The golden age of cinema: Hollywood, 1929-1945
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Malden [u.a.]
Blackwell Publ.
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | xv, 348 S. Ill. |
| ISBN: | 9781405163736 |
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| 245 | 1 | 0 | |a The golden age of cinema |b Hollywood, 1929-1945 |c Richard B. Jewell |
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| adam_text | Titel: The golden age of cinema
Autor: Jewell, Richard B.
Jahr: 2007
Contents
List of Illustrations be
Acknowledgments xiii
Introduction 1
1. Historical Overview 5
Major Historical Events 5
Economic Situation 16
Societal Issues 21
Hollywood Responds to the Crises 28
Other Leisure Activities 34
2. Film Business 50
The Studios 51
Production 65
Distribution 75
Exhibition 83
3. Technology 90
The Sound Revolution 91
Color Film Production 99
Wide-Screen Experiments of 1929-31 105
Special Effects 106
4. Censorship 113
Silent Era Background 113
The Production Code 116
Pre-Code Hollywood 121
The Production Code Administration 132
Exploitation Films and Foreign Imports 139
Politics and the PCA 140
The Outlaw 143
The Office of War Information Bureau of Motion Pictures 145
The PCA during the War 147
5. Narrative and Style 151
Narrative Strategies 152
Stylistic Techniques I62
Narrative in Stagecoach 169
Style in Stagecoach 178
A Note on Studio Style 189
A Note on Genre Style 190
A Note on Film Noir 191
A Note on Directorial Style 192
6. Genres 195
The Western 197
The Gangster Film 201
The Adventure Film 206
The Horror Film 209
The Detective Film 215
The War Film 219
Comedy 224
The Musical 232
The Woman s Film 239
Other Genres 243
7. Stars and the Star System 250
The Star as Business Commodity 250
The Multiplicity of Stars 260
The Star as Actor 266
The Most Popular Stars 268
8. Conclusion 299
Selected Bibliography 303
Index 317
General 317
Film titles 335
Illustrations
1.1 A breadline made up of hundreds of hungry men snakes down a 8
New York street during the Depression.
1.2 President Franklin D. Roosevelt broadcasts from the Oval Office 13
of the White House in 1940.
1.3 A female worker tightens down the engine cowling of a P-38 32
fighter plane at the Lockheed plant in the Los Angeles area, 1943.
2.1 Irving Thalberg, the boy wonder who supervised production at 54
MGM from 1924 until 1932.
2.2 Carl Laemmle, president of Universal, and his son Carl Laemmle 59
Jr., the head of production at the studio in the early 1930s.
2.3 RKO Studios organizational chart from 1934. 67
2.4 Film distribution map showing the locations of the studios 76
exchange cities and the territories they serviced.
2.5 RKO profit/loss table for the 1932-33 release year. 84/85
2.6 One of the motion picture palaces of the 1930s - the Paramount 86
Theater in Aurora, Illinois.
2.7 The exterior of the Warner Bros. Theater in Beverly Hills, 87
California, photographed in 1938.
3.1 Photographed silent with the sounds of gunfire and explosions 97
added later, the battle scenes in All Quiet on the Western Front
(produced by Carl Laemmle Jr. for Universal, 1930) were realistic
and visually dynamic.
3.2 The massive three-strip Technicolor camera dwarfs Rouben 102
Mamoulian as he directs Miriam Hopkins in Becky Sharp
(produced by Kenneth Macgowan for Pioneer Pictures/RKO,
1935).
3.3 Claude Rains and Gloria Stuart in The Invisible Man (produced by 109
Carl Laemmle Jr. for Universal, 1933).
3.4 King Kong (produced by MerianC. Cooper and Ernest B. Ill
Schoedsack for RKO, 1933), the trailblazing special effects film of
the Classical Period.
4.1 Mae West, the sexiest star of her day, in I m No Angel (produced 125
by William LeBaron for Paramount, 1933).
4.2 Paul Muni in the ultra-violent Scarf ace (produced by Howard 128
Hughes for Caddo/United Artists, 1932).
4.3 Joseph I. Breen, head of the Production Code Administration, 134
visits the set of Three Smart Girls (Universal, 1936).
4.4 Paul Lukas salutes a group of young Americans being 142
indoctrinated in the ways of the Nazi Party in Confessions of a
Nazi Spy (produced by Robert Lord for Warner Bros., 1939).
