Digital storytelling: the narrative power of visual effects in film
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Cambridge, MA [u.a.]
MIT Press
2007
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis Klappentext |
| Item Description: | Includes bibliographical references and index |
| Physical Description: | XII, 303 S. |
| ISBN: | 9780262633697 0262633698 9780262134651 0262134659 |
Staff View
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Record in the Search Index
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| adam_text | Contents
Preface
Acknowledgments
1
Some Introductory Comments
2
3
Visual Effects
4
in Film
5
6
7
8
Filmmaking and Its Relationship to Digital Visual Effects
9
10
Realized through Digital Visual Effects
11
Appendix A:
Appendix B: Films, Release Years, and Directors
Notes
Bibliography
Index
Contents
vi
Computer
bad Hollywood movies. Yet when a critic com¬
plains that technology swamps storytelling [in a
review of Van HeLsing, calling it an example of
everything that is wrong with Hollywood comput¬
er-generated effects movies !, it says more about
the weakness of the story than the strength of the
technology. In Digital Storytelling, Shilo McClean
shows how digital visual effects can be a tool of
storytelling in film, adding narrative power as do
sound, color, and experimental camera angles-
other innovative film technologies that were once
criticized for being distractions from the story. It
is time, she says, to rethink the function of digital
visual effects.
Effects artists say—contrary to the critics—
that effects always derive from story. Digital
effects are a part of production, not
tion,-
ment process. Digital Storytelling is grounded in
filmmaking, the scriptwriting process in particu¬
lar. McClean considers crucial questions about
digital visual effects—whether they undermine
classical storytelling structure, if they always call
attention to themselves, whether their use is lim¬
ited to certain genres
rary films [including a chapter-long analysis of
Steven Spielberg s use of computer generated
effectsl and contemporary film theory to find the
answers. McClean argues that to consider digital
visual effects as simply contributing to the wow
factor underestimates them. They are, she writes,
the
|
| adam_txt |
Contents
Preface
Acknowledgments
1
Some Introductory Comments
2
3
Visual Effects
4
in Film
5
6
7
8
Filmmaking and Its Relationship to Digital Visual Effects
9
10
Realized through Digital Visual Effects
11
Appendix A:
Appendix B: Films, Release Years, and Directors
Notes
Bibliography
Index
Contents
vi
Computer
bad Hollywood movies. Yet when a critic com¬
plains that "technology swamps storytelling" [in a
review of Van HeLsing, calling it "an example of
everything that is wrong with Hollywood comput¬
er-generated effects movies"!, it says more about
the weakness of the story than the strength of the
technology. In Digital Storytelling, Shilo McClean
shows how digital visual effects can be a tool of
storytelling in film, adding narrative power as do
sound, color, and "experimental" camera angles-
other innovative film technologies that were once
criticized for being distractions from the story. It
is time, she says, to rethink the function of digital
visual effects.
Effects artists say—contrary to the critics—
that effects always derive from story. Digital
effects are a part of production, not
tion,-
ment process. Digital Storytelling is grounded in
filmmaking, the scriptwriting process in particu¬
lar. McClean considers crucial questions about
digital visual effects—whether they undermine
classical storytelling structure, if they always call
attention to themselves, whether their use is lim¬
ited to certain genres
rary films [including a chapter-long analysis of
Steven Spielberg's use of computer generated
effectsl and contemporary film theory to find the
answers. McClean argues that to consider digital
visual effects as simply contributing to the "wow"
factor underestimates them. They are, she writes,
the |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Literaturwissenschaft |
| discipline_str_mv | Allgemeines Literaturwissenschaft |
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| isbn | 9780262633697 0262633698 9780262134651 0262134659 |
| language | English |
| lccn | 2006049020 |
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| physical | XII, 303 S. |
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| spelling | MacClean, Shilo T. Verfasser aut Digital storytelling the narrative power of visual effects in film Shilo T. McClean Cambridge, MA [u.a.] MIT Press 2007 XII, 303 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Cinematography Special effects Digital video Digital cinematography Motion picture authorship Drehbuch (DE-588)4127976-1 gnd rswk-swf Spezialeffekt (DE-588)4260107-1 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Drehbuch (DE-588)4127976-1 s Spezialeffekt (DE-588)4260107-1 s DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015615319&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015615319&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | MacClean, Shilo T. Digital storytelling the narrative power of visual effects in film Cinematography Special effects Digital video Digital cinematography Motion picture authorship Drehbuch (DE-588)4127976-1 gnd Spezialeffekt (DE-588)4260107-1 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4127976-1 (DE-588)4260107-1 (DE-588)4017102-4 |
| title | Digital storytelling the narrative power of visual effects in film |
| title_auth | Digital storytelling the narrative power of visual effects in film |
| title_exact_search | Digital storytelling the narrative power of visual effects in film |
| title_exact_search_txtP | Digital storytelling the narrative power of visual effects in film |
| title_full | Digital storytelling the narrative power of visual effects in film Shilo T. McClean |
| title_fullStr | Digital storytelling the narrative power of visual effects in film Shilo T. McClean |
| title_full_unstemmed | Digital storytelling the narrative power of visual effects in film Shilo T. McClean |
| title_short | Digital storytelling |
| title_sort | digital storytelling the narrative power of visual effects in film |
| title_sub | the narrative power of visual effects in film |
| topic | Cinematography Special effects Digital video Digital cinematography Motion picture authorship Drehbuch (DE-588)4127976-1 gnd Spezialeffekt (DE-588)4260107-1 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Cinematography Special effects Digital video Digital cinematography Motion picture authorship Drehbuch Spezialeffekt Film |
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