XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich: przemiany, nurty, idee
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Łódź
Akad. Muzyczna im. Grażyny i Kiejstuta Bacewiczów
2005
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache |
| Beschreibung: | 243 S. Notenbeisp. |
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Datensatz im Suchindex
| _version_ | 1804136631126458368 |
|---|---|
| adam_text | Spis
tresei
Wstęp
.............................................................................................................................7
I. Z historii gatunku
................................................................................................11
1.
Kwartet smyczkowy w
twórczos ci
kompozytorów
polskich
XVIII
i
XIX
wieku
.........................................................................11
2.
Uwarunkowania historyczne
XX-wiecznej
twórczości kwartetowej kompozytorów polskich
........................................16
II. XX-wieczne
kwartety smyczkowe kompozytorów polskich wobec
gatunkowej tradycji
...............................................................................................27
1.
Fundament tradycji gatunku
.........................................................................27
2.
Kontynuacja
-
neoromantyczne wybrzmiewanie
........................................32
3.
Modyfikacja
....................................................................................................34
3.1.
Modernizm początku
XX
wieku
...........................................................34
3.2.
Neoklasycyzm, postawa klasycyzująca
.................................................42
Heterogeniczność środków kompozytorskich
......................................42
Rola ekspresji
..........................................................................................48
Budowa formalna
-
architektonika
.......................................................54
Faktura polifoniczna
..............................................................................69
Dodekafonia
............................................................................................73
Zapowiedź sonoryzmu
...........................................................................81
4.
Negacja
-
czas awangardy
II
połowy
XX
wieku
..........................................90
4.1.
Zakres materiałowy
................................................................................91
Dwunastodźwiękowość w ujęciu systemowym
....................................91
Sonorystyka
...........................................................................................105
4.2.
Zakres faktury
......................................................................................115
Mikrotonowość i serializm
...................................................................115
Unizm
.....................................................................................................124
4.3.
Zakres formy
.........................................................................................129
Aleatoryzm
............................................................................................129
Forma mobilna
......................................................................................132
5.
Akceptacja
-
ponowoczesność
...................................................................139
5.1.
Synteza w zakresie estetyki
..................................................................139
5.2.
Synteza w zakresie materiału
...............................................................145
5.3.
Synteza w zakresie formy
.....................................................................152
6.
XX-wieczne
kwartety smyczkowe kompozytorów polskich
w ujęciu syntetycznym
..................................................................................156
III. Idea kwartetu w twórczości kompozytorów polskich
XX
wieku
.................159
1.
Kwartet jako rozmowa
.................................................................................161
2.
Kwartet jako epitafium
................................................................................164
3.
Kwartet jako przesłanie
...............................................................................173
4.
Kwartet jako zabawa
-
„gra
.......................................................................176
5.
Kwartet jako... kwartet
.................................................................................184
Zakończenie
.............................................................................................................185
Aneksy
1.
Lista kwartetów smyczkowych skomponowanych w latach
1901-2000
(alfabetycznie)
..............................................................................................187
2.
Lista kwartetów smyczkowych skomponowanych w latach
1901-2000
(chronologicznie)
..........................................................................................204
Bibliografia
...............................................................................................................221
Spis przykładów
........................................................................................................234
Indeks nazwisk
.........................................................................................................237
Summary
...................................................................................................................242
Summary
The study Twentieth Century Polish String Quartet
-
Transformations, Trends,
Ideas examines the history of the 20th century music in Poland in the context of
specific form of string quartet. The author s main purpose is to present plurality
of styles, composers techniques and formal concepts observed in the area of this
very unique medium, since the string quartet, with its intimate character has always
been one of the favourites in expressing a state of reflexion, prayerful meditation
or affirmation of life.
The primary objective of this study is threefold and results from the hierar¬
chy of the broad spectrum of problems. The opening chapter establishes historical
perspective and sketches the 18th and 19th century history of string quartet and
its tradition. Chapter II, the most comprehensive one, presents the complexity of
transformation processes of form and sound material of the 20th century string
quartet. It considers the attitude of Polish composers towards the traditional cyclic
form of string quartet
(3
or
4
parts), with principal of contrast between parts and
with preferred sonata form based on tonal relations, although tonality at the be¬
ginning of the 20th century was strongly weakened. This kind of perspective made
possible to present composers output in connection with the historical model as its
neoromantic
continuation, as its modern and neoclassical modification, as its nega¬
tion (during the avant-garde time) and its post-modern acceptation.
