Remake - Premake: Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Bielefeld
Transcript
2008
|
| Schriftenreihe: | Film
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 353 S. Ill. |
| ISBN: | 9783899427004 3899427009 |
Internformat
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| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Comedy films |z California |z Los Angeles |x History | |
| 650 | 4 | |a Film remakes |z California |z Los Angeles |x History | |
| 650 | 4 | |a Motion pictures |z California |z Los Angeles |x History | |
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Datensatz im Suchindex
| _version_ | 1805089196646334464 |
|---|---|
| adam_text |
Inhalt
Dank 9
Remake | Premake. Einleitung 11
Can't Stop the
Remakes 14
Remakebegriff 20
Doing History:
Rückkopplung, Nachträglichkeit,
Preposterous Reading
27
Hypertextualität: Remake | Premake 31
Doing Culture:
Text/Kontext, kulturelle Negotiationen 34
Doing Gender:
Performativität, Film, Remake 38
Unfinished
Business 42
Filmkorpus 46
Remaking in
Hollywood, 1896-2006 55
Remakes und
Dupes
im frühen
Fimi
57
Remaking
1930/40 59
Remaking
nach 1948 61
Remaking
und die Hollywood Renaissance 68
Widescreen
Goes Small Screen:
Remakes und Videotechnik 72
Remaking 1990ff.
76
Remakes in der Forschung 79
Remakelexika 80
Typologien, Taxonomien 84
Kultur- und filmwissenschaftliche Arbeiten 88
Doing Gender:
Performativität, Film, Remake 95
Der
Performative Turn
in den
Gender Studies
95
Performativität und Film 109
Repeat
Performances: Remakes und
Gender
112
I've Always Had a Queer Opinion of You.
Unfinished Business
und Nachträglichkeit
in The Front Page
(1931 ) und
His Girl Friday
(1940) 115
His Girl Friday
und
The Front Page
116
Fairytales:
Konzepte von Homosexualität, 1920-1940 118
Hollywood,
die Sissy
und der
Production Code
121
Sissies,
Anarchisten und
Men's Rooms in The Front Page
126
Die
Fairy
Bensinger 128
Der Anarchist
Earl
Williams 131
(Schwieger^Mütter, Verlobte, Prostituierte 134
Liebe und Business 137
You
Make
Me Feel Like I'm the Bride.
Heirat und Henker
I
138
I'm a Newspaperman. Queering
und
Crossing in His Girl Friday
143
Der
Production Code
und die Entstehung der
Screwball Comedy
144
What Kind of Language Is That! Code-Bending in His GIRL FRIDAY
147
The Same Old Act, Isn't It? Gender-Performances in »His MAN FRIDAY«
153
Hysterischer Text 160
Heirat und Henker
II
163
Can this Marriage Be Saved? Remaking Remarriage
in The Awful Truth
(1937) und
Let's Do It Again
(1953) 165
Screwball Comedies
und die
Institution
Ehe, 1920ff. 166
Neue Ehemodelle und
die Comedy of Remarriage
169
Die
Wirtschaftskrise als Krise der Männlichkeit 173
Eheberatung
I: How to Win and Hold a Husband
175
Happily Ever After?
179
Marriage Is a Beautiful Thing. The AWFUL TRUTH
über
Ehe und Scheidung 187
Desperate
Housewives: Die
50er Jahre und der Mythos
des
Domestic Bliss
191
Marriages at War
193
Eheberatung
II: How to Stay Married Though Unhappy
197
Togetherness
und
The Paradox of the American Male
201
Rückschaufehler: Hollywoodremakes der 50er Jahre und
die
Screwball Comedy
205
Let's Do It (Again). Love Companionship Goes Domestic Bliss
207
What Is »Normal« Married Love?
Sexualität in der Ehe 211
How Much Do We Know about Men?
Männlichkeitskrisen
II
214
I Want a Man That I Know Will Be Home. Die Happy Housewife
und
der
Playboy
218
Deckgeschichten 222
Was There Ever a Feathersville?
227
Die
Ehe als Theater/das
Theater
der Ehe 230
Wifeliness as a Masquerade
233
Premake | Remake: Love Companionship versus Domestic Bliss
238
Boy, Girl, Boy, Girl.
Kategorienkrisen,
Genre Trouble
und
Passing in Holiday Inn
(1942) und
White
Christaaas (1954) 243
Holiday Inn
244
White Christmas
247
Familienähnlichkeiten:
Genre
und
Remake
249
I'll Capture Her Heart Singing/Dancing. Holiday Inn
und
das Dual Focus Narrative
des
Musicals
254
Boy Meets Boy:
Vom Rivalen zum
Male-Buddy-Team
258
There Were Never Such Devoted Sisters. Female Buddies
264
Fairies, Fathers, Families
266
Operation Waverly
271
Drag-Sisters: Camp, Kinship,
Kategorienkrisen
274
Camp
277
Sisters in Distress
279
Kategorienkrisen
283
Mulvey, Musical, Male Hysteria.
