
2
The plays of the
1960s:
Assessing partition s
aftermath
39
The Enemy Within
42
Philadelphia, Here I Come! and The Loves of Cass
McGuire
52
Lovers
62
Crystal and Fox
71
3
The plays of the
1970s:
Interrogating nationalism
78
Self-Portrait So
The Mundy Scheme, Volunteers, and Freedom
of the City
87
The Gentle Island
112
Living Quarters, Faith Healer, and Aristocrats
r
17
4
Plays 1980-1993: The North
139
The Northern thing
139
The Communication Cord
143
Translations
150
Making History, The London Vertigo, and
Translations
161
ix
Contents
Dancing
at Lughnasa
169
Wonderful Tennessee
176
Plays
1994-200$:
Retreat from Ireland and The Home
Place
184
Molly Sweeney and Give Me Your Answer, Do!
184
Three Plays After and Performances
197
The Home Place
203
Notes
213
Works cited
237
Index
253
CAMBRIDGE
STUDIES
IN MODERN
THEATRE
Series editor: David Bradby
Volumes for Cambridge Studies
in Modern Theatre explore the
political, social, and cultural
functions of theatre while also
paying careful attention to
detailed performance analysis.
The focus of the series is on
political approaches to the
modern theatre with attention
also being paid to theatres of
earlier periods and their influ¬
ences on contemporary drama.
Topics in the series are chosen
to investigate this relationship
and include both playwrights
and process, the political struc¬
ture within theatre companies
and their choice of audience or
performance venues.
ALSO OF INTEREST
The Politics of Irish Drama:
Plays in Context from Boucicault to Friel
Nicholas Grene
In this book Nicholas Grene explores political contexts
for some of the outstanding Irish plays from the
nineteenth century to the contemporary period. The
politics of Irish drama have previously been considered
primarily the politics of national self-expression.
Here it is argued that Irish plays, in their self-conscious
representation of the otherness of Ireland, are outwardly
directed towards audiences both at home and abroad.
The political dynamics of such relations between plays
and audiences is the book s multiple subject: the stage
interpretation of Ireland from The Shaughraun to
Translations-, the contentious stage images of Yeats,
Gregory, and Synge; reactions to revolution from
O Casey to Behan,· the post-colonial worlds of Purgatory
and All That Fall; the imagined Irelands of Friel and
Murphy, McGuinness and Barry. With its fundamental
reconception
of the politics of Irish drama, this book
represents a new view of the phenomenon of Irish
drama itself.
|
| adam_txt |
Contents
Acknowledgments page
xi
List of abbreviations
xiii
Introduction: Friel, criticism, and theory
/
ι
The Irish Press essays, 1962-1963: Alien and native
10
2
The plays of the
1960s:
Assessing partition's
aftermath
39
The Enemy Within
42
Philadelphia, Here I Come! and The Loves of Cass
McGuire
52
Lovers
62
Crystal and Fox
71
3
The plays of the
1970s:
Interrogating nationalism
78
Self-Portrait So
The Mundy Scheme, Volunteers, and Freedom
of the City
87
The Gentle Island
112
Living Quarters, Faith Healer, and Aristocrats
r
17
4
Plays 1980-1993: The North
139
"The Northern thing"
139
The Communication Cord
143
Translations
150
Making History, The London Vertigo, and
Translations
161
ix
Contents
Dancing
at Lughnasa
169
Wonderful Tennessee
176
Plays
1994-200$:
Retreat from Ireland and The Home
Place
184
Molly Sweeney and Give Me Your Answer, Do!
184
Three Plays After and Performances
197
The Home Place
203
Notes
213
Works cited
237
Index
253
CAMBRIDGE
STUDIES
IN MODERN
THEATRE
Series editor: David Bradby
Volumes for Cambridge Studies
in Modern Theatre explore the
political, social, and cultural
functions of theatre while also
paying careful attention to
detailed performance analysis.
