The art of painting according to the theory and practise of the best Italian, French, and Germane masters: Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London
printed by M.B. for the author, and are to be sold by R. Bently, in Russel-street, Covent-Garden, and J. Hancock, in Castle Ally by the Royal-Exchange. Price 2s. 6d
1693
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| Schlagworte: | |
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| Beschreibung: | M.S. = Marshall Smtih. - Reproduction of the original in the British Library. - The words "the antiquity .. passion." and "The effects .. Ordonnance." are joined with brackets in title. - Wing (2nd ed.), S4129A |
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| publisher | printed by M.B. for the author, and are to be sold by R. Bently, in Russel-street, Covent-Garden, and J. Hancock, in Castle Ally by the Royal-Exchange. Price 2s. 6d |
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| spelling | Smith, Marshall Verfasser aut The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent London printed by M.B. for the author, and are to be sold by R. Bently, in Russel-street, Covent-Garden, and J. Hancock, in Castle Ally by the Royal-Exchange. Price 2s. 6d 1693 Online-Ressource txt rdacontent c rdamedia cr rdacarrier M.S. = Marshall Smtih. - Reproduction of the original in the British Library. - The words "the antiquity .. passion." and "The effects .. Ordonnance." are joined with brackets in title. - Wing (2nd ed.), S4129A Online_Ausgabe Ann Arbor, Mich UMI 1999- Early English books online Sonstige Standardnummer des Gesamttitels: 20723581 Digital version of: (Early English books, 1641-1700 ; 2078:18) s1999 aPainting xTechnique vEarly works to 1800 Painting Technique Early works to 1800 Reproduktion von Smith, Marshall The art of painting according to the theory and practise of the best Italian, French, and Germane masters 1693 https://search.proquest.com/docview/2240895635 Volltext |
| spellingShingle | Smith, Marshall The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent aPainting xTechnique vEarly works to 1800 Painting Technique Early works to 1800 |
| title | The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| title_auth | The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| title_exact_search | The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| title_exact_search_txtP | The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| title_full | The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| title_fullStr | The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| title_full_unstemmed | The art of painting according to the theory and practise of the best Italian, French, and Germane masters Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| title_short | The art of painting according to the theory and practise of the best Italian, French, and Germane masters |
| title_sort | the art of painting according to the theory and practise of the best italian french and germane masters treating of the antiquity of painting the reputation it always had the characters of several masters proportion action and passion the effects of light perspective draught colouring ordonnance far more compleat and compendious then hath yet been publisht by any antient or modern the second edition by m s gent |
| title_sub | Treating of the antiquity of painting. The reputation it always had. The characters of several masters. Proportion. Action and passion. The effects of light. Perspective. Draught. Colouring. Ordonnance. Far more compleat and compendious then hath yet been publisht by any, antient or modern. The second edition. By M.S. gent |
| topic | aPainting xTechnique vEarly works to 1800 Painting Technique Early works to 1800 |
| topic_facet | aPainting xTechnique vEarly works to 1800 Painting Technique Early works to 1800 |
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