Verfügbarkeit: Kultúra, vzdelávanie, média a hudba

Kultúra, vzdelávanie, média a hudba:

Gespeichert in:

Bibliographische Detailangaben
Format:	Buch
Sprache:	Slovak
Veröffentlicht:	Bratislava Ústav Hudobnej Vedy SAV 2006
Ausgabe:	1. vyd.
Schriftenreihe:	Musicologica Slovaca et Europaea 25
Schlagworte:	Musik Film Musikerziehung Fernsehen Informationsgesellschaft Slowakei Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis Abstract
Beschreibung:	282 S. Ill., Notenbeisp.
ISBN:	8089135072

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Datensatz im Suchindex

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adam_text	Obsah Auditívna kultúra - predpoklad hudobnej kultúry K niektorým aspektom recepčnej hudobnej estetiky Renáta Běličova ................................................................................................................7 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV; foto Tibor Szabó ................ 27 Hudobná edukácía na Slovensku po roku 1989 so zameraním na základné školy a základné umelecké školy Tradícia a inovácia Martina Krušinská, Jaroslava Zeleiová .......................................................................29 Integrácia a špecifikácia umelecko-výchovných predmetov - súlad Či protiklad? Psychologické rozmery ne/diferencovaného procesu Jaroslava Zeleiová ..........................................................................................................63 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó ................ 75 Česká hudební lexikografie a elektronické informační zdroje Petr Macek...................................................................................................................... 77 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó ................ 87 Slovenská televízia a jej perspektívy Teoretické východiská úvah v čase jej jubilea Juraj Lexmann ................................................................................................................ 89 Televízia na mieru Projekt pre výberové konanie na pozíciu generálneho riaditeľa STV Radim Hrena................................................................................................................ 141 Slovenská televízia je viac než televízia... Z projektu riadenia a rozvoja Slovenskej televízie Miroslav Kollár ............................................................................................................165 Hudba v televízii Prezentácia hudby ako svojbytného esteticko-umeleckého javu Stanislav Grich .............................................................................................................181 Hudobné programy v televízii Monitoring dvoch týždňov vysielania Slovenskej televízie a Českej televízie Rastislav Podpera ........................................................................................................205 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó .............. 218 Nevesta hôľ Analýza hudby k filmu Stanislav Grich .............................................................................................................219 Ohnivé rieky Analýza hudby k filmu Juraj Lexmann ..............................................................................................................239 Z etnochoreologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó ................ 272 Pravdivé kontra úspešné v koncepcii Romana Bergera Norbert Adamov ..........................................................................................................273 Džez ako fenomén amerických politických dejín Poznámky k televíznemu seriálu Ken Burns Jazz Peter Motyčka ..............................................................................................................280 Contents ....................................................................................................................................283 Musicologica Slovaca et Europaea XXV: Culture, Education, Media, and Music ______ Contents Renáta BeliČová Auditory Culture - an Assumption oí Musical Culture On Several Aspects of Receptive Musical Aesthetics ...............................,........................7 Abstract: The aesthetic sense is an anthropological constant. The sensual, aesthetic way of perception activates consciousness, stimulates imagination and cultivates the creative capacity of man. It is realised within an auditory culture due to the variability οι musica] manifestations, it forms a sphere of musical culture and adumbrates its basic character¬ istics. The classical manifestation of European musical culture is significantly modified as a consequence of the realised plurality of the poetics of music. The basic changes can be seen particularly in the forms of musical life connected with the concert type of musical reception. Receptive musical aesthetics is a methodological alternative to classi¬ cal musical aesthetics. Here music is considered as an auditory phenomenon with spe¬ cific aesthetic functions but not necessarily artistic ones. The receptive potential of music is multiform and it corresponds to a wide spectrum of typologically and axio-Iogically non-homogeneous musical manifestations. Key wardst receptive musical aesthetics, auditory aesthetics, auditory setting, auditory culture, musical culture From ethiwmusicologicat research of the Institute of musicologi/ SAS: Photos by Tibor Szabó..... 