The focus of the series is on
political approaches to the
modern theatre with attention
also being paid to theatres of
earlier periods and their influ¬
ences on contemporary drama.
Topics in the series are chosen
to investigate this relationship
and include both playwrights
and process, the political struc¬
ture within theatre companies
and their choice of audience or
performance venues.
ALSO OF INTEREST
The Politics of Irish Drama:
Plays in Context from Boucicault to Friel
Nicholas Grene
In this book Nicholas Grene explores political contexts
for some of the outstanding Irish plays from the
nineteenth century to the contemporary period. The
politics of Irish drama have previously been considered
primarily the politics of national self-expression.
Here it is argued that Irish plays, in their self-conscious
representation of the otherness of Ireland, are outwardly
directed towards audiences both at home and abroad.
The political dynamics of such relations between plays
and audiences is the book's multiple subject: the stage
interpretation of Ireland from The Shaughraun to
Translations-, the contentious stage images of Yeats,
Gregory, and Synge; reactions to revolution from
O'Casey to Behan,· the post-colonial worlds of Purgatory
and All That Fall; the imagined Irelands of Friel and
Murphy, McGuinness and Barry. With its fundamental
reconception
of the politics of Irish drama, this book
represents a new view of the phenomenon of Irish
drama itself. |
| any_adam_object | 1 |
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| indexdate | 2024-07-09T21:05:59Z |
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| spelling | Boltwood, Scott Verfasser aut Brian Friel, Ireland, and the North Scott Boltwood 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2007 XIV, 257 S. txt rdacontent n rdamedia nc rdacarrier Cambridge studies in modern theatre "This study expands Friel criticism into a sizeable body of new material and into a new interpretative direction. Along with considering Friel's most recent plays, the book analyzes his interviews and essays to chart the author's ideological evolution throughout a career of more than forty years. Moreover, a chapter is devoted to his previously ignored articles for the Irish Press (1962-1963), a series that reveals unsuspected insights into Friel's disposition towards the Irish Republic. Refining our understanding of Friel's relationship to Republicanism is central to the argument; rather than assuming that the author embraces nationalist ideology, the book relocates the conceptual concerns of his work away from Dublin and to "the North," this bridge between Ireland and the British province of Northern Ireland."--BOOK JACKET. Friel Criticism and interpretation Friel Political and social views Friel, Brian 1929-2015 (DE-588)118990829 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Irlandbild (DE-588)4311215-8 gnd rswk-swf Irland Ireland In literature Friel, Brian 1929-2015 (DE-588)118990829 p Drama (DE-588)4012899-4 s Irlandbild (DE-588)4311215-8 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015985108&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015985108&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Boltwood, Scott Brian Friel, Ireland, and the North Friel Criticism and interpretation Friel Political and social views Friel, Brian 1929-2015 (DE-588)118990829 gnd Drama (DE-588)4012899-4 gnd Irlandbild (DE-588)4311215-8 gnd |
| subject_GND | (DE-588)118990829 (DE-588)4012899-4 (DE-588)4311215-8 |
| title | Brian Friel, Ireland, and the North |
| title_auth | Brian Friel, Ireland, and the North |
| title_exact_search | Brian Friel, Ireland, and the North |
| title_exact_search_txtP | Brian Friel, Ireland, and the North |
| title_full | Brian Friel, Ireland, and the North Scott Boltwood |
| title_fullStr | Brian Friel, Ireland, and the North Scott Boltwood |
| title_full_unstemmed | Brian Friel, Ireland, and the North Scott Boltwood |
| title_short | Brian Friel, Ireland, and the North |
| title_sort | brian friel ireland and the north |
| topic | Friel Criticism and interpretation Friel Political and social views Friel, Brian 1929-2015 (DE-588)118990829 gnd Drama (DE-588)4012899-4 gnd Irlandbild (DE-588)4311215-8 gnd |
| topic_facet | Friel Criticism and interpretation Friel Political and social views Friel, Brian 1929-2015 Drama Irlandbild Irland Ireland In literature |
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