A power stronger than itself: the AACM and American experimental music
"Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Chicago, Ill. [u.a.]
Univ. of Chicago Press
2008
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art"--Publisher's description. |
| Beschreibung: | XLVIII, 676 S., [22] Bl. Ill. |
| ISBN: | 9780226476964 9780226476957 0226476960 |
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Datensatz im Suchindex
| _version_ | 1806055683873832960 |
|---|---|
| adam_text |
contents
Preface: The AACM and American Experimentalism
ix
Acknowledgments
xv
Introduction: An AACM Book:
Origins, Antecedents, Objectives, Methods xxiu
Chapter Summaries
xxxv
1
FOUNDATIONS
AND PREHISTORY
/
Coming North: From Great Migration to Great Depression
ι
Early Musical Experiences
9
Improvisation and Autodidacticism in
1950s
Chicago
и
The End of an Era
27
2
NEW MUSIC, NEW YORK
29
Cultures of Spontaneity: Integrationism and the Two
Avant-Gardes
29
Beyond a Bebop Boundary: The Challenge of New Music
37
Critical Responses: Anger, Noise, Failure
43
A Far Cry from New York: Segregation and Chicago Music so
3
THE DEVELOPMENT OF THE EXPERIMENTAL BAND
55
Alternative Pedagogies of Experimental Music
ss
Eyes on the Sparrow: The First New
Chicagoans
61
V¡
: :
Contents
4
FOUNDING THE COLLECTIVE
85
Urban Decline and the Turn to Communitarianism
85
Born on the Kitchen Table: Conceiving the Association
96
Naming Ceremony: Black Power and Black Institutions
ios
5
FIRST FRUITS
115
The First Year: Concerts, Critics, and Issues us
New Arrivals and the University of Chicago us
Travel, Recording, and Intermedia
u¡
Memories of the Sun: The AACM and Sun Ra
ш
6
THE AACM TAKES OFF
163
The Black Arts Movement in Chicago
163
New Arrivals and New Ideas
169
The AACM School
ш
Performing and Self-Determination
1
79
Cultural Nationalism in Postmodern Transition i96
7
AMERICANS IN PARIS
215
Conceiving the World Audience 21s
Le Nouveau
Paris
Noir.
Collectivity, Competition, and Excitement
220
The Politics of Culture: Black Power and May
1968
23s
Oie
Emanzipation:
The Rise of European Free Improvisation
247
Homecoming
254
8
THE AACM'S NEXT WAVE
259
More from the Midwest: The Black Artists Group
259
New Elbows on the Table: The AACM's Second Wave
276
Ten Years After: The Association Comes of Age
313
9
THE AACM IN NEW YORK
325
Migration and Invasion 32s
Europe and the Lofts
ззв
Beyond a Binary: The AACM and the Crisis in Criticism
зѕз
Diversity and Its Discontents: New American Music after the Jazz Age
370
10
THE NEW REGIME IN CHICAGO
389
Generational Shifts in the Collective
389
The Two Cultures and a New Chapter
396
Contents : : VÜ
Form
and Funding: Philanthropy and Black Music in the
1970s 400
Strains, Swirls, and Splits
420
11
INTO THE THIRD DECADE
439
The
1980s:
Canons and Heterophony
439
Great Black Music: The Local and the Global
449
Leading the Third Wave: The New Women of the AACM
459
12
TRANSITION AND REFLECTIONS
481
New York in Transition
481
Chicago in Reflection
485
J'ai
deux amours
. 493
Afterword
497
The Way of the Arranger
497
The Individual
498
The Book
499
Expansion and Sacrifice
499
Boxing with Tradition
504
Regrets
505
Survival
507
Contemplating the Post-jazz Continuum
507
Atmospheres
su
Futures
513
Appendix A: List of Interviews Conducted by the Author
515
Appendix B: Selected AACM Recordings
5X9
Notes
525
Bibliography
eoi
Index
637 |
| adam_txt |
contents
Preface: The AACM and American Experimentalism
ix
Acknowledgments
xv
Introduction: An AACM Book:
Origins, Antecedents, Objectives, Methods xxiu
Chapter Summaries
xxxv
1
FOUNDATIONS
AND PREHISTORY
/
Coming North: From Great Migration to Great Depression
ι
Early Musical Experiences
9
Improvisation and Autodidacticism in
1950s
Chicago
и
The End of an Era
27
2
NEW MUSIC, NEW YORK
29
Cultures of Spontaneity: Integrationism and the Two
Avant-Gardes
29
Beyond a Bebop Boundary: The Challenge of New Music
37
Critical Responses: Anger, Noise, Failure
43
A Far Cry from New York: Segregation and Chicago Music so
3
THE DEVELOPMENT OF THE EXPERIMENTAL BAND
55
Alternative Pedagogies of Experimental Music
ss
Eyes on the Sparrow: The First New
Chicagoans
61
V¡
: :
Contents
4
FOUNDING THE COLLECTIVE
85
Urban Decline and the Turn to Communitarianism
85
Born on the Kitchen Table: Conceiving the Association
96
Naming Ceremony: Black Power and Black Institutions
ios
5
FIRST FRUITS
115
The First Year: Concerts, Critics, and Issues us
New Arrivals and the University of Chicago us
Travel, Recording, and Intermedia
u¡
Memories of the Sun: The AACM and Sun Ra
ш
6
THE AACM TAKES OFF
163
The Black Arts Movement in Chicago
163
New Arrivals and New Ideas
169
The AACM School
ш
Performing and Self-Determination
1
79
Cultural Nationalism in Postmodern Transition i96
7
AMERICANS IN PARIS
215
Conceiving the World Audience 21s
Le Nouveau
Paris
Noir.
