Beethovens Klaviervariationen, op. 34: = Beethoven's variations for piano, opus 34
Using Beethoven's Variations for piano in F major, opus 34, the present volume questions whether tuning systems, other than that of equal temperament, were still employed in music of the early nineteenth century.
Gespeichert in:
Hauptverfasser: | , , |
---|---|
Format: | Buch |
Sprache: | German English |
Veröffentlicht: |
Mainz [u.a.]
Schott
2007
|
Schriftenreihe: | Klang und Begriff
2 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Using Beethoven's Variations for piano in F major, opus 34, the present volume questions whether tuning systems, other than that of equal temperament, were still employed in music of the early nineteenth century. |
Beschreibung: | Text dt. u. engl. |
Beschreibung: | 265 S. Notenbeisp. CD (12 cm) |
ISBN: | 3795705754 9783795705756 |
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Datensatz im Suchindex
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adam_text | Titel: Beethovens Klaviervariationen, op. 34
Autor: Lindley, Mark
Jahr: 2007
Contents
Preface........................ 10
Klaus-Jürgen Sachs
I Beethoven s Variation* for Piano, Opus 34............ 20
a) Their place among his works............... 20
b) On the new Manier in Opus 34............. 26
c) The overall concept ................. 32
d) On the forms of the individual settings........... 44
Klaus-Jürgen Sachs
2. About Key Characteristics................. 58
a) An outline of the problem............... 58
b) Interpretation of the evidence for Beethoven s posinon...... 66
c) Key characteristics in Beethoven s Opus 34? ......... 74
Conny Restle
3 Beethoven and the Hammerklavier.............. 80
a) Beethoven s pianofortes................ 82
b) Beethoven s requirements for his pianofortes......... 94
c) The two pianofortes by Joseph Brodmann.......... 9^
Mark Lindley
^.Nuances of Intonation: Technical and Historical Background...... 104
Mark Lindley
5 Nuances of Intonation: Musical Effects............. 134
Contents
Appendix I
Mark Lindley
Extractsfrom Anton Schindlers Biographie von Ludwig van Beethoven . . 180
Appendix II
Mark Lindley
Advice for Tuning...................188
Appendix IIIa
Klaus-Jürgen Sachs
Synoptic Reprvduction of the Musical Score and Sketches.......198
Appendix IIIb
Klaus-Jürgen Sachs
Facsimile of the Pages from the Wielhorsky Sketchhook
with Diplomatie Transcriptions...............226
References.....................246
Index of Names....................252
CD Tracks......................256
The accompanying CD includes all music examples and the complete recording of
the variations by David Polan, as well as a pdf-file of chapter 5 (Mark Lindley:
Nuances of Intonation: Musical Effects) in which all the music examples for
reading and listening at the Computer are embedded (requires Adobe Acrobat
Reader, version 6 or higher). Furthermore the transcriptions of the sketches from
Appendix III a have also been included as a separate file in order to facilitate read-
ing Chapter 1 (Klaus-Jürgen Sachs: Beethoven s Variations for Piano, Opus 34)
without continually having to turn back and forth.
Inhalt
Vorwort.......................11
Klaus-Jürgen Sachs
Beethovens Klaviervariationen op. 34....... .......21
a) Stellung im CEuvre........... .......21
b) Zur ?neuen Manier in op. 34....... .......27
c) Gesamtkonzept............ .......33
d) Zur Einzelsatzgestalt.......... .......45
Klaus-Jürgen Sachs
2 Zur Tonartencharakteristik................ 59
a) Problemskizze................... 59
b) Interpretation der Zeugnisse für Beethovens Position...... 67
c) Tonartencharakteristik in Beethovens op. 34?......... 75
Conny Restle
^ Beethoven und das Hammerklavier.............. 81
a) Beethovens Hammerklaviere............... 83
b) Beethovens Ansprüche an das Hammerklavier......... 95
c) Die beiden Hammerflügel von Joseph Brodmann........ 97
Mark Lindley
4 Feinheiten der Intonation? Technische und historische Grundlagen . . . .105
Mark Lindley
5 Feinheiten der Intonation ? Musikalische Wirkung
135
Inhalt
Anhang I
Mark Lindley
Aussage aus Anton Schindlers ?Biographie von Ludwig van Beethoven . . 181
Anhang II
Mark Lindley
Anleitung %um Stimmen.................189
Anhang IIIa
Klaus-Jürgen Sachs
Synoptische Wiedergabe von Notentext und Skisgen.........199
Anhang IIIb
Klaus-Jürgen Sachs
Faksimile der Seiten aus dem Wielhorsky-Ski^enbuch
mit diplomatischer Übertragung...............227
Zitierte Literatur..................246
Personenregister...................252
CD-Tracks......................257
Die beiliegende CD enthält neben allen Klangbeispielen und der Gesamteinspielung
der Variationen mit David Polan eine pdf-Datei von Kapitel 5 (Mark Lindley:
Feinheiten der Intonation - Musikalische Wirkung) für die Audio-Lektüre am Bild-
schirm, in die sämtliche Tonbeispiele eingebettet sind (erfordert Adobe Acrobat
Reader, Version 6). Ferner sind auch die Skizzen-Übertragungen von Anhang IIIa
in einer separaten Datei beigefügt, um dem Leser von Kapitel 1 (Klaus-Jürgen
Sachs: Beethovens Klaviervariationen op. 34) eine Lektüre ohne ständiges Vor- und
Zurückblättern zu ermöglichen.
