Autobiographical reminiscences of African-American classical singers 1853 - present: introducing their spiritual heritage into the concert repertoire
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Lewiston [u.a.]
Mellen
2007
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Includes bibliographical references (p. ) and index |
| Physical Description: | VIII, 516 S. |
| ISBN: | 9780773452503 |
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| 245 | 1 | 0 | |a Autobiographical reminiscences of African-American classical singers 1853 - present |b introducing their spiritual heritage into the concert repertoire |c Elizabeth Nash |
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| 648 | 7 | |a Geschichte 1850-2000 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a African American singers - Biography | |
| 650 | 4 | |a Spirituals (Songs) - History and criticism | |
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| adam_text |
Table
Of
Contents
Preface by
Badi
G.
Foster
і
Acknowledgements
iii
Introduction
1
Eva Jessye, "The Singer"
6
Langston
Hughes, "Black Influences in the American Theater: Part I,"
Mabel M. Smythe, Editor, The Black American Reference Book
(Englewood Cliffs NJ: Prentice-Hall,
1976),
pp.
684-704. 9
THREE
PRIMA
DONNAS
Josephine Wright, "Black Women and Classical Music," Women's
Studies Quarterly
12:
no.
3
(Fall
1984),
pp.
18-21. 41
"The Black Swan," Illustrated News, April
2,1853
(n.
pag.).
53
Elizabeth Taylor Greenfield, New York Herald, April
1,1853
(n.
pag.).
54
"Her Favorite Is
"L'Africaine","
The Detroit Tribune,
12
February
1893,
p.
6. 56
"Sissieretta Jones," Evening News Detroit Times, Undated Press
Scrapbook.
57
"Interview with Faith Fenton," Empire (Toronto), Undated Press
Scrapbook.
57
"Sissieretta Jones," Commercial (Louisville), Undated Press
Scrapbook.
58
"Has Sung Around the World," Pittsburgh Post,
6
March
1906
(n.
pag.).
58
S. E.
Wilson, "An Artist of Rare Culture," Alexander's Magazine
1,
May
15,1905,
pp.
36-38. 60
ORIGINAL
FISK
UNIVERSITY JUBILEE SINGERS
Dena J. Epstein, "Black Spirituals: Their Emergence Into Public
Knowledge," Black Music Research Newsletter
8,
no.
2
(Spring
1986),
pp.
5-8. 65
"Benjamin M. Holmes," The Jubilee Singers, And Their Campaign for
Twenty Thousand Dollars by Rev.
G. D.
Pike (London: Hodder
and Stoughton. Boston: Lee and Shepard,
1874),
pp.
57-60. 75
"Jennie Jackson," The Jubilee Singers, pp.
61-62. 78
"Minnie
Tate,"
The Jubilee Singers, pp.
62-63. 80
Maggie Porter
Cole, "The Jubilee Singers On The Ocean And In
Europe,"
Fisk
University News (October
1911),
pp.
33-35. 82
W. Barton Beatty, "Maggie Porter Cole,"
Fisk
University News,
December
1939. 86
"Thomas Rutting," The Jubilee Singers, pp.
54-57. 87
Thomas Rutling, "My Life Since Leaving The Jubilee Singers,"
Fisk
University News (October
1911),
pp.
36-37. 89
"Georgie
Gordon," The Jubilee Singers, p.
69. 91
Georgia Gordon Taylor, "Reminiscences of Jubilee Singers,"
Fisk
University News (October
1911),
pp.
28-30. 92
"Julia Jackson," The Jubilee Singers, pp.
69-72. 96
"Mabel Lewis," The Jubilee Singers, pp.
72-73. 99
Mabel Lewis lines, "Some Hotel Experiences,"
Fisk
University News
(October
1911),
pp.
38-41. 100
Hinton D. Alexander, "Reminiscences of Jubilee Singers,"
Fisk
University News (October
1911),
pp.
38-41. 103
Dorothy Sterling,
Editor,
"Washerwomen, Maumas, Exodusters,
Jubileers,"
We Are Your Sisters: Black Women in the Nineteenth
Century (New York: W. W. Norton
&
Company,
1984),
p.
