Ezra Pound: poet: a portrait of the man and his work 2 The epic years : 1921 - 1939
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2014
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke. |
| Beschreibung: | XVII, 421, [16] S. Ill. |
| ISBN: | 9780199215584 |
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Datensatz im Suchindex
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| adam_text |
CONTENTS
ILLUSTRATIONS
ix
PREFACE
ХІ
CHRONOLOGY
xiv
PART ONE
: 1921-1932
1. A Year in Paris, 1921-1924
Nature, genius, and the state of the world
—
Canto II: seeing the
light
—
Le
Testament or Pound's Villon: in the dark
—
A new
theory of harmony
—
Year
1
of a new era: kaleidoscope
—
A renaissance man
—
Life and times:
1923-1924 3
2.
From Rapallo,
1924-1932
Human complications
—
Saving the world by pure form
—
A sextant for
A
Draff of
XXX
Cantos
—
Literary· relations old
and new
—
In the sphere or action
—
Cavalcanti:
the intelligence
of love
—
Threads, tesserae
64
PART TWO
: 1933-1939
3.
A Democrat in Italy,
1933
H Pocta
meets
II Duce
—
Revolutionary economics
—
Making
music of history: Cantos
j
1-41—
Note: A historian, the Bank
Wars, and the New Deal
133
4.
Things Fall Apart,
1933-193 7
To spread order about him
—
The turning point: 1935-1936
—
The boss knows his business'
—
Music, money, cantos
—
ТЫ
Fifìb Oecaà:
against
Usurai
—
The form and pressure
of the time
182
5.
Ideas of Order,
1937-1939
'Immediate need of Confucius'
—
Signor
Mussolini speaks
—
To educate
—
Anschluss
—
Going wrong, thinking of rightness
—
Czechoslovakia sacrificed
—
Comings and goings
—
The end of
Czechoslovakia
—
Two books for go%-ernors:
(1)
cantos
52-61 —
Two books for governors:
(2)
cantos
62—71 247
vu
CONTENTS
6. Alien in America 297
Appendices
313
Α.
Outline
of Pound's
Le Testament or Villon
315
B. A
brief history of
Le
Testamentov
Villon
318
C.
Outline of
Cavalcanti.
A sung dramedy in
j
acts
321
D. 'Huey, God bless him', an unpublished article
(1935) 325
E. The founding of the Bank of England, and the US
National Banking Act
327
ABBREVIATIONS
333
NOTES
344
ACKNOWLEDGEMENTS
4O3
INDEX
409
Vili
This second volume of A. David Moody's full-scale portrait,
covering Ezra Pound's middle years, weaves together into
a single highly readable and challenging narrative, in a way
that has not been done before, the illuminating story of his
life, his achievement as a poet and a composer, and his one-
man crusade for economic justice.
There is new insight into his complicated personal relation¬
ships. There are detailed accounts of the composition of
his two operas and of his
originai
contribution to the theory of
harmony. A canto by canto and
decad
by
decad
elucidation of
the form and meaning of the first seventy-one cantos of his epic
reveals their hitherto unperceived musical structures and their
overall design. The thinking behind his support for Mussolini's
economic programme during the Great Depression of the
1
930s
is brought to light, and shown to be not 'fascist' but essentially
true to the principles of the American Revolution, and, behind
that, to Confucian ideas of responsible government. At the
same time it is made clear that he saw only what he wanted
to see in Mussolini's Fascism,
ano
later in Hitlers Nazism,
and was blind to their darker policies. And it is clear that he
went most seriously wrong in deploying, as a weapon in his
war on the injustice of the capitalist financial system, the
anti-Semitism endemic in Europe and America and at
that time turning
muröerous in
Nazi Germany.
Pound is revealed as a great poet and a flawed idealist
caught up in the turmoil of his darkening time and struggling,
sometimes blindly and in error and self-contradiction, to be
a force for enlightenment.
