Moving forward, looking back: the european avant-garde and the invention of film culture, 1919 - 1939
"Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam Univ. Press
2007
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--BOOK JACKET. |
| Beschreibung: | 369 S. |
| ISBN: | 9789053569610 9789053569603 |
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| 520 | 1 | |a "Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--BOOK JACKET. | |
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| 650 | 4 | |a Films expérimentaux - Europe - Histoire | |
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Datensatz im Suchindex
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| adam_text | Table of Contents
Acknowledgements 7
Introduction Avant garde Culture and Technological
Transformations 11
1 Refraining the Historical Avant garde Media,
Historiography and Method 19
1.1 The Temporal Frame: Historiography and the Coming of
Sound Film 22
1.2 The Geographical Frame: Europe and the Cities of
Modernism 24
1.3 The Conceptual Frame: Crisis, Archaeology and Systems 27
1.4 The Corpus: Defining the Avant garde 30
1.5 The Avant garde as Angel of History: Theses on the Interwar
Film Avant garde 34
2 The Dialectics of Self Conception Film Avant garde and
Industry Around 1930 41
2.1 Aporias of the Avant garde 44
2.2 Machine Aesthetics or Self Expression: Constructivism or
Expressionism 61
2.3 Self propaganda or Revolutionary Agitation: Organising
Visual Facts 68
2.4 Conclusion 73
3 Strategic Convergence and Functional Differentiation
The Film Societies and Cine Clubs of the 1920s and 30s jj
3.1 Emergence 79
3.2 Screening Practice 91
3.3 Peak Years 1928 1931 95
3.4 Institutionalisation and Functional Differentiation
in the 1930s 105
3.5 Conclusion 119
4 Mapping a Totality of Networks, Nodes and Flows
Discourses as Practice 121
4.1 Publishing as Discourse Formation: Magazines and Books 122
4.2 Teaching 129
4.3 Event Culture: Exhibitions, Conferences, Festival 137
4.4 The Myth of Total Cinema 148
6 Moving Forward, Looking Back
4.5 Conclusion 158
5 Vanishing Point Soviet Union Soviet Cinema and the West
between Innovation and Repression 159
5.1 The Avant garde in the Soviet Context 162
5.2 The Birth of Montage Cinema from the Spirit of Re editing 168
5.3 Exploding Categories, Toppling Hierarchies 171
5.4 Time and History: The Temporal Framework of the
Avant garde 175
5.5 Berlin as the Gateway to the West 180
5.6 Publication and Travelling: Translations and the Grand Tour 186
5.7 Allegories of the Heavy Industry: The Battle with Sound 194
5.8 Vanishing Point: From Imaginary Projections to Literal
Purges 198
5.9 Conclusion 201
6 Melodies Across the Oceans The Intersection of
Documentary and Avant garde 205
6.1 Melodie der Welt and Drifters: Models for What? 206
6.2 On the Threshold: An Invention of a Tradition 209
6.3 The Index, the Narrative, the Fragment and the Persuasion of
the Masses 212
6.4 Authenticity and Modernity: The Politics of Dependency 221
6.5 Exotic Adventures and Social Engineering 225
6.6 Locating the Avant garde in its (National) Context 230
6.7 Conclusion 232
Conclusion Bridging the Gaps, Connecting the Dots 235
Notes 243
Bibliography 307
Filmography 345
Index of Names 353
Index of Film Titles 361
Index of Subjects 365
|
| adam_txt |
Table of Contents
Acknowledgements 7
Introduction Avant garde Culture and Technological
Transformations 11
1 Refraining the Historical Avant garde Media,
Historiography and Method 19
1.1 The Temporal Frame: Historiography and the Coming of
Sound Film 22
1.2 The Geographical Frame: Europe and the Cities of
Modernism 24
1.3 The Conceptual Frame: Crisis, Archaeology and Systems 27
1.4 The Corpus: Defining the Avant garde 30
1.5 The Avant garde as Angel of History: Theses on the Interwar
Film Avant garde 34
2 The Dialectics of Self Conception Film Avant garde and
Industry Around 1930 41
2.1 Aporias of the Avant garde 44
2.2 Machine Aesthetics or Self Expression: Constructivism or
Expressionism 61
2.3 Self propaganda or Revolutionary Agitation: Organising
Visual Facts 68