384-385. 108
EARLY 20TH CENTURY SINGERS
E.
Azalia
Hackley, The Colored Girl Beautiful (Kansas City: Burton
Publishing Company Publishers,
1916),
pp.
28-29. 112
Elizabeth Jones, "What Madame
Azalia
Hackley Accomplished,"
Philadelphia Tribune,
1912,
p.
1. 112
E.
Azalia
Hackley, "Hints To Young Colored Artists," New York Age,
14
March
1915. 113
Jules Bledsoe, "Has A Negro A Place In The Theatre," Opportunity,
6
(July
1928),
p.
215. 115
Carl Diton, "The Struggle of the Negro Musician," The Etude
(February
1930),
pp.
89-90. 117
Eva Jessye, "The Actors in "Hallelujah" Didn't Get Enormous
Salaries," The Baltimore Afro-American,
5
July
1930,
p.
8. 125
Ruby Berkley Goodwin, "The Adorable Abbie Mitchell," Abbott's
Monthly (March
1933),
pp.
11,42-43. 129
Roland Hayes as told to Laura Haddock, "My Song Is Nothing,"
The Christian Science Monitor
(írom
the Magazine),
Nov.
22, 1947,
p.6.
134
WO-PRESENT-
SECULAR
George Shirley, "The Black Performer: It's been a long, hard road
from the minstrels to the Met," Opera News
35,
no.
13
(January
30,1971),
pp.
6-13. 140
Todd Duncan, "To Sing. But Where? A Singer Who Believes
There Is No Set Pattern For Success," Opera and Concert
(August
1950),
pp.
8-10. 153
Elizabeth Nash and Patricia Turner, "The Master Singer:
a pioneering performer looks back on a life in which he
broke new ground not only as an artist but as a fighter
for justice: An Interview With Todd Duncan,"
American Legacy
4,
no.
3
(Fall
1998),
pp.
67. 159
Elizabeth Nash, "A Day With Camilla Williams," Opera Quarterly
18,
no.
2
(Spring
2002),
pp.
219-230. 170
Marian Anderson, "At The Metropolitan," My Lord, What a Morning
(New York: The Viking Press,
1956),
pp.
293-305. 179
Paul Robeson, "A Later Statement By The Author," Here
1
Stand
(Boston: Beacon Press,
1988),
pp.
119-121. 190
Dorothy Maynor, "Arts In The Ghetto," Music Educators Journal
(March
1968),
pp.
39-40, 135-136. 195
Betty Allen, "Creating Elitism," Opera News
58,
no.
5
(Nov.
1993),
p.
22. 202
Robert
Jacobson,
"Collard Greens and Caviar"
(1),
Opera News
50,
no.
1
(July
1985),
pp.
18-23. 207
Robert
Jacobson,
"Collard Greens and Caviar"
(2),
Opera News
50,
no.
2
(August
1985),
pp.
28, 30, 32-33,46-47. 223
William Warfield with Alton Miller, "The Tradition Continues,"
My Music and My Life, (Champaign,
IL:
Sagamore Publishing
Inc.,
1991),
pp.
226-229. 239
Fred
Morseli,
"Shirley Verrett," The Crisis (Jan.
1980),
pp.
7-14. 245
Shirley Verrett, "Welcoming Remarks," National Opera Association
Gala Banquet and Concert Honoring Four Operatic Trailblazers:
Mattiwilda Dobbs, Todd Duncan, Camilla Williams and Robert
McFerrin, Cambridge, MA, December
1,1995. 267
Fred
Morseli,
"Grace Bumbry," The Crisis (November
1977),
pp.
446-450. 272
Simon
Estes
with Mary L. Swanson
"Bayreuth,"
Simon
Estes:
In His
Own Voice, (Urbandale, IA:
Landauer
Corporation), pp.
81, 84,
86,106,143 286
William
Livingstone,
"Jessye Norman:
'I want to communicate,
to be understood in many ways and on many levels,'"
Stereo Review (October
1989),
pp.
