Framed time: toward a postfilmic cinema
"Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Chicago [u.a.]
Univ. of Chicago Press
2007
|
| Series: | Cinema and modernity
|
| Subjects: | |
| Online Access: | Table of contents only Contributor biographical information Publisher description Inhaltsverzeichnis |
| Summary: | "Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films - from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Cache - Stewart investigates how their treatments of time reflect the change in media from film's original rolling reel to today's digital pixel." -- Publisher's description. |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | X, 299 S. Ill. |
| ISBN: | 0226774155 9780226774152 0226774163 9780226774169 |
Staff View
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Record in the Search Index
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| adam_text | IMAGE 1
CO NTENTS
FOREWORDS
ACKNOWLEDGMENTS IX
INTRODUCTION: ON OPTICAL ALLUSION I
L E X E ME TO P I X E L: AN E X P E R I M E NT IN N A R R A T O G R A P
HY
I - J ^ I I ^ ^ ^ R I I C ^ M I ^H THE GOLDM BOWL
THE HOUSE OF MIRTH
CITIZEN KANE
T R I CK B E G I N N I N GS A ND T HE E U R O P E AN U N C A N NY 54
MEMENTO INSOMNIA RUN LOLA RUN
THREE COLORS: BLUE THREE COLORS: RED
F THE DOUBLE LIFE OF VERONIQUE THE RED SQUIRREL
I LOVERS OF THE ARCTIC CIRCLE TIME REGAINED
SIMON THE MAGICIAN HEAVEN SWIMMING POOL
IMAGE 2
OUT OF BODY IN HOLLYWOOD 86
.;.R^ *** /-:4?**|-;F F F^SI PP. 1 ! ^ T : V :R:; WFL^KLFF, THE
MATRIX DARK CITY
THE MANCHURIAN CANDIDATE ABRE LOS OJOS
VANILLA SKY A.I. ARTIFICIAL INTELLIGENCE
THE SIXTH SENSE THE OTHERS
JACOB S LADDER ADAPTATION IDENTITY
.I-,,,,.,. | ONE HOUR PHOTO
PARIS QUI DORT JOHNNY MNEMONIC FREQUENCY
HE LOVES ME, HE LOVES ME NOT DONNIE DARKO
THE THIRTEENTH FLOOR
ETERNAL SUNSHINE OF THE SPOTLESS MIND
THE BUTTERFLY EFFECT 2001: A SPACE ODYSSEY
BEING JOHN MALKOVICH
IMAGE 3
VR F R OM C I M N E M O N I CS TO D I C I T I ME 1 64
THE FORGOTTEN CITY OF LOST CHILDREN
I BAD EDUCATION THE FINAL CUT
F CACHE SYRIANA
M E D IA A R C H A E O L O G Y, H E R M EN E U T I C S, N A R R AT O G R
A P H Y 206
^ **** MINORITY REPORT THE LAKE HOUSE
HAPPY ACCIDENTS BROKEBACK MOUNTAIN
§ THE JACKET IRREVERSIBLE
BACKWORDS ( A PP E
X. NOTES
APPENDIX: PRECINEMATICS; OR, READING THE NARRATOGRAM : 49
NOTES 267 TERMS 283 INDEX 287
|
| adam_txt |
IMAGE 1
CO NTENTS
FOREWORDS
ACKNOWLEDGMENTS IX
INTRODUCTION: ON OPTICAL ALLUSION I
L E X E ME TO P I X E L: AN E X P E R I M E NT IN N A R R A T O G R A P
HY
I - J ^ I I ^ ^ ^ R I I C ^ M I ^H THE GOLDM BOWL
THE HOUSE OF MIRTH
CITIZEN KANE
T R I CK B E G I N N I N GS A ND T HE E U R O P E AN U N C A N NY 54
MEMENTO INSOMNIA RUN LOLA RUN
THREE COLORS: BLUE THREE COLORS: RED
F THE DOUBLE LIFE OF VERONIQUE THE RED SQUIRREL
I LOVERS OF THE ARCTIC CIRCLE TIME REGAINED
SIMON THE MAGICIAN HEAVEN SWIMMING POOL
IMAGE 2
OUT OF BODY IN HOLLYWOOD 86
\.;.R^ ***'/-:4?**|-;F F'F^SI'PP. 1 ! ' ^' T :'V :R:; 'WFL^KLFF, THE
MATRIX DARK CITY
THE MANCHURIAN CANDIDATE ABRE LOS OJOS
VANILLA SKY A.I. ARTIFICIAL INTELLIGENCE
THE SIXTH SENSE THE OTHERS
JACOB'S LADDER ADAPTATION IDENTITY
.I-,,,,.,. | ONE HOUR PHOTO
PARIS QUI DORT JOHNNY MNEMONIC FREQUENCY
HE LOVES ME, HE LOVES ME NOT DONNIE DARKO
THE THIRTEENTH FLOOR
ETERNAL SUNSHINE OF THE SPOTLESS MIND
THE BUTTERFLY EFFECT 2001: A SPACE ODYSSEY
