British film posters: an illustrated history
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
bfi Publ.
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 304 S. zahlr. Ill. |
| ISBN: | 1844572218 |
Internformat
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| adam_text | IMAGE 1
CONTENTS
PREFACE: IF WE CANNOT APPRECIATE GREAT TRASH 7
INTRODUCTION: SELLING THE SELLOUT 12
PART ONE: 1896-1945
1 FILM DISTRIBUTION AND EXHIBITION IN THE UK: NOVELTY BECOMES INDUSTRY
21
2 THE BIRTH OF THE FILM POSTER: PRINTING TECHNIQUES, BILLPOSTING,
FORMATS AND DESIGN STRATEGIES 26
3 ARTISTS: RATHER LOW GRADE WORK - ARNOLD BEAUVAIS AND DUDLEY POUT 60
4 A SOPHISTICATED INTERLUDE: EALING STUDIOS AND THE BATTLE OF ART VS.
COMMERCE 73
PART TWO: 1946-86
5 FILM DISTRIBUTION AND EXHIBITION IN THE UK: BOOM TURNS TO BUST 87
6 FORMATS AND DESIGN STRATEGIES: TERRIFYING! NERVE-SHATTERING!
BLOOD-CURDLING! 94
7 PUBLICITY DEPARTMENTS, ADVERTISING AGENCIES AND DESIGN STUDIOS 115
8 ARTISTS (I): REAL RIPSNORTER - TOM CHANTRELL AND ALLARDYCE PALMER
134
9 ARTISTS (II): BLOODY MARVELLOUS - ERIC PULFORD AND DOWN TON
ADVERTISING 154
10 ARTISTS (III): THE SAUSAGE FACTORY AND THE ITALIAN CONNECTION - ;
LIFE AT DOWNTON S 173
11 ARTISTS (IV): FEREF AND THE FREELANCES - T HE END OF A TRADITION 196
12 PRINTERS (I): STAFFORD & CO. AND W. E. BERRY - A VIRTUAL DUOPOLY 223
13 PRINTERS (II): RIPLEY TO BROOMHEAD - THE SUPPORTING PLAYERS 232
14 NEW YORK, LONDON, PERIVALE : NATIONAL SCREEN SERVICE LTD 246
15 FRAGMENTATION: VIDEO BOXES, MULTIPLEXES AND DESKTOP PUBLISHING 255
POSTSCRIPT: FILM POSTER COLLECTING - FROM A HOBBY TO A BUSINESS 269
CONCLUSION: MAN, IF YOU HAVE TO ASK ... 279
BIBLIOGRAPHY 283
NOTES 285
INDEX 300
|
| adam_txt |
IMAGE 1
CONTENTS
PREFACE: IF WE CANNOT APPRECIATE GREAT TRASH 7
INTRODUCTION: SELLING THE SELLOUT 12
PART ONE: 1896-1945
1 FILM DISTRIBUTION AND EXHIBITION IN THE UK: NOVELTY BECOMES INDUSTRY
21
2 THE BIRTH OF THE FILM POSTER: PRINTING TECHNIQUES, BILLPOSTING,
FORMATS AND DESIGN STRATEGIES 26
3 ARTISTS: 'RATHER LOW GRADE WORK' - ARNOLD BEAUVAIS AND DUDLEY POUT 60
4 A SOPHISTICATED INTERLUDE: EALING STUDIOS AND THE BATTLE OF ART VS.
COMMERCE 73
PART TWO: 1946-86
5 FILM DISTRIBUTION AND EXHIBITION IN THE UK: BOOM TURNS TO BUST 87
6 FORMATS AND DESIGN STRATEGIES: TERRIFYING! NERVE-SHATTERING!
BLOOD-CURDLING! 94
7 PUBLICITY DEPARTMENTS, ADVERTISING AGENCIES AND DESIGN STUDIOS 115
8 ARTISTS (I): 'REAL RIPSNORTER' - TOM CHANTRELL AND ALLARDYCE PALMER
134
9 ARTISTS (II): 'BLOODY MARVELLOUS' - ERIC PULFORD AND DOWN TON
ADVERTISING 154
10 ARTISTS (III): THE SAUSAGE FACTORY AND THE ITALIAN CONNECTION - ;
LIFE AT DOWNTON'S 173
11 ARTISTS (IV): FEREF AND THE FREELANCES - T HE END OF A TRADITION 196
12 PRINTERS (I): STAFFORD & CO. AND W. E. BERRY - A VIRTUAL DUOPOLY 223
13 PRINTERS (II): RIPLEY TO BROOMHEAD - THE SUPPORTING PLAYERS 232
14 'NEW YORK, LONDON, PERIVALE': NATIONAL SCREEN SERVICE LTD 246
15 FRAGMENTATION: VIDEO BOXES, MULTIPLEXES AND DESKTOP PUBLISHING 255
POSTSCRIPT: FILM POSTER COLLECTING - FROM A HOBBY TO A BUSINESS 269
CONCLUSION: 'MAN, IF YOU HAVE TO ASK . ' 279
BIBLIOGRAPHY 283
NOTES 285
INDEX 300 |
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| title | British film posters an illustrated history |
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