|
adam_txt |
Titel: Beethovens Klaviervariationen, op. 34
Autor: Lindley, Mark
Jahr: 2007
Contents
Preface. 10
Klaus-Jürgen Sachs
I Beethoven's Variation* for Piano, Opus 34. 20
a) Their place among his works. 20
b) On the 'new Manier' in Opus 34. 26
c) The overall concept . 32
d) On the forms of the individual settings. 44
Klaus-Jürgen Sachs
2. About Key Characteristics. 58
a) An outline of the problem. 58
b) Interpretation of the evidence for Beethoven's posinon. 66
c) Key characteristics in Beethoven's Opus 34? . 74
Conny Restle
3 Beethoven and the Hammerklavier. 80
a) Beethoven's pianofortes. 82
b) Beethoven's requirements for his pianofortes. 94
c) The two pianofortes by Joseph Brodmann. 9^
Mark Lindley
^.Nuances of Intonation: Technical and Historical Background. 104
Mark Lindley
5 Nuances of Intonation: Musical Effects. 134
Contents
Appendix I
Mark Lindley
Extractsfrom Anton Schindlers "Biographie von Ludwig van Beethoven" . . 180
Appendix II
Mark Lindley
Advice for Tuning.188
Appendix IIIa
Klaus-Jürgen Sachs
Synoptic Reprvduction of the Musical Score and Sketches.198
Appendix IIIb
Klaus-Jürgen Sachs
Facsimile of the Pages from the Wielhorsky Sketchhook
with Diplomatie Transcriptions.226
References.246
Index of Names.252
CD Tracks.256
The accompanying CD includes all music examples and the complete recording of
the variations by David Polan, as well as a pdf-file of chapter 5 (Mark Lindley:
Nuances of Intonation: Musical Effects) in which all the music examples for
reading and listening at the Computer are embedded (requires Adobe Acrobat
Reader, version 6 or higher). Furthermore the transcriptions of the sketches from
Appendix III a have also been included as a separate file in order to facilitate read-
ing Chapter 1 (Klaus-Jürgen Sachs: Beethoven's Variations for Piano, Opus 34)
without continually having to turn back and forth.
Inhalt
Vorwort.11
Klaus-Jürgen Sachs
Beethovens Klaviervariationen op. 34. .21
a) Stellung im CEuvre. .21
b) Zur ?neuen Manier" in op. 34. .27
c) Gesamtkonzept. .33
d) Zur Einzelsatzgestalt. .45
Klaus-Jürgen Sachs
2 Zur Tonartencharakteristik. 59
a) Problemskizze. 59
b) Interpretation der Zeugnisse für Beethovens Position. 67
c) Tonartencharakteristik in Beethovens op. 34?. 75
Conny Restle
^ Beethoven und das Hammerklavier. 81
a) Beethovens Hammerklaviere. 83
b) Beethovens Ansprüche an das Hammerklavier. 95
c) Die beiden Hammerflügel von Joseph Brodmann. 97
Mark Lindley
4 Feinheiten der Intonation? Technische und historische Grundlagen . . . .105
Mark Lindley
5 Feinheiten der Intonation ? Musikalische Wirkung
135
Inhalt
Anhang I
Mark Lindley
Aussage aus Anton Schindlers ?Biographie von Ludwig van Beethoven" . . 181
Anhang II
Mark Lindley
Anleitung %um Stimmen.189
Anhang IIIa
Klaus-Jürgen Sachs
Synoptische Wiedergabe von Notentext und Skisgen.199
Anhang IIIb
Klaus-Jürgen Sachs
Faksimile der Seiten aus dem Wielhorsky-Ski^enbuch
mit diplomatischer Übertragung.227
Zitierte Literatur.246
Personenregister.252
CD-Tracks.257
Die beiliegende CD enthält neben allen Klangbeispielen und der Gesamteinspielung
der Variationen mit David Polan eine pdf-Datei von Kapitel 5 (Mark Lindley:
Feinheiten der Intonation - Musikalische Wirkung) für die Audio-Lektüre am Bild-
schirm, in die sämtliche Tonbeispiele eingebettet sind (erfordert Adobe Acrobat
Reader, Version 6). Ferner sind auch die Skizzen-Übertragungen von Anhang IIIa
in einer separaten Datei beigefügt, um dem Leser von Kapitel 1 (Klaus-Jürgen
Sachs: Beethovens Klaviervariationen op. 34) eine Lektüre ohne ständiges Vor- und
Zurückblättern zu ermöglichen. |
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genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
genre_facet | Aufsatzsammlung |
id | DE-604.BV022473454 |
illustrated | Illustrated |
index_date | 2024-07-02T17:45:28Z |
indexdate | 2024-07-09T20:58:22Z |
institution | BVB |
isbn | 3795705754 9783795705756 |
language | German English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015680900 |
