How to write about music: the RILM manual of style
Saved in:
| Format: | Book |
|---|---|
| Language: | English |
| Published: |
New York
Répertoire Internat. de Littérature Musicale
2006
|
| Edition: | 2. ed. |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Physical Description: | XV, 128 S. Ill. |
| ISBN: | 9781932765038 |
Staff View
MARC
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| 245 | 1 | 0 | |a How to write about music |b the RILM manual of style |c James R. Cowdery, ed. |
| 250 | |a 2. ed. | ||
| 264 | 1 | |a New York |b Répertoire Internat. de Littérature Musicale |c 2006 | |
| 300 | |a XV, 128 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 650 | 4 | |a Academic writing |v Handbooks, manuals, etc | |
| 650 | 4 | |a Musical criticism |x Authorship |v Handbooks, manuals, etc | |
| 650 | 4 | |a Musicology |v Handbooks, manuals, etc | |
| 650 | 4 | |a Report writing |v Handbooks, manuals, etc | |
| 650 | 0 | 7 | |a Wissenschaftliches Manuskript |0 (DE-588)4066596-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
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| 700 | 1 | |a Cowdery, James R. |e Sonstige |4 oth | |
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Record in the Search Index
| _version_ | 1804136264759246848 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
Foreword
ix
Preface to the second edition
xi
Introduction
xiii
1.
STYLE
1
1.1
Choosing a title
1
1.2
Dead language
1
1.3
Gender issues
2
1.3.1
Neutral language
2
1.3.2
Female vs. women
3
1.3.3
Sexual orientation
terminology
3
1.4
Interpolations
3
1.4.1
Substantive notes and hyperlinks
4
2.
PUNCTUATION
5
2.1
Spacing
5
2.1.1
Compound words and words
with prefixes and suffixes
5
2.2
The comma
6
2.2.1
Appositives
7
2.2.2
Place names
7
2.2.3
The serial comma
7
2.2.4
With Jr.,
Щ
etc.
8
2.3
The semicolon
8
2.3.1
Independent clauses
8
2.3.2
Serial semicolons
8
2.3.3
Bibliographic data
8
2.4
The colon
8
2.5
Theperiod
9
2.6
The hyphen
9
2.7
The en dash
10
2.8
The em dash
11
2.9
The slash
12
2.10
The apostrophe
12
2.1:
L
Quotation marks
12
2.11.1
Terms
13
2.11.2
Scare quotes
13
2.11.3
End punctuation with quotation marh
13
2.12
Parentheses and brackets
13
2.12.1
Parenthetical sentences
14
3.
ABBREVIATIONS
15
3.1
Names of organizations
15
3.2
St. and
SS.
15
3.3
Punctuating abbreviations
16
3.4
Et al.
and etc.
17
3.5 I.e.
and e.g.
17
3.6
Slang abbreviations
17
4.
PLURALS
18
4.1
Non-Western plurals
18
5.
NUMBERS
20
5.1
Figures vs. words
20
5.2
Punctuation
21
5.2.1
Numbering series in sentences
21
5.2.2
Large numbers
22
5.3
Dates
22
5.4
Page ranges
24
5.5
Times of day
24
5.6
Roman vs.
arabic
25
6.
SPELLING
26
6.1
U.S. conventions
26
6.2
Common problems
26
6.3
Transcribing dialect and pronunciation
27
7.
ITALIC VS. ROMAN TYPE
28
7.1
Terms
28
7.2
Legal cases
29
7.3
Ships and trains
29
8.
CAPITALIZATION
30
8.1
When to capitalize
30
8.2
Examples
31
iv
8.3
Assimilated German nouns
32
8.4
Slang names and racial epithets
32
9.
NAMES
33
9.1
Names of people
33
9.1.1
Spelling
33
9.1.2
Alphabetization
33
9.1.2.
1
Married names
33
9.1.2.2
Jr., Ill, etc.
