Making easy listening: material culture and postwar American recording
The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a business centered around live performances to one...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Minneapolis [u.a.]
Univ. of Minnesota Press
2006
|
| Schriftenreihe: | Commerce and mass culture series
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Publisher description Inhaltsverzeichnis |
| Zusammenfassung: | The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a business centered around live performances to one based on selling records, the custom of simultaneously bringing out multiple versions of the same song, and the arrival of in-home high-fidelity stereo systems. Making Easy Listening presents a social and cultural history of the contentious, diverse, and experimental culture of musical production and enjoyment that aims to understand how recording technologies fit into and influence musicians', as well as listeners', lives. With attention to the details of what it means to play a particular record in a distinct cultural context, Anderson connects neglected genres of the musical canon - classical and easy listening music, Broadway musicals, and sound effects records - with the development of sound aesthetics and technical music practices that leave an indelible imprint on individuals. Tracing the countless impacts that this period of innovation exacted on the mass media, Anderson reveals how an examination of this historical era - and recorded music as an object - furthers a deeper understanding of the present-day American music industry. |
| Beschreibung: | Includes bibliographical references (p. 217-231) and index |
| Beschreibung: | XLIV, 236 S. Ill. |
| ISBN: | 9780816645176 0816645183 |
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| 520 | 3 | |a The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a business centered around live performances to one based on selling records, the custom of simultaneously bringing out multiple versions of the same song, and the arrival of in-home high-fidelity stereo systems. Making Easy Listening presents a social and cultural history of the contentious, diverse, and experimental culture of musical production and enjoyment that aims to understand how recording technologies fit into and influence musicians', as well as listeners', lives. With attention to the details of what it means to play a particular record in a distinct cultural context, Anderson connects neglected genres of the musical canon - classical and easy listening music, Broadway musicals, and sound effects records - with the development of sound aesthetics and technical music practices that leave an indelible imprint on individuals. Tracing the countless impacts that this period of innovation exacted on the mass media, Anderson reveals how an examination of this historical era - and recorded music as an object - furthers a deeper understanding of the present-day American music industry. | |
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| adam_text | MAKING EASY LISTENING / ANDERSON, TIM J. : C2006 TABLE OF CONTENTS
/ INHALTSVERZEICHNIS INTRODUCTION : OPENING TRACKS MANAGING THE
RECORDING PROCESS AND RETHINKING THE RECORDING BANS. BURIED UNDER THE
FECUNDITY OF HIS OWN CREATIONS : THE FIRST STRIKE OF THE AMERICAN
FEDERATION OF MUSICIANS ; COUNTERREFORM AND RESIGNATION : THE SECOND
STRIKE OF THE AMERICAN FEDERATION OF MUSICIANS PRODUCTION, REPRODUCTION,
AND THE CASE OF MY FAIR LADY. WHICH VOICE BEST BECOMES THE PROPERTY?
STITCHING THE INTERTEXT OF MY FAIR LADY ; LISTENING TO MY MY FAIR LADY :
VERSIONING AND THE RECORDED MUSIC OBJECT STEREO, HI-FI, AND THE MODERN
PLEASURES OF EASY LISTENING. A TALE OF TWO EARS : THE CONCERT HALL
AESTHETIC AND STEREO ; SPACE, THE PLIABLE FRONTIER : STEREO AS THE NEW
SPATIAL PALETTE OF AUDIO CONCLUSION : THE FLIP SIDE (AND A FEW
CONCLUDING THOUGHTS). DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| adam_txt |
MAKING EASY LISTENING / ANDERSON, TIM J. : C2006 TABLE OF CONTENTS
/ INHALTSVERZEICHNIS INTRODUCTION : OPENING TRACKS MANAGING THE
RECORDING PROCESS AND RETHINKING THE RECORDING BANS. BURIED UNDER THE
FECUNDITY OF HIS OWN CREATIONS : THE FIRST STRIKE OF THE AMERICAN
FEDERATION OF MUSICIANS ; COUNTERREFORM AND RESIGNATION : THE SECOND
STRIKE OF THE AMERICAN FEDERATION OF MUSICIANS PRODUCTION, REPRODUCTION,
AND THE CASE OF MY FAIR LADY. WHICH VOICE BEST BECOMES THE PROPERTY?
