Uncle Tom's cabin as visual culture:

"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within...

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Bibliographic Details
Main Author: Morgan, Jo-Ann (Author)
Format: Book
Language:English
Published: Columbia [u.a.] Univ. of Missouri Press 2007
Subjects:
Online Access:Table of contents only
Inhaltsverzeichnis
Summary:"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.
Item Description:"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.
Includes bibliographical references and index
Physical Description:XIII, 224 S. Ill.
ISBN:9780826217158

There is no print copy available.

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