34
9.1.2.3
Compound names
34
9.1.2.4
Prefixes
35
9.1.2.5
Other considerations for particular languages
37
9.1.3
Name changes, pseudonyms, and sobriquets
38
9.1.4
Epithets and honorifics
39
9.1.4.1
Non-Western honorifics
40
9.1.5
Incomplete and descriptive names
40
9.1.6
First names and initials
41
9.1.7
Middle names and patronymics
41
9.1.8
Dates
41
9.1.9
Scriptural, early, legendary, and
mythological names
41
9.2
Names of organizations
42
9.3
Names of places
43
9.3.1
Country and region names
АЪ
9.3.2
Directional adjectives
АЪ
9.3.3
States and provinces
АЪ
9.3.4
City and town names
АЪ
9.3.5
A partial list of cities with alternate names
A4
9.3.6
Geographic adjectives
47
10.
TITLES
48
10.1
True titles
48
10.1.1
Italics vs. quotation marks
48
10.1.2
Translations
49
10.1.3
Exceptions
49
10.2
Generic titles
50
10.3
Opus and catalogue numbers
51
10.4
Nicknames of works
51
10.5
Portions of works
51
10.6
Manuscripts
52
10.6.1
RISM
sigla
52
10.7
Visual art
53
10.8
Online publications
54
11.
NOMENCLATURE
55
11.1
Pitches
55
11.2
Chord, key, and scale denotations
56
11.3
Modal systems
56
11.3.1
Western melodic modes
56
11.3.2
Non-Western melodic and rhythmic types
57
11.3.2.1
Distinct traditions
57
12.
FOREIGN LANGUAGES
58
12.1
Special characters
58
12.1.1
The
scharfes
s
(β)
58
12.2
Capitalization
58
12.3
Transliteration
58
12.3.1
Cyrillic characters
59
12.3.2
Chinese
61
12.3.2.1
Mandarin
61
12.3.2.2
Dialects and non-Han languages
62
13.
QUOTATIONS
64
13.1
When to quote
64
13.2
Quotation vs. plagiarism
64
13.3
Introducing changes
64
13.4
Placement
65
13.4.1
Block vs. run-in
65
13.4.2
Run-in quotations
65
14.
ILLUSTRATIONS
66
14.1
Musical examples
66
14.2
Tables and figures
66
15.
ABSTRACT WRITING
68
15.1
Content
68
15.2
Style
68
15.2.1
Further examples
69
VI
15.3
Checklist for abstractors
72
15.4
Submitting an abstract to RDLM
73
16.
CITATIONS
74
16.1
When to cite sources
74
16.2
Citing publishers
74
16.2.1
City names
74
16.2.1.1
Multiple cities
75
16.2.1.2
States, provinces, and countries
75
16.3 Stylechoice 75
16.4
Numbered notes and bibliographic formats
76
16.4.1
Printed materials
16
16.4.1.1
Books
76
16
A.I.
2
Theses and dissertations
77
16.4.1.3
Items from periodicals and collections
78
16.4.1.4
Reference publications and tertiary sources
79
16.4.1.5
Notes and commentary in scores and editions
80
16.4.1.6
Reviews
81
16.4.1.7
Liner notes
81
16.4.1.8
Programnotes
82
16.4.1.9
Editions of music
83
16.4.1.10
Technical drawings of instruments
84
16.4.2
Audio and audiovisual materials
85
16.4.2.1
Sound recordings
85
16.4.2.2
Films and video recordings
86
16.4.2.3
Music videos
87
16.4.2.4
Radio and television broadcasts
88
16.4.3
Electronic publications
88
16.4.3.1
CD-ROMs
88
16.4.3.2
Online publications
89
16.4.4
Correspondence
91
16.4.5
Manuscripts and collections
93
16.5
In-text citations and bibliographic formats
95
16.5.1
Printed
matériák
95
16.5.1.1
Reference publications and tertiary sources
97
16.5.1.2
Notes and commentary in scores and editions
98
16.5.1.3
Reviews
99
16.5.1.4
Linernotes
99
16.5.1.5
Programnotes
100
vii
16.5.1.6
Editions
of music
100
16.5.1.7
Technical drawings of instruments
101
16.5.2
Audio and audiovisual materials
101
16.5.2.1
Sound recordings
101
16.5.2.2
Films and video recordings
102
16.5.2.3
Music videos
103
16.5.2.4
Radio and television broadcasts
103
16.5.3
Electronic publications
104
16.5.4
Correspondence
106
16.5.5
Manuscripts and collections
107
17.