4.5 Venetian blinds cast ominous shadows in the prototypical 149
film noir, Double Indemnity (produced by Joseph Sistrom for
Paramount, 1944).
5.1 The anarchic Marx Brothers (Chico, Zeppo, Groucho, and Harpo) 154
in Duck Soup (Paramount, 1933).
5.2 Louise Platt as Mrs. Mallory, John Carradine as Hatfield and 179
Claire Trevor as Dallas in Stagecoach (produced by Walter
Wanger for United Artists, 1939).
5.3 Claire Trevor as Dallas and John Wayne as the Ringo Kid in 181
Stagecoach (produced by Walter Wanger for United Artists, 1939).
5.4 The stagecoach ferries its passengers through the beautiful but 183
dangerous Monument Valley in Stagecoach (produced by Walter
Wanger for United Artists, 1939).
6.1 Humphrey Bogart and James Cagney play two gangsters in Angels 205
with Dirty Faces (produced by Sam Bischoff for Warner Bros.,
1938).
6.2 Olivia de Havilland and Errol Flynn in the adventure film Captain 209
Blood (produced by Harry Joe Brown and Gordon Hollingshead
for Warner Bros., 1935).
6.3 Basil Rathbone is amazed to find several bullets lodged in the 213
still-beating heart of his father s monstrous creation (Boris
Karloff) in Son of Frankenstein (produced by Rowland V. Lee for
Universal, 1939).
6.4 Clark Gable and Claudette Colbert in the highly influential It 231
Happened One Night (produced by Harry Cohn for Columbia,
1934).
6.5 Ginger Rogers dances with Fred Astaire in Swing Time (produced 233
by Pandro S. Berman for RKO, 1936).
6.6 Irene Dunne with a picture of her lover, John Boles, in Backstreet 241
(produced by Carl Laemmle Jr. for Universal, 1932).
7.1 An advertisement for Spitfire (produced by Pandro S. Berman for 252
RKO, 1934).
7.2 An advertisement for Shall We Dance (produced by Pandro S. 253
Berman for RKO, 1937).
7.3 An advertisement for I Walked with a Zombie (produced by Val 254
Lewton for RKO, 1943).
7.4 A title card meant to be displayed in theater lobbies for Murder, 263
My Sweet (produced by Adrian Scott for RKO, 1945).
7.5 Marie Dressier with Wallace Beery and Marjorie Rambeau in Mm 275
and Bi7/(MGM, 1930).
7.6 The benevolent Will Rogers looks down on Marian Nixon and 278
Howard Lally in Doctor Bull (produced by Winfield Sheehan for
Fox, 1933).
7.7 Shirley Temple seems perplexed as she tries to figure a way to 281
soften the hard heart of her grandfather (Lionel Barrymore) in
The Little Colonel (produced by B.G. DeSylva for Fox, 1935).
7.8 Andy Hardy (Mickey Rooney) and his father (Lewis Stone) have 285
one of their man-to-man talks in Andy Hardy Gets Spring Fever
(produced by Lou Ostrow for MGM, 1939).
7.9 Lou Costello and Bud Abbott in uniform in Buck Privates 289
(produced by Alex Gottlieb for Universal, 1941).
7.10 The famous pin up shot of Betty Grable, taken in early 1943. 293
7.11 Bing Crosby, Dorothy Lamour and Bob Hope in Road to Morocco 296
(produced by B.G. DeSylva for Paramount, 1942).
|
| adam_txt |
Titel: The golden age of cinema
Autor: Jewell, Richard B.