102-105. 293
Sylvia Olden Lee and Elizabeth Nash, The Memoirs of Sylvia Olden
Lee, Premier African-American Classical Vocal Coach
(Lewiston,
NY: The Edwin
Mellen
Press,
2001),
pp.
118-121. 305
James A. Van
Sant, "Miss
Margaret's Way," Opera News Volume
60,
Number
12
(March
2, 1996),
p.
29. 310
Brian Kellow, "On The Beat," Opera News
66,
no.
5
(November
2001),
p.
12. 311
Carol Kimball, "Lunch with a Young American Artist:
Herbert Perry," The Opera Journal Volume
XXIX,
Number
3
(1996),
pp.
46-50. 314
Bruce Duffie, "Conversation Piece: Mark S. Doss,"
The Opera Journal
32
(June
1999),
pp.
17-27. 322
Brian Kellow, "Diva, Inc.," Opera News
66,
no.
3
(September
2001),
pp.
24-29. 332
1920-PRESENT
-
SACRED
Paul Laurence Dunbar, "The Ol' Tunes," Lyrics of Lowly Life
(New York: Dodd, Mead and Company,
1896),
pp.
122-124. 343
KosaJyn M. Story, "My Soul Is a Witness: A Digression On
the Black Church and the Spiritual," And So I Sing:
African-American Divas of Opera and Concert (New York:
Warner Books, Inc.,
1993),
pp.
171-182. 346
James
Weldon
Johnson, "Preface," The Book of American Negro
Spirituals (New York: The Viking Press Inc.,
1925),
pp.
11-12,
42-50. 363
John Lovell, Jr., "The Social Implications of the Negro Spiritual,"
Journal of Negro Education
8,
no.
4
(October
1939),
pp.
634-643. 374
"John Work: Martyr and Singer," The Crisis (May
1926),
pp.
32-34. 391
John Wesley Work, "The Development Of The Music Of The Negro
From The Folk Song To The Art Song And The Art Chorus,"
Journal of the Proceedings of the Twelfth Annual Meeting of the
Music Supervisors' National Conference, St. Louis (April
1,
1919),
pp.
42-46. 396
J. A. Myers, "Respect Spirit Of Negro Song, Is Plea Of
Fisk
Leader,
J. A. Myers, Tenor and Director of Famous University Singers,
Discusses the Music of His People," New York City Musical
America (July
15,1922). 403
Marion Kerby,
"A Warning Against Over-Refinement Of The Negro
Spiritual: Primitive Ruggedness Often Lost in Modern
Attempts to Glorify Folk Music
—
Something About
"Exaltations"," The Musician (July
1928),
pp.
9,29-30. 407
Edward H. Boatner, "Edward H. Boatner Tells What the Spiritual
Really Means to the Negro," Musical Courier
98,
no.
1
(Jan.
3,1929),
p.
18. 415
Harry T. Burleigh, "On Spirituals," Challenge
1,
no.
1
(March
1934),
pp.
26-27. 419
Hall Johnson, "Songs Of Protest: A Review," Opportunity
14
(August
1936),
pp.
241-244. 423
Hall Johnson, "Preface," Thirty Spirituals Arranged for Voice and
Piano byHallJohnson, (New York: G. Schirraer,
1949),
pp.
4-5. 432
Roland Hayes, "My Songs," My Songs: Aframerican Religious Folk
Songs Arranged and Interpreted by Roland Hayes (Boston:
An Atlantic Monthly Press Book, Little, Brown and Company,
1948),
pp.
3,8-13. 437
Norman L.
Merrifíeld,
"Spiritual Distortion," Music Educators
Journal (June-July
1955),
pp.
44-46. 445
Marian Anderson, "Songs I Sing," My Lord, What a Morning
(New York: The Viking Press,
1956)
pp.
203-206. 450
Paul Robeson, "Love Will Find Out The Way," Here I Stand
(Boston: Beacon Press,
1988)
pp.
48-62. 453
Marvin V. Curtis and Lee V. Cloud, "The African-American
Spiritual: Traditions and Performance Practices,"
ChoralJournal
32
(November
1991),
pp.