2.4 Conclusion 73
3 Strategic Convergence and Functional Differentiation
The Film Societies and Cine Clubs of the 1920s and 30s jj
3.1 Emergence 79
3.2 Screening Practice 91
3.3 Peak Years 1928 1931 95
3.4 Institutionalisation and Functional Differentiation
in the 1930s 105
3.5 Conclusion 119
4 Mapping a Totality of Networks, Nodes and Flows
Discourses as Practice 121
4.1 Publishing as Discourse Formation: Magazines and Books 122
4.2 Teaching 129
4.3 Event Culture: Exhibitions, Conferences, Festival 137
4.4 The Myth of Total Cinema 148
6 Moving Forward, Looking Back
4.5 Conclusion 158
5 Vanishing Point Soviet Union Soviet Cinema and the West
between Innovation and Repression 159
5.1 The Avant garde in the Soviet Context 162
5.2 The Birth of Montage Cinema from the Spirit of Re editing 168
5.3 Exploding Categories, Toppling Hierarchies 171
5.4 Time and History: The Temporal Framework of the
Avant garde 175
5.5 Berlin as the Gateway to the West 180
5.6 Publication and Travelling: Translations and the Grand Tour 186
5.7 Allegories of the Heavy Industry: The Battle with Sound 194
5.8 Vanishing Point: From Imaginary Projections to Literal
Purges 198
5.9 Conclusion 201
6 Melodies Across the Oceans The Intersection of
Documentary and Avant garde 205
6.1 Melodie der Welt and Drifters: Models for What? 206
6.2 On the Threshold: An Invention of a Tradition 209
6.3 The Index, the Narrative, the Fragment and the Persuasion of
the Masses 212
6.4 Authenticity and Modernity: The Politics of Dependency 221
6.5 Exotic Adventures and Social Engineering 225
6.6 Locating the Avant garde in its (National) Context 230
6.7 Conclusion 232
Conclusion Bridging the Gaps, Connecting the Dots 235
Notes 243
Bibliography 307
Filmography 345
Index of Names 353
Index of Film Titles 361
Index of Subjects 365 |
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| spelling | Hagener, Malte 1971- Verfasser (DE-588)121582892 aut Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 Malte Hagener Amsterdam Amsterdam Univ. Press 2007 369 S. txt rdacontent n rdamedia nc rdacarrier Film culture in transition "Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--BOOK JACKET. Geschichte 1919-1939 gnd rswk-swf Avant-garde gtt Cultfilms gtt Films expérimentaux - Europe - Histoire Film Geschichte Experimental films Europe History and criticism Motion pictures Europe History Film (DE-588)4017102-4 gnd rswk-swf Europa (geografie) gtt Europa Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Film (DE-588)4017102-4 s Geschichte 1919-1939 z DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015983510&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hagener, Malte 1971- Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 Avant-garde gtt Cultfilms gtt Films expérimentaux - Europe - Histoire Film Geschichte Experimental films Europe History and criticism Motion pictures Europe History Film (DE-588)4017102-4 gnd |
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| title | Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 |
| title_auth | Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 |
| title_exact_search | Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 |
| title_exact_search_txtP | Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 |
| title_full | Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 Malte Hagener |
| title_fullStr | Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 Malte Hagener |
| title_full_unstemmed | Moving forward, looking back the european avant-garde and the invention of film culture, 1919 - 1939 Malte Hagener |
| title_short | Moving forward, looking back |
| title_sort | moving forward looking back the european avant garde and the invention of film culture 1919 1939 |
| title_sub | the european avant-garde and the invention of film culture, 1919 - 1939 |
| topic | Avant-garde gtt Cultfilms gtt Films expérimentaux - Europe - Histoire Film Geschichte Experimental films Europe History and criticism Motion pictures Europe History Film (DE-588)4017102-4 gnd |
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