Jahr: 2007
Contents
List of Illustrations be
Acknowledgments xiii
Introduction 1
1. Historical Overview 5
Major Historical Events 5
Economic Situation 16
Societal Issues 21
Hollywood Responds to the Crises 28
Other Leisure Activities 34
2. Film Business 50
The Studios 51
Production 65
Distribution 75
Exhibition 83
3. Technology 90
The Sound Revolution 91
Color Film Production 99
Wide-Screen Experiments of 1929-31 105
Special Effects 106
4. Censorship 113
Silent Era Background 113
The Production Code 116
"Pre-Code" Hollywood 121
The Production Code Administration 132
"Exploitation" Films and Foreign Imports 139
Politics and the PCA 140
The Outlaw 143
The Office of War Information Bureau of Motion Pictures 145
The PCA during the War 147
5. Narrative and Style 151
Narrative Strategies 152
Stylistic Techniques I62
Narrative in Stagecoach 169
Style in Stagecoach 178
A Note on "Studio" Style 189
A Note on Genre Style 190
A Note on Film Noir 191
A Note on Directorial Style 192
6. Genres 195
The Western 197
The Gangster Film 201
The Adventure Film 206
The Horror Film 209
The Detective Film 215
The War Film 219
Comedy 224
The Musical 232
The Woman's Film 239
Other Genres 243
7. Stars and the Star System 250
The Star as Business Commodity 250
The Multiplicity of Stars 260
The Star as Actor 266
The Most Popular Stars 268
8. Conclusion 299
Selected Bibliography 303
Index 317
General 317
Film titles 335
Illustrations
1.1 A breadline made up of hundreds of hungry men snakes down a 8
New York street during the Depression.
1.2 President Franklin D. Roosevelt broadcasts from the Oval Office 13
of the White House in 1940.
1.3 A female worker tightens down the engine cowling of a P-38 32
fighter plane at the Lockheed plant in the Los Angeles area, 1943.
2.1 Irving Thalberg, the "boy wonder" who supervised production at 54
MGM from 1924 until 1932.
2.2 Carl Laemmle, president of Universal, and his son Carl Laemmle 59
Jr., the head of production at the studio in the early 1930s.
2.3 RKO Studios' organizational chart from 1934. 67
2.4 Film distribution map showing the locations of the studios' 76
exchange cities and the territories they serviced.
2.5 RKO profit/loss table for the 1932-33 release year. 84/85
2.6 One of the motion picture palaces of the 1930s - the Paramount 86
Theater in Aurora, Illinois.
2.7 The exterior of the Warner Bros. Theater in Beverly Hills, 87
California, photographed in 1938.
3.1 Photographed silent with the sounds of gunfire and explosions 97
added later, the battle scenes in All Quiet on the Western Front
(produced by Carl Laemmle Jr. for Universal, 1930) were realistic
and visually dynamic.
3.2 The massive three-strip Technicolor camera dwarfs Rouben 102
Mamoulian as he directs Miriam Hopkins in Becky Sharp
(produced by Kenneth Macgowan for Pioneer Pictures/RKO,
1935).
3.3 Claude Rains and Gloria Stuart in The Invisible Man (produced by 109
Carl Laemmle Jr. for Universal, 1933).
3.4 King Kong (produced by MerianC. Cooper and Ernest B. Ill
Schoedsack for RKO, 1933), the trailblazing special effects film of
the Classical Period.
4.1 Mae West, the sexiest star of her day, in I'm No Angel (produced 125
by William LeBaron for Paramount, 1933).
4.2 Paul Muni in the ultra-violent Scarf ace (produced by Howard 128
Hughes for Caddo/United Artists, 1932).
4.3 Joseph I. Breen, head of the Production Code Administration, 134
visits the set of Three Smart Girls (Universal, 1936).
4.4 Paul Lukas salutes a group of young Americans being 142
indoctrinated in the ways of the Nazi Party in Confessions of a
Nazi Spy (produced by Robert Lord for Warner Bros., 1939).
4.5 Venetian blinds cast ominous shadows in the prototypical 149
film noir, Double Indemnity (produced by Joseph Sistrom for
Paramount, 1944).
5.1 The anarchic Marx Brothers (Chico, Zeppo, Groucho, and Harpo) 154
in Duck Soup (Paramount, 1933).
5.2 Louise Platt as Mrs. Mallory, John Carradine as Hatfield and 179
Claire Trevor as Dallas in Stagecoach (produced by Walter
Wanger for United Artists, 1939).
5.3 Claire Trevor as Dallas and John Wayne as the Ringo Kid in 181
Stagecoach (produced by Walter Wanger for United Artists, 1939).
5.4 The stagecoach ferries its passengers through the beautiful but 183
dangerous Monument Valley in Stagecoach (produced by Walter
Wanger for United Artists, 1939).
6.1 Humphrey Bogart and James Cagney play two gangsters in Angels 205
with Dirty Faces (produced by Sam Bischoff for Warner Bros.,
1938).
6.2 Olivia de Havilland and Errol Flynn in the adventure film Captain 209
Blood (produced by Harry Joe Brown and Gordon Hollingshead
for Warner Bros., 1935).
