Digital performance: a history of new media in theater, dance, performance art, and installation
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, Mass. [u.a.]
MIT Press
2007
|
| Schriftenreihe: | Leonardo
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XV, 809 S. zahlr. Ill. |
| ISBN: | 9780262042352 9780262527521 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Series
Preface
Acknowledgments
1
1 Histories
2
3
4
5
II Theories and Contexts
6
7
8
9
III The Body
10
11
12
13
IV Space
14
15
16
17
18 Webcams:
19
20
V Time
21
22
VI Interactivity
23
24
25
26
Notes
Bibliography
Index
The past decade has seen an extraordinarily intense
period of experimentation with computer technology
within the performing arts. Digital media has been
increasingly incorporated into live theater and dance,
and new forms of interactive performance have
emerged in participatory installations, on CD-ROM,
and on the Web. In Digital Performance, Steve Dixon
traces the evolution of these practices, presents
detailed accounts of key practitioners and perfor¬
mances, and analyzes the theoretical, artistic, and
technological contexts of this form of new media art.
Dixon finds precursors to today s digital performances
in past forms of theatrical technology that range from
the
Wagner s
artwork), and draws parallels between contemporary
work and the theories and practices of Constructivism,
Dada,
timedia pioneers of the twentieth century. For a the¬
oretical perspective on digital performance, Dixon
draws on the work of Walter Benjamin, Roland Barthes,
Jean Baudrillard, and others.
To document and analyze contemporary digital per¬
formance practice, Dixon considers changes in the
representation of the body, space, and time. He consid¬
ers virtual bodies, avatars, and digital doubles, as
well as performances by artists including
Robert Lepage,
Blast Theory, and
media s novel approaches to creating theatrical spec¬
tacle, including virtual reality and robot performance
work, telematic performances in which remote loca¬
tions are linked in real time,
drama communities, and considers the
illusion created by some technological theater works.
Finally, he defines categories of interactivity, from
navigational to participatory and collaborative. Dixon
challenges dominant theoretical approaches to digital
performance—including what he calls
denial of the new—and offers a series of boldly original
arguments in their place.
|
| adam_txt |
Contents
Series
Preface
Acknowledgments
1
1 Histories
2
3
4
5
II Theories and Contexts
6
7
8
9
III The Body
10
11
12
13
IV Space
14
15
16
17
18 Webcams:
19
20
V Time
21
22
VI Interactivity
23
24
25
26
Notes
Bibliography
Index
The past decade has seen an extraordinarily intense
period of experimentation with computer technology
within the performing arts. Digital media has been
increasingly incorporated into live theater and dance,
and new forms of interactive performance have
emerged in participatory installations, on CD-ROM,
and on the Web. In Digital Performance, Steve Dixon
traces the evolution of these practices, presents
detailed accounts of key practitioners and perfor¬
mances, and analyzes the theoretical, artistic, and
technological contexts of this form of new media art.
Dixon finds precursors to today's digital performances
in past forms of theatrical technology that range from
the
Wagner's
artwork), and draws parallels between contemporary
work and the theories and practices of Constructivism,
Dada,
timedia pioneers of the twentieth century. For a the¬
oretical perspective on digital performance, Dixon
draws on the work of Walter Benjamin, Roland Barthes,
Jean Baudrillard, and others.
To document and analyze contemporary digital per¬
formance practice, Dixon considers changes in the
representation of the body, space, and time. He consid¬
ers virtual bodies, avatars, and digital doubles, as
well as performances by artists including
Robert Lepage,
Blast Theory, and
media's novel approaches to creating theatrical spec¬
tacle, including virtual reality and robot performance
work, telematic performances in which remote loca¬
tions are linked in real time,
drama communities, and considers the
illusion created by some technological theater works.