INDEXING
109
17.1
Getting started
109
17.2
Headwords
110
17.1.2
See references
110
17.3
Second levels
110
17.4
Margin terms and subsequent levels 111
17.4.1
Personal names 111
17.4.2
Places
115
17.4.3
Topics
118
17.4.4
Standard arrangement
119
17.5
Enriching your index
121
Index
123
vui
|
| adam_txt |
TABLE
OF
CONTENTS
Foreword
ix
Preface to the second edition
xi
Introduction
xiii
1.
STYLE
1
1.1
Choosing a title
1
1.2
Dead language
1
1.3
Gender issues
2
1.3.1
Neutral language
2
1.3.2
Female vs. women
3
1.3.3
Sexual orientation
terminology
3
1.4
Interpolations
3
1.4.1
Substantive notes and hyperlinks
4
2.
PUNCTUATION
5
2.1
Spacing
5
2.1.1
Compound words and words
with prefixes and suffixes
5
2.2
The comma
6
2.2.1
Appositives
7
2.2.2
Place names
7
2.2.3
The serial comma
7
2.2.4
With Jr.,
Щ
etc.
8
2.3
The semicolon
8
2.3.1
Independent clauses
8
2.3.2
Serial semicolons
8
2.3.3
Bibliographic data
8
2.4
The colon
8
2.5
Theperiod
9
2.6
The hyphen
9
2.7
The en dash
10
2.8
The em dash
11
2.9
The slash
12
2.10
The apostrophe
12
2.1:
L
Quotation marks
12
2.11.1
Terms
13
2.11.2
Scare quotes
13
2.11.3
End punctuation with quotation marh
13
2.12
Parentheses and brackets
13
2.12.1
Parenthetical sentences
14
3.
ABBREVIATIONS
15
3.1
Names of organizations
15
3.2
St. and
SS.
15
3.3
Punctuating abbreviations
16
3.4
Et al.
and etc.
17
3.5 I.e.
and e.g.
17
3.6
Slang abbreviations
17
4.
PLURALS
18
4.1
Non-Western plurals
18
5.
NUMBERS
20
5.1
Figures vs. words
20
5.2
Punctuation
21
5.2.1
Numbering series in sentences
21
5.2.2
Large numbers
22
5.3
Dates
22
5.4
Page ranges
24
5.5
Times of day
24
5.6
Roman vs.
arabic
25
6.
SPELLING
26
6.1
U.S. conventions
26
6.2
Common problems
26
6.3
Transcribing dialect and pronunciation
27
7.
ITALIC VS. ROMAN TYPE
28
7.1
Terms
28
7.2
Legal cases
29
7.3
Ships and trains
29
8.
CAPITALIZATION
30
8.1
When to capitalize
30
8.2
Examples
31
iv
8.3
Assimilated German nouns
32
8.4
Slang names and racial epithets
32
9.
NAMES
33
9.1
Names of people
33
9.1.1
Spelling
33
9.1.2
Alphabetization
33
9.1.2.
1
Married names
33
9.1.2.2
Jr., Ill, etc.
34
9.1.2.3
Compound names
34
9.1.2.4
Prefixes
35
9.1.2.5
Other considerations for particular languages
37
9.1.3
Name changes, pseudonyms, and sobriquets
38
9.1.4
Epithets and honorifics
39
9.1.4.1
Non-Western honorifics
40
9.1.5
Incomplete and descriptive names
40
9.1.6
First names and initials
41
9.1.7
Middle names and patronymics
41
9.1.8
Dates
41
9.1.9
Scriptural, early, legendary, and
mythological names
41
9.2
Names of organizations
42
9.3
Names of places
43
9.3.1
Country and region names
АЪ
9.3.2
Directional adjectives
АЪ
9.3.3
States and provinces
АЪ
9.3.4
City and town names
АЪ
9.3.5
A partial list of cities with alternate names
A4
9.3.6
Geographic adjectives
47
10.