15-22. 468
"Tenor George Shirley: You have to translate the composer and
the poet,"
Fidelio
(Winter
1993),
pp.
65-68. 484
Sylvia Olden Lee and Elizabeth Nash, The Memoirs of Sylvia Olden
Lee, Premier African-American Classical Vocal Coach
(Lewiston,
NY: The Edwin
Mellen
Press,
2001),
pp.
139-143. 492
Sylvia Olden Lee and Elizabeth Nash, The Memoirs of Sylvia Olden
Lee, Premier African-American Classical Vocal Coach
(Lewiston,
NY: The Edwin
Mellen
Press,
2001),
pp.
115-118.
[Spirituals in Concert, Jessye Norman and Kathleen Battle]
497
Selected Bibliography
501
Index
506 |
| adam_txt |
Table
Of
Contents
Preface by
Badi
G.
Foster
і
Acknowledgements
iii
Introduction
1
Eva Jessye, "The Singer"
6
Langston
Hughes, "Black Influences in the American Theater: Part I,"
Mabel M. Smythe, Editor, The Black American Reference Book
(Englewood Cliffs NJ: Prentice-Hall,
1976),
pp.
684-704. 9
THREE
PRIMA
DONNAS
Josephine Wright, "Black Women and Classical Music," Women's
Studies Quarterly
12:
no.
3
(Fall
1984),
pp.
18-21. 41
"The Black Swan," Illustrated News, April
2,1853
(n.
pag.).
53
Elizabeth Taylor Greenfield, New York Herald, April
1,1853
(n.
pag.).
54
"Her Favorite Is
"L'Africaine","
The Detroit Tribune,
12
February
1893,
p.
6. 56
"Sissieretta Jones," Evening News Detroit Times, Undated Press
Scrapbook.
57
"Interview with Faith Fenton," Empire (Toronto), Undated Press
Scrapbook.
57
"Sissieretta Jones," Commercial (Louisville), Undated Press
Scrapbook.
58
"Has Sung Around the World," Pittsburgh Post,
6
March
1906
(n.
pag.).
58
S. E.
Wilson, "An Artist of Rare Culture," Alexander's Magazine
1,
May
15,1905,
pp.
36-38. 60
ORIGINAL
FISK
UNIVERSITY JUBILEE SINGERS
Dena J. Epstein, "Black Spirituals: Their Emergence Into Public
Knowledge," Black Music Research Newsletter
8,
no.
2
(Spring
1986),
pp.
5-8. 65
"Benjamin M. Holmes," The Jubilee Singers, And Their Campaign for
Twenty Thousand Dollars by Rev.
G. D.
Pike (London: Hodder
and Stoughton. Boston: Lee and Shepard,
1874),
pp.
57-60. 75
"Jennie Jackson," The Jubilee Singers, pp.
61-62. 78
"Minnie
Tate,"
The Jubilee Singers, pp.
62-63. 80
Maggie Porter
Cole, "The Jubilee Singers On The Ocean And In
Europe,"
Fisk
University News (October
1911),
pp.
33-35. 82
W. Barton Beatty, "Maggie Porter Cole,"
Fisk
University News,
December
1939. 86
"Thomas Rutting," The Jubilee Singers, pp.
54-57. 87
Thomas Rutling, "My Life Since Leaving The Jubilee Singers,"
Fisk
University News (October
1911),
pp.
36-37. 89
"Georgie
Gordon," The Jubilee Singers, p.
69. 91
Georgia Gordon Taylor, "Reminiscences of Jubilee Singers,"
Fisk
University News (October
1911),
pp.
28-30. 92
"Julia Jackson," The Jubilee Singers, pp.
69-72. 96
"Mabel Lewis," The Jubilee Singers, pp.
72-73. 99
Mabel Lewis lines, "Some Hotel Experiences,"
Fisk
University News
(October
1911),
pp.
38-41. 100
Hinton D. Alexander, "Reminiscences of Jubilee Singers,"
Fisk
University News (October
1911),
pp.