A third volume will carry on the narrative of his life and
works from
1 939
to his death in
1 972.
у |
| adam_txt |
CONTENTS
ILLUSTRATIONS
ix
PREFACE
ХІ
CHRONOLOGY
xiv
PART ONE
: 1921-1932
1. A Year in Paris, 1921-1924
Nature, genius, and the state of the world
—
Canto II: seeing the
light
—
Le
Testament or Pound's Villon: in the dark
—
A new
theory of harmony
—
Year
1
of a new era: kaleidoscope
—
A renaissance man
—
Life and times:
1923-1924 3
2.
From Rapallo,
1924-1932
Human complications
—
Saving the world by pure form
—
A sextant for
A
Draff of
XXX
Cantos
—
Literary· relations old
and new
—
In the sphere or action
—
Cavalcanti:
the intelligence
of love
—
Threads, tesserae
64
PART TWO
: 1933-1939
3.
A Democrat in Italy,
1933
H Pocta
meets
II Duce
—
Revolutionary economics
—
Making
music of history: Cantos
j
1-41—
Note: A historian, the Bank
Wars, and the New Deal
133
4.
Things Fall Apart,
1933-193 7
To spread order about him
—
The turning point: 1935-1936
—
The boss knows his business'
—
Music, money, cantos
—
ТЫ
Fifìb Oecaà:
against
Usurai
—
The form and pressure
of the time
182
5.
Ideas of Order,
1937-1939
'Immediate need of Confucius'
—
Signor
Mussolini speaks
—
To educate
—
Anschluss
—
Going wrong, thinking of rightness
—
Czechoslovakia sacrificed
—
Comings and goings
—
The end of
Czechoslovakia
—
Two books for go%-ernors:
(1)
cantos
52-61 —
Two books for governors:
(2)
cantos
62—71 247
vu
CONTENTS
6. Alien in America 297
Appendices
313
Α.
Outline
of Pound's
Le Testament or Villon
315
B. A
brief history of
Le
Testamentov
Villon
318
C.
Outline of
Cavalcanti.
A sung dramedy in
j
acts
321
D. 'Huey, God bless him', an unpublished article
(1935) 325
E. The founding of the Bank of England, and the US
National Banking Act
327
ABBREVIATIONS
333
NOTES
344
ACKNOWLEDGEMENTS
4O3
INDEX
409
Vili
This second volume of A. David Moody's full-scale portrait,
covering Ezra Pound's middle years, weaves together into
a single highly readable and challenging narrative, in a way
that has not been done before, the illuminating story of his
life, his achievement as a poet and a composer, and his one-
man crusade for economic justice.
There is new insight into his complicated personal relation¬
ships. There are detailed accounts of the composition of
his two operas and of his
originai
contribution to the theory of
harmony. A canto by canto and
decad
by
decad
elucidation of
the form and meaning of the first seventy-one cantos of his epic
reveals their hitherto unperceived musical structures and their
overall design. The thinking behind his support for Mussolini's
economic programme during the Great Depression of the
1
930s
is brought to light, and shown to be not 'fascist' but essentially
true to the principles of the American Revolution, and, behind
that, to Confucian ideas of responsible government. At the
same time it is made clear that he saw only what he wanted
to see in Mussolini's Fascism,
ano
later in Hitlers Nazism,
and was blind to their darker policies. And it is clear that he
went most seriously wrong in deploying, as a weapon in his
war on the injustice of the capitalist financial system, the
anti-Semitism endemic in Europe and America and at
that time turning
muröerous in
Nazi Germany.
Pound is revealed as a great poet and a flawed idealist
caught up in the turmoil of his darkening time and struggling,
sometimes blindly and in error and self-contradiction, to be
a force for enlightenment.
A third volume will carry on the narrative of his life and
works from
1 939
to his death in
1 972.
у |
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| title_full | Ezra Pound: poet a portrait of the man and his work 2 The epic years : 1921 - 1939 A. David Moody |
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