Collectivity, Competition, and Excitement
220
The Politics of Culture: Black Power and May
1968
23s
Oie
Emanzipation:
The Rise of European Free Improvisation
247
Homecoming
254
8
THE AACM'S NEXT WAVE
259
More from the Midwest: The Black Artists Group
259
New Elbows on the Table: The AACM's Second Wave
276
Ten Years After: The Association Comes of Age
313
9
THE AACM IN NEW YORK
325
Migration and Invasion 32s
Europe and the Lofts
ззв
Beyond a Binary: The AACM and the Crisis in Criticism
зѕз
Diversity and Its Discontents: New American Music after the Jazz Age
370
10
THE NEW REGIME IN CHICAGO
389
Generational Shifts in the Collective
389
The Two Cultures and a New Chapter
396
Contents : : VÜ
Form
and Funding: Philanthropy and Black Music in the
1970s 400
Strains, Swirls, and Splits
420
11
INTO THE THIRD DECADE
439
The
1980s:
Canons and Heterophony
439
Great Black Music: The Local and the Global
449
Leading the Third Wave: The New Women of the AACM
459
12
TRANSITION AND REFLECTIONS
481
New York in Transition
481
Chicago in Reflection
485
J'ai
deux amours
. 493
Afterword
497
The Way of the Arranger
497
The Individual
498
The Book
499
Expansion and Sacrifice
499
Boxing with Tradition
504
Regrets
505
Survival
507
Contemplating the Post-jazz Continuum
507
Atmospheres
su
Futures
513
Appendix A: List of Interviews Conducted by the Author
515
Appendix B: Selected AACM Recordings
5X9
Notes
525
Bibliography
eoi
Index
637 |
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| dewey-full | 781.6506/077311 |
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| geographic | USA Chicago, Ill. (DE-588)4009921-0 gnd |
| geographic_facet | USA Chicago, Ill. |
| id | DE-604.BV022429776 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:28:50Z |
| indexdate | 2024-07-31T01:21:59Z |
| institution | BVB |
| isbn | 9780226476964 9780226476957 0226476960 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015637984 |
| oclc_num | 154689784 |
| open_access_boolean | |
| owner | DE-19 DE-BY-UBM DE-12 DE-29 DE-11 DE-B486 DE-20 DE-B170 |
| owner_facet | DE-19 DE-BY-UBM DE-12 DE-29 DE-11 DE-B486 DE-20 DE-B170 |
| physical | XLVIII, 676 S., [22] Bl. Ill. |
| publishDate | 2008 |
| publishDateSearch | 2008 |
| publishDateSort | 2008 |
| publisher | Univ. of Chicago Press |
| record_format | marc |
| spelling | Lewis, George 1952- Verfasser (DE-588)134444302 aut A power stronger than itself the AACM and American experimental music George E. Lewis Chicago, Ill. [u.a.] Univ. of Chicago Press 2008 XLVIII, 676 S., [22] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier "Founded in 1965 and still active today, the Association for the Advancement of Creative Musicians (AACM) is an American institution with an international reputation. From its working-class roots on the South Side of Chicago, the AACM went on to forge an extensive legacy of cultural and social experimentation, crossing both musical and racial boundaries. The success of individual members and ensembles such as Muhal Richard Abrams, the Art Ensemble of Chicago, and Anthony Braxton has been matched by the enormous influence of the collective itself in inspiring a generation of musical experimentalists. George E. Lewis, who joined the collective as a teenager in 1971, establishes the full importance and vitality of the AACM with this communal history, written with a symphonic sweep that draws on a cross-generational chorus of voices and a rich collection of rare images. Faced with shrinking economic opportunities in Chicago and a segregated music industry, the original members of the AACM found inspiration in the civil rights movement's call for change through self-determination and collective action. These musicians pooled their individual strengths in a new organization powerfully committed to a forward-thinking approach to musical creation and performance. Evolving a range of experimental methods, from invented instruments and unusual musical scores to improvisation and the early use of computers, the AACM challenged the borders separating classical music and jazz. Moving from Chicago to New York to Paris, and from founding member Steve McCall's kitchen table