27 Martina Krušinská, Jaroslava Zeleiová Music Education in Slovakia After 1989/ Focused on Elementary Schools and Primary Schools of Music Tradition and Innovation ....................................................................................................29 Resümee: Slowakisches Bildungssystem ist nach dem Jahr 1989 durch mehrere Ver¬ änderungen gekennzeichnet, die auch Musikbildung- und Erziehung eingegriffen ha¬ ben. Ein Ziel dieses Artikels besteht darin, auf die Veränderungen in dem Erziehungs¬ und Aus-bildungssystem hinzuweisen. Sie wurden in dem Innovations- und Umstruk¬ turierungskontext von Musikbildung- und Erziehung in verschiedenen slowakischen Schuldokumenten ausgedrückt. Dieser Beitrag analysiert vor allem Musikunterricht und Musikbildung in den Primarschulen, nämlich in den allgemeinbildenden Schulen und Grund-Kunstschulen. Schlüsselwörter·. Erziehungs- und Bildungssystem, Allgemeinbildende Schulen, Grund- Kunstschulen, Schulgesetz, der Musikunterricht, Musikbildung und Erziehung in der Slowakei Jaroslava Zeleiová Integration and Specification of the Art-educational Studies Harmony or Antinomy? Psychological dimensions of the non/differential process ..............................................63 Abstraer; Relativism of special music-educational advance point out, that natural perso¬ nable maturing and creative growth of another generations pauperized. Non/diffe- rentiation access lo the music-teaching for intending teachers of primary educational system is the result and source of Ihem non/amplc preparednesses, Psychological aspects Musteologica Slovaca et Europaea XXV: Culture, Education, Media, and Music __________ and possible effects of evanescented targets from primary music-pedagogy correspond with all-societal relativism of value. Key words: Noodimension, growth process, music education, aesthetic education, spiral learning, specification From ethnormtsicobgical research of the Institute ofmuskology SAS; Photos by Tibor Szabó .... 75 Petr Macek Czech Music Lexicography and Electronic Information Resources .................... 77 Abstract: In the first part the paper summarizes and brings critical comments on the basic development of the Czech music lexicography. The following part outlines the conceptual, methodological and technical aspects of Český hudební slovník osob a institucí (Czech Music Dictionary of Persons and Institutions; work in progress), mainly from the view of the electronic publication in the form of an open-source internet database, which, in this form and extent, is used for the first time in the Czech Musicology. Other dictionary projects, in preparation by the Music lexicography department at the Institute of musicology, Masaryk university, in the form of open- source electronic database systems, are described in the third part of the paper. Key words: lexicography; music; Czech music; electronic information sources; databases From ethnomtisicological research of the institute ofmuskology SAS: Photos by Tibor Szabó .... 87 Juraj Lexmann Slovak Television and Its Perspectives Theoretical Basis For Thinking at the Time of Its Anniversary ..................................... 89 Abstract: The digital method of transfer of terrestrial broadcasting of television signals significantly relativises the position of Slovak television as a medium of public service broadcasting among private broadcasters. Nowadays national public television has to be considered in the light of the background and interests of cultural imperialism and globalisation. It will be necessary to decentralise the responsibility for the quality of programs to smaller editorial staffs and script-editing groups, and to monitor the informational and artistic quality of programmes by methods of content analysis, to guarantee the technological and technical progress of Slovak television, to direct the professional strategy of Slovak television towards a stability of professions in Slovak cinematography, and to create conditions for high-quality, competitive, original Slovak production. Key words: terrestrial spreading of signal, digitalising, transformations of society, globalisation, editorship and script-editing, program, information and artistic quality, content analysis Radim Hreha Television Up To a Point The Project On a Tender For the Position of the Slovak Public Television General Manager ............................................................................................................... 141 Musicohgica Slovaca et Eitropaea XXV; Culture, Education, Media, and Music ________ Miroslav Kollár The Slovak Television is More Than Television The Project For Management and Development of the Slovak Television in the Coming Tenure ........................................................................................................165 Stanislav Grich Music In a Television. Presentation of Music as a Peculiar Aesthetical-artistic Phenomenon ........................181 Abstract: The expression of an artist and the environment of the stage are the inseparable constituents of perception when watching a concert on television. The visual sight dominates particulary in the sphere of popular music. Recording of a concert requires creativity when choosing the contents of visual shots. Musical-dramatic works are the special category of television recording, processing and new production for