The third chapter presents an aesthetic-ideological perspective; the author ex¬
plores here the differences between composers in perception of the idea of string
quartet. Consequently, this chapter completes the problem of transformations of
technical aspects in composing a string quartet, discussed earlier (chapter II), with
composers points of view in these matters and with presentation of some indi¬
vidual, most interesting cases.
The combination of these three research perspectives, with their specific, typi¬
cal for each other methods, offers an overview of the 20th century Polish string
quartet with all its variants and types. In big part the study draws on archival ma¬
terials, including unpublished manuscripts of quartets. The lists (alphabetical and
chronological) of Polish string quartets of the 20th century, included in Annexes,
242
consists of
473
items. This material proves that the idiom of string quartet is still
(or even
-
becomes more) attractive for contemporary composers. Especially in
Poland, in successive quarters of the 20th century, the amount of string quartets
is doubled and the interest in this kind of music constantly grows among compo¬
sers.
The significance of this study results from the fact that for the first time such
a comprehensive synthesis of modern string quartet has appeared in the musi-
cological research in Poland. Secondly, a reader receives here a useful source of
materials and information about works
-
very often unknown, as well as another
contribution to the history of the 20th century music in Poland.
(translated by M. Szoka)
243
|
| adam_txt |
Spis
tresei
Wstęp
.7
I. Z historii gatunku
.11
1.
Kwartet smyczkowy w
twórczos'ci
kompozytorów
polskich
XVIII
i
XIX
wieku
.11
2.
Uwarunkowania historyczne
XX-wiecznej
twórczości kwartetowej kompozytorów polskich
.16
II. XX-wieczne
kwartety smyczkowe kompozytorów polskich wobec
gatunkowej tradycji
.27
1.
Fundament tradycji gatunku
.27
2.
Kontynuacja
-
neoromantyczne wybrzmiewanie
.32
3.
Modyfikacja
.34
3.1.
Modernizm początku
XX
wieku
.34
3.2.
Neoklasycyzm, postawa klasycyzująca
.42
Heterogeniczność środków kompozytorskich
.42
Rola ekspresji
.48
Budowa formalna
-
architektonika
.54
Faktura polifoniczna
.69
Dodekafonia
.73
Zapowiedź sonoryzmu
.81
4.
Negacja
-
czas awangardy
II
połowy
XX
wieku
.90
4.1.
Zakres materiałowy
.91
Dwunastodźwiękowość w ujęciu systemowym
.91
Sonorystyka
.105
4.2.
Zakres faktury
.115
Mikrotonowość i serializm
.115
Unizm
.124
4.3.
Zakres formy
.129
Aleatoryzm
.129
Forma mobilna
.132
5.
Akceptacja
-
ponowoczesność
.139
5.1.
Synteza w zakresie estetyki
.139
5.2.
Synteza w zakresie materiału
.145
5.3.
Synteza w zakresie formy
.152
6.
XX-wieczne
kwartety smyczkowe kompozytorów polskich
w ujęciu syntetycznym
.156
III. Idea kwartetu w twórczości kompozytorów polskich
XX
wieku
.159
1.
Kwartet jako rozmowa
.161
2.
Kwartet jako epitafium
.164
3.
Kwartet jako przesłanie
.173
4.
Kwartet jako zabawa
-
„gra"
.176
5.
Kwartet jako. kwartet
.184
Zakończenie
.185
Aneksy
1.
Lista kwartetów smyczkowych skomponowanych w latach
1901-2000
(alfabetycznie)
.187
2.
Lista kwartetów smyczkowych skomponowanych w latach
1901-2000
(chronologicznie)
.204
Bibliografia
.221
Spis przykładów
.234
Indeks nazwisk
.237
Summary
.242
Summary
The study Twentieth Century Polish String Quartet
-
Transformations, Trends,
Ideas examines the history of the 20th century music in Poland in the context of
specific form of string quartet. The author's main purpose is to present plurality
of styles, composers' techniques and formal concepts observed in the area of this
very unique medium, since the string quartet, with its intimate character has always
been one of the favourites in expressing a state of reflexion, prayerful meditation
or affirmation of life.