38-41. 103
Dorothy Sterling,
Editor,
"Washerwomen, Maumas, Exodusters,
Jubileers,"
We Are Your Sisters: Black Women in the Nineteenth
Century (New York: W. W. Norton
&
Company,
1984),
p.
384-385. 108
EARLY 20TH CENTURY SINGERS
E.
Azalia
Hackley, The Colored Girl Beautiful (Kansas City: Burton
Publishing Company Publishers,
1916),
pp.
28-29. 112
Elizabeth Jones, "What Madame
Azalia
Hackley Accomplished,"
Philadelphia Tribune,
1912,
p.
1. 112
E.
Azalia
Hackley, "Hints To Young Colored Artists," New York Age,
14
March
1915. 113
Jules Bledsoe, "Has A Negro A Place In The Theatre," Opportunity,
6
(July
1928),
p.
215. 115
Carl Diton, "The Struggle of the Negro Musician," The Etude
(February
1930),
pp.
89-90. 117
Eva Jessye, "The Actors in "Hallelujah" Didn't Get Enormous
Salaries," The Baltimore Afro-American,
5
July
1930,
p.
8. 125
Ruby Berkley Goodwin, "The Adorable Abbie Mitchell," Abbott's
Monthly (March
1933),
pp.
11,42-43. 129
Roland Hayes as told to Laura Haddock, "My Song Is Nothing,"
The Christian Science Monitor
(írom
the Magazine),
Nov.
22, 1947,
p.6.
134
WO-PRESENT-
SECULAR
George Shirley, "The Black Performer: It's been a long, hard road
from the minstrels to the Met," Opera News
35,
no.
13
(January
30,1971),
pp.
6-13. 140
Todd Duncan, "To Sing. But Where? A Singer Who Believes
There Is No Set Pattern For Success," Opera and Concert
(August
1950),
pp.
8-10. 153
Elizabeth Nash and Patricia Turner, "The Master Singer:
a pioneering performer looks back on a life in which he
broke new ground not only as an artist but as a fighter
for justice: An Interview With Todd Duncan,"
American Legacy
4,
no.
3
(Fall
1998),
pp.
67. 159
Elizabeth Nash, "A Day With Camilla Williams," Opera Quarterly
18,
no.
2
(Spring
2002),
pp.
219-230. 170
Marian Anderson, "At The Metropolitan," My Lord, What a Morning
(New York: The Viking Press,
1956),
pp.
293-305. 179
Paul Robeson, "A Later Statement By The Author," Here
1
Stand
(Boston: Beacon Press,
1988),
pp.
119-121. 190
Dorothy Maynor, "Arts In The Ghetto," Music Educators Journal
(March
1968),
pp.
39-40, 135-136. 195
Betty Allen, "Creating Elitism," Opera News
58,
no.
5
(Nov.
1993),
p.
22. 202
Robert
Jacobson,
"Collard Greens and Caviar"
(1),
Opera News
50,
no.
1
(July
1985),
pp.
18-23. 207
Robert
Jacobson,
"Collard Greens and Caviar"
(2),
Opera News
50,
no.
2
(August
1985),
pp.
28, 30, 32-33,46-47. 223
William Warfield with Alton Miller, "The Tradition Continues,"
My Music and My Life, (Champaign,
IL:
Sagamore Publishing
Inc.,
1991),
pp.
226-229. 239
Fred
Morseli,
"Shirley Verrett," The Crisis (Jan.
1980),
pp.
7-14. 245
Shirley Verrett, "Welcoming Remarks," National Opera Association
Gala Banquet and Concert Honoring Four Operatic Trailblazers:
Mattiwilda Dobbs, Todd Duncan, Camilla Williams and Robert
McFerrin, Cambridge, MA, December
1,1995. 267
Fred
Morseli,
"Grace Bumbry," The Crisis (November
1977),
pp.
446-450. 272
Simon
Estes
with Mary L. Swanson
"Bayreuth,"
Simon
Estes:
In His
Own Voice, (Urbandale, IA:
Landauer
Corporation), pp.
