Sor's method for the Spanish guitar:
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English French |
| Published: |
Mineola, N.Y.
Dover Publ.
2007
|
| Edition: | unabridged republication |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Item Description: | Translation of: Méthode pour la guitare. -- Originally published: London : R. Cocks, ca. 1850. |
| Physical Description: | 90 S. Ill., Notenbeisp. |
| ISBN: | 9780486460437 |
Staff View
MARC
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| 240 | 1 | 0 | |a Méthode pour la guitare |
| 245 | 1 | 0 | |a Sor's method for the Spanish guitar |c Ferdinand Sor ; transl. by A. Merrick |
| 250 | |a unabridged republication | ||
| 264 | 1 | |a Mineola, N.Y. |b Dover Publ. |c 2007 | |
| 300 | |a 90 S. |b Ill., Notenbeisp. | ||
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| 500 | |a Translation of: Méthode pour la guitare. -- Originally published: London : R. Cocks, ca. 1850. | ||
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Record in the Search Index
| _version_ | 1804136595437125632 |
|---|---|
| adam_text | CONTENTS.
PAGE
Introduction
.................... 5
A chord (or musical combination of sounds) and its inversions, or derivatives, note
...... 6
Construction and choice of an Instrument (figures
1, 2,
and
3)..........7
Figures
4
and
5,
method of supporting the sounding-board of the guitar
....... .8
Positions of the performer and his instrument, (figures
6, 7,
and
8).........10
Of the performer s Right Hand (figures
9
and
10) . . . . , . . . . . . .11
-------------------------
Left Hand (figures
11,12,
and
13)...........12
On supporting the neck of the guitar (figure
14)............13
Manner of setting the strings in vibration (figures
15, 16,17,
and
18).........14
Quality of tone produced (figures
19
and
20).............15
Imitation of the horn, trumpet, and hautboy, (figure
21)
plate 1
..........16
Buffed sounds
..................17
Knowledge of the finger-board, open strings, frets,.
&c.
(platea.
II. to
V.)
........18
Fingering on the length of the finger-board (figure
22)...........19
Use of the fingers of both hands
................20
Alberti
bases, or batteries (plate VI)
..............21
Action of the right hand, (figures
23
and
24),
and position of the left elbow
.......22
Of thirds, their nature and fingering, (plate
VIII.)............24
Of sixths, major and minor (plates X. and
XIII.)............26
Application of the theory of thirds and sixths (plate
XVI.)..........27
Fingering of the left hand, in regard to melody (plate
XVII.)..........28
Ditto for the right hand (plate
XXI.)..............32
Harmonic sounds (plates XXL,
ХХП.,
and
XXIII.)...........33
Indian
marimbo,
(or Arabian
marínba?)
note
.............34
Accompaniments for pianoforte, guitar, &c. (plate
XXIV.
&c.)
.........36
Diminished seventh, (equivocal discord,) and its inversions, or derivatives
.......38
Analysis of the Accompaniment to part of Haydn s Creation (plate
XXVIII.)
.......39
On using the ring-finger of the right hand (plate
XLI.)...........45
Conclusion
...................45
Methods, exercises, lessons, and studies discriminated, note
.......... 46
Summary of general maxims for students
, . . ■........ . . .48
|
| adam_txt |
CONTENTS.
PAGE
Introduction
. 5
A chord (or musical combination of sounds) and its inversions, or derivatives, note
. 6
Construction and choice of an Instrument (figures
1, 2,
and
3).7
Figures
4
and
5,
method of supporting the sounding-board of the guitar
. .8
Positions of the performer and his instrument, (figures
6, 7,
and
8).10
Of the performer's Right Hand (figures
9
and
10) . . . . , . . . . . . .11
-------------------------
Left Hand (figures
11,12,
and
13).12
On supporting the neck of the guitar (figure
14).13
Manner of setting the strings in vibration (figures
15, 16,17,
and
18).14
Quality of tone produced (figures
19
and
20).15
Imitation of the horn, trumpet, and hautboy, (figure
21)
plate 1
.16
Buffed sounds
.17
Knowledge of the finger-board, open strings, frets,.
&c.
(platea.
II. to
V.)