television. Documentary production with musical subjects influences the popularization of music. The development of video shots is the result of interweaving of needs and possibilities of pop music and television broadcasting. Television musical macro- dramaturgy and microdramaturgy should lead to a content-balanced program. In the context of television broadcasting the shift from music being autonomous to that of functional is evident. Kcyzvords: television recording of concerts, live coverage, replay, musical-dramatical works, musical documentaries, video shots, musical dramaturgy, functions and dysfunctions of music on television Rastislav Podpera Musical Programs In Television Two Weeks Television Broadcast Monitoring In the Slovak Television and the Czech Television ...................................................................................................205 From etlmomusicological research of the Instituie of musicology SAS: Photos by Tibor Szabó ... 218 Stanislav Grich The Bride of the Mountains An Analysis of the Music to the Movie ...........................................................................219 Abstract: The analysis works is based on a knowledge of a Slovak folk music, its tune, tonal and interval structure, modality and latent harmony. The subject of the analysis is an inclusion of music to a film work in regard to its dramaturgical understanding, setting, expression and plot. A movie plot is in a context with instrumentation and orchestration of music, its tempo, cadence, chord, a way the composer perceives the folk song motif as inspiratory source and inventive work with them. Key words: film music, expression, pictorial and musical counterpoint, slovak folk song, modality, orchestra, fujara trombita Juraj Lexmann Fiery Rivers Analysis of the Film Music ................................................................................................ 239 Musicologica Slovaca et Europaea XXV: Culture, Education, Media, and Music _________ Abstract: The only sound of the artistic documentary Fienj Rivers is music. It represents real sounds, in its final version it works as timbre music, and functions on both artistic and stylistic levels. The organization of tone source is dodecaphonic, atonal; the position, the instrumentation, and colouring sense of sequence of intervals are determined in the composition of sound clusters groups. Picture and music in the film work analogously on the principle of intermodal and synethetic qualities. Key words: metallurgy, film, artistic document, camera, compositional editing, timbre music, dodecaphonic, artistic analogies, intermodal quality, synesthetic quality, expression From ethnomuskological research of the Institute of musicologi) SAS: Photos by Tibor Szabó .. 272 Norbert Adamov Real Contra Successful in the Conception of Roman Berger ............................... 273 Abstract: Roman Berger is not only a composer but also a philosopher and sociologist. His literáty work is not only a marginal or supplementary concern; it is as important as his compositional work and even more, these two fields of his work are narrowly interconnected. In the first place, Berger in his texts expresses his existential needs. However, it is not only a statement of a composer about the starting points of his creation, but it is also a statement of a reformer of society, who is asking where the contemporary culture is facing and where it should be facing, and problems of the influence of the media as an important bearer of cultural information are closely associated with it. The aim of this study is to name the most essential problems which Berger deals with and submit their solution to a critical evaluation, particularly by means of confrontation with other contemporary thinkers. Peter Motyčka Jazz As a Phenomenon of American Political History Some Notes to the TV Serial Ken Burns Jazz ................................................................ 280
adam_txt	Obsah Auditívna kultúra - predpoklad hudobnej kultúry K niektorým aspektom recepčnej hudobnej estetiky Renáta Běličova .7 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV; foto Tibor Szabó . 27 Hudobná edukácía na Slovensku po roku 1989 so zameraním na základné školy a základné umelecké školy Tradícia a inovácia Martina Krušinská, Jaroslava Zeleiová .29 Integrácia a špecifikácia umelecko-výchovných predmetov - súlad Či protiklad? Psychologické rozmery ne/diferencovaného procesu Jaroslava Zeleiová .63 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó . 75 Česká hudební lexikografie a elektronické informační zdroje Petr Macek. 77 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó . 87 Slovenská televízia a jej perspektívy Teoretické východiská úvah v čase jej jubilea Juraj Lexmann . 89 Televízia na mieru Projekt pre výberové konanie na pozíciu generálneho riaditeľa STV Radim Hrena. 141 Slovenská televízia je viac než televízia. Z projektu riadenia a rozvoja Slovenskej televízie Miroslav Kollár .165 Hudba v televízii Prezentácia hudby ako svojbytného esteticko-umeleckého javu Stanislav Grich .181 Hudobné programy v televízii Monitoring dvoch týždňov vysielania Slovenskej televízie a Českej televízie Rastislav Podpera .205 Z etnomuzikologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó . 218 Nevesta hôľ Analýza hudby k filmu Stanislav Grich .219 Ohnivé rieky Analýza hudby k filmu Juraj Lexmann .239 Z etnochoreologického výskumu Ústavu hudobnej vedy SAV: foto Tibor Szabó . 