Popular Egyptian cinema: gender, class, and nation
Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. She examines these films against the backdrop of the country's overall socio-political development, from the eme...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cairo ; New York
The American University in Cairo Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. She examines these films against the backdrop of the country's overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization. |
| Beschreibung: | Literaturverzeichnis Seite 327-338 |
| Beschreibung: | x, 349 Seiten Illustrationen |
| ISBN: | 9774160533 9789774160530 |
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| 520 | 3 | |a Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. She examines these films against the backdrop of the country's overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization. | |
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| 650 | 4 | |a National characteristics in motion pictures | |
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Datensatz im Suchindex
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| adam_text |
Contents
Acknowledgments
ix
Introduction I
Why Popular Cinema?
1
Why Popular Egyptian Cinema?
4
Gender, Class, and Nation
5
Ways of Reading
6
Part I
:
Nation I I
Chapter I
:
The Other 1
3
(Encountering the Other
16
Toward a 'National' Film Industry
17
The Jewish Exodus
23
The Copts: Agents or Victims of National Unity?
41
Between Separatism and Pluralism
51
A Muted Community or Religious Hetero-glossia?
56
The Nubians: Servicemen of the Nation
64
Giocai
Self-Assertions
78
CONTENTS
Chapter
2:
The Allegorical Nation
89
The Fe-male Nation
89
Incar-nation
100
Nasser On- and Off-screen
102
Postmortem Charisma
110
Part
2:
Gender
117
Chapter
3:
Feminism and Femininity I 1
9
Advocating Female Labor
122
Serving the Bourgeois Nation
127
Misery Feminism
133
Effemination,
Sacrifice, and Arranged Marriage
137
Mothers: The Dark Continent
142
Gateway to the Repressed
148
Inside the Bourgeois Home
154
Gender Spatiality
15 8
Woman and the Gaze
165
Female Bonding
173
Women in Action
179
Feminism as a Problem: The Case of
Inas al-Dighidi 186
Women Directors
189
Woman-Director Against Her Sex?
193
Chapter
4:
Female Stardom, Myth-production, and Morality 1
97
Confronting
Islamism
201
Reading Female Stars
205
The Egyptian Star System
210
Prostitute for a Good Reason
213
The Virgin-Whore Dichotomy
218
Questionable Popularity
227
From Sexual Object to Sexual Subject?
233
CONTENTS
Part
3:
Class
239
Chapter
5:
Negotiating Class through Genre
241
Egyptian Class History
242
Genre as a Means of Distinction
246
Melodrama: A Controversial Genre
249
Raped Class/Raped Nation: From
Melodrama to Realism
256
Who Represents the New Order?
262
Class Struggle or Reconciliation?
266
Looking For a Villain
270
The 'Fat Cats' Myth
275
Chapter
6:
Audiences and Class
28
1
Class Perceptions and Recent Popular Film
285
Capitalizing on Triviality
292
Kings of the
Terzo
302
Violence as Transgression?
309
Authenticity, Underdevelopment, and Male
Global Heroism
312
Concluding Remarks
319
Notes
325
Bibliography
327
Index of Names
339
Index of Film Titles
343
Photographic Credits
349 |
| adam_txt |
Contents
Acknowledgments
ix
Introduction I
Why Popular Cinema?
1
Why Popular Egyptian Cinema?
4
Gender, Class, and Nation
5
Ways of Reading
6
Part I
:
Nation I I
Chapter I
:
The Other 1
3
(Encountering the Other
16
Toward a 'National' Film Industry
17
The Jewish Exodus
23
The Copts: Agents or Victims of National Unity?
41
Between Separatism and Pluralism
51
A Muted Community or Religious Hetero-glossia?
56
The Nubians: Servicemen of the Nation
64
Giocai
Self-Assertions
78
CONTENTS
Chapter
2:
The Allegorical Nation
89
The Fe-male Nation
89
Incar-nation
100
Nasser On- and Off-screen
102
Postmortem Charisma
110
Part
2:
Gender
117
Chapter
3:
Feminism and Femininity I 1
9
Advocating Female Labor
122
Serving the Bourgeois Nation
127
Misery Feminism
133
Effemination,
Sacrifice, and Arranged Marriage
137
Mothers: The Dark Continent
142
Gateway to the Repressed
148
Inside the Bourgeois Home
154
Gender Spatiality
15 8
Woman and the Gaze
165
Female Bonding
173
Women in Action
179
Feminism as a Problem: The Case of
Inas al-Dighidi 186
Women Directors
189
Woman-Director Against Her Sex?
193
Chapter
4:
Female Stardom, Myth-production, and Morality 1
97
Confronting
Islamism
201
Reading Female Stars
205
The Egyptian Star System
210
Prostitute for a Good Reason
213
The Virgin-Whore Dichotomy
218
Questionable Popularity
227
From Sexual Object to Sexual Subject?
233
CONTENTS
Part
3:
Class
239
Chapter
5:
Negotiating Class through Genre
241
Egyptian Class History
242
Genre as a Means of Distinction
246
Melodrama: A Controversial Genre
249
Raped Class/Raped Nation: From
Melodrama to Realism
256
Who Represents the New Order?
262
Class Struggle or Reconciliation?
266
Looking For a Villain
270
The 'Fat Cats' Myth
275
Chapter
6:
Audiences and Class
28
1
Class Perceptions and Recent Popular Film
285
Capitalizing on Triviality
292
Kings of the
Terzo
302
Violence as Transgression?
309
Authenticity, Underdevelopment, and Male
Global Heroism
312
Concluding Remarks
319
Notes
325
Bibliography
327
Index of Names
339
Index of Film Titles
343
Photographic Credits
349 |
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| spelling | Shafik, Viola 1961- Verfasser (DE-588)172957508 aut Popular Egyptian cinema gender, class, and nation Viola Shafik Cairo ; New York The American University in Cairo Press 2007 © 2006 x, 349 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Literaturverzeichnis Seite 327-338 Viola Shafik examines popular and commercial movies from Egypt's film industry, including a number of the biggest box-office hits widely distributed in Egypt and the Arab world. She examines these films against the backdrop of the country's overall socio-political development, from the emergence of the film industry in the 1930s, through the Nasser and Sadat eras, up to the era of globalization. Geschichte 1920-2005 gnd rswk-swf Film Motion pictures Egypt National characteristics in motion pictures Sex role in motion pictures Social classes in motion pictures Massenkultur (DE-588)4125858-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Ägypten (DE-588)4000556-2 gnd rswk-swf Ägypten (DE-588)4000556-2 g Film (DE-588)4017102-4 s Geschichte 1920-2005 z DE-604 Massenkultur (DE-588)4125858-7 s Erscheint auch als Online-Ausgabe 978-1-61797-010-8 Erscheint auch als Online-Ausgabe 978-1-936190-24-9 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015919915&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Shafik, Viola 1961- Popular Egyptian cinema gender, class, and nation Film Motion pictures Egypt National characteristics in motion pictures Sex role in motion pictures Social classes in motion pictures Massenkultur (DE-588)4125858-7 gnd Film (DE-588)4017102-4 gnd |
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| title | Popular Egyptian cinema gender, class, and nation |
| title_auth | Popular Egyptian cinema gender, class, and nation |
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| title_exact_search_txtP | Popular Egyptian cinema gender, class, and nation |
| title_full | Popular Egyptian cinema gender, class, and nation Viola Shafik |
| title_fullStr | Popular Egyptian cinema gender, class, and nation Viola Shafik |
| title_full_unstemmed | Popular Egyptian cinema gender, class, and nation Viola Shafik |
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