Exkurs 284
The Best Things Happen When You're Dancing.
Hollywoods Song-and
Dance-Men
288
Male Hysteria
291
A Guy in the Eighth Row Can Kiss Marilyn Monroe.
Hollywoods
Technologies of Gender,
1950fr. 293
This Is the Army. Die
Armee als Männlichkeitsspektakel 296
Schlussbetrachtung 301
Filmverzeichnis 307
Literaturverzeichnis 319
Abbildungsnachweis 353 |
| adam_txt |
Inhalt
Dank 9
Remake | Premake. Einleitung 11
Can't Stop the
Remakes 14
Remakebegriff 20
Doing History:
Rückkopplung, Nachträglichkeit,
Preposterous Reading
27
Hypertextualität: Remake | Premake 31
Doing Culture:
Text/Kontext, kulturelle Negotiationen 34
Doing Gender:
Performativität, Film, Remake 38
Unfinished
Business 42
Filmkorpus 46
Remaking in
Hollywood, 1896-2006 55
Remakes und
Dupes
im frühen
Fimi
57
Remaking
1930/40 59
Remaking
nach 1948 61
Remaking
und die Hollywood Renaissance 68
Widescreen
Goes Small Screen:
Remakes und Videotechnik 72
Remaking 1990ff.
76
Remakes in der Forschung 79
Remakelexika 80
Typologien, Taxonomien 84
Kultur- und filmwissenschaftliche Arbeiten 88
Doing Gender:
Performativität, Film, Remake 95
Der
Performative Turn
in den
Gender Studies
95
Performativität und Film 109
Repeat
Performances: Remakes und
Gender
112
I've Always Had a Queer Opinion of You.
Unfinished Business
und Nachträglichkeit
in The Front Page
(1931 ) und
His Girl Friday
(1940) 115
His Girl Friday
und
The Front Page
116
Fairytales:
Konzepte von Homosexualität, 1920-1940 118
Hollywood,
die Sissy
und der
Production Code
121
Sissies,
Anarchisten und
Men's Rooms in The Front Page
126
Die
Fairy
Bensinger 128
Der Anarchist
Earl
Williams 131
(Schwieger^Mütter, Verlobte, Prostituierte 134
Liebe und Business 137
You
Make
Me Feel Like I'm the Bride.
Heirat und Henker
I
138
I'm a Newspaperman. Queering
und
Crossing in His Girl Friday
143
Der
Production Code
und die Entstehung der
Screwball Comedy
144
What Kind of Language Is That! Code-Bending in His GIRL FRIDAY
147
The Same Old Act, Isn't It? Gender-Performances in »His MAN FRIDAY«
153
Hysterischer Text 160
Heirat und Henker
II
163
Can this Marriage Be Saved? Remaking Remarriage
in The Awful Truth
(1937) und
Let's Do It Again
(1953) 165
Screwball Comedies
und die
Institution
Ehe, 1920ff. 166
Neue Ehemodelle und
die Comedy of Remarriage
169
Die
Wirtschaftskrise als Krise der Männlichkeit 173
Eheberatung
I: How to Win and Hold a Husband
175
Happily Ever After?
179
Marriage Is a Beautiful Thing. The AWFUL TRUTH
über
Ehe und Scheidung 187
Desperate
Housewives: Die
50er Jahre und der Mythos
des
Domestic Bliss
191
Marriages at War
193
Eheberatung
II: How to Stay Married Though Unhappy
197
Togetherness
und
The Paradox of the American Male
201
Rückschaufehler: Hollywoodremakes der 50er Jahre und
die
Screwball Comedy
205
Let's Do It (Again). Love Companionship Goes Domestic Bliss
207
What Is »Normal« Married Love?
Sexualität in der Ehe 211
How Much Do We Know about Men?
Männlichkeitskrisen
II
214
I Want a Man That I Know Will Be Home. Die Happy Housewife
und
der
Playboy
218
Deckgeschichten 222
Was There Ever a Feathersville?
227
Die
Ehe als Theater/das
Theater
der Ehe 230
Wifeliness as a Masquerade
233
Premake | Remake: Love Companionship versus Domestic Bliss
238
Boy, Girl, Boy, Girl.
Kategorienkrisen,
Genre Trouble
und
Passing in Holiday Inn
(1942) und
White
Christaaas (1954) 243
Holiday Inn
244
White Christmas
247
Familienähnlichkeiten:
Genre
und
Remake
249
I'll Capture Her Heart Singing/Dancing. Holiday Inn
und
das Dual Focus Narrative
des
Musicals
254
Boy Meets Boy:
Vom Rivalen zum
Male-Buddy-Team
258
There Were Never Such Devoted Sisters. Female Buddies
264
Fairies, Fathers, Families
266
Operation Waverly
271
Drag-Sisters: Camp, Kinship,
Kategorienkrisen
274
Camp
277
Sisters in Distress
279
Kategorienkrisen
283
Mulvey, Musical, Male Hysteria.