272 Pravdivé kontra úspešné v koncepcii Romana Bergera Norbert Adamov .273 Džez ako fenomén amerických politických dejín Poznámky k televíznemu seriálu Ken Burns' Jazz Peter Motyčka .280 Contents .283 Musicologica Slovaca et Europaea XXV: Culture, Education, Media, and Music _ Contents Renáta BeliČová Auditory Culture - an Assumption oí Musical Culture On Several Aspects of Receptive Musical Aesthetics .,.7 Abstract: The aesthetic sense is an anthropological constant. The sensual, aesthetic way of perception activates consciousness, stimulates imagination and cultivates the creative capacity of man. It is realised within an auditory culture due to the variability οι musica] manifestations, it forms a sphere of musical culture and adumbrates its basic character¬ istics. The classical manifestation of European musical culture is significantly modified as a consequence of the realised plurality of the poetics of music. The basic changes can be seen particularly in the forms of musical life connected with the concert type of musical reception. Receptive musical aesthetics is a methodological alternative to classi¬ cal musical aesthetics. Here music is considered as an auditory phenomenon with spe¬ cific aesthetic functions but not necessarily artistic ones. The receptive potential of music is multiform and it corresponds to a wide spectrum of typologically and axio-Iogically non-homogeneous musical manifestations. Key wardst receptive musical aesthetics, auditory aesthetics, auditory setting, auditory culture, musical culture From ethiwmusicologicat research of the Institute of musicologi/ SAS: Photos by Tibor Szabó. 27 Martina Krušinská, Jaroslava Zeleiová Music Education in Slovakia After 1989/ Focused on Elementary Schools and Primary Schools of Music Tradition and Innovation .29 Resümee: Slowakisches Bildungssystem ist nach dem Jahr 1989 durch mehrere Ver¬ änderungen gekennzeichnet, die auch Musikbildung- und Erziehung eingegriffen ha¬ ben. Ein Ziel dieses Artikels besteht darin, auf die Veränderungen in dem Erziehungs¬ und Aus-bildungssystem hinzuweisen. Sie wurden in dem Innovations- und Umstruk¬ turierungskontext von Musikbildung- und Erziehung in verschiedenen slowakischen Schuldokumenten ausgedrückt. Dieser Beitrag analysiert vor allem Musikunterricht und Musikbildung in den Primarschulen, nämlich in den allgemeinbildenden Schulen und Grund-Kunstschulen. Schlüsselwörter·. Erziehungs- und Bildungssystem, Allgemeinbildende Schulen, Grund- Kunstschulen, Schulgesetz, der Musikunterricht, Musikbildung und Erziehung in der Slowakei Jaroslava Zeleiová Integration and Specification of the Art-educational Studies Harmony or Antinomy? Psychological dimensions of the non/differential process .63 Abstraer; Relativism of special music-educational advance point out, that natural perso¬ nable maturing and creative growth of another generations pauperized. Non/diffe- rentiation access lo the music-teaching for intending teachers of primary educational system is the result and source of Ihem non/amplc preparednesses, Psychological aspects Musteologica Slovaca et Europaea XXV: Culture, Education, Media, and Music _ and possible effects of evanescented targets from primary music-pedagogy correspond with all-societal relativism of value. Key words: Noodimension, growth process, music education, aesthetic education, spiral learning, specification From ethnormtsicobgical research of the Institute ofmuskology SAS; Photos by Tibor Szabó . 75 Petr Macek Czech Music Lexicography and Electronic Information Resources . 77 Abstract: In the first part the paper summarizes and brings critical comments on the basic development of the Czech music lexicography. The following part outlines the conceptual, methodological and technical aspects of Český hudební slovník osob a institucí (Czech Music Dictionary of Persons and Institutions; work in progress), mainly from the view of the electronic publication in the form of an open-source internet database, which, in this form and extent, is used for the first time in the Czech Musicology. Other dictionary projects, in preparation by the Music lexicography department at the Institute of musicology, Masaryk university, in the form of open- source electronic database systems, are described in the third part of the paper. Key words: lexicography; music; Czech music; electronic information sources; databases From ethnomtisicological research of the institute ofmuskology SAS: Photos by Tibor Szabó . 87 Juraj Lexmann Slovak Television and Its Perspectives Theoretical Basis For Thinking at the Time of Its Anniversary . 89 Abstract: The digital method of transfer of terrestrial broadcasting of television signals significantly relativises the position of Slovak television as a medium of public service broadcasting among private broadcasters. Nowadays national public television has to be considered in the light of the background and interests of cultural imperialism and globalisation. It will be necessary to decentralise the responsibility for the quality of programs to smaller editorial staffs and script-editing groups, and to monitor the informational and artistic quality of programmes by methods of content analysis, to guarantee the technological and technical progress of Slovak television, to direct the professional strategy of Slovak television towards a stability of professions in Slovak cinematography, and to create conditions for high-quality, competitive, original Slovak production. Key words: terrestrial spreading of signal, digitalising, transformations of society, globalisation, editorship and script-editing, program, information and artistic quality, content analysis Radim Hreha Television Up To a Point The Project On a Tender For the Position of the Slovak Public Television General Manager . 