81, 84,
86,106,143 286
William
Livingstone,
"Jessye Norman:
'I want to communicate,
to be understood in many ways and on many levels,'"
Stereo Review (October
1989),
pp.
102-105. 293
Sylvia Olden Lee and Elizabeth Nash, The Memoirs of Sylvia Olden
Lee, Premier African-American Classical Vocal Coach
(Lewiston,
NY: The Edwin
Mellen
Press,
2001),
pp.
118-121. 305
James A. Van
Sant, "Miss
Margaret's Way," Opera News Volume
60,
Number
12
(March
2, 1996),
p.
29. 310
Brian Kellow, "On The Beat," Opera News
66,
no.
5
(November
2001),
p.
12. 311
Carol Kimball, "Lunch with a Young American Artist:
Herbert Perry," The Opera Journal Volume
XXIX,
Number
3
(1996),
pp.
46-50. 314
Bruce Duffie, "Conversation Piece: Mark S. Doss,"
The Opera Journal
32
(June
1999),
pp.
17-27. 322
Brian Kellow, "Diva, Inc.," Opera News
66,
no.
3
(September
2001),
pp.
24-29. 332
1920-PRESENT
-
SACRED
Paul Laurence Dunbar, "The Ol' Tunes," Lyrics of Lowly Life
(New York: Dodd, Mead and Company,
1896),
pp.
122-124. 343
KosaJyn M. Story, "My Soul Is a Witness: A Digression On
the Black Church and the Spiritual," And So I Sing:
African-American Divas of Opera and Concert (New York:
Warner Books, Inc.,
1993),
pp.
171-182. 346
James
Weldon
Johnson, "Preface," The Book of American Negro
Spirituals (New York: The Viking Press Inc.,
1925),
pp.
11-12,
42-50. 363
John Lovell, Jr., "The Social Implications of the Negro Spiritual,"
Journal of Negro Education
8,
no.
4
(October
1939),
pp.
634-643. 374
"John Work: Martyr and Singer," The Crisis (May
1926),
pp.
32-34. 391
John Wesley Work, "The Development Of The Music Of The Negro
From The Folk Song To The Art Song And The Art Chorus,"
Journal of the Proceedings of the Twelfth Annual Meeting of the
Music Supervisors' National Conference, St. Louis (April
1,
1919),
pp.
42-46. 396
J. A. Myers, "Respect Spirit Of Negro Song, Is Plea Of
Fisk
Leader,
J. A. Myers, Tenor and Director of Famous University Singers,
Discusses the Music of His People," New York City Musical
America (July
15,1922). 403
Marion Kerby,
"A Warning Against Over-Refinement Of The Negro
Spiritual: Primitive Ruggedness Often Lost in Modern
Attempts to Glorify Folk Music
—
Something About
"Exaltations"," The Musician (July
1928),
pp.
9,29-30. 407
Edward H. Boatner, "Edward H. Boatner Tells What the Spiritual
Really Means to the Negro," Musical Courier
98,
no.
1
(Jan.
3,1929),
p.
18. 415
Harry T. Burleigh, "On Spirituals," Challenge
1,
no.
1
(March
1934),
pp.
26-27. 419
Hall Johnson, "Songs Of Protest: A Review," Opportunity
14
(August
1936),
pp.
241-244. 423
Hall Johnson, "Preface," Thirty Spirituals Arranged for Voice and
Piano byHallJohnson, (New York: G. Schirraer,
1949),
pp.
4-5. 432
Roland Hayes, "My Songs," My Songs: Aframerican Religious Folk
Songs Arranged and Interpreted by Roland Hayes (Boston:
An Atlantic Monthly Press Book, Little, Brown and Company,
1948),
pp.
3,8-13. 437
Norman L.
Merrifíeld,
"Spiritual Distortion," Music Educators
Journal (June-July
1955),
pp.
44-46. 445
Marian Anderson, "Songs I Sing," My Lord, What a Morning
(New York: The Viking Press,
1956)
pp.