Exkurs 284
The Best Things Happen When You're Dancing.
Hollywoods Song-and
Dance-Men
288
Male Hysteria
291
A Guy in the Eighth Row Can Kiss Marilyn Monroe.
Hollywoods
Technologies of Gender,
1950fr. 293
This Is the Army. Die
Armee als Männlichkeitsspektakel 296
Schlussbetrachtung 301
Filmverzeichnis 307
Literaturverzeichnis 319
Abbildungsnachweis 353 |
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| author | Oltmann, Katrin 1974- |
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| author_variant | k o ko |
| building | Verbundindex |
| bvnumber | BV022513366 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.U65 |
| callnumber-search | PN1993.5.U65 |
| callnumber-sort | PN 41993.5 U65 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 44983 AP 52400 |
| ctrlnum | (OCoLC)289108400 (DE-599)BVBBV022513366 |
| dewey-full | 791.436 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.436 |
| dewey-search | 791.436 |
| dewey-sort | 3791.436 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte 1896-2006 gnd Geschichte 1930-1960 gnd |
| era_facet | Geschichte 1896-2006 Geschichte 1930-1960 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | Los Angeles- Hollywood (DE-588)4099817-4 gnd |
| geographic_facet | Los Angeles- Hollywood |
| id | DE-604.BV022513366 |
| illustrated | Illustrated |
| index_date | 2024-07-02T18:00:10Z |
| indexdate | 2024-07-20T09:20:04Z |
| institution | BVB |
| isbn | 9783899427004 3899427009 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015720216 |
| oclc_num | 289108400 |
| open_access_boolean | |
| owner | DE-739 DE-M472 DE-29 DE-12 DE-B170 DE-11 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-188 DE-525 DE-Po75 |
| owner_facet | DE-739 DE-M472 DE-29 DE-12 DE-B170 DE-11 DE-355 DE-BY-UBR DE-19 DE-BY-UBM DE-188 DE-525 DE-Po75 |
| physical | 353 S. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Transcript |
| record_format | marc |
| series2 | Film |
| spelling | Oltmann, Katrin 1974- Verfasser (DE-588)131719262 aut Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 Katrin Oltmann Bielefeld Transcript 2008 353 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film Zugl.: Köln, Univ., Diss., 2006 Geschichte 1896-2006 gnd rswk-swf Geschichte 1930-1960 gnd rswk-swf Geschichte Comedy films California Los Angeles History Film remakes California Los Angeles History Motion pictures California Los Angeles History Sex role in motion pictures Filmkomödie (DE-588)4154364-6 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Remake (DE-588)4491254-7 gnd rswk-swf Diskurs (DE-588)4012475-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Los Angeles- Hollywood (DE-588)4099817-4 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Los Angeles- Hollywood (DE-588)4099817-4 g Filmkomödie (DE-588)4154364-6 s Remake (DE-588)4491254-7 s Geschlechterrolle (DE-588)4071776-8 s Diskurs (DE-588)4012475-7 s Geschichte 1930-1960 z DE-604 Film (DE-588)4017102-4 s Geschichte 1896-2006 z 1\p DE-604 text/html http://deposit.dnb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm Inhaltstext Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015720216&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Oltmann, Katrin 1974- Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 Film Geschichte Comedy films California Los Angeles History Film remakes California Los Angeles History Motion pictures California Los Angeles History Sex role in motion pictures Filmkomödie (DE-588)4154364-6 gnd Geschlechterrolle (DE-588)4071776-8 gnd Remake (DE-588)4491254-7 gnd Diskurs (DE-588)4012475-7 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4154364-6 (DE-588)4071776-8 (DE-588)4491254-7 (DE-588)4012475-7 (DE-588)4017102-4 (DE-588)4099817-4 (DE-588)4113937-9 |
| title | Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 |
| title_auth | Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 |
| title_exact_search | Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 |
| title_exact_search_txtP | Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 |
| title_full | Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 Katrin Oltmann |
| title_fullStr | Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 Katrin Oltmann |
| title_full_unstemmed | Remake - Premake Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 Katrin Oltmann |
| title_short | Remake - Premake |
| title_sort | remake premake hollywoods romantische komodien und ihre gender diskurse 1930 1960 |
| title_sub | Hollywoods romantische Komödien und ihre Gender-Diskurse, 1930-1960 |
| topic | Film Geschichte Comedy films California Los Angeles History Film remakes California Los Angeles History Motion pictures California Los Angeles History Sex role in motion pictures Filmkomödie (DE-588)4154364-6 gnd Geschlechterrolle (DE-588)4071776-8 gnd Remake (DE-588)4491254-7 gnd Diskurs (DE-588)4012475-7 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Comedy films California Los Angeles History Film remakes California Los Angeles History Motion pictures California Los Angeles History Sex role in motion pictures Filmkomödie Geschlechterrolle Remake Diskurs Los Angeles- Hollywood Hochschulschrift |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=2960330&prov=M&dok_var=1&dok_ext=htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015720216&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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