.18
Fingering on the length of the finger-board (figure
22).19
Use of the fingers of both hands
.20
Alberti
bases, or batteries (plate VI)
.21
Action of the right hand, (figures
23
and
24),
and position of the left elbow
.22
Of thirds, their nature and fingering, (plate
VIII.).24
Of sixths, major and minor (plates X. and
XIII.).26
Application of the theory of thirds and sixths (plate
XVI.).27
Fingering of the left hand, in regard to melody (plate
XVII.).28
Ditto for the right hand (plate
XXI.).32
Harmonic sounds (plates XXL,
ХХП.,
and
XXIII.).33
Indian
marimbo,
(or Arabian
marínba?)
note
.34
Accompaniments for pianoforte, guitar, &c. (plate
XXIV.
&c.)
.36
Diminished seventh, (equivocal discord,) and its inversions, or derivatives
.38
Analysis of the Accompaniment to part of Haydn's Creation (plate
XXVIII.)
.39
On using the ring-finger of the right hand (plate
XLI.).45
Conclusion
.45
Methods, exercises, lessons, and studies discriminated, note
. 46
Summary of general maxims for students
, . . ■. . . .48 |
| any_adam_object | 1 |
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| author | Sor, Fernando 1778-1839 |
| author_GND | (DE-588)119386984 |
| author_facet | Sor, Fernando 1778-1839 |
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| callnumber-subject | MT - Instruction and Study |
| ctrlnum | (OCoLC)132583400 (DE-599)DNB 2007020280 |
| dewey-full | 787.87/193 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 787 - Stringed instruments (Chordophones) |
| dewey-raw | 787.87/193 |
| dewey-search | 787.87/193 |
| dewey-sort | 3787.87 3193 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | unabridged republication |
| era | Geschichte 1830 gnd |
| era_facet | Geschichte 1830 |
| format | Book |
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| genre_facet | Einführung Quelle |
| id | DE-604.BV022497729 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:54:07Z |
| indexdate | 2024-07-09T20:58:54Z |
| institution | BVB |
| isbn | 9780486460437 |
| language | English French |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015704834 |
| oclc_num | 132583400 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 90 S. Ill., Notenbeisp. |
| publishDate | 2007 |
| publishDateSearch | 2007 |
| publishDateSort | 2007 |
| publisher | Dover Publ. |
| record_format | marc |
| spelling | Sor, Fernando 1778-1839 Verfasser (DE-588)119386984 aut Méthode pour la guitare Sor's method for the Spanish guitar Ferdinand Sor ; transl. by A. Merrick unabridged republication Mineola, N.Y. Dover Publ. 2007 90 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Translation of: Méthode pour la guitare. -- Originally published: London : R. Cocks, ca. 1850. Geschichte 1830 gnd rswk-swf Guitar Methods Gitarrenspiel (DE-588)4021101-0 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content (DE-588)4135952-5 Quelle gnd-content Gitarrenspiel (DE-588)4021101-0 s Geschichte 1830 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015704834&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Sor, Fernando 1778-1839 Sor's method for the Spanish guitar Guitar Methods Gitarrenspiel (DE-588)4021101-0 gnd |
| subject_GND | (DE-588)4021101-0 (DE-588)4151278-9 (DE-588)4135952-5 |
| title | Sor's method for the Spanish guitar |
| title_alt | Méthode pour la guitare |
| title_auth | Sor's method for the Spanish guitar |
| title_exact_search | Sor's method for the Spanish guitar |
| title_exact_search_txtP | Sor's method for the Spanish guitar |
| title_full | Sor's method for the Spanish guitar Ferdinand Sor ; transl. by A. Merrick |
| title_fullStr | Sor's method for the Spanish guitar Ferdinand Sor ; transl. by A. Merrick |
| title_full_unstemmed | Sor's method for the Spanish guitar Ferdinand Sor ; transl. by A. Merrick |
| title_short | Sor's method for the Spanish guitar |
| title_sort | sor s method for the spanish guitar |
| topic | Guitar Methods Gitarrenspiel (DE-588)4021101-0 gnd |
| topic_facet | Guitar Methods Gitarrenspiel Einführung Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015704834&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT sorfernando methodepourlaguitare AT sorfernando sorsmethodforthespanishguitar |