The primary objective of this study is threefold and results from the hierar¬
chy of the broad spectrum of problems. The opening chapter establishes historical
perspective and sketches the 18th and 19th century history of string quartet and
its tradition. Chapter II, the most comprehensive one, presents the complexity of
transformation processes of form and sound material of the 20th century string
quartet. It considers the attitude of Polish composers towards the traditional cyclic
form of string quartet
(3
or
4
parts), with principal of contrast between parts and
with preferred sonata form based on tonal relations, although tonality at the be¬
ginning of the 20th century was strongly weakened. This kind of perspective made
possible to present composers' output in connection with the historical model as its
neoromantic
continuation, as its modern and neoclassical modification, as its nega¬
tion (during the avant-garde time) and its post-modern acceptation.
The third chapter presents an aesthetic-ideological perspective; the author ex¬
plores here the differences between composers in perception of the "idea" of string
quartet. Consequently, this chapter completes the problem of transformations of
technical aspects in composing a string quartet, discussed earlier (chapter II), with
composers' points of view in these matters and with presentation of some indi¬
vidual, most interesting cases.
The combination of these three research perspectives, with their specific, typi¬
cal for each other methods, offers an overview of the 20th century Polish string
quartet with all its variants and types. In big part the study draws on archival ma¬
terials, including unpublished manuscripts of quartets. The lists (alphabetical and
chronological) of Polish string quartets of the 20th century, included in Annexes,
242
consists of
473
items. This material proves that the idiom of string quartet is still
(or even
-
becomes more) attractive for contemporary composers. Especially in
Poland, in successive quarters of the 20th century, the amount of string quartets
is doubled and the interest in this kind of music constantly grows among compo¬
sers.
The significance of this study results from the fact that for the first time such
a comprehensive synthesis of modern string quartet has appeared in the musi-
cological research in Poland. Secondly, a reader receives here a useful source of
materials and information about works
-
very often unknown, as well as another
contribution to the history of the 20th century music in Poland.
(translated by M. Szoka)
243 |
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| spelling | Kowalska-Zając, Ewa Verfasser (DE-588)1228111561 aut XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee Ewa Kowalska-Zając Łódź Akad. Muzyczna im. Grażyny i Kiejstuta Bacewiczów 2005 243 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache Geschichte 1900-2000 gnd rswk-swf Kwartet smyczkowy - Polska - 20 w jhpk Streichquartett (DE-588)4058023-4 gnd rswk-swf Polen (DE-588)4046496-9 gnd rswk-swf Polen (DE-588)4046496-9 g Streichquartett (DE-588)4058023-4 s Geschichte 1900-2000 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015730549&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015730549&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Kowalska-Zając, Ewa XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee Kwartet smyczkowy - Polska - 20 w jhpk Streichquartett (DE-588)4058023-4 gnd |
| subject_GND | (DE-588)4058023-4 (DE-588)4046496-9 |
| title | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee |
| title_auth | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee |
| title_exact_search | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee |
| title_exact_search_txtP | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee |
| title_full | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee Ewa Kowalska-Zając |
| title_fullStr | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee Ewa Kowalska-Zając |
| title_full_unstemmed | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich przemiany, nurty, idee Ewa Kowalska-Zając |
| title_short | XX-wieczny kwartet smyczkowy w twórczości kompozytorów polskich |
| title_sort | xx wieczny kwartet smyczkowy w tworczosci kompozytorow polskich przemiany nurty idee |
| title_sub | przemiany, nurty, idee |
| topic | Kwartet smyczkowy - Polska - 20 w jhpk Streichquartett (DE-588)4058023-4 gnd |
| topic_facet | Kwartet smyczkowy - Polska - 20 w Streichquartett Polen |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015730549&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015730549&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kowalskazajacewa xxwiecznykwartetsmyczkowywtworczoscikompozytorowpolskichprzemianynurtyidee |