The insider's guide to independent film distribution:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Burlington [u.a.]
Focal Press
2007
|
| Schlagworte: | |
| Online-Zugang: | Table of contents only Publisher description Inhaltsverzeichnis |
| Beschreibung: | Includes index. |
| Beschreibung: | xi, 202 S. 23 cm |
| ISBN: | 024080922X |
Internformat
MARC
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| 245 | 1 | 0 | |a The insider's guide to independent film distribution |c Stacey Parks |
| 264 | 1 | |a Burlington [u.a.] |b Focal Press |c 2007 | |
| 300 | |a xi, 202 S. |c 23 cm | ||
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| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes index. | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures |x Marketing | |
| 650 | 4 | |a Motion pictures |x Distribution | |
| 650 | 4 | |a Motion pictures |x Production and direction | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction ix
1 History of Distribution and State
of the Market 1
A Recent History of Distribution 1
The Current State of the Market:
A Reality Check 3
Suggested Exercises for Part One 8
2 Before You Start Production:
Getting a Leg Up on Distribution 9
Get in Touch with the Market 10
Carefully Consider Genre and Format IS
Casting for Distribution 13
Hire a Casting Director 16
Submit Offers to Agents 19
Exploit Your Contacts and Go for Out of Work
Actors 22
Financing Strategies for Distribution 25
Set Money Aside for the Last Mile 32
How Much Will I Make? Realistic Sales
Projections for Your Film 34
Make a Business Plan for Your Film 37
Suggested Exercises for Part Two 37
3 Production Geared Toward
Distribution 39
Shooting Format 40
The Importance of Stills 41
v
Starting Publicity During Production:
Get the Buzz Going 42
Suggested Exercises for Part Three 46
4 Postproduction with an Eye
Toward Distribution 47
Get Objective Third Party Feedback 52
License Stock Footage 53
Build Your Press Kit 55
Suggested Exercises for Part Four 63
5 It s in the Can—Now What? 65
How to Create a Campaign 65
Applying to Film Festivals: Your Strategy 66
Finding Producer Reps and Sales Agents 70
Sales Agencies to Consider 75
Filmmaker Case Study: Percy Angress,
in His Own Words 80
Navigating International Film Markets 82
A Film Market Prep Guide 84
Some Dos and Don ts When Attending
a Film Market 85
Should I Have a Distributor Screening for
My Film? 86
Suggested Exercises for Part Five 90
6 Getting a Distribution Deal 91
The U.S. Distribution Deal and What
to Expect 91
How to Approach U.S. Distributors
Yourself 93
Filmmaker Case Study: David Basulto,
in His Own Words 95
Foreign Distribution and What to
Expect 96
Expenses Required to Market and
Distribute a Film 102
FiLmmaker Case Study: Robert Brinkmann,
in His Own Words 103
Suggested Exercises for Part Six 106
7 After the Distribution Deal 107
When Will I Get Paid?: Distribution
Gash Plow 108
Suggested Exercises for Part
Seven 114
8 Self Distribution and Other
Alternatives to Traditional
Distribution 115
Filmmaker Case Study: Tamar Halpern,
in Her Own Words 115
On Demand DVD Distribution 118
Internet Distribution/Video on
Demand (VOD) 120
Posting Your Trailer 122
Online Film Markets 125
Filmmaker Case Study: Bradley Beesley,
on his Okie Noodling Microcinema
Tour 127
Art house Cinemas at Which My Films Have
Screened 129
Platform Theatrical Release 130
Hybrid Distribution Model 136
Suggested Exercises for Part Eight 138
My Very Best Advice to You 139
Appendix A: Anatomy of a
Distribution Agreement 141
The Terms 142
Appendix B: Sample U.S.
