Jan Dismas Zelenka: příběh života a tvorby českého skladatele vrcholného baroka
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Czech |
| Published: |
Praha
Akad. Múzických Umění
2006
|
| Edition: | 1. vyd. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Abstract |
| Item Description: | Zsfassung in engl. Sprache |
| Physical Description: | 338 S. Ill., Notenbeisp. |
| ISBN: | 8073310759 |
Staff View
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Record in the Search Index
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| adam_text | Obsah
Předmluva
1
2
3
4
v Drážďanech
5
6
7
8
a dočasné zastupování dvorního kapelníka
9
a Zelenkova tvorba ze zbytku
10
Jana
11
o jeho osobnosti a tvorbě
Zkratky.
Výběrová bibliografie
Seznam notových příkladů
Seznam vyobrazení
Summary
O autorovi
Rejstřík děl J. D. Zelenky
Jmenný rejstřík
/317
Summary
This book is the first monograph in the Czech language of
Its aim is to increase familiarity with Zelenka s work and artistic activities both
in musical circles and among the general public in the composer s home country.
It however is more than a mere compilation. The book offers new information
and insights into works that have not been covered in detail by other researchers.
The author challenges many claims by previous authors and reads some sources
differently. Additionally, the book aims to introduce Czech perspectives into the
study of
composer as a Czech and to which he had to react, and to look at the hitherto
unstudied role Czech music has played in influencing the style and inventiveness
of his work.
The book is organized chronologically. It divides the composer s life into
ten periods, corresponding to the book s first ten chapters. Chapter i, Home
Country, Era,
It considers how his country s troubled history, and the ideas and symbols arising
from past conflicts, may have influenced Zelenka s consciousness and have been
reflected in his attitudes.
Chapter
retells the composer s childhood and youth in
looks at the period during which it is assumed he studied in Prague. It also
considers the possible role guilt may have played in the composer s youth.
Since we have very few sources describing the composer s life, family and closest
associates during this period, the first two chapters are dominated by speculations
and unanswered questions.
Chapter
to the period of Zelenka s time in the service of the Imperial Vice Regent, Josef
Ludvík
preparations for his musical mission to Dresden.
Chapter
light on Zelenka s mission, which was carried out in the context of the thorough
re-catholisation of the Saxon-Polish state and was thus a difficult diplomatic
and political operation of the mission. One result was Saxony-Poland s greater
3l8/ JAROSLAV ŠMOLKA JAN
affiliation to Austria and its subjugation to Austria s influence. The mission was
supported by the highest bodies of the
Vienna and Prague, and was implemented and controlled by the Jesuit mission
in Dresden. For Roman Catholic services to be performed with due ceremony,
they required music created specifically for the liturgical canon. The Order
itself did not have a properly talented Jesuit at its disposal, which may be the
reason why this task was assigned to the young Czech composer Jan Dismas
Zelenka.
instrumentalist: he could support himself in Dresden as a member of the court
orchestra, since as a layperson he could not be a member of the mission. From the
beginning, the intention apparently was to make use of his skills as a composer:
Zelenka s new works were to help to introduce the liturgy of the faith to which
the Saxon elector and Polish king had converted in
court s Catholic character. It is worth asking whether his decision to go on this
mission was influenced by a mysterious guilt. Through this assignment, did
Zelenka
may have faced the possibility of a terrifying punishment? These circumstances
led him, in 1710, to move to Dresden.
Chapter
Vienna and the works he created in that city, above all his first important collection
of instrumental compositions,
the ceremonial occasions organised by the Saxon-Polish crown prince
August II, for the elite of the Austrian court and Viennese nobility, prior to
his marriage to the
the composer s study of composition with
unique collection of transcriptions of the works of other composers that
acquired in Vienna for use at the Dresden court chapel.
Chapter
in Dresden in the years
of the Prophet Jeremiah, and other compositions presumed to have been created
in this period
Chapter
King, describes the composer s important period in the years
lived in Prague while writing music for the celebratory St. Wenceslaus play
melodrama Sub
the Prague Coronation of Emperor Charles VI as King of Bohemia. The chapter
SUMMARY
includes a detailed analysis of this work and of four orchestral compositions
created that same year during the composer s stay in Prague.
Chapter
Deputy Court Chapel Masters, describes the fruitful period during which
Zelenka,
(1728)
Chapel Master. Special focus is given to several of his Masses
works not frequently mentioned in the existing literature, such as
Nativitatis Domini in
minor, plus several of the many psalms that
first oratorio II
work,
Chapter
Zelenka s Works in the remainder of the 1730s, tells of the unusual situation
under the new elector and king
-
first ruler of the Saxon-Polish State. He continued to lead the Court Orchestra,
but even after four years in this position, he is still not definitely named Chapel
Master. Instead, the new king names a replacement,
Johann
were composed in the Naples style
all on pleasing melody and vocal virtuosity, and a style which the king much
favoured. After spending only a few months in Dresden, in
fulfil compositional and conducting commitments in Italy and other parts of
Europe, and so
perform Roman Catholic cathedral music. But his days as Chapel Master
were numbered: in
Master. During this time,
one excellent work is the celebratory Requiem in
orchestral ensemble, written for the memorial Mass of elector and king
August I. Other works include the grandiose oratorios
I
Sanctissimae Trinitatis in A minor ZWV
18.
favoured by the king: the Eight Arias with Italian texts and the secular wedding
cantata
3S0/
the king failed to appreciate Zelenka s form of musical expression. In the late
1730S,
worsened in the first half of the 1740s. This may be the reason why he created
fewer compositions during this time.