oclc_num | 122934869 |
open_access_boolean | |
owner | DE-M29 DE-12 DE-B170 DE-11 DE-20 DE-29 |
owner_facet | DE-M29 DE-12 DE-B170 DE-11 DE-20 DE-29 |
physical | 265 S. Notenbeisp. CD (12 cm) |
publishDate | 2007 |
publishDateSearch | 2007 |
publishDateSort | 2007 |
publisher | Schott |
record_format | marc |
series | Klang und Begriff |
series2 | Klang und Begriff |
spelling | Lindley, Mark 1937- Verfasser (DE-588)103784020 aut Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 mit Beitr. von Mark Lindley, Conny Restle, Klaus J. Sachs Beethoven's variations for piano, opus 34 Mainz [u.a.] Schott 2007 265 S. Notenbeisp. CD (12 cm) txt rdacontent n rdamedia nc rdacarrier Klang und Begriff 2 Text dt. u. engl. Using Beethoven's Variations for piano in F major, opus 34, the present volume questions whether tuning systems, other than that of equal temperament, were still employed in music of the early nineteenth century. Beethoven, Ludwig van <1770-1827> Variations piano op. 34 F major Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd rswk-swf Beethoven, Ludwig van 1770-1827 Variationen op. 34 (DE-588)300201281 gnd rswk-swf Geschichte 1800-1900 Geschichte Musical temperament History 19th century Piano Hammerklavier (DE-588)4271971-9 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Beethoven, Ludwig van 1770-1827 Variationen op. 34 (DE-588)300201281 u DE-604 Beethoven, Ludwig van 1770-1827 (DE-588)118508288 p Hammerklavier (DE-588)4271971-9 s Restle, Conny 1960- Verfasser (DE-588)124457584 aut Sachs, Klaus-Jürgen 1929- Verfasser (DE-588)107609509 aut Klang und Begriff 2 (DE-604)BV019664403 2 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015680900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Lindley, Mark 1937- Restle, Conny 1960- Sachs, Klaus-Jürgen 1929- Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 Klang und Begriff Beethoven, Ludwig van <1770-1827> Variations piano op. 34 F major Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Beethoven, Ludwig van 1770-1827 Variationen op. 34 (DE-588)300201281 gnd Geschichte Musical temperament History 19th century Piano Hammerklavier (DE-588)4271971-9 gnd |
subject_GND | (DE-588)118508288 (DE-588)300201281 (DE-588)4271971-9 (DE-588)4143413-4 |
title | Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 |
title_alt | Beethoven's variations for piano, opus 34 |
title_auth | Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 |
title_exact_search | Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 |
title_exact_search_txtP | Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 |
title_full | Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 mit Beitr. von Mark Lindley, Conny Restle, Klaus J. Sachs |
title_fullStr | Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 mit Beitr. von Mark Lindley, Conny Restle, Klaus J. Sachs |
title_full_unstemmed | Beethovens Klaviervariationen, op. 34 = Beethoven's variations for piano, opus 34 mit Beitr. von Mark Lindley, Conny Restle, Klaus J. Sachs |
title_short | Beethovens Klaviervariationen, op. 34 |
title_sort | beethovens klaviervariationen op 34 beethoven s variations for piano opus 34 |
title_sub | = Beethoven's variations for piano, opus 34 |
topic | Beethoven, Ludwig van <1770-1827> Variations piano op. 34 F major Beethoven, Ludwig van 1770-1827 (DE-588)118508288 gnd Beethoven, Ludwig van 1770-1827 Variationen op. 34 (DE-588)300201281 gnd Geschichte Musical temperament History 19th century Piano Hammerklavier (DE-588)4271971-9 gnd |
topic_facet | Beethoven, Ludwig van <1770-1827> Variations piano op. 34 F major Beethoven, Ludwig van 1770-1827 Beethoven, Ludwig van 1770-1827 Variationen op. 34 Geschichte Musical temperament History 19th century Piano Hammerklavier Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015680900&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV019664403 |
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