BEING JOHN MALKOVICH
IMAGE 3
VR F R OM C I M N E M O N I CS TO D I C I T I ME 1 64
THE FORGOTTEN CITY OF LOST CHILDREN
I BAD EDUCATION THE FINAL CUT
F CACHE SYRIANA
M E D IA A R C H A E O L O G Y, H E R M EN E U T I C S, N A R R AT O G R
A P H Y 206
^ **** MINORITY REPORT THE LAKE HOUSE
HAPPY ACCIDENTS BROKEBACK MOUNTAIN
§ THE JACKET IRREVERSIBLE
BACKWORDS ( A PP E '
X. NOTES
APPENDIX: PRECINEMATICS; OR, READING THE NARRATOGRAM : 49
NOTES 267 TERMS 283 INDEX 287 |
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| spelling | Stewart, Garrett 1945- Verfasser (DE-588)132500663 aut Framed time toward a postfilmic cinema Garrett Stewart Chicago [u.a.] Univ. of Chicago Press 2007 X, 299 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cinema and modernity Includes bibliographical references and index "Italian director Michelangelo Antonioni claimed, three decades ago, that different conceptions of time helped define the split in film between European humanism and American science fiction. And as Garrett Stewart argues here, this transatlantic division has persisted since cinema's 1995 centenary, made more complex by the digital technology that has detached movies from their dependence on the sequential frames of the celluloid strip. Brilliantly interpreting dozens of recent films - from Being John Malkovich, Donnie Darko, and The Sixth Sense to La mala educación and Cache - Stewart investigates how their treatments of time reflect the change in media from film's original rolling reel to today's digital pixel." -- Publisher's description. Film Motion pictures Space and time in motion pictures Postmoderne (DE-588)4115604-3 gnd rswk-swf Zeit Motiv (DE-588)4207564-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Zeit Motiv (DE-588)4207564-6 s Postmoderne (DE-588)4115604-3 s DE-604 http://www.loc.gov/catdir/enhancements/fy0702/2006031119-t.html Table of contents only http://www.loc.gov/catdir/enhancements/fy0707/2006031119-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0707/2006031119-d.html Publisher description SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015754926&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Stewart, Garrett 1945- Framed time toward a postfilmic cinema Film Motion pictures Space and time in motion pictures Postmoderne (DE-588)4115604-3 gnd Zeit Motiv (DE-588)4207564-6 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4115604-3 (DE-588)4207564-6 (DE-588)4017102-4 |
| title | Framed time toward a postfilmic cinema |
| title_auth | Framed time toward a postfilmic cinema |
| title_exact_search | Framed time toward a postfilmic cinema |
| title_exact_search_txtP | Framed time toward a postfilmic cinema |
| title_full | Framed time toward a postfilmic cinema Garrett Stewart |
| title_fullStr | Framed time toward a postfilmic cinema Garrett Stewart |
| title_full_unstemmed | Framed time toward a postfilmic cinema Garrett Stewart |
| title_short | Framed time |
| title_sort | framed time toward a postfilmic cinema |
| title_sub | toward a postfilmic cinema |
| topic | Film Motion pictures Space and time in motion pictures Postmoderne (DE-588)4115604-3 gnd Zeit Motiv (DE-588)4207564-6 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Motion pictures Space and time in motion pictures Postmoderne Zeit Motiv |
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