Chapter
looks at Zelenka s especially deeply felt compositions which, in an original
manner, set liturgical texts to music. These include most significantly his three
last Masses and two late Litanies.
Chapter
of
composer s estate, the success of Zelenka s works after his death, attempts at the
revival of his music, and previous research into his life and music.
Abbreviations, Bibliography, Indexes, is dedicated to documentation: it
contains lists of abbreviations, which it also explains, names of institutions,
dictionaries and other publications cited by the book, a selected bibliography,
collections and books on
personalities or musical genres, forms etc. A very useful index of people and of
Zelenka s compositions is also included.
|
| adam_txt |
Obsah
Předmluva
1
2
3
4
v Drážďanech
5
6
7
8
a dočasné zastupování dvorního kapelníka
9
a Zelenkova tvorba ze zbytku
10
Jana
11
o jeho osobnosti a tvorbě
Zkratky.
Výběrová bibliografie
Seznam notových příkladů
Seznam vyobrazení
Summary
O autorovi
Rejstřík děl J. D. Zelenky
Jmenný rejstřík
/317
Summary
This book is the first monograph in the Czech language of
Its aim is to increase familiarity with Zelenka's work and artistic activities both
in musical circles and among the general public in the composer's home country.
It however is more than a mere compilation. The book offers new information
and insights into works that have not been covered in detail by other researchers.
The author challenges many claims by previous authors and reads some sources
differently. Additionally, the book aims to introduce Czech perspectives into the
study of
composer as a Czech and to which he had to react, and to look at the hitherto
unstudied role Czech music has played in influencing the style and inventiveness
of his work.
The book is organized chronologically. It divides the composer's life into
ten periods, corresponding to the book's first ten chapters. Chapter i, Home
Country, Era,
It considers how his country's troubled history, and the ideas and symbols arising
from past conflicts, may have influenced Zelenka's consciousness and have been
reflected in his attitudes.
Chapter
retells the composer's childhood and youth in
looks at the period during which it is assumed he studied in Prague. It also
considers the possible role guilt may have played in the composer's youth.
Since we have very few sources describing the composer's life, family and closest
associates during this period, the first two chapters are dominated by speculations
and unanswered questions.
Chapter
to the period of Zelenka's time in the service of the Imperial Vice Regent, Josef
Ludvík
preparations for his musical mission to Dresden.
Chapter
light on Zelenka's mission, which was carried out in the context of the thorough
re-catholisation of the Saxon-Polish state and was thus a difficult diplomatic
and political operation of the mission. One result was Saxony-Poland's greater
3l8/ JAROSLAV ŠMOLKA JAN
affiliation to Austria and its subjugation to Austria's influence. The mission was
supported by the highest bodies of the
Vienna and Prague, and was implemented and controlled by the Jesuit mission
in Dresden. For Roman Catholic services to be performed with due ceremony,
they required music created specifically for the liturgical canon. The Order
itself did not have a properly talented Jesuit at its disposal, which may be the
reason why this task was assigned to the young Czech composer Jan Dismas
Zelenka.
instrumentalist: he could support himself in Dresden as a member of the court
orchestra, since as a layperson he could not be a member of the mission. From the
beginning, the intention apparently was to make use of his skills as a composer:
Zelenka's new works were to help to introduce the liturgy of the faith to which
the Saxon elector and Polish king had converted in
court's Catholic character. It is worth asking whether his decision to go on this
mission was influenced by a mysterious guilt. Through this assignment, did
Zelenka
may have faced the possibility of a terrifying punishment? These circumstances
led him, in 1710, to move to Dresden.
Chapter
Vienna and the works he created in that city, above all his first important collection
of instrumental compositions,
the ceremonial occasions organised by the Saxon-Polish crown prince
August II, for the elite of the Austrian court and Viennese nobility, prior to
his marriage to the
the composer's study of composition with
unique collection of transcriptions of the works of other composers that
acquired in Vienna for use at the Dresden court chapel.
Chapter
in Dresden in the years
of the Prophet Jeremiah, and other compositions presumed to have been created
in this period
Chapter
King, describes the composer's important period in the years
lived in Prague while writing music for the celebratory St. Wenceslaus play
melodrama Sub
the Prague Coronation of Emperor Charles VI as King of Bohemia. The chapter
SUMMARY
includes a detailed analysis of this work and of four orchestral compositions
created that same year during the composer's stay in Prague.