Distribution Contract 149
Appendix C: Twelve Ways to
Market Your Film for
Self Distribution 163
Appendix D: More Sample
Contracts 169
Subject to Contract 169
Company B 175
Index 197
|
| adam_txt |
Contents
Introduction ix
1 History of Distribution and State
of the Market 1
A Recent History of Distribution 1
The Current State of the Market:
A Reality Check 3
Suggested Exercises for Part One 8
2 Before You Start Production:
Getting a Leg Up on Distribution 9
Get in Touch with the Market 10
Carefully Consider Genre and Format IS
Casting for Distribution 13
Hire a Casting Director 16
Submit Offers to Agents 19
Exploit Your Contacts and Go for Out of Work
Actors 22
Financing Strategies for Distribution 25
Set Money Aside for the Last Mile 32
How Much Will I Make? Realistic Sales
Projections for Your Film 34
Make a Business Plan for Your Film 37
Suggested Exercises for Part Two 37
3 Production Geared Toward
Distribution 39
Shooting Format 40
The Importance of Stills 41
v
Starting Publicity During Production:
Get the Buzz Going 42
Suggested Exercises for Part Three 46
4 Postproduction with an Eye
Toward Distribution 47
Get Objective Third Party Feedback 52
License Stock Footage 53
Build Your Press Kit 55
Suggested Exercises for Part Four 63
5 It's in the Can—Now What? 65
How to Create a Campaign 65
Applying to Film Festivals: Your Strategy 66
Finding Producer Reps and Sales Agents 70
Sales Agencies to Consider 75
Filmmaker Case Study: Percy Angress,
in His Own Words 80
Navigating International Film Markets 82
A Film Market Prep Guide 84
Some Dos and Don'ts When Attending
a Film Market 85
Should I Have a Distributor Screening for
My Film? 86
Suggested Exercises for Part Five 90
6 Getting a Distribution Deal 91
The U.S. Distribution Deal and What
to Expect 91
How to Approach U.S. Distributors
Yourself 93
Filmmaker Case Study: David Basulto,
in His Own Words 95
Foreign Distribution and What to
Expect 96
Expenses Required to Market and
Distribute a Film 102
FiLmmaker Case Study: Robert Brinkmann,
in His Own Words 103
Suggested Exercises for Part Six 106
7 After the Distribution Deal 107
When Will I Get Paid?: Distribution
Gash Plow 108
Suggested Exercises for Part
Seven 114
8 Self Distribution and Other
Alternatives to Traditional
Distribution 115
Filmmaker Case Study: Tamar Halpern,
in Her Own Words 115
On Demand DVD Distribution 118
Internet Distribution/Video on
Demand (VOD) 120
Posting Your Trailer 122
Online Film Markets 125
Filmmaker Case Study: Bradley Beesley,
on his Okie Noodling Microcinema
Tour 127
Art house Cinemas at Which My Films Have
Screened 129
Platform Theatrical Release 130
Hybrid Distribution Model 136
Suggested Exercises for Part Eight 138
My Very Best Advice to You 139
Appendix A: Anatomy of a
Distribution Agreement 141
The Terms 142
Appendix B: Sample U.S.
Distribution Contract 149
Appendix C: Twelve Ways to
Market Your Film for
Self Distribution 163
Appendix D: More Sample
Contracts 169
Subject to Contract 169
Company B 175
Index 197 |
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| isbn | 024080922X |
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| spelling | Parks, Stacey Verfasser aut The insider's guide to independent film distribution Stacey Parks Burlington [u.a.] Focal Press 2007 xi, 202 S. 23 cm txt rdacontent n rdamedia nc rdacarrier Includes index. Film Motion pictures Marketing Motion pictures Distribution Motion pictures Production and direction http://www.loc.gov/catdir/toc/ecip077/2006102577.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0707/2006102577-d.html Publisher description HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015758991&sequence=000008&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Parks, Stacey The insider's guide to independent film distribution Film Motion pictures Marketing Motion pictures Distribution Motion pictures Production and direction |
| title | The insider's guide to independent film distribution |
| title_auth | The insider's guide to independent film distribution |
| title_exact_search | The insider's guide to independent film distribution |
| title_exact_search_txtP | The insider's guide to independent film distribution |
| title_full | The insider's guide to independent film distribution Stacey Parks |
| title_fullStr | The insider's guide to independent film distribution Stacey Parks |
| title_full_unstemmed | The insider's guide to independent film distribution Stacey Parks |
| title_short | The insider's guide to independent film distribution |
| title_sort | the insider s guide to independent film distribution |
| topic | Film Motion pictures Marketing Motion pictures Distribution Motion pictures Production and direction |
| topic_facet | Film Motion pictures Marketing Motion pictures Distribution Motion pictures Production and direction |
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