TITLES
48
10.1
True titles
48
10.1.1
Italics vs. quotation marks
48
10.1.2
Translations
49
10.1.3
Exceptions
49
10.2
Generic titles
50
10.3
Opus and catalogue numbers
51
10.4
Nicknames of works
51
10.5
Portions of works
51
10.6
Manuscripts
52
10.6.1
RISM
sigla
52
10.7
Visual art
53
10.8
Online publications
54
11.
NOMENCLATURE
55
11.1
Pitches
55
11.2
Chord, key, and scale denotations
56
11.3
Modal systems
56
11.3.1
Western melodic modes
56
11.3.2
Non-Western melodic and rhythmic types
57
11.3.2.1
Distinct traditions
57
12.
FOREIGN LANGUAGES
58
12.1
Special characters
58
12.1.1
The
scharfes
s
(β)
58
12.2
Capitalization
58
12.3
Transliteration
58
12.3.1
Cyrillic characters
59
12.3.2
Chinese
61
12.3.2.1
Mandarin
61
12.3.2.2
Dialects and non-Han languages
62
13.
QUOTATIONS
64
13.1
When to quote
64
13.2
Quotation vs. plagiarism
64
13.3
Introducing changes
64
13.4
Placement
65
13.4.1
Block vs. run-in
65
13.4.2
Run-in quotations
65
14.
ILLUSTRATIONS
66
14.1
Musical examples
66
14.2
Tables and figures
66
15.
ABSTRACT WRITING
68
15.1
Content
68
15.2
Style
68
15.2.1
Further examples
69
VI
15.3
Checklist for abstractors
72
15.4
Submitting an abstract to RDLM
73
16.
CITATIONS
74
16.1
When to cite sources
74
16.2
Citing publishers
74
16.2.1
City names
74
16.2.1.1
Multiple cities
75
16.2.1.2
States, provinces, and countries
75
16.3 Stylechoice 75
16.4
Numbered notes and bibliographic formats
76
16.4.1
Printed materials
16
16.4.1.1
Books
76
16
A.I.
2
Theses and dissertations
77
16.4.1.3
Items from periodicals and collections
78
16.4.1.4
Reference publications and tertiary sources
79
16.4.1.5
Notes and commentary in scores and editions
80
16.4.1.6
Reviews
81
16.4.1.7
Liner notes
81
16.4.1.8
Programnotes
82
16.4.1.9
Editions of music
83
16.4.1.10
Technical drawings of instruments
84
16.4.2
Audio and audiovisual materials
85
16.4.2.1
Sound recordings
85
16.4.2.2
Films and video recordings
86
16.4.2.3
Music videos
87
16.4.2.4
Radio and television broadcasts
88
16.4.3
Electronic publications
88
16.4.3.1
CD-ROMs
88
16.4.3.2
Online publications
89
16.4.4
Correspondence
91
16.4.5
Manuscripts and collections
93
16.5
In-text citations and bibliographic formats
95
16.5.1
Printed
matériák
95
16.5.1.1
Reference publications and tertiary sources
97
16.5.1.2
Notes and commentary in scores and editions
98
16.5.1.3
Reviews
99
16.5.1.4
Linernotes
99
16.5.1.5
Programnotes
100
vii
16.5.1.6
Editions
of music
100
16.5.1.7
Technical drawings of instruments
101
16.5.2
Audio and audiovisual materials
101
16.5.2.1
Sound recordings
101
16.5.2.2
Films and video recordings
102
16.5.2.3
Music videos
103
16.5.2.4
Radio and television broadcasts
103
16.5.3
Electronic publications
104
16.5.4
Correspondence
106
16.5.5
Manuscripts and collections
107
17.