141 Musicohgica Slovaca et Eitropaea XXV; Culture, Education, Media, and Music _ Miroslav Kollár The Slovak Television is More Than Television The Project For Management and Development of the Slovak Television in the Coming Tenure .165 Stanislav Grich Music In a Television. Presentation of Music as a Peculiar Aesthetical-artistic Phenomenon .181 Abstract: The expression of an artist and the environment of the stage are the inseparable constituents of perception when watching a concert on television. The visual sight dominates particulary in the sphere of popular music. Recording of a concert requires creativity when choosing the contents of visual shots. Musical-dramatic works are the special category of television recording, processing and new production for television. Documentary production with musical subjects influences the popularization of music. The development of video shots is the result of interweaving of needs and possibilities of pop music and television broadcasting. Television musical macro- dramaturgy and microdramaturgy should lead to a content-balanced program. In the context of television broadcasting the shift from music being autonomous to that of functional is evident. Kcyzvords: television recording of concerts, live coverage, replay, musical-dramatical works, musical documentaries, video shots, musical dramaturgy, functions and dysfunctions of music on television Rastislav Podpera Musical Programs In Television Two Weeks Television Broadcast Monitoring In the Slovak Television and the Czech Television .205 From etlmomusicological research of the Instituie of musicology SAS: Photos by Tibor Szabó . 218 Stanislav Grich The Bride of the Mountains An Analysis of the Music to the Movie .219 Abstract: The analysis works is based on a knowledge of a Slovak folk music, its tune, tonal and interval structure, modality and latent harmony. The subject of the analysis is an inclusion of music to a film work in regard to its dramaturgical understanding, setting, expression and plot. A movie plot is in a context with instrumentation and orchestration of music, its tempo, cadence, chord, a way the composer perceives the folk song motif as inspiratory source and inventive work with them. Key words: film music, expression, pictorial and musical counterpoint, slovak folk song, modality, orchestra, 'fujara trombita' Juraj Lexmann Fiery Rivers Analysis of the Film Music . 239 Musicologica Slovaca et Europaea XXV: Culture, Education, Media, and Music _ Abstract: The only sound of the artistic documentary Fienj Rivers is music. It represents real sounds, in its final version it works as timbre music, and functions on both artistic and stylistic levels. The organization of tone source is dodecaphonic, atonal; the position, the instrumentation, and colouring sense of sequence of intervals are determined in the composition of sound clusters groups. Picture and music in the film work analogously on the principle of intermodal and synethetic qualities. Key words: metallurgy, film, artistic document, camera, compositional editing, timbre music, dodecaphonic, artistic analogies, intermodal quality, synesthetic quality, expression From ethnomuskological research of the Institute of musicologi) SAS: Photos by Tibor Szabó . 272 Norbert Adamov Real Contra Successful in the Conception of Roman Berger . 273 Abstract: Roman Berger is not only a composer but also a philosopher and sociologist. His literáty work is not only a marginal or supplementary concern; it is as important as his compositional work and even more, these two fields of his work are narrowly interconnected. In the first place, Berger in his texts expresses his existential needs. However, it is not only a statement of a composer about the starting points of his creation, but it is also a statement of a reformer of society, who is asking where the contemporary culture is facing and where it should be facing, and problems of the influence of the media as an important bearer of cultural information are closely associated with it. The aim of this study is to name the most essential problems which Berger deals with and submit their solution to a critical evaluation, particularly by means of confrontation with other contemporary thinkers. Peter Motyčka Jazz As a Phenomenon of American Political History Some Notes to the TV Serial Ken Burns' Jazz . 280
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genre	(DE-588)4143413-4 Aufsatzsammlung gnd-content
genre_facet	Aufsatzsammlung
geographic	Slowakei (DE-588)4055297-4 gnd
geographic_facet	Slowakei
id	DE-604.BV022422170
illustrated	Illustrated
index_date	2024-07-02T17:26:01Z
indexdate	2024-07-09T20:57:15Z
institution	BVB
isbn	8089135072
language	Slovak
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-015630471
oclc_num	162473353
open_access_boolean
owner	DE-12
owner_facet	DE-12
physical	282 S. Ill., Notenbeisp.