Finally, he defines categories of interactivity, from
navigational to participatory and collaborative. Dixon
challenges dominant theoretical approaches to digital
performance—including what he calls
denial of the new—and offers a series of boldly original
arguments in their place. |
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| era_facet | Geschichte 1900-2000 Geschichte 1910-2006 |
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| illustrated | Illustrated |
| index_date | 2024-07-02T17:08:01Z |
| indexdate | 2024-07-09T20:56:13Z |
| institution | BVB |
| isbn | 9780262042352 9780262527521 |
| language | English |
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| spelling | Dixon, Steve Verfasser aut Digital performance a history of new media in theater, dance, performance art, and installation Steve Dixon Cambridge, Mass. [u.a.] MIT Press 2007 XV, 809 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Leonardo Geschichte 1900-2000 Geschichte 1910-2006 gnd rswk-swf Geschichte Technology and the arts Digital media Arts, Modern 20th century Performing arts History 20th century Theater (DE-588)4059702-7 gnd rswk-swf Mixed media (DE-588)4245379-3 gnd rswk-swf Neue Medien (DE-588)4196910-8 gnd rswk-swf Tanz (DE-588)4059028-8 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Installation Kunst (DE-588)4131808-0 gnd rswk-swf Aktionskunst (DE-588)4141744-6 gnd rswk-swf Theater (DE-588)4059702-7 s Neue Medien (DE-588)4196910-8 s DE-604 Tanz (DE-588)4059028-8 s Performance Künste (DE-588)4173750-7 s Installation Kunst (DE-588)4131808-0 s Mixed media (DE-588)4245379-3 s Aktionskunst (DE-588)4141744-6 s Geschichte 1910-2006 z Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015582231&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015582231&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Dixon, Steve Digital performance a history of new media in theater, dance, performance art, and installation Geschichte Technology and the arts Digital media Arts, Modern 20th century Performing arts History 20th century Theater (DE-588)4059702-7 gnd Mixed media (DE-588)4245379-3 gnd Neue Medien (DE-588)4196910-8 gnd Tanz (DE-588)4059028-8 gnd Performance Künste (DE-588)4173750-7 gnd Installation Kunst (DE-588)4131808-0 gnd Aktionskunst (DE-588)4141744-6 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4245379-3 (DE-588)4196910-8 (DE-588)4059028-8 (DE-588)4173750-7 (DE-588)4131808-0 (DE-588)4141744-6 |
| title | Digital performance a history of new media in theater, dance, performance art, and installation |
| title_auth | Digital performance a history of new media in theater, dance, performance art, and installation |
| title_exact_search | Digital performance a history of new media in theater, dance, performance art, and installation |
| title_exact_search_txtP | Digital performance a history of new media in theater, dance, performance art, and installation |
| title_full | Digital performance a history of new media in theater, dance, performance art, and installation Steve Dixon |
| title_fullStr | Digital performance a history of new media in theater, dance, performance art, and installation Steve Dixon |
| title_full_unstemmed | Digital performance a history of new media in theater, dance, performance art, and installation Steve Dixon |
| title_short | Digital performance |
| title_sort | digital performance a history of new media in theater dance performance art and installation |
| title_sub | a history of new media in theater, dance, performance art, and installation |
| topic | Geschichte Technology and the arts Digital media Arts, Modern 20th century Performing arts History 20th century Theater (DE-588)4059702-7 gnd Mixed media (DE-588)4245379-3 gnd Neue Medien (DE-588)4196910-8 gnd Tanz (DE-588)4059028-8 gnd Performance Künste (DE-588)4173750-7 gnd Installation Kunst (DE-588)4131808-0 gnd Aktionskunst (DE-588)4141744-6 gnd |
| topic_facet | Geschichte Technology and the arts Digital media Arts, Modern 20th century Performing arts History 20th century Theater Mixed media Neue Medien Tanz Performance Künste Installation Kunst Aktionskunst |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015582231&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015582231&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT dixonsteve digitalperformanceahistoryofnewmediaintheaterdanceperformanceartandinstallation |