203-206. 450
Paul Robeson, "Love Will Find Out The Way," Here I Stand
(Boston: Beacon Press,
1988)
pp.
48-62. 453
Marvin V. Curtis and Lee V. Cloud, "The African-American
Spiritual: Traditions and Performance Practices,"
ChoralJournal
32
(November
1991),
pp.
15-22. 468
"Tenor George Shirley: You have to translate the composer and
the poet,"
Fidelio
(Winter
1993),
pp.
65-68. 484
Sylvia Olden Lee and Elizabeth Nash, The Memoirs of Sylvia Olden
Lee, Premier African-American Classical Vocal Coach
(Lewiston,
NY: The Edwin
Mellen
Press,
2001),
pp.
139-143. 492
Sylvia Olden Lee and Elizabeth Nash, The Memoirs of Sylvia Olden
Lee, Premier African-American Classical Vocal Coach
(Lewiston,
NY: The Edwin
Mellen
Press,
2001),
pp.
115-118.
[Spirituals in Concert, Jessye Norman and Kathleen Battle]
497
Selected Bibliography
501
Index
506 |
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| author_sort | Nash, Elizabeth 1934- |
| author_variant | e n en |
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| callnumber-raw | ML400 |
| callnumber-search | ML400 |
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| classification_rvk | AP 64200 |
| ctrlnum | (OCoLC)643351021 (DE-599)DNB 2007028006 |
| dewey-full | 782.0092/396073 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
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| dewey-search | 782.0092/396073 |
| dewey-sort | 3782.0092 6396073 |
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| discipline | Allgemeines Musikwissenschaft |
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| era_facet | Geschichte Geschichte 1850-2000 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T18:12:00Z |
| indexdate | 2024-09-23T16:20:12Z |
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| physical | VIII, 516 S. |
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| spelling | Nash, Elizabeth 1934- Verfasser (DE-588)119226898 aut Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire Elizabeth Nash Lewiston [u.a.] Mellen 2007 VIII, 516 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references (p. ) and index Geschichte gnd rswk-swf Geschichte 1850-2000 gnd rswk-swf African American singers - Biography Spirituals (Songs) - History and criticism African American singers Biography Spirituals (Songs) History and criticism Sänger (DE-588)4124099-6 gnd rswk-swf Negrospiritual (DE-588)4171413-1 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content 1\p (DE-588)1071854844 Fiktionale Darstellung gnd-content USA (DE-588)4078704-7 g Sänger (DE-588)4124099-6 s Schwarze (DE-588)4116433-7 s Geschichte 1850-2000 z DE-604 Negrospiritual (DE-588)4171413-1 s Geschichte z Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015752717&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p sdnb2form 20230710 DE-101 ttps://www.bib-bvb.de/rovenienzkennzeichnungen/Uebersicht.html#sdnb2form |
| spellingShingle | Nash, Elizabeth 1934- Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire African American singers - Biography Spirituals (Songs) - History and criticism African American singers Biography Spirituals (Songs) History and criticism Sänger (DE-588)4124099-6 gnd Negrospiritual (DE-588)4171413-1 gnd Schwarze (DE-588)4116433-7 gnd |
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| title | Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire |
| title_auth | Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire |
| title_exact_search | Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire |
| title_exact_search_txtP | Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire |
| title_full | Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire Elizabeth Nash |
| title_fullStr | Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire Elizabeth Nash |
| title_full_unstemmed | Autobiographical reminiscences of African-American classical singers 1853 - present introducing their spiritual heritage into the concert repertoire Elizabeth Nash |
| title_short | Autobiographical reminiscences of African-American classical singers 1853 - present |
| title_sort | autobiographical reminiscences of african american classical singers 1853 present introducing their spiritual heritage into the concert repertoire |
| title_sub | introducing their spiritual heritage into the concert repertoire |
| topic | African American singers - Biography Spirituals (Songs) - History and criticism African American singers Biography Spirituals (Songs) History and criticism Sänger (DE-588)4124099-6 gnd Negrospiritual (DE-588)4171413-1 gnd Schwarze (DE-588)4116433-7 gnd |
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