to Carnegie Hall, A Power Stronger Than Itself uncovers a vibrant, multicultural universe and brings to light a major piece of the history of avant-garde music and art"--Publisher's description. Association for the Advancement of Creative Musicians History Association for the Advancement of Creative Musicians (DE-588)7589520-1 gnd rswk-swf Geschichte 1900-2000 Geschichte 1965-2005 gnd rswk-swf Jazz - Histoire et critique ram Musiciens de jazz - Chicago (Ill.) ram Musiciens noirs américains - Illinois (États-Unis) ram Musique expérimentale - États-Unis - 20e siècle ram Geschichte African American jazz musicians Illinois Chicago Avant-garde (Music) United States 20th century History and criticism Jazz History and criticism Jazz (DE-588)4028532-7 gnd rswk-swf Experimentelle Musik (DE-588)4153365-3 gnd rswk-swf Jazzmusiker (DE-588)4028535-2 gnd rswk-swf USA Chicago, Ill. (DE-588)4009921-0 gnd rswk-swf Association for the Advancement of Creative Musicians (DE-588)7589520-1 b Experimentelle Musik (DE-588)4153365-3 s Geschichte 1965-2005 z DE-604 Chicago, Ill. (DE-588)4009921-0 g Jazz (DE-588)4028532-7 s Jazzmusiker (DE-588)4028535-2 s Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015637984&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Lewis, George 1952- A power stronger than itself the AACM and American experimental music Association for the Advancement of Creative Musicians History Association for the Advancement of Creative Musicians (DE-588)7589520-1 gnd Jazz - Histoire et critique ram Musiciens de jazz - Chicago (Ill.) ram Musiciens noirs américains - Illinois (États-Unis) ram Musique expérimentale - États-Unis - 20e siècle ram Geschichte African American jazz musicians Illinois Chicago Avant-garde (Music) United States 20th century History and criticism Jazz History and criticism Jazz (DE-588)4028532-7 gnd Experimentelle Musik (DE-588)4153365-3 gnd Jazzmusiker (DE-588)4028535-2 gnd |
| subject_GND | (DE-588)7589520-1 (DE-588)4028532-7 (DE-588)4153365-3 (DE-588)4028535-2 (DE-588)4009921-0 |
| title | A power stronger than itself the AACM and American experimental music |
| title_auth | A power stronger than itself the AACM and American experimental music |
| title_exact_search | A power stronger than itself the AACM and American experimental music |
| title_exact_search_txtP | A power stronger than itself the AACM and American experimental music |
| title_full | A power stronger than itself the AACM and American experimental music George E. Lewis |
| title_fullStr | A power stronger than itself the AACM and American experimental music George E. Lewis |
| title_full_unstemmed | A power stronger than itself the AACM and American experimental music George E. Lewis |
| title_short | A power stronger than itself |
| title_sort | a power stronger than itself the aacm and american experimental music |
| title_sub | the AACM and American experimental music |
| topic | Association for the Advancement of Creative Musicians History Association for the Advancement of Creative Musicians (DE-588)7589520-1 gnd Jazz - Histoire et critique ram Musiciens de jazz - Chicago (Ill.) ram Musiciens noirs américains - Illinois (États-Unis) ram Musique expérimentale - États-Unis - 20e siècle ram Geschichte African American jazz musicians Illinois Chicago Avant-garde (Music) United States 20th century History and criticism Jazz History and criticism Jazz (DE-588)4028532-7 gnd Experimentelle Musik (DE-588)4153365-3 gnd Jazzmusiker (DE-588)4028535-2 gnd |
| topic_facet | Association for the Advancement of Creative Musicians History Association for the Advancement of Creative Musicians Jazz - Histoire et critique Musiciens de jazz - Chicago (Ill.) Musiciens noirs américains - Illinois (États-Unis) Musique expérimentale - États-Unis - 20e siècle Geschichte African American jazz musicians Illinois Chicago Avant-garde (Music) United States 20th century History and criticism Jazz History and criticism Jazz Experimentelle Musik Jazzmusiker USA Chicago, Ill. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015637984&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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