STITCHING THE INTERTEXT OF MY FAIR LADY ; LISTENING TO MY MY FAIR LADY :
VERSIONING AND THE RECORDED MUSIC OBJECT STEREO, HI-FI, AND THE MODERN
PLEASURES OF EASY LISTENING. A TALE OF TWO EARS : THE CONCERT HALL
AESTHETIC AND STEREO ; SPACE, THE PLIABLE FRONTIER : STEREO AS THE NEW
SPATIAL PALETTE OF AUDIO CONCLUSION : THE FLIP SIDE (AND A FEW
CONCLUDING THOUGHTS). DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Anderson, Tim J. |
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| callnumber-label | ML3790 |
| callnumber-raw | ML3790 |
| callnumber-search | ML3790 |
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| callnumber-subject | ML - Literature on Music |
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| era_facet | Geschichte 1900-2000 Geschichte |
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| spelling | Anderson, Tim J. Verfasser aut Making easy listening material culture and postwar American recording Tim J. Anderson Minneapolis [u.a.] Univ. of Minnesota Press 2006 XLIV, 236 S. Ill. txt rdacontent n rdamedia nc rdacarrier Commerce and mass culture series Includes bibliographical references (p. 217-231) and index The period between the Second World War and the mid-1960s saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Tim Anderson analyzes three sites of this music revolution: the change from a business centered around live performances to one based on selling records, the custom of simultaneously bringing out multiple versions of the same song, and the arrival of in-home high-fidelity stereo systems. Making Easy Listening presents a social and cultural history of the contentious, diverse, and experimental culture of musical production and enjoyment that aims to understand how recording technologies fit into and influence musicians', as well as listeners', lives. With attention to the details of what it means to play a particular record in a distinct cultural context, Anderson connects neglected genres of the musical canon - classical and easy listening music, Broadway musicals, and sound effects records - with the development of sound aesthetics and technical music practices that leave an indelible imprint on individuals. Tracing the countless impacts that this period of innovation exacted on the mass media, Anderson reveals how an examination of this historical era - and recorded music as an object - furthers a deeper understanding of the present-day American music industry. Geschichte 1900-2000 Geschichte gnd rswk-swf Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie (DE-588)4471179-7 gnd rswk-swf Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schallplattenindustrie (DE-588)4471179-7 s Unterhaltungsmusik (DE-588)4061916-3 s Geschichte z DE-604 http://www.loc.gov/catdir/toc/ecip064/2005035679.html Table of contents http://www.loc.gov/catdir/enhancements/fy0623/2005035679-d.html Publisher description LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015752929&sequence=000007&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Anderson, Tim J. Making easy listening material culture and postwar American recording Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie (DE-588)4471179-7 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
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| title | Making easy listening material culture and postwar American recording |
| title_auth | Making easy listening material culture and postwar American recording |
| title_exact_search | Making easy listening material culture and postwar American recording |
| title_exact_search_txtP | Making easy listening material culture and postwar American recording |
| title_full | Making easy listening material culture and postwar American recording Tim J. Anderson |
| title_fullStr | Making easy listening material culture and postwar American recording Tim J. Anderson |
| title_full_unstemmed | Making easy listening material culture and postwar American recording Tim J. Anderson |
| title_short | Making easy listening |
| title_sort | making easy listening material culture and postwar american recording |
| title_sub | material culture and postwar American recording |
| topic | Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie (DE-588)4471179-7 gnd Unterhaltungsmusik (DE-588)4061916-3 gnd |
| topic_facet | Geschichte Sound recording industry United States History Sound recordings Production and direction United States Popular culture United States History 20th century Schallplattenindustrie Unterhaltungsmusik USA |
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