publishDate	2006
publishDateSearch	2006
publishDateSort	2006
publisher	Ústav Hudobnej Vedy SAV
record_format	marc
series	Musicologica Slovaca et Europaea
series2	Musicologica Slovaca et Europaea
spelling	Kultúra, vzdelávanie, média a hudba ed. Juraj Lexmann 1. vyd. Bratislava Ústav Hudobnej Vedy SAV 2006 282 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Musicologica Slovaca et Europaea 25 Musik (DE-588)4040802-4 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Musikerziehung (DE-588)4040843-7 gnd rswk-swf Fernsehen (DE-588)4016825-6 gnd rswk-swf Informationsgesellschaft (DE-588)4114011-4 gnd rswk-swf Slowakei (DE-588)4055297-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Slowakei (DE-588)4055297-4 g Musikerziehung (DE-588)4040843-7 s DE-604 Informationsgesellschaft (DE-588)4114011-4 s Musik (DE-588)4040802-4 s Fernsehen (DE-588)4016825-6 s Film (DE-588)4017102-4 s Lexmann, Juraj 1941- Sonstige (DE-588)132139057 oth Musicologica Slovaca et Europaea 25 (DE-604)BV010700263 25 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015630471&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015630471&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract
spellingShingle	Kultúra, vzdelávanie, média a hudba Musicologica Slovaca et Europaea Musik (DE-588)4040802-4 gnd Film (DE-588)4017102-4 gnd Musikerziehung (DE-588)4040843-7 gnd Fernsehen (DE-588)4016825-6 gnd Informationsgesellschaft (DE-588)4114011-4 gnd
subject_GND	(DE-588)4040802-4 (DE-588)4017102-4 (DE-588)4040843-7 (DE-588)4016825-6 (DE-588)4114011-4 (DE-588)4055297-4 (DE-588)4143413-4
title	Kultúra, vzdelávanie, média a hudba
title_auth	Kultúra, vzdelávanie, média a hudba
title_exact_search	Kultúra, vzdelávanie, média a hudba
title_exact_search_txtP	Kultúra, vzdelávanie, média a hudba
title_full	Kultúra, vzdelávanie, média a hudba ed. Juraj Lexmann
title_fullStr	Kultúra, vzdelávanie, média a hudba ed. Juraj Lexmann
title_full_unstemmed	Kultúra, vzdelávanie, média a hudba ed. Juraj Lexmann
title_short	Kultúra, vzdelávanie, média a hudba
title_sort	kultura vzdelavanie media a hudba
topic	Musik (DE-588)4040802-4 gnd Film (DE-588)4017102-4 gnd Musikerziehung (DE-588)4040843-7 gnd Fernsehen (DE-588)4016825-6 gnd Informationsgesellschaft (DE-588)4114011-4 gnd
topic_facet	Musik Film Musikerziehung Fernsehen Informationsgesellschaft Slowakei Aufsatzsammlung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015630471&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015630471&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
volume_link	(DE-604)BV010700263
work_keys_str_mv	AT lexmannjuraj kulturavzdelavaniemediaahudba

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