INDEXING
109
17.1
Getting started
109
17.2
Headwords
110
17.1.2
See references
110
17.3
Second levels
110
17.4
Margin terms and subsequent levels 111
17.4.1
Personal names 111
17.4.2
Places
115
17.4.3
Topics
118
17.4.4
Standard arrangement
119
17.5
Enriching your index
121
Index
123
vui |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| building | Verbundindex |
| bvnumber | BV022263659 |
| callnumber-first | M - Music |
| callnumber-label | ML3797 |
| callnumber-raw | ML3797 |
| callnumber-search | ML3797 |
| callnumber-sort | ML 43797 |
| callnumber-subject | ML - Literature on Music |
| ctrlnum | (OCoLC)70729212 (DE-599)BVBBV022263659 |
| dewey-full | 780.71 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 780 - Music |
| dewey-raw | 780.71 |
| dewey-search | 780.71 |
| dewey-sort | 3780.71 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| edition | 2. ed. |
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| id | DE-604.BV022263659 |
| illustrated | Illustrated |
| index_date | 2024-07-02T16:43:37Z |
| indexdate | 2024-07-09T20:53:38Z |
| institution | BVB |
| isbn | 9781932765038 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-015474260 |
| oclc_num | 70729212 |
| open_access_boolean | |
| owner | DE-12 DE-B170 DE-M29 |
| owner_facet | DE-12 DE-B170 DE-M29 |
| physical | XV, 128 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Répertoire Internat. de Littérature Musicale |
| record_format | marc |
| spelling | How to write about music the RILM manual of style James R. Cowdery, ed. 2. ed. New York Répertoire Internat. de Littérature Musicale 2006 XV, 128 S. Ill. txt rdacontent n rdamedia nc rdacarrier Academic writing Handbooks, manuals, etc Musical criticism Authorship Handbooks, manuals, etc Musicology Handbooks, manuals, etc Report writing Handbooks, manuals, etc Wissenschaftliches Manuskript (DE-588)4066596-3 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Wissenschaftliches Arbeiten (DE-588)4066571-9 gnd rswk-swf Wissenschaftliches Arbeiten (DE-588)4066571-9 s Musik (DE-588)4040802-4 s Wissenschaftliches Manuskript (DE-588)4066596-3 s DE-604 Cowdery, James R. Sonstige oth Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015474260&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | How to write about music the RILM manual of style Academic writing Handbooks, manuals, etc Musical criticism Authorship Handbooks, manuals, etc Musicology Handbooks, manuals, etc Report writing Handbooks, manuals, etc Wissenschaftliches Manuskript (DE-588)4066596-3 gnd Musik (DE-588)4040802-4 gnd Wissenschaftliches Arbeiten (DE-588)4066571-9 gnd |
| subject_GND | (DE-588)4066596-3 (DE-588)4040802-4 (DE-588)4066571-9 |
| title | How to write about music the RILM manual of style |
| title_auth | How to write about music the RILM manual of style |
| title_exact_search | How to write about music the RILM manual of style |
| title_exact_search_txtP | How to write about music the RILM manual of style |
| title_full | How to write about music the RILM manual of style James R. Cowdery, ed. |
| title_fullStr | How to write about music the RILM manual of style James R. Cowdery, ed. |
| title_full_unstemmed | How to write about music the RILM manual of style James R. Cowdery, ed. |
| title_short | How to write about music |
| title_sort | how to write about music the rilm manual of style |
| title_sub | the RILM manual of style |
| topic | Academic writing Handbooks, manuals, etc Musical criticism Authorship Handbooks, manuals, etc Musicology Handbooks, manuals, etc Report writing Handbooks, manuals, etc Wissenschaftliches Manuskript (DE-588)4066596-3 gnd Musik (DE-588)4040802-4 gnd Wissenschaftliches Arbeiten (DE-588)4066571-9 gnd |
| topic_facet | Academic writing Handbooks, manuals, etc Musical criticism Authorship Handbooks, manuals, etc Musicology Handbooks, manuals, etc Report writing Handbooks, manuals, etc Wissenschaftliches Manuskript Musik Wissenschaftliches Arbeiten |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=015474260&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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