6.3 Basil Rathbone is amazed to find several bullets lodged in the 213
still-beating heart of his father's monstrous creation (Boris
Karloff) in Son of Frankenstein (produced by Rowland V. Lee for
Universal, 1939).
6.4 Clark Gable and Claudette Colbert in the highly influential It 231
Happened One Night (produced by Harry Cohn for Columbia,
1934).
6.5 Ginger Rogers dances with Fred Astaire in Swing Time (produced 233
by Pandro S. Berman for RKO, 1936).
6.6 Irene Dunne with a picture of her lover, John Boles, in Backstreet 241
(produced by Carl Laemmle Jr. for Universal, 1932).
7.1 An advertisement for Spitfire (produced by Pandro S. Berman for 252
RKO, 1934).
7.2 An advertisement for Shall We Dance (produced by Pandro S. 253
Berman for RKO, 1937).
7.3 An advertisement for I Walked with a Zombie (produced by Val 254
Lewton for RKO, 1943).
7.4 A title card meant to be displayed in theater lobbies for Murder, 263
My Sweet (produced by Adrian Scott for RKO, 1945).
7.5 Marie Dressier with Wallace Beery and Marjorie Rambeau in Mm 275
and Bi7/(MGM, 1930).
7.6 The benevolent Will Rogers looks down on Marian Nixon and 278
Howard Lally in Doctor Bull (produced by Winfield Sheehan for
Fox, 1933).
7.7 Shirley Temple seems perplexed as she tries to figure a way to 281
soften the hard heart of her grandfather (Lionel Barrymore) in
The Little Colonel (produced by B.G. DeSylva for Fox, 1935).
7.8 Andy Hardy (Mickey Rooney) and his father (Lewis Stone) have 285
one of their man-to-man talks in Andy Hardy Gets Spring Fever
(produced by Lou Ostrow for MGM, 1939).
7.9 Lou Costello and Bud Abbott in uniform in Buck Privates 289
(produced by Alex Gottlieb for Universal, 1941).
7.10 The famous pin up shot of Betty Grable, taken in early 1943. 293
7.11 Bing Crosby, Dorothy Lamour and Bob Hope in Road to Morocco 296
(produced by B.G. DeSylva for Paramount, 1942). |
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| index_date | 2024-07-02T18:35:19Z |
| indexdate | 2024-07-09T21:05:57Z |
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| isbn | 9781405163736 |
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| spelling | Jewell, Richard B. 1945- Verfasser (DE-588)1106288254 aut The golden age of cinema Hollywood, 1929-1945 Richard B. Jewell Malden [u.a.] Blackwell Publ. 2007 xv, 348 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 Cinéma - Industrie - États-Unis Cinéma - États-Unis - Histoire Film swd Filmwirtschaft swd Film Geschichte Motion picture industry United States History 20th century Motion pictures United States History 20th century USA swd USA HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015983767&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Jewell, Richard B. 1945- The golden age of cinema Hollywood, 1929-1945 Cinéma - Industrie - États-Unis Cinéma - États-Unis - Histoire Film swd Filmwirtschaft swd Film Geschichte Motion picture industry United States History 20th century Motion pictures United States History 20th century |
| title | The golden age of cinema Hollywood, 1929-1945 |
| title_auth | The golden age of cinema Hollywood, 1929-1945 |
| title_exact_search | The golden age of cinema Hollywood, 1929-1945 |
| title_exact_search_txtP | The golden age of cinema Hollywood, 1929-1945 |
| title_full | The golden age of cinema Hollywood, 1929-1945 Richard B. Jewell |
| title_fullStr | The golden age of cinema Hollywood, 1929-1945 Richard B. Jewell |
| title_full_unstemmed | The golden age of cinema Hollywood, 1929-1945 Richard B. Jewell |
| title_short | The golden age of cinema |
| title_sort | the golden age of cinema hollywood 1929 1945 |
| title_sub | Hollywood, 1929-1945 |
| topic | Cinéma - Industrie - États-Unis Cinéma - États-Unis - Histoire Film swd Filmwirtschaft swd Film Geschichte Motion picture industry United States History 20th century Motion pictures United States History 20th century |
| topic_facet | Cinéma - Industrie - États-Unis Cinéma - États-Unis - Histoire Film Filmwirtschaft Geschichte Motion picture industry United States History 20th century Motion pictures United States History 20th century USA |
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