Chapter
Deputy Court Chapel Masters, describes the fruitful period during which
Zelenka,
(1728)
Chapel Master. Special focus is given to several of his Masses
works not frequently mentioned in the existing literature, such as
Nativitatis Domini in
minor, plus several of the many psalms that
first oratorio II
work,
Chapter
Zelenka's Works in the remainder of the 1730s, tells of the unusual situation
under the new elector and king
-
first ruler of the Saxon-Polish State. He continued to lead the Court Orchestra,
but even after four years in this position, he is still not definitely named Chapel
Master. Instead, the new king names a replacement,
Johann
were composed in the Naples style
all on pleasing melody and vocal virtuosity, and a style which the king much
favoured. After spending only a few months in Dresden, in
fulfil compositional and conducting commitments in Italy and other parts of
Europe, and so
perform Roman Catholic cathedral music. But his days as Chapel Master
were numbered: in
Master. During this time,
one excellent work is the celebratory Requiem in
orchestral ensemble, written for the memorial Mass of elector and king
August I. Other works include the grandiose oratorios
I
Sanctissimae Trinitatis in A minor ZWV
18.
favoured by the king: the Eight Arias with Italian texts and the secular wedding
cantata
3S0/
the king failed to appreciate Zelenka's form of musical expression. In the late
1730S,
worsened in the first half of the 1740s. This may be the reason why he created
fewer compositions during this time.
Chapter
looks at Zelenka's especially deeply felt compositions which, in an original
manner, set liturgical texts to music. These include most significantly his three
last Masses and two late Litanies.
Chapter
of
composer's estate, the success of Zelenka's works after his death, attempts at the
revival of his music, and previous research into his life and music.
Abbreviations, Bibliography, Indexes, is dedicated to documentation: it
contains lists of abbreviations, which it also explains, names of institutions,
dictionaries and other publications cited by the book, a selected bibliography,
collections and books on
personalities or musical genres, forms etc. A very useful index of people and of
Zelenka's compositions is also included. |
| any_adam_object | 1 |
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| id | DE-604.BV022414249 |
| illustrated | Illustrated |
| index_date | 2024-07-02T17:23:20Z |
| indexdate | 2024-07-09T20:57:04Z |
| institution | BVB |
| isbn | 8073310759 |
| language | Czech |
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| publisher | Akad. Múzických Umění |
| record_format | marc |
| spelling | Smolka, Jaroslav 1933-2011 Verfasser (DE-588)134524861 aut Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka Jaroslav Smolka 1. vyd. Praha Akad. Múzických Umění 2006 338 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache Zelenka, Johann Dismas <1679-1745> Zelenka, Jan Dismas 1679-1745 (DE-588)118808370 gnd rswk-swf Geschichte 1700-1800 Musik Composers Czech Republic Bohemia 18th century Biography Composers Germany Dresden Biography Music Czech Republic Bohemia 18th century Deutschland Tschechische Republik (DE-588)4006804-3 Biografie gnd-content Zelenka, Jan Dismas 1679-1745 (DE-588)118808370 p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015622673&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015622673&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Smolka, Jaroslav 1933-2011 Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka Zelenka, Johann Dismas <1679-1745> Zelenka, Jan Dismas 1679-1745 (DE-588)118808370 gnd Musik Composers Czech Republic Bohemia 18th century Biography Composers Germany Dresden Biography Music Czech Republic Bohemia 18th century |
| subject_GND | (DE-588)118808370 (DE-588)4006804-3 |
| title | Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka |
| title_auth | Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka |
| title_exact_search | Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka |
| title_exact_search_txtP | Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka |
| title_full | Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka Jaroslav Smolka |
| title_fullStr | Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka Jaroslav Smolka |
| title_full_unstemmed | Jan Dismas Zelenka příběh života a tvorby českého skladatele vrcholného baroka Jaroslav Smolka |
| title_short | Jan Dismas Zelenka |
| title_sort | jan dismas zelenka pribeh zivota a tvorby ceskeho skladatele vrcholneho baroka |
| title_sub | příběh života a tvorby českého skladatele vrcholného baroka |
| topic | Zelenka, Johann Dismas <1679-1745> Zelenka, Jan Dismas 1679-1745 (DE-588)118808370 gnd Musik Composers Czech Republic Bohemia 18th century Biography Composers Germany Dresden Biography Music Czech Republic Bohemia 18th century |
| topic_facet | Zelenka, Johann Dismas <1679-1745> Zelenka, Jan Dismas 1679-1745 Musik Composers Czech Republic Bohemia 18th century Biography Composers Germany Dresden Biography Music Czech Republic Bohemia 18th century Deutschland Tschechische Republik Biografie |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015622673&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015622673&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT smolkajaroslav jandismaszelenkapribehzivotaatvorbyceskehoskladatelevrcholnehobaroka |